Arisa, vol. 1

Story and Art by Natsumi Ando
Published in the US by Del Rey Manga

Slugline:  A real psycho high school drama

Tsubasa has not seen her identical twin Arisa in years, and upon meeting her after all that time they decide that Tsubasa will replace Arisa for a day at school. She does so and finds that her sister’s life seems just as good as Arisa had said in her letters. When Tsubasa tells Arisa so, Arisa reveals her deep depression and tries to commit suicide. As her sister lies in a coma, Tsubasa decides to find what hidden secrets in the schoo are resposible for Arisa’s attempt. Tsubasa discovers out her fellow students send texts to someone named the King, and those texts come true.  With that power, the students’ cruelty has come out and Tsubasa needs to discover who the King is, even as she becomes a target.  She may have an ally, the standard bad boy of the class, but his real allegiances are more complicated.

At first this reads like the typical high school shoujo, with Tsubasa being the violent girl that has trouble controlling those tendencies while her identical twin having the perfect life that Tsubasa wishes she could have.  The fact that Tsubasa would be given the chance to live Arisa’s life in the manga was given, but the fact that she would get that chance by Arisa attempting suicide is not.  From there the story takes a darker turn than most shoujo as the class is revealed to have a dangerous secret, and the manga is less about Tsubasa trying out Arisa's perfect life but about uncovering secrets.  Rather than her violent self being a liability, it may be the only thing that lets her survive to find out what is going on.  While the story does not get as dark as others, it quickly moves into the shadows that most shoujo never venture towards even as its visual style remains unchanged.  This is a story that has more meaning than it first appears.



Arisa, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Neko Ramen, vol. 1 Hey! Order Up!

By Kenji Sonishi
Published in the US by TokyoPop






Slugline: Not realistic in that no cat work around that much water.

While on his lunch break Tanaka decides to try out a new ramen shop and discovers it has the strangest chef he has ever heard of.  It is not that the ramen chef Taisho is particularly skilled (in fact, he does not seem to be very good) but instead that he's a cat.  Taisho ran away from home, determined to not be like his cat model father who specialized in being too cute for words.  After his dream of being a sushi chef fell through (he snacked on the fish) he turned to ramen noodles. Taisho swears that he plans to become a famous ramen chef, but his ramen never really improves and he seems to be more interested in fame than anything else. Strangely he ignores his quickest route to fame for while Taisho knows that he is a cat, he refuses to act like one and ignores that others refuse to do the same.  You can find most of the humor of the series coming from either Taisho's ineptitude or the face he is a cat in a chef's world as Tanaka tries to be the voice of reason.

Neko Ramen is another 4-koma but like many other 4-koma collections, there are several short stories in the volume that are not. Unlike many other 4-koma collections, the shorts work very well and continue story threads that were begun in the 4-koma. A lot of the humor derives from jokes about ramen noodles, so on occasion there are gags that lack punch because they rely on knowing more about ramen noodles than one would normally know outside of Japan. That being said, most of the jokes come across without any difficulty because they rely on standard comedic situations such character obliviousness. The strongest source of humor comes from Taisho's inability to accept that a talking cat could be unusual, and while it could have gotten monotonous, those gags are broken up with enough other kinds of humor that it never does.

Neko Ramen, vol. 1 Hey! Order Up! is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Happy Cafe, vols. 1 + 2

By Kou Matsuzuki

Published in the US by TokyoPop

Slugline:  Don't people need to search for happiness somewhere other than small shops?

Uru decides to live on her own so not to get in the way of her mom's happiness with her new husband, so despite still being in high school she has gotten her own place and her own job.  Her job as a waitress at a cafe brings her into contact with odd people, the strangest being the cafe's chef Shindo who is a strange mixture of caring and impassiveness.  The three workers of the cafe help each other and their patrons out, though mostly Uru needs their attention.  Uru, after she learns she didn't have to leave the house, needs the help to balance her own growth and independence to her mother and stepfather's protective impulses.  Otherwise their major challenge is when a competing cafe issues a challenge to them but despite Uru's foolhardy acceptance of it, everything turns out well though the competing cafe workers settle into a resigned tolerance of Uru and her cafe. 

This is another entry in 'happiness can only be found in a small shop' genre of manga.  This reminds me a lot of Haru Hana, which was reviewed in March, not in the characters but in the situations that they find themselves in.  In both an late teen, early twenties woman enters the shop, whom the female protagonist first looks at in suspicion but whom later becomes friends of the shop's workers because of the way they help her.  She becomes a supporting character that continues to show up and in both titles the character is introduced at the end of the first volume.  But while this a faithful entry into a well-established sub-genre, it still is a solid one.  Other than one or two extreme character traits (which in comparison to other manga are not that extreme) it remains well-grounded.  The story and characters deliver a satisfying but not particularly memorable manga.



Happy Cafe, vol. 1 and vol. 2 are both available from Right Stuf, Intl., an online retailer specializing in anime and manga.

-Ferdinand

King of RPGs, vol. 1

Written by Jason Thompson with Art by Victor Hao
Published by Del Rey Manga

Slugline:  We will deny any similarities between the reviewer and the manga's characters

Shesh had a problem with computer RPGs, but after the therapy, shock treatment and lifetime wireless ban he goes to college and can act somewhat normal.  There are temptations at college but when Shesh goes to a RPG club he discovers they have pen and paper RPGs rather than the computer games he once abused.  As he considered leaving he is challenged by the gamemaster Theodore and after his friends ask him to, he decides to play just one game.  What he doesn't know is Theodore is his match in obsessiveness but to pen and paper RPGs.  Theodore discovers a talent to provoke Shesh into unleashing his frenzied player persona that therapy had supposedly tamed.  After dealing with the repercussions of his first gaming session, Shesh's attempt to find a gamemaster to safely game with brings him into conflict with a gamer that takes advantage of the collectible games and a student officer who is convinced of the evil of playing games.

This manga hits in the middle of my two loves (well, the ones that are not real people at least) manga/comics and tabletop roleplaying games.  I may not have been as obsessive and as Theodore, but my college room (my house now) was filled with just as many game rulebooks as it was graphic novels and manga.  While my time in college predates World of Warcraft and other MMORPGs that broke Shesh, other computer games were just as effective on people I knew, in fact I knew people similar to all the characters.  So all of the characters ring true, but are overlaid with a shonen filter.  This includes that no one is really bad, they are misunderstood or victims of circumstance and everything devolves into a personal challenge.  Still, it has enough gaming in-jokes to satisfy the gaming crowd (such as the culmination of the final story arc of the volume harking backing to a gaming urban legend) but does not need in-depth gaming knowledge to get the humor and the story, which was the problem with the review earlier this week of .hack//4koma.

King of RPGs, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

.hack//4koma

By Koichi Sumimaru

Published in the US by Tokyopop

Slugline: hack is just a very bad cough

.hack is one of those series that appears to be very popular despite all of my attempts to understand it.  Considering that there is little attraction for me towards a humorous take on it.  It seems that most of the volume requires previous knowledge of the .hack characters and story in order to get the jokes, though I suspect even if I did understand more of the references I would not find them very funny since the their setups are not very interesting.  The volume is actually a compilation of four different creators take on .hack, though Koichi Sumimaru is responsible for most of the material.  This is unfortunate, since that material is the least funny in the volume despite giving the title it's name.  The 4koma, or four panel gag strips, starts the volume, making it a hard slog to wade through it and reach the other creators contributions.  Most of the other creators' material can be understood on its own, without being already immersed in the .hack universe, but by the time you reach it any enjoyment that could be had has been leached away.  Unless you are a hard-core .hack fan, especially of The World and The World R:2, there is nothing here worth your time.

.hack//4koma is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Ratman, vol. 1

Story and Art by Inui Sekihiko
Published in the US by TokyoPop






Slugline: Rats are not exactly good models for heroes or villains.

Shuto wants to be a hero, which is more possible than the typical childish fantasy because he lives in a world where super heroes are common. Even though he is short for his age and so few people take him seriously, he continues to espouse the notions of justice that he believes are the bedrock of heroes. Only two people seem to take his desire seriously, a slightly odd student at his school named Mizushima and Rio, the daughter of the head of the Hero Association. Shuto finally gets his chance to be a hero by rescuing Mizushima but discovers that it was to trick him to undergo an experiment and be forced to become a villain by Mizushima's sister. Shuto's first mission as a villain brings him into conflict with the Hero Association, leading to Rio vowing to hunt him down personally along with the Hero Association as a whole.  Shuto is torn between his heroic desires and the messed up reality that he finds himself forced into.

Shuto has the sort of personality that is so earnest in wanting to be a hero that he would normally annoy anyone. So when the trap is sprung and he is forced to become a villain instead, Shuto's stunned response makes the story. Sure, that particular twist can be seen coming a mile away, but since it is a twist that the character would never expect because of his nature, the readers can allow themselves to enjoy it. Sadly, for the moment the female characters are just foils for Shuto to react against rather than having their own personality.  While parts of the manga descends into parody the fact that Shuto is taking the heroic ideals so seriously suggest that will have a more mature examination of them, though the rest of the story may be less so. It is the interplay between the two that will keep things interesting.

Ratman, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Haru Hana, The Complete Collection

By Yuana Kazumi
Released in the US by TokyoPop

Slugline:  What is better, music or a massage?

Hana has just moved to Tokyo, hoping to overcome her previous experiences with boys and work at being a violinist.  Her problem is that she breaks out in hives whenever she even touches one, but she hopes that things will change.  Haru is a fellow student that soon learns to tease Hana by touching her and causing her to breakout, but he has his own problems that he needs to be distracted from.  He works as massuesse while trying to recover his memories, while Hana is forced to work at the same place to pay off her sister's debt.  Needless to say it is inevitable that these two will team up together, each using their own skill in a relaxation center that is named after them, Haru Hana, as they work to understand and help each other (and the occasional walk in customer).  And of course, become emotionally involved.

Haru Hana falls into this weird territory between plot driven manga and slice of life ones.  The volume's stories are meandering but have some purpose, but not enough to say that they are moving towards something.  It is only until the final third of the volume, when the creator probably realized that some sort of conclusion was needed that Haru's amnesia subplot is resolved with various aspects skimmed over to do so.  Even the romance between Haru and Hana remains sketchy, but despite it the reader is left with vivid impressions of the series.  The character art helps, being very evocative so that after most of the storylines have been forgotten there remains a very strong image of Haru and Hana working and playing in the shop.  It is that ability to create a lingering image and set of emotions that makes this series worthwhile.

Haru Hana, The Complete Collection is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

My Darling! Miss Bancho, vol. 1

By Mayu Fujikata

Published in the US by CMX Manga

Slugline: Not ashamed to know how silly it is.

Souka has decided to attend a technical school so she can quickly graduate and get a job to help out her recently divorced mother. Unfortunately she made a mistake and her chosen school is run by grade-based gangs that have many fights and school wide rumbles. It is so bad that Souka quickly discovers that she is the only girl left enrolled at the school yet because she has already paid the tuition she is reluctant to just quit. To encourage her stick around the class leader Yuuki gives her an iron plate to defend herself so while caught up in a brawl she uses it to knock out the Bancho, or gang leader of the whole school. That makes her the school's gang leader so she chooses to defend her title out of fear that someone worse will take it and she uses the role's influence to make something of a school populated by hooligans. That and trying to figure out the violent yet nurturing Yuuki, of course.

While in the beginning of the manga it tries to to tell the story seriously, by the end of the volume it has accepted that the whole idea underlying the manga is a little silly and has decided to roll with it. This becomes especially blatant in the inevitable beach trip chapter. It is this willingness to use the cliches of the formal challenge, the requires field and beach trips of school manga that helps makes what would be just another school manga into something that will be actually remembered. Well, that and the manga has a slightly unusual setting being set at a vocational school, which does not appear to be that different from a regular school but in my understanding has differences that run far deeper than just the cosmetic appearance, so hopefully those differences will come into play in the series.

My Darling! Miss Bancho, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Panic X Panic, vol. 1

By Mika Kawamura
Published in the US by Del Rey

Slugline:  Why are the bad guys always more interesting than the good guys?

Mitsuki and Kakeru have grown up across the street from each other, her the heir of a Shinto shrine while Kakeru the son of a priest, while their fathers were in constant competition.  That competition has spilled over to their children's relationship so that they do not get along either in school to the surprise of their classmates.  They usually just annoy each other but now demons that have been kept out of the human world for hundreds of years have been released and only Mitsuki and Kakeru can stop them.  Until they find the seals to permanently seal away the demons, they have to work together to convince the demons that have entered the world to behave themselves. 

What a surprise.  The most popular boy and girl in school can't stand each other despite knowing each other since childhood now they have to save the world from a threat that no one else can perceive.  While the plot aspects of this manga are interesting and show some originality the characters themselves do not.  If anything they show very cookie-cutter characteristics, especially in that despite Mitsuki's supposedly equal power in dealing with demons she is instead acts helpless and deals mostly with the demons by talking and making friends with them.  Considering how cliche it is for the girl to be the one to fulfill that role in a story, the characters need to be really interesting in order to overcome that and none of them are up to the challenge.  This is a case where the formulaic approach overcomes everything else and makes this an easily forgettable manga.

Panic X Panic, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Choco Mimi, vol. 1

Story and Arty by Konami Sonoda
Published in the US by VizKids


Slugline: Preteen girls on the prowl

Choco and Mimi are fashionable eighth graders that enjoy their lives way too much. Sure, Choco can be called the serious one and Mimi is the silly one, but only in comparison to each other since Choco is still fairly silly. In between causing trouble for their teacher and driving each other nuts, Choco and Mimi let themselves be mildly attracted to boys. Boys like the serious and aloof Ando and the gender confused Mumu. To round out the cast is Chiffon, a cute little dog that thinks of himself more as a samurai and several other pets. Most of the strips are about the girls interacting and getting each other in and out of trouble, but occasionally it deals with their delicate dance to attract the boys' attention.

Most of the volume is made up of 4-koma, basically four panel comic strips, so the stories that are told by necessity are little gag scenes that have little connection to each other. There are several longer storylines about major events such as a party that takes a couple of strip to resolve the events but there are no character changes and their relationships. Unlike comedy focused stories for boys, Choco Mimi does not have any fart or other bodily humor jokes which saves it from being totally ignored by adults. Despite having all of these good bits and the occasionally funny joke, in aggregate it just doesn't mesh well enough to create something greater than the parts. For adults and boys, this is a barely tolerable strip while younger girls who find playing with paper dolls and fashions might find it worthwhile.



Choco Mimi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Mikansei, vol. 1

By Majikoi
Published in the US by TokyoPop


Sluglines: Singers who don't pretend to be able to sing.

In the 23rd century, the 21st century is seen as a crude and immodest era. That is also the reason why Neo likes it, especially because of the singing, dancing and short skirts. She is accidentally hurled back in time and immediately finds a reluctant singing partner in Sayaya. Despite early disastrous performances, Neo so loves singing she manages to keep Sayaya involved as they work together as they move towards a seemingly impossible goal of impressing a talent manager. There are additional complications ranging from Neo's inability to contact her future, the resemblance of a 21st century singer to her missing 23rd century childhood friend and who is secretly supporting her in the 21st century.

One of the problems of idol manga is how to represent singing in that format. Since it is nearly impossible to get a tune or melody from reading the lyrics, I tend to just scan over them because if they become important they will be repeated. When the manga tries to have characters hailed as talented musician with only the lyrics to go by it is hard to take it seriously. Mikansei gets around this problem by having the first audiences boo the characters offstage. Considering how often lead characters of manga just have to sing once to become stars, when that didn't happen here it was a pleasant surprise. The characters are putting in the time and effort means that when they finally 'really' perform their applause will have been earned. Neo is facing many challenges not just in her musical profession or romantically, but on different levels as well but none are such thatNeo's sunny attitude appears to be denying reality. Mikansei succeeds because it subverts and deals with the cliches of idol manga rather than ignoring them.



Mikansei, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Detroit Metal City, vol. 1

By Kiminori Wakasugi
Published in the US by Viz Signature


Slugline: A (rude) one hit wonder

Negishi is a musician that has moved to the big city to make his name and fortune. Unfortunately it is not in folk or pop music, his true musical passions, but instead in the death metal band Detroit Metal City (DMC). He takes on the persona of Krauser II, the foul mouthed and depraved lead guitarist of the band. This causes no end of trouble for Negishi who tries to keep the halves of his life separate, but sometimes when he is stressed or nervous he falls into his Krauser II persona confusing those around him since he has not shared his dual identity with most people. Despite the popularity and fame that DMC has, Negishi still just wants to talk to his old college friend Aikawa who likes the same pop music that he does without having to let her know about Krauser II or DMC.

The title is rated M for Mature for wildly excessive use of swears. Every time Krauser II is in the panel expect a least a dozen words that you can't repeat in front of your mom. It's played for laughs but it after a while the joke just isn't funny anymore as the swears lose their power to shock and quickly move into the realm of annoyance. It is never quite explained how Negishi ended up or started DMC and considering his attitude to his role and the music, the reasons why he was willing to split his life so severely would explain why he bothers keeping up with the illusion. Some of the characters' behaviors, especially towards women, is just not funny no matter how tongue in cheek it claims to be. This might have been a good short story but stretching the joke out over an entire volume just makes it feel thin and unless new angles are explored there seems to be little reason to continue reading it.



Detroit Metal City, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Ninja Girls, vol. 1

Created by Hosana Tanaka
Published in the US by Del Rey


Slugline: Resisting making the horn/horny puns here.

Raizo has a little problem in that he has a horn on his head, which makes the local villagers fear him and call him demonchild. It is that same deformity that marks him as the last scion of a noble house. Only four ninjas remain to protect Raizo from the enemies of his previously unknown ancestors so inevitably they bicker with each other over the best way to protect him and reestablish their house. The ninja fall into easily recognizable stereotypes such as the cross-dresser and the silent one, while as usual the bubbly one, here named Kagari, wants to get 'closer' to Raizo.

Scantily clad ninja girls protecting a younger hapless guy should be its own genre because I swear I have seen this plot before many times. The only question I have after reading the title is whether or not the ninja girls are color coded in the colored art of the series. Sure, some of the details are different such as what makes the male character 'special' which here is his horn. But the characters and the story itself are so familiar that I can feel the story beats coming by merely looking at the chapter heading art. While the manga by itself is well executed the manga itself doesn't yet offer anything interesting other than for collectors of fan-service as they marvel at the ridiculous situations created to give the fan-service a veneer of plausibility.



Ninja Girls, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Domo: the Manga, vol. 1

Created by Tsuneo Goda, Stories by Clint Bickham and Art by Rem, Sonia Leong, Lindsay Cibos and Jared Hodges
Published by TokyoPop


Slugline: Speaking of characters who have a wide-ranging vocabulary...

Domo is the mascot of NHK, a major Japanese TV network who has been featured in a variety of formats already including a series of stop motion shorts on cable. The manga however is the product of TokyoPop creators and features the whole range of Domo characters in a color anthology. Most of them involve Domo developing a monomania about an object or activity that all of his friends are caught up in much to their dismay. This usually ends whenDomo's battered friends manage to convince him to stop. Considering that Domo has one word vocabulary you can understand that most of the stories are read quickly.

Domo is an all ages title that is definitely aimed toward kids. Most of the stories are built around very simple and repetitive gags that are done by Domo round-robin style on the entire cast of characters. While the stories are cute they are fairly predictable nor do they really add much to the characters. This title seems to be more for people who already know who Domo is and wants more of what they already know rather than being introduced to the characters.



Domo: the Manga, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Spy vs. Spy: Missions of Madness

By Antonio Prohias
Published by Watson-Guptill


Slugline: The Wrong Format

Spy vs. Spy is a classic comic strip made famous by Mad Magazine featuring two spies that use increasing more elaborate traps and ruses (including Rube Goldberg machines) to trap and kill one another. Very much a creation of the Cold War, with its creator Antonio Prohias a Cuban exile, the two spies representing opponents that have become indistinguishable from each other. This volume is one of several collections of the comics earliest strips in a manga format. It is because of that manga format that it is included on Prospero's Manga since it is likely that this volume (along with its companion collections) could be shelved with manga titles. That is a mistake because the comic is totally unsuited for the format, having just a single panel (in most cases) per page. Strips that would take up just a page or two in the original magazine format takes 10 or more pages in the manga, completely changing their feel and pacing. Since the comics are without word balloons the volume reads far too quickly making the book feel short even though it as long as traditional manga. The material itself are fine, this is just the worst possible way to read it.



-Ferdinand

Leave it to PET!, vol. 1

Story and Art by Kenji Sonishi
Published in the US Viz


Slugline: An incentive to throw your recycling into the dump

Noboru is a typical nine year old who wants to avoid trouble and have fun, in that order. He thinks that both of those goals will be easily meet when PET enters his life, for despite being a recycled plastic bottle, PET has all sorts of abilities, sort of like a super-robot such as Doraemon. Unfortunately for Noboru PET is not very smart and has far less common sense than him, which means that many of PET's attempts to help Noboru backfire spectacularly. The exceptions are when he does not properly understand what Noboru is asking for or is bored and decides to do something else. Despite feeling that he owes Noboru for recycling the plastic bottle that made him, PET does not try very hard to improve either himself or Noboru.

You would think that after the first few times that PET made things worse for Noboru he would stop being so willing to call on PET, but that is a lesson that Noboru never seems willing to learn, if for no other reason that it would end the series. As a kid's series it definitely is just for kids rather than being appropriate for all ages for if you are well into your teens the story will quickly become repetitive and is just not very funny. As for the series name, PET is an acronym for a widely used recyclable plastic though most plastic items are labeled by number rather than type. The story does gently tweak recyclable programs, if for no other reason that if you recycle you may get stuck with a robot friend like PET.



Leave it to PET!, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Mad Love Chase, vol. 1

By Kazusa Takashima
Published in the US by TokyoPop


Slugline: Plot summary part 1: Run Away, part 2: Repeat step 1

Kujou is demon prince who has been told he must marry but he instead fled to Earth. He takes on the form of human teen to attend high school, with his familiar cat taking on the form of the school nurse. But his father and his fiancee are not happy about him skipping out on the wedding and have sent pursuers to bring him back. While they have managed to narrow down his location to the school, to only way to positively identify him is to see the tattoos on his back. So as Kujou tries to find someone nice and normal to love he has to avoid his pursuers who want to strip him. Other than his cat/school nurse his only other ally is one of the pursuers that cannot believe that his good friend Kujou could be the demon prince and so tries to help him whenever he is threatened, but he has his own suspicions.

The plot quickly devolves into repetitive attempts to get Kujou alone by his pursuers and to strip his shirt off. That's it. There is not much variation, and whenever anyone manages to get close to doing that, Kujou either runs away or for some flimsy reason they have to let Kujou go 'for now.' For someone that is supposed to looking for love or for anyone who cares about him rather than his position, Kujou is remarkably passive spending most of his time instead running or planning on how to run. Sure, he gets to reminisce about the few good times he had, but several of the supporting characters are more interesting and are more active than him. The book has nice art, but that is about it.



Mad Love Chase, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Maria Holic, vol. 1

By Minari Endou
Published in the US by TokyoPop


Slugline: All a woman needs is a cross-dressing man

Kanako has transferred into the same private all-girl school that her mother graduated from hoping to find love there just as her mother did. Of course, whileKanako's mother married one of the teachers, Kanako wants to fall into love with a fellow female student since she literally gets hives from even touching a boy. Unfortunately the first girl she gets a crush on, the daughter of a important school founder namedMiriya, turns out to be really a secret cross-dressing boy. After Kanako accidentally discovers that, Miriya decides that the only way to ensure that his secret is kept is to move in with Kanako in the school dorms and thus sabotage all of her efforts to get close to someone. Naturally this creates all sorts of hilarity and confusion.

This is a story where you are not sure if the people who you are supposed to cheer for are worthy of being cheered, if for no other reason thatMiriya is making Kanako attempt to resolve her sexual identity more difficult. As a result, it is hard to answer the question whether Kanako is really gay or just the sort of pretend gay that is supposed to be titillating within the story without actually having to resolve it. Or worse yet, is the creator trying to imply that all that a lesbian needs is for a man to cross-dress in order for him to become acceptable? Maybe this is treading into one of those areas where American and Japanese cultures define sexual identity and lesbianism differently, but it is hard to look at this as just a comedy without also looking at the mixed messages the title is built on. Which is a shame, because the art and storytelling is pretty solid, it is just some of the themes that underpin the story and where they can go concern me.



Maria Holic, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga.

- Ferdinand

Samurai Harem: Asu no Yoichi, vol. 1

By Yu Minamoto
Published in the US by TokyoPop


Slugline: How modest! Four girls is barely a harem in most manga.

Yoichi is the young samurai in training deep in the mountains of Japan, who is told by his father that it is time to go to the city for the next step in his training. It is then revealed that despite the implications otherwise the story is set in modern Japan, which makes the story 'dangerous country bumpkin in the big city.' Fortunately what distracts him from turning this into a more destructive story is that his father sent him to a dojo run by four sisters. Now one of the sisters is too young (I hope she is considered too young) and one is not really interested in him other than for use as a research tool for her manga, but there is two sisters who unsurprisingly, are secretly attracted to him. For the fan-service needs Yoichi keeps on tripping, falling and bemoaning that gravity is a harsh mistress, forcing him to grab onto the sisters at very inappropriate places and times. But could the two girls on the last page of the volume bring actual danger, or just end up as two more girls for the harem? I suspect that will be an easy prediction for most readers.

People who have deep childhood or family connections seem to run into each other all the time on the street of Tokyo, so it must be a pretty small town, right? Sorry, I was just appreciating the foibles of manga storytelling. Despite several of the characters being highly trained martial artists, they all are very clumsy feeling the need to grab onto various naughty bits as they go down. Of course, none of the characters' subconscious are at all just very, very horny. It would be a lot more honest if the story went with that direction rather than having all of these teenagers' minds being as pure as driven snow, especially the girls. But that is just a general problem in many manga. The two main characters (Yoichi and the oldest sister) are too flawless to be more than two dimensional, but I found the sister who has given up because of the older sister's perfection to be the most interesting. I am glad to see that someone around those characters realizes just how unrealistic they are and has had the perfectly rational response of 'why bother?' because anything they do will simply be done better by someone who doesn't even realize they are crushing their hopes and dreams. But other than that, pretty standard harem comedy, not a lot of fighting, at least not yet, and the characters are rather standard. Pretty to look at it, nice if you like fan service or harem comedies, but not much of interest other than that.



Samurai Harem: Asu no Yoichi, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand

Dinosaur Hour, vol. 1

Story and Art by Hitoshi Shioya
Published in the US by VizKids


Sluglines: Bad humor and hungry dinosaurs are a winning combination!

Dinosaur Hour is basically a collection of humorous short skits that feature dinosaurs making fun of and exploiting their own natures. There is some mild educational content here, but it certainly not a focus and it shares only the basics (how big a dinosaur is, what period it existed and whether it was a carnivore or herbivore seems to be most of it.) There are no continuing characters in the volume and most of the dinosaurs are identified by their species rather than having any specific name. The humor is pretty juvenile and transparent, so rather than being for all ages it is really more for young ages. Keeping in mind that many of the jokes revolve around whether or not the dinosaurs can manage to make each other dinner, it is much more a boy book. The art is not very good, but since that this volume is basically sketch comedy, the fact that the art itself is barely more than a sketch works, and it allows the readers to have enough distance from what is happening to be able to laugh when someone becomes lunch. Once you take those limitations into account, it is pretty funny for what it is and doesn't try to do too much with what little attention that the volume will probably get from the typical reader.



Dinosaur Hour, vol. 1 is also available from Right Stuf, Intl., an online retailer specializing in anime and manga

-Ferdinand