.hack//Legend of the Twilight, the Complete Collection

Art by Rei Idumi with Story by Tatsuya Hamazaki

Published in the US by TokyoPop

Slugline: A secret epilogue

Shugo and Rena have won the online avatars of the legendary dot hackers in the MMORPG The World and gather friends that are not just interested in their famous avatars but in sharing their adventures.  Shugo while dying in The World is gifted with an artifact which allows him to break the game’s rules. The appearance of their avatars and artifact has CC Corp, the owners of The World, in a frenzy to prevent what happened the last time they were around.  Shugo and Rena encounter the avatar of a child claiming that the entity that gave Shugo the artifact is her mother and believe returning the child is their quest.  With that goal they explore the seedy underbelly of The World and overcome resistance by CC Corp to return the daughter and tell her mother their stories.  Along the way, colleagues of the original owners of their avatars help them.

While not precisely a sequel to previous .hack stories, Legend of the Twilight draws heavily on the consequences and characters of them.  Roughly the first half of the volume merely refers to them but in the remainder these previous stories become ever more important until it seems that Legend of the Twilight is just an epilogue not its own story.  As the story becomes more of an epilogue the action/adventure aspects become minimal until the whole point is to tell the story to others rather for it to have its own purpose.  While it manages to avoid most of the metaphysical diversions that other stories in the .hack series fall prey to, it still feels the need to ponder the nature of friends and comrades.  In a way, this being a complete collection means taking the less interesting parts at the end with the more entertaining ones.

.hack//Legend of the Twilight, the Complete Collection is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Portrait of M & N, vols. 1 and 2

By Tachibana Higuchi

Published in the US by TokyoPop

Slugline: Why does love have to hurt?

Mitsuru and Natsuhiko have both started in a new high school and have attracted attention because of their appearance and aloof demeanors.  But they both have secrets that drove them from their old schools and inaccurate rumors about those secrets have followed them and begin to make their lives more difficult.  Fortunately no one has learned that the secrets are that Mitsuru is a masochist while Natsuhiko is a narcissist.  While both have triggering events that cause their behaviors to flare out of their control, they manage to keep them a secret despite the other students’ curiosity.  Their shared secrets tie them closer together even though their respective obsessions put up obstacles to being emotionally honest with each other.  The mental confusion and uncertainty that they both face comes across each day as they try to keep their secrets and rein in their behaviors.

While aspects of Mitsuru and Natsuhiko’s relationship feel true, especially their uncertain feelings, the portrayals of their masochist and narcissist tendencies are not, especially with the idea of having such blatant triggering events.  Those are not intended to show the difficulty with living with such tendencies as a teen, but instead to set up comedic situations.  That uses up a lot of the respect the manga had earned, because it turns what could have been serious high school drama into something that uneasily straddles the divide between drama and farce.  The title would have been much better served if the humor had came from the story or if there were characters there for comedic relief.  There are several characters that could have taken that role, but they were not central enough to the story to take up that burden.  Still, a good story that is undercut by a cheap device to inject comedy.

Portrait of M & N, vol. 1 and vol. 2 are both available from Right Stuf, Intl., an online retailer specializing in anime and manga.

Starcraft: Ghost Academy vol. 1

Written by Keith R. A. Decandido with Art by Fernardo Heinz Furukawa
Published by TokyoPop

Slugline: Brain panning is not an "This your brains on drugs" reference.

This manga fills in a missing gap in the Starcraft: Nova novel when Nova goes to the Ghost Academy.  In Starcraft, Ghosts are psionically powerful humans that are drafted to help keep the Dominion secure.  Nova is training to be one after suffering the the standard traumatizing childhood awakening of her psionic powers that both drives and isolates her.  But she is not allowed to be too isolated because the Ghost Academy trains in teams, and because of her isolated nature the others in her team suffer in their grading.  Things come to head when one of her teammates, a son of powerful political leader, helps create a situation in which another teammate who is a drug addict goes off the rails.  Though Nova helps her teammate and graduates to the next stage of her training, she has her memories erased of the incident and gains a new foe she does not even remember.

This is another title where the lack of knowledge about Starcraft handicaps the reader since it seems to expect that you already know background. This is made worse because Nova has already starred in a novel with the manga taking place in a gap in the novel.  As an example, some of the characters seem extraneous but if the reader knew the larger story their presence may make sense. The main character Nova is in a journey to be more connected to her fellow soldiers, but there is a moment of that journey that is missing. In the manga she realizes her behavior is harmful, and there are moments where she connects with the rest of her team, but there the moment in between when she makes the decision to change which is missing. While these are problems, they are not terrible ones since one of the purposes of the manga is to fill out the Starcraft backstory, so as long as it does that the manga has some worth.

Starcraft: Ghost Academy vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Happy Cafe, vols. 1 + 2

By Kou Matsuzuki

Published in the US by TokyoPop

Slugline:  Don't people need to search for happiness somewhere other than small shops?

Uru decides to live on her own so not to get in the way of her mom's happiness with her new husband, so despite still being in high school she has gotten her own place and her own job.  Her job as a waitress at a cafe brings her into contact with odd people, the strangest being the cafe's chef Shindo who is a strange mixture of caring and impassiveness.  The three workers of the cafe help each other and their patrons out, though mostly Uru needs their attention.  Uru, after she learns she didn't have to leave the house, needs the help to balance her own growth and independence to her mother and stepfather's protective impulses.  Otherwise their major challenge is when a competing cafe issues a challenge to them but despite Uru's foolhardy acceptance of it, everything turns out well though the competing cafe workers settle into a resigned tolerance of Uru and her cafe. 

This is another entry in 'happiness can only be found in a small shop' genre of manga.  This reminds me a lot of Haru Hana, which was reviewed in March, not in the characters but in the situations that they find themselves in.  In both an late teen, early twenties woman enters the shop, whom the female protagonist first looks at in suspicion but whom later becomes friends of the shop's workers because of the way they help her.  She becomes a supporting character that continues to show up and in both titles the character is introduced at the end of the first volume.  But while this a faithful entry into a well-established sub-genre, it still is a solid one.  Other than one or two extreme character traits (which in comparison to other manga are not that extreme) it remains well-grounded.  The story and characters deliver a satisfying but not particularly memorable manga.



Happy Cafe, vol. 1 and vol. 2 are both available from Right Stuf, Intl., an online retailer specializing in anime and manga.

-Ferdinand

Red Hot Chili Samurai, vol. 1

Created by Yoshitsugu Katagiri
Published in the US by TokyoPop

Slugline:  Just as spinach gives you strength chilis make you a swordsman.

Kokaku is the son of the Han's (or province) leader.  The province is small and poor so Kokaku has to help in keeping the peace, which he is glad to do because it allows him to kick butt on a regular basis.  Unlike many other samurai Kokaku does not feel the need to use his sword to kill, having been taught while he was young and impressionable that the sword was to protect people.  Kokaku has some friends who help out in upholding justice and other cool sounding catchphrases like that.  These are the studious and serious guy, the competitive girl and the silent ninja, all of whom do not really need names since they are their appearances.  Despite his need to make sure that the people are protected and justice is served, Kokaku still has more than a healthy ego, often revealing his family tattoo of a black crane when knocking out his opponents so that they know who beat them.

Something about the name Red Hot Chili Samurai led to the impression of the title being more energetic and interesting than the resulting rather standard adventure story with samurai trappings.  The samurai aspect does not seem to be that important since anachronisms are introduced on the flimsiest of reasons.  The use of the chilis, rather than being symbolic of characters or having some subtle meaning becomes just another gag.  The supporting characters are straight out of central casting with only the smallest of flourishes to make them unique.  While there is an attempt to show Kokaku's motivation, by the time it is introduced there is already ample evidence that shows instead his desire to be the center or attention and put his opponents in their place.  That way, Kokaku gets to be arrogant in an acceptable way.  None of the characters are mean, but neither are they as heroic as they think they are.

Red Hot Chili Samurai, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Only One Wish, vol. 1

By Mia Ikumi
Published in the US by Del Rey Manga

Slugline:  Why do people like monkey paw stories so much?

Students believe in an urban legend that if you text under the right conditions you will get an angel to make one wish come true. But things are never that simple. Here, as in many other monkey paw-like stories, getting exactly what you wish for leads to the worst possible outcome.  The angel will fulfill only one wish, there is no chance to take it back, no matter how much it is needed. In this volume, a trio of friends tear themselves apart from jealousy and anger over who will wish a boyfriend to them. A dead girl has to find the wrong boy to kiss to bring herself back to life. A boy and girl who are so alike have blindly to find each other across the city. A girl shrinks a boy down to doll size until he loves her. In all of these, what can go wrong with the wish does often without any recourse.

This seems like a monkey paw in search of a good story to grasp onto. At first, having wishes go wrong seems like a good foundation for a series but variations of it has been done so often it is hard to find a new take. Plus if the story is always about wishes going wrong, reading it gets depressing as people keep on destroying themselves despite the best of intentions. This problem is realized as while the first story has a very traditional 'be careful what you wish for' story the later ones depart from that strict formula. The angel is a like a ghost character which helps prevent readers from blaming her for the evil that befalls the other characters but there is nothing emotional linking the stories together. The manga feels well written but empty. There is a short Tokyo Mew Mew! story included for the creator's other fans.

Only One Wish, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Stolen Hearts, vol. 1

By Miku Sakamoto
Published in the US by CMX Manga

 

Slugline: Despite years of reading manga, I am still not sure what the difference is between a kimono and a yukata.

Koguma is the stereotypical big tough guy that exists in every teen manga, so when Shinobu spills something on his package she fears the worst especially when she learns it contained an antique kimono.  Shinobu agrees to work with Koguma to pay for the damages, but rather than doing hooligan-related activity she expected she instead learns that she will be joining him in working at his grandmother's kimono shop.  Given the chance to see him outside of the school where all anyone can see is his looming size Shinobu sees that he is more and they enter into a relationship.  But they both have a lot of work left to do in their relationship and get their schoolmates to see past both Koguma's reputation and the odd appearance they present when together from their height differences

This is a fairly light and fluffy school romance manga, mostly because the relationship is in the honeymoon period where everything the other one does is cute and perfect.  This manga feels more like an all ages title due to the combination of a somewhat educational storyline about the kinds and a how-to of wearing kimonos, and in that Shinobu's focus seems to be getting others to see past Koguma intimidating appearance rather than their own romance.  Koguma is a softy, an emotional blank that happens to look big and tough who is anything but.  His grandmother as a background character who is obsessed with money, seems to be more interesting than him.  Despite the weak romance element, there is still something about the manga that keeps readers' interest despite the face the elements and characters individually do not.

Stolen Hearts, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

The Lizard Prince, vol. 1

By Asuka Izumi
Published in the US by CMX Manga

 

Slugline: Dating outside of your taxonomic Class should require a PG-13 rating

Canary is Linaria's princess and has reached marriageable age while the neighboring Gazania also has a unmarried prince but Heath has a bad reputation.  Canary is only willing to meet Heath to berate him, but he has no desire to do that and switches places with his magical talking lizard, Sienna.  Sienna is charming while masquerading as Heath and convinces Canary to visit him again.  Heath is surprised by Sienna's actions so he decides to be rude to Canary to drive her away.  Canary sees through his deception and declares her love for Sienna, which lifts a curse to reveal that he is Heath's brother.  But as Sienna gets closer to Canary they are forced to rely on his lingering ability to turn into a small lizard to solve problems for their kingdoms and for themselves.

This title straddles the line between shoujo for teens and a more all ages title.  All ages titles stay away from deep relationship/sexual issues to keep their rating while most shoujo titles have to go into those waters because their whole point are relationships.  Not to say that shoujo titles are solely about teens trying to hook up but they still delve deeper into relationships than the relatively platonic love that Canary and Sienna seem to share.  The title reads like a shoujo but after a while it feels that something is off and that confusion sabotages the story.  The shoujo aspects should have been further submerged or been embraced fully.  This makes this title perfect for the tween age bracket, those who are not quite ready for a 13+ title but who desperately want to be.

The Lizard Prince, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

World of Warcraft: Death Knight

Story by Dan Jolley and Art by Rocio Zucchi
Published by TokyoPop


Slugline: A common tragedy

Thassarian was once a soldier under Prince Arthas, so when the call was made he left his farm and remaining family to go with the Prince and attack the evil forces of the Scourge to keep them from his homeland. Thassarian and the rest of their force was betrayed by their Prince and was killed. Brought back as a Death Knight he has to blindly follow orders until a raid on a chapel which housed the bodies of heroes made him confront the ghost of his heroic father. That brought Thassarian back to himself, but while under the Lich King's control he had done horrible things and even though he had pledged to fight the Scourge and the Lich King, his allies and the common folk he seeks to save hate and fear him. The evil he was once part of has many faces so that it is hard to find them even though there are ones right next to him no matter where he goes.

This is the first of the class focused manga titles for World of Warcraft, which reveals the background of a character of the class example from the game. It is hard to judge this manga by the fact that it is a prequel to part of the World of Warcraft game background which I have not experienced. Some of what seems to be dangling plotlines may turn out to link into the greater story of World of Warcraft, but without that knowledge it is hard to judge. If this is supposed to be about the Death Knight class, at the end of the volume I am still not quite sure what a Death Knight can do, even though I do not expect shouted out names of abilities or other in-game information. As a action fantasy story it succeeds even though the tragic elements seem almost by the number, but the story does not seem to fully embrace or divorce itself from the World of Warcraft background.



World of Warcraft: Death Knight is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Mikansei, vol. 1

By Majikoi
Published in the US by TokyoPop


Sluglines: Singers who don't pretend to be able to sing.

In the 23rd century, the 21st century is seen as a crude and immodest era. That is also the reason why Neo likes it, especially because of the singing, dancing and short skirts. She is accidentally hurled back in time and immediately finds a reluctant singing partner in Sayaya. Despite early disastrous performances, Neo so loves singing she manages to keep Sayaya involved as they work together as they move towards a seemingly impossible goal of impressing a talent manager. There are additional complications ranging from Neo's inability to contact her future, the resemblance of a 21st century singer to her missing 23rd century childhood friend and who is secretly supporting her in the 21st century.

One of the problems of idol manga is how to represent singing in that format. Since it is nearly impossible to get a tune or melody from reading the lyrics, I tend to just scan over them because if they become important they will be repeated. When the manga tries to have characters hailed as talented musician with only the lyrics to go by it is hard to take it seriously. Mikansei gets around this problem by having the first audiences boo the characters offstage. Considering how often lead characters of manga just have to sing once to become stars, when that didn't happen here it was a pleasant surprise. The characters are putting in the time and effort means that when they finally 'really' perform their applause will have been earned. Neo is facing many challenges not just in her musical profession or romantically, but on different levels as well but none are such thatNeo's sunny attitude appears to be denying reality. Mikansei succeeds because it subverts and deals with the cliches of idol manga rather than ignoring them.



Mikansei, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Deka Kyoshi, vol. 1

By Tamio Baba
Published in the US by CMX Manga


Slugline: Old school detective

Toyama is a police detective investigating the suspicious suicide of fifth grade school teacher. He goes undercover as the teacher's replacement and befriends the class misfit,Miyahara, who see things no one else can. Miyahara is seeing the various mental disturbances that the students have so Toyama believes his descriptions. Toyama uses them to deal with the various afflictions that the students have while making a friend and an unofficial partner of Miyahara while also drafting the school nurse into his efforts. What is certain that someone is behind the teacher's death and there is a mysterious figure lurking in the background that makes all of the students' problems worse, but by the end of the first volume his identity remains unknown.

The art and story feels very old school, like the title was produced in the 70's or 80's with the art simplified and the storytelling straightforward. The rational explanation for the supernatural abilities is weak, even by the liberal standards of manga, which still bugs me. The stories worked best when both theToyama/Miyahara team and the student of the week deal with the problem together rather having Toyama punching a psychosis that only Miyahara can see leaving the student confused. The best example of this was the "Swimming Girl" chapter where the student confront her guilt over her parent's breakup by speaking with her mom in addition to Toyoma and Miyahara's own efforts. It still feels like an After School Special at times but in the better stories reader isn't being preached to.



Deka Kyoshi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

A Tale of an Unknown Country, vol. 1

By Natsuna Kawase
Published in the US by CMX Manga


Slugline: Yet another Princess disguised as a maid romance

Rosemarie is the princess of a small and poor country whose brother has arranged her marriage to a neighboring prince. Prince Reynol rules over a wealthy and technologically advanced country and a marriage with him would be a benefit for Rosemarie's country but she has heard many rumors about him, few of them good. Rosemarie disguises herself as a maid to work atReynol's castle in order to learn the truth about him and despite him knowing that she is really the princess, they still managed to get to know each other and decide to go forward with the betrothal. But there are always new challenges as he returns her favor and visits Rosemarie at her own castle.

Most of the book is a lightweight romance until Rosemarie's brother turns into a control freak and reveals that most of the couple's troubles are the result of his own machinations. He is testing the couple to make sure that their love is strong, or something similar is the justification he is using to justify himself. If a parent tried to manipulate their kids this way, there would be no sympathy from the readers but somehow here it is supposed to be acceptable. Any relationship would be hard-pressed to survive similar revelations because t he couple would be continually questioning whether their feeling are real or manipulated. This is another example how the storytelling and art are fine, but the concepts that lay underneath the surface, that help drive the story, are of concern.



A Tale of an Unknown Country, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Maria Holic, vol. 1

By Minari Endou
Published in the US by TokyoPop


Slugline: All a woman needs is a cross-dressing man

Kanako has transferred into the same private all-girl school that her mother graduated from hoping to find love there just as her mother did. Of course, whileKanako's mother married one of the teachers, Kanako wants to fall into love with a fellow female student since she literally gets hives from even touching a boy. Unfortunately the first girl she gets a crush on, the daughter of a important school founder namedMiriya, turns out to be really a secret cross-dressing boy. After Kanako accidentally discovers that, Miriya decides that the only way to ensure that his secret is kept is to move in with Kanako in the school dorms and thus sabotage all of her efforts to get close to someone. Naturally this creates all sorts of hilarity and confusion.

This is a story where you are not sure if the people who you are supposed to cheer for are worthy of being cheered, if for no other reason thatMiriya is making Kanako attempt to resolve her sexual identity more difficult. As a result, it is hard to answer the question whether Kanako is really gay or just the sort of pretend gay that is supposed to be titillating within the story without actually having to resolve it. Or worse yet, is the creator trying to imply that all that a lesbian needs is for a man to cross-dress in order for him to become acceptable? Maybe this is treading into one of those areas where American and Japanese cultures define sexual identity and lesbianism differently, but it is hard to look at this as just a comedy without also looking at the mixed messages the title is built on. Which is a shame, because the art and storytelling is pretty solid, it is just some of the themes that underpin the story and where they can go concern me.



Maria Holic, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Tail of the Moon, Prequel: The Other Hanzo(u)

Story and Art by Rinko Ueda
Published in the US by Viz


Slugline: They only way to keep the peace is through treachery and assassination

Kaguya, who was discovered wounded and without her memory in a bamboo field, works as a servant at a brothel during the Japanese Warring States period. All of the ladies there are interested in the playboy warriorHansou, though when he sees Kaguya he decides that he needs to meet her. At first she is flattered by the attention until she learns that he visits all of the red light district's ladies. Honsou insists he feels differently for her but as they get more intimate he realizes that the scars from her wounds are identical to ones he gave to an assassin. This jogs her memory, enough to remember that she is a ninja trying to keep the peace through carefully aimed violence. Despite their roles on opposite sides of the Warring States,Kaguya (now using her real name Sara) and Honsou keep their relationship alive in the face of her missions to marry and spy on other members of Honsou's family.

As a prequel, this volume helps explain the background and relationships of several of the supporting characters of the main Tail of the Moon series. The art style is appears to be a touch out of date, which helps create the illusion that this story predates the main series. While sometimes the logic of the characters seems spurious, especially when they try to justify how despite being on opposite sides their objectives remain the same, the story still does not read all that badly. This is one of those stories where you don't really need to justify everything, just go along with the characters' emotions and feelings. If this was a continuing story, it's structure would be more of a problem, but as a standalone or a side story, it works.



Tail of the Moon, Prequel: The Other Hanzo(u) is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Battlestar Galactica: Echoes of New Caprica

Stories by Emily Salzfass, Richard Hatch and Mike Wellman and Art by Chrissy Delk, Christopher Schons and Anthony Wu
Published by TokyoPop


Slugline: Just as dark and depressing as the original.

This is an anthology of Battlestar Galactica stories based on New Caprica storyline, when the humans were under Cylon occupation. Former President Roslin becomes a teacher and tries to balance educating and keeping her students safe with the demands that the Resistance and Cylons make on their parents. Temporary President Zarek after the escape from New Caprica makes decisions that are both difficult and easy on how to deal with humans collbators with the Cylons. Kara (the pilot Starbuck) has to decide after New Caprica what her relationship with her false daughter Kacey will be now that she has rejoined the fleet and the only lies left are the ones she tells herself.

Despite not having watched the new series, the volume gives enough information to understand what happened during the New Caprica storyline and why it was important to the characters. But this is probably one of the books that should be read in conjunction with the series in order to get the most enjoyment out of it, since the storyline in Battlestar Galactica was constantly changing and this touches on issues that the series could not take the time to examine. The Roslin story was an interesting view of life under occupation and featured its uncertainty, but the ending was weak and confusing, robbing the story of much of its power. The Zarek story covered ground that was already gone over during the series, but the Kara story did not, exploring the emotional fallout of Kara's time on New Caprica along with how it did not change despite her wanting it to, making it the strongest entry.



Battlestar Galactica: Echoes of New Caprica is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Fushigi Yûgi, VizBig Vol. 1

Story and Art by Yuu Watase
Published in the US by TokyoPop


Slugline: I still remember the endless cries of "Tamahome!"

Miaka is a typical junior high school student that is studying hard to get into a prestigious high school, when while studying at the library she discovers a book describing a magical world. That book transports both her and her best friend Yui to that world where they meet Tamahome, a money obsessed martial artist. They girls travel back and forth from Japan and the world of the book, separately and together until misunderstandings and deceptions cause Yui and Miaka to be allied to different empires. This is important because they can fulfill a prophecy by becoming priestesses, allowing them to have wishes that can make or break empires. Each priestess will have seven protectors, who are necessary to fulfill the prophecy so Miaka begins the search for them even as she falls more in love with Tamahome.

Fushigi Yûgi was one of the first big shojo animes so it had and probably still has a fairly big following but by modern standards it is about as subtle a brick. Not that modern shojo is very subtle either, but people could mock it by randomly calling out Tamahome since Miaka seemed to cry it out every 10 minutes in the anime. The manga is not quite as bad but Miaka still is an airhead and you wonder how she can manage to focus on anything long enough to finish it. But despite that, the story does carry you along and it becomes almost addictive, reading (or watching) as much as you can just to see what happens next. Or to see if Miaka will ever be mature enough to avoid calling to Tamahome every time her moods change.



Fushigi Yûgi, VizBig Vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Amefurashi, vol. 1

By Atsushi Suzumi
Published in the US by Del Rey Manga


Slugline: More little kids who exist to force the plot along.

Gimmy is a mechanic of a desert village that depends on a nimbus tree, a giant magical tree that provides the village's water. In exchange for water, the tree's goddessAmefurashi asks for dolls. Gimmy as the village's handyman is asked to make the doll, but is so caught up in the details that he blows the deadline for the doll's delivery. Gimmy's younger siblings Mel and Mil run off and pretend to be dolls to appease the goddess, with Gimmy climbing the tree to recover them. On the way he finds an annoying young girl named Sora and discovers too late that she is actually the Amefurashi. Gimmy tries to make a deal to get his siblings back, but while working out the deal Ciel, another amerfurashi without a tree steals Sora's tree's heart. Without it, the village will no longer get water so Gimmy decides to help Sora get back her tree's heart.

For once none of the characters are stupid. While they make mistakes, there are mistakes that are believable and match their character traits. Gimmy is a little too perfectionist for his own good, Mel and Mil are impetuous and Sora has a hard time understanding what the heck the humans want or are even actually are saying. The only concern is with the plotting, with the story first looking like it will be about howGimmy is going to convince Sora to return his siblings and only later it being about Gimmy and Sora teaming up. Ordinarily it would be better if the story didn't feel the need to switch tracks, but this feels like a mostly organic change rather than desperate flailing around to find something to do.



Amefurashi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

the 9 Lives, vol. 1

Story by Bayou and Rachel Manija Brown with Art by Bayou
Published in the US by TokyoPop


Slugline: Why are cat-boys always effete?

Conri is an uncollared cat boy in a world like ours except that humans keep alien cat people as slaves and pets. Conri has no wish to be a pet but it is illegal to be uncollared so he has to dodge the authorities. After nearly being caught for stealing food he is rescued by the human Adrian. Curious why a human would help a cat person without demanding favorsConri follows Adrian back to his apartment. Conri later sneaks in, eating his food and sleeping on the bed, so when Adrian returns and sees the damage that Conri has done, Conri agrees to do housework to pay for the damage. Conri is wary around Adrian, causing several misunderstandings, as Conri expects that Adrian will eventually try to collar him. The reason why humans want collared cat-people is that they literally have nine lives and can share them to bring someone back from the brink of death.

What is it about cat-boys that make them androgynous and desperate to be featured in an yaoi like title? While this isn't a yaoi title per se, it certainly leans that way. Some sexual overtones are inevitable in any title that deals with a slave race (and is deftly handled early in the story) it just becomes gratuitous innuendo later. The idea of the nine lives that can be shared is revealed late in the book though the concept would suggested it ought to be a far more central part of the story for it makes believable the public acceptance of slavery. While issues of trust are brought up and explored,Conri is a juvenile so he handles them in a juvenile and superficial way. There is a lot of potential and a good foundation is laid, but using it is left for another volume.



the 9 Lives, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Ballad of a Shinigami, vol. 1

By Asuka Izumi and Original Story by K-She Hasegawa
Published in the US by CMX Manga


Slugline: Featuring a death that never shows up

Momo is a shinigami, a reaper like spirit born from a suicide who takes on the the appearance of a young girl wearing white. Despite her supernatural connection to death she is not especially dangerous or even girl-like, but she does carry messages or other hints from the dead to the living. The living often need the help in order to deal with their own pasts and quite frankly to get the girl/boy.

White symbolizes death in many eastern cultures, so the fact that Momo is wears white is not as reassuring as one would first think when she is introduced. But it seems like that it is not very important who or what Momo looks like as long as she gets to say her one line per story that forces the potential couples to change and survive the fate that would otherwise lay in store for them. Momo barely more involved in the stories than the old Cryptkeeper character that once introduced horror stories, and in that sense the supposed main character does not feel very necessary to the stories. This is more like an anthology of tortured teen romance than actual supernatural stories or even a single continuing story, and while the individual stories are done well, there is nothing holding them together and making the title as a whole interesting enough to rise above average.



Ballad of a Shinigami, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Blue Eyes, vol. 3

Blue Eyes, vol. 3 is an explicit manga title so the body of the review is on Prospero’s Manga – Mature, a review blog for adult manga titles. Please check there for the review.

-Ferdinand