Nightschool, vols. 1-3

By Svetlana Chmakova

Published by Yen Press

Slugline: A other kind of Plot? What Plot? story.

Sarah is the new Night Keeper of the Night School, a school for supernatural children including Weirns (witches), vampires, mermaids and many others.  Being held in a public school after the human children have left shows how close the two worlds are, especially since there are Hunters who make sure that the night creatures do not push at their boundaries.  But Sarah’s disappearance, not only physically but from people’s memories begins a series of events that may bring a dangerous prophecy to pass.  Sarah’s sister Alex already has a curse upon her, but to find the sister that no one remembers she enrolls in the Night School while a group of trainee Hunters and their Seer try to find who stole time from some of them.  There is seven prophecy children and though they are not known even to themselves, the consequences of their meeting will be terrible.

The characters are done well, at turns scary as they show off their more dangerous aspects while at other times they are cute and childish such as when they act like the teens they are.  The big problem is that while there is a strong overall plot, with the prophecy and the seven children waiting meet again, the actual plot in each chapter moves slowly.  Part of it may be a function of having to follow multiple characters who may (or may not) be the prophecy children but the end result is that Sarah’s story comes across as the main story but not as the most important one considering the number of scenes she isn’t even tangentially involved in.  The other potential prophecy children get less time than she does but get equally complicated plots so it feels that their stories are moving at a snail’s pace.  It didn’t feel so bad in the first volume, but by the end of the third the feeling becomes oppressing and the question is when are things going to happen?

Nightschool, vol. 1, vol. 2 and vol. 3 are all available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand 

Deadman Wonderland, vol. 1

By Jinsei Kataoka and Kazuma Kondou
Published in the US by TokyoPop

Slugline:  Prisons and amusement parks are not a good combination

In the near future Ganta is among the few survivors of the Great Tokyo Earthquake but by the time he is a teenager he barely remembers it and has adapted to high school life.  The mysterious Red Man then kills everyone else in his class and Ganta is convicted of the crime and is quickly sent to Deadman Wonderland, a combination private prison and amusement park built on Tokyo's ruins.  Private prisons are never nice places in fiction and Deadman Wonderland is no exception with prisoners pitted against each other to entertain visitors and earn privileges.  In the case of death row prisoners like Ganta, the privileges include living for another three days.  To help him survive long enough to prove his innocence a childhood friend from pre-earthquake Tokyo is helping him while Ganta also learns to master the powers that the Red Man left in him while killing his classmates.

While there are some similarities to such titles as Battle Royale and Death Note (here are our reviews for Death Note 1-6 and 7-10), here the main tension seems to be from Ganta coming to grips to the mysteries that surround him.  The Red Man is central to these mysteries and at this stage in the series he is like a storm that comes in and upsets the natural order of Ganta's life. Shiro, Ganta's childhood friend, helps lighten the title though still leaving the danger in it intact. That way the story is not too dark though how maniac Shiro is will have to be managed so it doesn't become silly and descend into parody, admittedly not terrible danger. This is a good start to a potentially complex emotionally charged thriller, but it is still only a good beginning not proof of a successful continuing title.

Deadman Wonderland, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Only One Wish, vol. 1

By Mia Ikumi
Published in the US by Del Rey Manga

Slugline:  Why do people like monkey paw stories so much?

Students believe in an urban legend that if you text under the right conditions you will get an angel to make one wish come true. But things are never that simple. Here, as in many other monkey paw-like stories, getting exactly what you wish for leads to the worst possible outcome.  The angel will fulfill only one wish, there is no chance to take it back, no matter how much it is needed. In this volume, a trio of friends tear themselves apart from jealousy and anger over who will wish a boyfriend to them. A dead girl has to find the wrong boy to kiss to bring herself back to life. A boy and girl who are so alike have blindly to find each other across the city. A girl shrinks a boy down to doll size until he loves her. In all of these, what can go wrong with the wish does often without any recourse.

This seems like a monkey paw in search of a good story to grasp onto. At first, having wishes go wrong seems like a good foundation for a series but variations of it has been done so often it is hard to find a new take. Plus if the story is always about wishes going wrong, reading it gets depressing as people keep on destroying themselves despite the best of intentions. This problem is realized as while the first story has a very traditional 'be careful what you wish for' story the later ones depart from that strict formula. The angel is a like a ghost character which helps prevent readers from blaming her for the evil that befalls the other characters but there is nothing emotional linking the stories together. The manga feels well written but empty. There is a short Tokyo Mew Mew! story included for the creator's other fans.

Only One Wish, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Hanako and the Terror of Allegory

By Sakae Esuno
Published in the US by TokyoPop

 

Slugline:  Is eating fish with human faces cannibalism?

Aso Daisuke is a former police investigator that  is now a private detective with an unusual focus, dealing with allegories that are more popularly know as urban legends.  For instance, when Kanae Hiranuma hears the urban legend of the axe murderer who lurks under the bed, the story has such an effect on her that it literally becomes real to her, a situation that Aso rescues her from.  Unfortunately she cannot pay her bill and decides to work with him and his even stranger partner Hanako to pay it off.  The cases soon become even stranger and more bizarre, moving from the gotcha factor of the axe murderer to a full-blown psycho-sexual laden tale involving human faced fish.  The manga is given more meaning by the fact that Aso is suffering from allegories himself, making him both less and more than just human.

At first it seem like this will be another creepy-crawly filled horror manga, but it is during the human faced fish story in the last half of the volume that it becomes clear that this is something more else.  The horrors the characters face become less important than then the ones that live in the characters' minds and drive them.  The story could use better explanations of the urban folklores used in the background, for while the allegories that drive the story are well explained, the ones that drive the characters seem less so, especially the one that Hanako is part of.  For an explanation of it, click out this link.  Much like the creator's other work, Future Diary (see the Prospero's Manga review here) this appears at first like many other stories but soon shows that the idea behind it can be much deeper than what the source material may originally suggest.

Hanako and the Terror of Allegory is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Panic X Panic, vol. 1

By Mika Kawamura
Published in the US by Del Rey

Slugline:  Why are the bad guys always more interesting than the good guys?

Mitsuki and Kakeru have grown up across the street from each other, her the heir of a Shinto shrine while Kakeru the son of a priest, while their fathers were in constant competition.  That competition has spilled over to their children's relationship so that they do not get along either in school to the surprise of their classmates.  They usually just annoy each other but now demons that have been kept out of the human world for hundreds of years have been released and only Mitsuki and Kakeru can stop them.  Until they find the seals to permanently seal away the demons, they have to work together to convince the demons that have entered the world to behave themselves. 

What a surprise.  The most popular boy and girl in school can't stand each other despite knowing each other since childhood now they have to save the world from a threat that no one else can perceive.  While the plot aspects of this manga are interesting and show some originality the characters themselves do not.  If anything they show very cookie-cutter characteristics, especially in that despite Mitsuki's supposedly equal power in dealing with demons she is instead acts helpless and deals mostly with the demons by talking and making friends with them.  Considering how cliche it is for the girl to be the one to fulfill that role in a story, the characters need to be really interesting in order to overcome that and none of them are up to the challenge.  This is a case where the formulaic approach overcomes everything else and makes this an easily forgettable manga.

Panic X Panic, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Bloody Kiss, vol. 1

By Kazuko Furumiya
Published in the US by TokyoPop


Slugline: They promise the next volume is better?

Kiyo has always fough against others impressions of her family, so when her grandmother wills her decrepit mansion to Kiyo she can only see that selling it would make the law degree she needs to clear her family's name possible. The problem is that two vampires are already squatting at the property having been invited to live there by Kiyo's grandmother and want to stay despite Kiyo's plans. To make things even more complicated one of the vampires, Kurobashi. wants Kiyo to be his 'bride,' his sole source of human blood which will strengthen him supernaturally. Kiyo initially refuses, but when (evil) lawyers try to forcibly sell the mansion out from under her, she reluctantly agrees to giver her blood to him, permanently linking them together. Since she is now his 'bride' he uses his new supernatural abilities to help her at work and school.

The back cover blurb extols that the end of the second volume is great. Well, the question is why bother to buy the first volume if they feel that they need to talk about the second on it? This is only a two volume series, and maybe TokyoPop wanted people to know they could have a complete story in just two volumes that has a great ending, but if that was the intent it was not communicated clearly. This is another poor but hardworking girl stuck between two supernatural guys story, but the second guy, Kurobashi's servant, just too thinly sketched out so the sense of a competition over her is not clear. As it is, that better be one heck of twist/surprise in the next volume because at the moment it just feels like every other shoujo/vampire story.



Bloody Kiss, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Deka Kyoshi, vol. 1

By Tamio Baba
Published in the US by CMX Manga


Slugline: Old school detective

Toyama is a police detective investigating the suspicious suicide of fifth grade school teacher. He goes undercover as the teacher's replacement and befriends the class misfit,Miyahara, who see things no one else can. Miyahara is seeing the various mental disturbances that the students have so Toyama believes his descriptions. Toyama uses them to deal with the various afflictions that the students have while making a friend and an unofficial partner of Miyahara while also drafting the school nurse into his efforts. What is certain that someone is behind the teacher's death and there is a mysterious figure lurking in the background that makes all of the students' problems worse, but by the end of the first volume his identity remains unknown.

The art and story feels very old school, like the title was produced in the 70's or 80's with the art simplified and the storytelling straightforward. The rational explanation for the supernatural abilities is weak, even by the liberal standards of manga, which still bugs me. The stories worked best when both theToyama/Miyahara team and the student of the week deal with the problem together rather having Toyama punching a psychosis that only Miyahara can see leaving the student confused. The best example of this was the "Swimming Girl" chapter where the student confront her guilt over her parent's breakup by speaking with her mom in addition to Toyoma and Miyahara's own efforts. It still feels like an After School Special at times but in the better stories reader isn't being preached to.



Deka Kyoshi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Zone-00, vol. 1

Art and Story by Kiyo Ojo
Published in the US by TokyoPop


Slugline: Nowhere near any good zone.

Shima, son of an exorcist family, has transferred to a Tokyo school to combat the increasing demon attacks. There he meets Kujo, a happy go lucky student who asks embarrassingly blunt questions and turns into a ogre when he is beheaded. That happens surprising far more often than one would normally think, apparently. In short order almost a dozen characters join up ranging from witches, animal companions that turn into hot guys, sibling demons who turn into vehicles,Shima's killer robot servants, a werewolf detective and some demon entrepreneurs. There is barely room at the end of the book to introduce Zone-00, a drug that turns men into monsters.

Done by the same artist who did worked on Trinity Blood, the art is the redeeming quality of this manga. Though for the content of the art itself, well since this book is rated as having moderate fan service, it makes one wonder what would be considered excessive. That same art can also be a challenge to understand since it is so busy it can be hard to follow the story. Not there is much a story, because so many pages are spent introducing the mob of characters that few are left to introduce the story's MacGuffin , the drug Zone-00. The antagonists of the story are still ciphers as the book ends and the 18 page character guide at the end of the book is necessary to tell you about the characters enough to care. Most of the characters seem to exist because the artist wanted the widest possible variety of body types to draw and dress. While pretty, the story here is barely enough of an excuse to string the characters together that the artist may have been happier doing a pinup book instead.



Zone-00, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Ikigami: The Ultimate Limit, vol. 1

Story and Art by Motoro Mase
Published in the US by Viz


Slugline: Worst Government Health Plan Ever!

Fijimoto has started a job with a government ministry as a messenger of Ikigami. This government has decided so that the citizens will live to their fullest, some have to die. All citizens receive immunizations and in those immunizations some receive a capsule that will kill them at a predetermined date and time between the age of 18 to 24. Their only warning is that 24 hours before their death, the victims receive an Ikigami with their death information. Fujimoto questions the ethics of this, but not too loudly since social malcontents also receive a capsule. He delivers two Ikigami in this volume, one to victim of bullying who now has to wonder how to get revenge and the other to a street musician that has sold out in order to be a success that he will now never enjoy.

This series acts more along the lines of an anthology, with Fujimoto only being involved in the beginning of each story as the background of the Ikigami and the world that permits it is touched upon. The rest of the stories are about the last days of the victim and how they chose to use their death. These are character studies, as the victims have just a day forcing them to pare their goals and themselves down to fit that day. Despite the implicit questioning of Ikigami by the characters, on how there is no need for it to be used to bind the society together, in the two cases here the final acts of the victims are to help others, thus undercutting the argument against them. The strength of the title is in the character examinations rather than the overarching story which has too much useless infodumps.



Ikigami: The Ultimate Limit, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Rasetsu, vol. 1

Story and Art by Chika Shiomi
Published in the US by Viz Shojo Beat


Sluglines: Love and Roses must always have thorns

Rasetsu is the lead exorcist of an agency that casts out spirits and other supernatural menaces despite her young age. Part of the reason that she is so talented is that an early age she was marked by a rose tattoo as the possession of the spirit to be claimed by it on her 20th birthday. The only way for her to escape her fate is to fulfill a very specific set of conditions that she has little confidence in herself in fulfulling. Despite her competence, she does not look it, so when Yako Hoshino, a character from Chika Shiomi's earlier work Yurara needs the help of an exorcist he is reluctant to hire her agency. Rasetsu steamrolls over his protests and when she realizes that he has his own ability, she arranges for Yako to lose his current job and be hired to work for her agency so that she can have someone halfway competent to help her. What Rasetsu doesn't realize that she bears an uncanny resemblance to his lost love, a relationship thatforms the core of Yurara.

This is a sequel to the Yurara manga but so far only Yako has appeared in Rasetsu in more than background role. The focus in far more on Rasetsu, a new character, than Yako. She is an interesting mix of competent and carefree, doomed and light hearted. She is reticent to discuss her need to find true love to escape the spirit which makes the plot stronger, as it is believable that her experience makes her wary of any kind of love even if it would be her salvation. Yurara has not been reviewed so there is no way to really compare this title to it's prequel, but the mere fact that this is not another high school shojo gives it a leg up. While it has been certainly been implied that Rasetsu and Yuko will be getting together because of Rasetsu's fate and her resemblance to Yuko lost love, the plot does not feel like it is predetermined or just an exercise of filling in the blanks, which is partly why it is so well rated.



Rasetsu, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Cat Eyed Boy, vol. 1

Story and Art by Kazuo Umezu
Published in the US by Viz


Slugline: A horror manga that has gone horribly wrong.

Cat Eyed Boy is an abandoned monster that has been forced to live on his own, living in house's attics and observing the people live there. Either trouble follows him or he follows trouble, but either way the people he spies upon often have things go terribly wrong. Eventually he comes across a group of human freaks who are behaving as monsters to get revenge on humans that are monsters on the inside. This perversion of monsters (comparatively speaking) good name sets him in opposition to them.

Kazuo Umezu created The Drifting Classroom manga, so when this title come up for review the expectation was that it would be very good. Instead, The Cat Eyed Boy is more memorable for the lack of internal consistency and the meandering and purposeless main character. Sure, maybe that reflects the character's true nature as a cat rather than a human being, but it still makes for a very poor story. Even the opposition that makes their appearance in the last half of this super-sized volume doesn't make much sense, and because their victims deserve their fate it is hard to sympathize with them. Still you can't help but feel annoyed that the Cat Eyed Boy is completely incompetent in trying to stop them. As a result the art rather than conveying a horrific mood merely has a gross out factor.



Cat Eyed Boy, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Future Diary, vol. 1

By Sakae Esuno
Published in the US by TokyoPop


Slugline: Knowing the future means knowing how you are doomed.

Yukiteru doesn't have any friends but he consoles himself by having a hobby, which keeping an exhaustive diary of the events around him on his cell phone. It is one of the few things he talks about to what he considers to a playful yet dangerous imaginary god of time and space Deus. The imaginary god turns out to be very real when Yukiteru's diary changes to show what he would have written for 90 days into the future. At first Yuki enjoys and exploits having future knowledge but this ends when Deus' playful and dangerous nature is revealed. It turns out Deus gave 12 people future diaries based on diaries that they were already keeping and whomever is the last one alive will replace Deus as the god of time and space. Yukiteru's initial enjoyment of his diary only made him a prime target of a serial killer and a terrorist bomber, both of whom are diarists. As a mixed blessing, a fellow student at Yuki's school, Yuno Gasai, had been stalking him and her diary is filled with details of his life, which helps him survive. The detective Keigo Kurusu has his own criminal investigation diary and is determined to end all of the mayhem that the future diaries are causing and the three of them ally together by the end of the volume to stop the other diarists and keep Yuki alive.

Think of this as a less dark version of Death Note. Not to say that this light and fluffy, but it isn't quite as nihilistic as Death Note was. At least, not yet, though the series could easily go very dark or get less intense fairly easily from this point. The fact that I don't which direction it will take is a good sign. The good guys have some major problems, with Yuki's near breakdown in the face of danger, Yuno having more than a couple screws loose and Keigo almost a little too willing to sacrifice Yuki . The mechanism of the diaries help drive the action, though while some of the diaries at least for now seem like that they can get a little silly. As an example, a bomber keeping an escape diary? But the story grabs hold of ordinary people, throws them into deep end of the pool and we get to watch them react and struggle to survive in a very realistic way.

For those that are curious, here are our reviews for Death Note 1-6 and 7-10.



Future Diary, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Heaven's Will, vol. 1

Story and Art by Satoru Takamiya
Published in the US by Viz Shojo Beat


Slugline: Shoujo and the supernatural clash. Cuteness wins!

Sudou is a kanki, a person with the ability to see ghosts and other spirits called oni which she has been trying to avoid all of her life. Well, unholy creatures and boys, whom she just does not understand. While trying to lose pursuing oni a local haunted house Sudou runs into Seto, a crossdressing male dressed as a goth girl and who is an exorcist willing to help her with oni if in return Sodou cooks him/her a cake a day and flushes out more oni. Seto has a sidekick vampire wolf named Kagari that helps them out but is so gruff that he often surprises Sudou. During the course of the first exorcism (which takes up most of the first volume) Seto reveals that is not his/her true name but the name of his dead twin sister. Seto's sister was an exorcist with Seto using his sister's magical fan (which contains her spirit) to perform his exorcisms. The reason for all these complications, including Seto's cross-dressing, is because Seto hopes to make himself enough of a girl to allow his sister to reemerge and take over his body, displacing his spirit but allowing his sister to live again. Despite Seto's guilt-filled rationalization that this is to make up for his sister dying while defending him, Sudou is horrified and is left trying to think of ways to convince Seto to live.

As a Viz Shojo Beat title, this is far more a shoujo than a supernatural thriller, especially with all the talk of feelings rather than planning on how to confront the supernatural. The result is while the characters are well developed the story itself is less so, with the supernatural's rules unclear. In a way, even the art reflects shojo priorities, with Seto's cute goth girl outfits fully realized while the scenes that involve the supernatural sometimes seem unclear and suffer from poor panel construction. I am not a big shojo person, so it would not be a surprise for me to say that I think that perhaps the shoujo aspects should have minimized. But I think that they spent too much of their dramatic energy will on this first case, explaining both of Seto and Kagari's issues in detail together rather than spreading it over several different cases, allowing the supernatural and the shoujo aspects of the title to play off each other rather than existing almost separately. If you are not going to use the supernatural aspects to help inform and explain the characters and the overall story, why bother having those aspects at all?



Heaven's Will, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Yōkaiden, vol. 1

By Nina Matsumoto
Published by Del Rey Manga


Slugline: Be careful for what you wish for, because sometimes you will get it. Too bad you don't know any better.

Hamachi is living with his gruff (and not in a kindly way) grandmother after the death of his parents when he comes across a yokai, a Japanese demon/spirit that can have any number of origins or attitudes. The fact that there are so many of them means that there are more for Hamachi to learn about, much to his grandmother's disgust. Her disgust is so great that she lays a trap for one which Hamachi secretly rescues. When Hamachi learns that his grandmother laid the trap, he tries to overlook it, but the yokai that was trapped by it steals her soul while he is away. Upon his return, he decides to go to the yokai homelands through a portal to recover his grandmother's soul, or at least talk to the yokai that took it. Once in the yokai lands, he begins to make friends and enemies, but is still a long way off from confronting the yokai that has his grandmother's soul by the end of the first volume.

The manga at first starts fairly serious and straightforward, but as the volume continues, the story becomes more meta and self-referential. I don't think that is a good way to go, how serious one should take the story needs to be consistent, otherwise readers may feel that they are being manipulated (in a bad way.) To a certain extent, Hamachi is too naive and idealistic. He claims that he has read the books about yokai, so he knows that some are good, and is open to those but he seems to refuse to believe the truthfulness of those same texts in that some yokai are harmful and dangerous. Some amount of caution and learning from the dangers he is exposed to should be expected, but he seems impervious to them. After nearly having his own soul stolen, he just laughs it off. That sort of fits with the more metatextual aware Hamachi from later in the volume, when he seems to be more aware that he is in a story, but not so much in the beginning of the volume. It is this uncertainty over what the nature of the story is that robs it of tension and storytelling power.



Yōkaiden, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Nora: The Last Chronicle of Devildom, vol. 1

Story and Art by Kazunari Kakei
Released in the US by Viz Shonen Jump Advanced


Slugline: Death Note lite

Nora is a demon of an underworld army that is dedicated in maintaining control over demons and making sure that they do not bother the world of mortals. Unfortunately he has an attitude problem and so the demon general Dark Liege sends Nora to be bound to a human to teach him humility. Bad for Nora, good for Kazuma Nagari, a bored student president who is also a genius that has been given the mystical 'leash' for Nora and decides that he is going to teach his demon some manners. That is going to be an interesting challenge because Nora's natural form when he is not sealed into a human one is Cerberus, the giant hound better known as the guardian of the very gates of hell. But Nora is not very bright or very respectful of humans, leaving Kazumi to show Nora how smart but weak humans can defeat rogue demons and the demon Resistance.

This series is not anywhere as harsh as Death Note was, but Kazuma shows some of Light's casual cruelty and being too smart and controlled for his own good. Still it is nice to see any character in a manga reacting intellectually rather than emotionally. While to a certain extent these sort of plots rely on not having anything random happening to prevent the intellectual character's plan from going off without a hitch, the way Kazumi handles himself helps keep the story on this side of believable rather than moving into ludicrous territory. There is also the genre aspect of waiting until the last moment to unveil the character's power (in this case Nora) and trashing the opponent. Having Kazumi holding onto the keys of Nora's power and having his own agenda beyond just defeating the bad guys gives a rationale for that genre staple and makes it more interesting. It gives a solid reason for Nora to become more reliant on Kazumi and more sympathetic to humanity in general, even as it begins to cost Kazumi to do so. This all gives the manga an interesting and different spin from others than follow the same basic formula.

For those that are curious, here are our reviews for Death Note 1-6 and 7-10.



Nora: The Last Chronicle of Devildom, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Yumekui Kenbun Nightmare Inspector, vol. 1

Story and Art by Shin Mashiba
Released in the US by Viz


Slugline: More horror with a twist in the EC Comics tradition

In the Taisho era of Japan (think late Victorian England) there is a baku who eats dreams, and he makes his living by offering to eat the dreams of people having nightmares, solving their problematic nightmares and gaining sustenance at the same time. This is an episodic series, with no continuing storylines, except for the last chapter of the volume which ends on question mark, which is a good way to encourage people to check out the next volume. The stories are all horror edged, with a strong bit of the old EC Comics tradition of having a twist or reveal at the end of the story that is ironic or over the top. The stories are all well constructed and the art clear, so will it does not thrill or scare me to no end, by the same token it does not disappoint. It is just okay. Not sure if that is damning by faint praise or not.



Yumekui Kenbun Nightmare Inspector, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Dororo, vol. 1

By Osamu Tezuka
Published by Vertical Publishing


Slugline: The demon version of the game Operation.

It is hard to honestly review Tezuka's titles. His presence looms so large over the history of manga it's hard to separate the work from the creator, something that can be hard to accomplish even on less notable creators. Dororo is from Tezuka's later period, when he was transitioning to more mature works and exists at the juncture of horror and action. The main character, Hyakkimaru , is trying to recover the 48 body parts that his father gave away before his son's birth for power. Born alive, the remnants of the child kept mystically alive without the missing body parts grew up, using prosthetics and other artificial devices to appear human. But the various forms of death stalks him, and the only way he can become whole and get death off his trail is to hunt down the 48 demons, each time killing one having one of his body parts regenerating. The title of the series Dororo comes from the child thief that is following him, determine to steal Hyakkimaru's valuables (but the most valuable bits of him, his very body, has already been stolen) even though it seems to be more of an excuse for Dororo to follow Hyakkimaru's quest.

The other hard part of reviewing Tezuka is the fact that while he uses many genre conventions, that is because he is often creating those conventions. His art has not aged well, being very cartoony by modern standards. But while some of the characters seem thinly sketched, what is going on conveys a world that is terrible and cruel with people with even the best intentions inevitably being get punished. Even the main characters, Hyakkimaru and Dororo cannot afford to trust each other despite their 'friendship', because that is how this world works. I assume that this period is intended to evoke one of the civil war periods in feudal Japan, and at this time the only thing that makes sense is Hyakkimaru's search to reclaim itself. Each piece he reclaims is a gift he appreciates, which in turn reflects on the world around him. So despite the cartoony and simplistic veneer on top of the story, something deeper is going on, about how seeking oneself is more than just a selfish quest.



Dororo, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Astral Project, vol. 1

by marginal and Syuji Takeya
Released in the US by CMX Manga


Slugline: Jazz that literally produces an out of the body experience.

Masahiko is living in Tokyo doing odd jobs, escorting former idols to prostitution meetings when he learns that his sister has died. Dodging his parents, he returns to his childhood home to get a momento of his sister, and choses to take the unmarked music CD in her player, the last thing she listened to. Once he has returned to Tokyo, listening to the jazz music on the disk, he has an out of the body experience, as his astral form wanders over the city. The rest of the first volume is taken up by Masahiko trying to understand just how his sister died, who else is wandering the astral space over Tokyo and trying to origin of the jazz music on the disk that his sister left behind.

This is a mature title, not for any reason that I can tell in the first volume. Probably the naughty stuff starts kicking in the later volumes, but here we have profoundly isolated character, Masahiko, who can literally float above it all. But as the volume progresses, the mysteries that his sister have left him drive him to interact with others, both in the real world and the astral world. The Japanese fascination with jazz music and musicians also rears it's head, but it is tied into the mystery in a natural way, and provides an additional point of confusion/contention for the characters. The characters' are being pulled out of their normal patterns, and the storyline timebomb dropped at the end of the volume was a good change of direction.



Astral Project, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Goth (the Manga)

Story by Otsuichi with Art by Kendi Oiwa
Published in the US by TokyoPop


Slugline: More Schizo than Goth

Yoru Morino is the stereotypically tortured high school student who has scars on her wrists showing how dangerously out of control she is, while Boku is that wonderfully nice neighbor boy next door that no one ever realizes ate a half dozen co-eds and did even worse things to their remains. But Boku has yet to descend truly that far into madness, and may never really do so, but he is still macabre to say the least, and fascinted by death and especially the pain of death. He seems to revel in Yoru almost becoming a victim in each chapter, but at the last moment something pulls him back. Maybe it is because he sees a chance for a better, darker experience, much like how some individuals would take torturing a puppy over pulling off a bug's wings. It is a dangerous relationship that Yoru and Boku both seem to actually need.

This is a dark series of stories, that isn't quite sure what kind of horror it truly is. Perhaps that is actually that is more of a strength than a weakness of the series, because some of the book feels like it is psychological horror, descent into one's own madness while other bits feels more supernatural. Still, Yoru's sense of victimhood is perhaps the most interesting part of the book, with the death of her sister giving her the chance to change roles, but still wanting to create sequences where she is the victim and the target. In that way, her wrist scarring was probably not an actual attempt to kill herself, but instead a way to mark herself further as a victim, so that others will see it and seek her out. Heck, it worked for the other character of the manga, Boku, his vulture like relationship with her beginning once he sees the scars and realizes how that would interact with his own interests and the hand taker's own ones. In a way, Yoru the victim is the true focus of the story, as what she does that attracts the attention of killers is the active role, while Boku merely circles, waiting for the right moment to absorb what he needs from the situation.

This story almost, almost manages to get four stars, but story construction messiness in a couple of the chapters was the only thing that holds it back, and even then it was a close call. Catch me on another day I may have easily given it four stars and debated going higher.



Goth (the Manga) is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Castlevania: Curse of Darkness, vol. 1

By Kou Saskura
Released in the US by TokyoPop


Slugline: Another entry in the why did they bother? category

Hector and Isaac are both generals in Dracula's demoniacally enhance army. They are wiping out all resistance ahead of them until Hector disappears. Isaac is sent to retrieve or kill Hector, depending on what Hector has done. But Hector has just been sunken in depression in a church, doing nothing but still Isaac unleashes a werewolf to find him, uncaring of the consequences. One of those consequences is the murder of the father of Ted, a boy in the village where Hector is hiding, and it is he who drives Hector to do something about the danger that is coming, no matter what the price will be to Ted.

I do not play video games, so I have no idea how much fidelity that the manga has with the source material. The only thing I can tell you that two disciples of Dracula with uncertain powers seem to be heading toward a confrontation whose reasons I can barely understand. I mean, we need to have a fight, otherwise why bother, but the reason why they fight is a lot of hemming and hawing, along with Dracula standing next to a window for the entire manga looking dangerous. Supposedly the main character of the manga is someone for the time being just seems to be a supporting character, maybe as witness type character who is supposed to tell others of the action. But it is just such a half-assed way to tell a story. Even the church's nun Rosalee seems more important to the story, and we do a lot of character work on her, but then she just drops from the story. This seems to be something that only fans of the videogame would enjoy, but considering it's haphazard nature it is hard to tell whether or not even video game players would get it.



Castlevania: Curse of Darkness, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand