Showing posts with label verité. Show all posts
Showing posts with label verité. Show all posts

Thursday, October 30, 2014

The Houses October Built


You know, sometimes it's not about the story or the camerawork or the style, it's about how many times you say, "Man...that's fucked up...." while watching.

THE HOUSES OCTOBER BUILT is currently topping my list for 2014 on the "MAN, that's fucked up" being said out loud. :) I think this film had me saying it out loud about 12 times.



What happens when a few movie makers set out to document some of the scary Halloween Haunts out there around Halloween time? Yeah, you can bet it's not going to go well.

There are creepy arse scenes, creepy arse characters and creepy arse situations galore in this nugget. Is it the new "HALLOWEEN MOVIE of the AGES"? ((Currently - TRICK R TREAT for me))  No. But, it was a fun ride for sure and one to add to the Halloween watch list if you have not seen it already. Man...it's dark.

Not bad, Bobby Roe. Not only did you Direct and help write, you did a fine job starring in this dark....super dark and disturbing outing. This actor turned Director managed to make me shiver a few times for sure.

Again, we're not talking "new" here, but the underlying concept is really cool. There are layers here that will have me re-watching, I'm sure. Subtexts and dark under currents that are a lot of fun to explore. While the cinema verité style is NOT new, the subject matter is fun, nasty and FRUCKING CREEPY as all get out. I think that's what did it for me. The, "What if I was in that situation?!" feeling through the whole film. Yeah...no...I would NOT like it. 
 

Like creepy? 

Like dark?

Hate clowns, but like to be scared?


THE HOUSES OCTOBER BUILT is a must see!










Monday, October 28, 2013

Recent Anthology Films

I love a good horror anthology film. Love love love 'em.
Some past faves have been...


 BLACK SABBATH - The Drop Of Water still haunts my subconscious. So grand. Fantastic Bava.


TALES FROM THE CRYPT (1972) - Cushing. Peter Cushing. :)


 THE HOUSE THAT DRIPPED BLOOD - Waxwork love. Oh...and more Cushing, Lee and Pitt! 


CREEPSHOW - "Where's my cake, Bedelia?! It's Father's Day...and I want my CAKE!"






I'm sure I could go on if I wasn't being sleepy and lazy, but you know the drill. You have a central tale and several small tales wrapped within it. When done properly, you get a "campfire tales" feel going. Scary stories told to get the goosebumps going. I love them.



Well, this recent crop of campfire tales that we have rolling in now fills me with a similar feeling. Sure, the general feel has been updated and usually involves some sort of tech - smartphone or hand held cameras all the rage, of course. But, when the story is solid and the overall tale is well told, it can be a lot of fun.

There is a bit of backlash going against them now. I, of course, blame the internet in general. People are safe behind their computers and tick-tack their hate behind a mask of anonymity. I admit it - I've done it myself, but I've cured myself. How? I simply say, "Well, at least THEY have something completed and out in the world to VIEW. You can talk crap about their work when your work doesn't consist of corporate logos and business magazine adverts, Johnson!" That seemed to do it for me and I have far more compassion for creative works now. :)

The VHS movies make me happy. I mean, come on. You have the creepy house thing going for the wrap stories, then you have a series of nightmares that unfold one after one telling tale after tale of horrific goodness. Hell, nothing wrong with that. Now, I get that some people can't take the camera work and that's fine. But...just don't watch it. To me, it's like someone saying, "I fucking HATE movies about dogs!" Then, they watch Benji and just rail against it. LOL!   They point out that there is a Skype conversation in the film and wag their fingers at it and say tisk tisk. Um...do you mean the same segment that has a woman thinking her house is haunted and seeing some HELLA CREEPY CRAP in her apartment?!?!?!  WHY are you bringing the format into play here? It's creepy ghost coolness! Gimmie more and stop bringing formats into it. What if one of the segments was really BETA and not VHS? Who gives a shit?  :)

Sign me up for more of these, man.



And THE ABCs OF DEATH was a lot of fun as well. I'll be right there when the second one comes out. 26 letters. 26 Directors. Numerous, nasty ways to die with very creative story lines and styles. Awesome. Yet, there were people that said, "There were 26 little stories in this film - some were like five minutes long!" Uh...yeah....2 hour film....26 films based on the alphabet....get it?  Did they expect a 13 hour film packed with 30 minute movies? Again, I loved this format and thought it was energetic and interesting. My only regret was that I didn't make it out to a theater to see it with a crowd...though watching it on VOD at home around 11pm with my home made popcorn and a glass (...or two...) of good whiskey was a fun way to watch as well.

The Theater Bizarre was a fun ride as well. A slightly odd wrap segment with fun and entertaining short tales unfolding for us to view. Sure thing - give 'em to me.
 

While I do love a 90 minute story format, these small anthology films allow for some fun horror exploration on a smaller level. This allows for a story to get in, tell it's tale and get out. Tight ideas that are in and out like nightmare ninjas. I totally dig the format. It also allows for a different flow. A faster delivery of the message or punchline.

Long and the short - you have some super talented folks making films. They love making these films and love that we love to watch them. They long to entertain us. They make a real effort to create things that we like while holding on to the spark that makes them who they are.

You have the right to dislike the work, sure. You could hate it as well. However, keep in mind that these are just works of fiction meant to entertain. Save the venom for people who beat people and animals, perhaps.

Let's celebrate the fact that people can give us genre goodness and that we can see it in the theater or the comfort of our homes. I, for one, love that...so very much.

I'll hop down off my soapbox now. I think I'll go stream some of the VHS segments again.










Wednesday, October 16, 2013

Hell No



'Tis the Season...for horror.

We see a LOT of horror related movies and articles fly around at this time of year and there is usually a flood of horrible horror that makes use of every trope imaginable to fuel weak story lines and silly situations.

The makers of HELL NO take a look at people doing what everyone sensible would do in classic, horror related movie trope situations. So good. :)





Tuesday, November 6, 2012

Chronicles of the Dead - "Apocalypse"



Chronicles of the Dead - "Apocalypse" from 3nFilms is a great little nail biter of a film rush. We're dropped into a car and hiding with our lead and we're obviously not doing so well. Zombies roam outside and our lead is very, very upset. As time ticks by, we leave the car with the lead and try to make a run for it. Zombies are everywhere and we need to get from point A to point B without drawing their attention. It's classic, video game action with cinema verité style camerawork that really puts you in the short - right in the action. The time is right on it as well. In just a little over 7 minutes, we're lead down a very creepy and frightening road with some truly creepy moments I enjoyed with ghoulish delight! :)

Now, while I enjoyed this short, there were some things that I just had to forget about when watching.

"Who's filming? And....why?" There were a few scenes where the lead would have had to set up a camera to film herself. It just would not be a priority for someone in the situation.

"Why are we running and not driving one of the vehicles that litter the street?" No clue.

"Where are we trying to get to? No idea. :)

And lastly, "Why was this done in this cinema verité style and not just straight film style?" I think the whole of the feature would have been much stronger without trying to capture a "film being shot by the character" style. Switching from "God camera" viewing her to a camera that is supposed to be her eye view would have been super effective.

With all of that said, APOCALYPSE is a strong and fun zombiecoaster ride that is well worth a view!



A horrific account chronicling the breakdown of society and the beginning of the zombie apocalypse. 

Directed by: Brian Hernandez
Written by: Younger Robbins & Brian Hernandez
Produced by: Erin Cathcart, Younger Robbins, Brian Hernandez
Edited by: Collin McDowell

Starring: Anastasia Leddick

Director of Photography: George Hernandez
1st Assistant Director: William Lambe
2nd Assistant Director: Amanda Szot
Production Designer: Erin Cathcart
Art Department: Ellen Fetterman, Daniel Mendez Grips: Jon Marsch, Robert Moreno, Richard Satoru Brown
Special Effects Supervisor: Myke Michaels
Key Makeup Artist: Kylie Van Hoosier
Makeup Artists: Lexie Almanzar, Sophie Pratt
Production Assistants: Julian Cedron, Eric Eickholt, Cassandra Almeroth Sound: Jon Marsch

--------------------------------A 3N Films Production---------------------------------

Saturday, October 6, 2012

V/H/S




It's time! It's time!

The HORROR SHOW changed clothes, hung the robe on the hook and shock the dust off the outside coat. Slipping into shoes, I ventured out into the world...to see a NEW horror film. In the theater. Outside of the house!

V/H/S. What a wild ride. Felt like...a roller coaster. One where stuff was tossed at you as you ride!

NOTE: If you can avoid watching the trailer, do so. You'll be better off.  I found myself wishing I had not watched the trailer...over and over again. :)  But, that's the nature of trailers.

The visuals are still stuck in my head. Firmly and darkly branded onto my brain like a tattoo under the skin. I feel like an experiment. A test subject that's just been subjected to something very bad. Very wrong. I LOVE IT!

We have a collection of stories here. An all "cinema verité" style anthology, so if you get sick from shakes, avoid this one or take your Dramamine before seeing it. There's a whole lotta shakin' goin' on.

We have a classic set up. A group of thugs get hired to go snag a VHS tape from an old man's house. How many tapes? Just one. One, small VHS tape from an old man. How hard can that be? Difficult when there are many to choose from. Which is the right one? Better watch some...and check 'em out.

GO! 

Five...was it five? Stories. The stories roll and we slip from "watching" various tapes to seeing what our thug buddies are up to in the old man's place. I'm a sucker for this setup when done correctly and V/H/S nails it. The last film I saw that did this brilliantly was the GLORIOUS Trick R Treat.

No, I'm not going to ruin things by going into details. That would be telling.

Suffice it to say that the weakest two shorts in the V/H/S assault are still grand and thought provoking works of creepy goodness. Shocking, twisted, chilling and visually delicious - this is a fun movie that gets a lot of things right for sure.

There are downsides. I should reiterate that this is shot like it was shot on hand held, VHS cams. Small and twitchy. The jerking motion and shakes are rough at times, but it added to the realism. Another thing of note is a strange mix of empowering females and exploiting them. It wasn't bad, but it was noticeable and sometimes...distracting. (At times, in a good way...wink wink, nudge nudge) I did find myself thinking, "Why did she just take her top off there. Kinda odd," a few times, but I got over it when all hell broke loose yet again. 



They got a LOT right in this film.
Story was still the main focus. They didn't get too wrapped up in the "See what we're doing? They're tapes. VHS tapes. We're watching them, see?!" gimmick. They came at this film with great material FIRST, then executed - so to speak. :)
They also got the "person shooting with camera" right. Things were not framed perfectly. Things moved like people shooting home movies.
And most importantly, the actors were able to pull off the complex job of acting like they are not acting in all but one case of note. Pretty impressive.


I was hoping that V/H/S would have gotten the same sort of buzz something like PARANORMAL ACTIVITY got. Honestly, I think this is a better film when all is said and done. However, the machine has not latched onto this one like they did with Paranormal. Maybe they just have not gotten wind of it yet? I hope that's the case. I'll do my part to fight the good fight for this film. It deserves it.



 
V/H/S was a delight. I'm so happy.  





Directed by
Matt Bettinelli-Olpin         (as Radio Silence)
David Bruckner        
Tyler Gillett                       (as Radio Silence)
Justin Martinez                  (as Radio Silence)
Glenn McQuaid        
Radio Silence        
Joe Swanberg        
Chad Villella                      (as Radio Silence)
Ti West        
Adam Wingard        

Writing credits
(in alphabetical order)
Simon Barrett                    
Matt Bettinelli-Olpin        
David Bruckner        
Tyler Gillett        
Justin Martinez        
Glenn McQuaid        
Radio Silence        
Nicholas Tecosky        
Chad Villella        
Ti West