Showing posts with label copyright. Show all posts
Showing posts with label copyright. Show all posts

Tuesday, August 17, 2021

White Dwarf: Issue #5

Issue #5 of White Dwarf (February/March 1978) features a cover by Polly Wilson. Ian Livingstone's editorial is about copyright laws and their enforcement. The reason he broaches the subject is because several companies (including TSR) have had to remove their Middle-earth wargames and miniatures from the market, owing to the threat of legal action from the copyright holders. What's fascinating is that Livingstone takes the position that "nobody will gain from the strict enforcement of copyright laws." I'm honestly not sure how to take this, because he makes it clear earlier in the editorial that he believes copyright law "rightly exists to protect an individual or company from piracy." 

The issue kicks off with Lewis Pulsipher's extensive review of FGU's Chivalry & Sorcery. By and large, Pulsipher thinks very highly of C&S, in large part because it has a coherent philosophy and perspective, basing itself on a specific period of medieval history and society rather than the generic fantasy seen in other RPGs like Dungeons & Dragons. That said, Pulsipher nevertheless opines that there is still a need for a game that combines the "versatility, variety, and simplicity" of D&D with the "clarity and completeness" of C&S. 

"Der Kriegspielers Fantastiques" by John Norris is a review of a series of 25mm miniatures based on the inhabitants of Middle-earth. Norris finds them a mixed bag, with some of the figures being excellent and others not so much. "Monsters Mild and Malign" by Don Turnbull is a collection of ten new monsters for use with Dungeons & Dragons. None of them are standouts, except possibly the Kzin, based on the cat-like aliens from the works of Larry Niven, and even then the only reason I remember it is because of how odd I found its inclusion. A much better article is the third part of Lewis Pulsipher's "D&D Campaigns." In this part, he discusses various aspects of the game – alignment, treasure, resurrection, etc. – that he feels the referee should consider before starting a new campaign. It's a good collection of advice and suggestions overall. However, I do find it amusing when he refers to the "revised rules" for D&D, by which I assume he's talking about those in the Holmes Basic Set (since the Players Handbook hadn't been released at the time this issue appeared).

"Open Box" reviews Book of Monsters, Book of Demons, and Book of Sorcery (all by Little Soldier), War of the Ring (FGU), and All the Worlds' Monsters (Chaosium). Interestingly, none of these products gets a solid endorsement. Instead, most are described as flawed in some way, particularly the Little Soldier books. There's a brief report about the events of Games Day III, a 1000+ person convention held on December 17, 1977. Included with the report are sample questions from a D&D rules quiz. I thought I knew the game's rules quite well, but, reading through these, I realized how little I actually new (to be fair, many of the questions are more about memory than anything else – how many potions are listed in the game? – so perhaps I shouldn't feel so bad).

"Food and Water on the Starship Warden" by Richard Edwards is an article supporting TSR's Metamorphosis Alpha. It's a decent article, providing lots of ideas (and examples) for the referee to use in establishing the ecology of the starship, as well as how to make use of it in his campaign. I continue to be struck by the presence of MA articles in White Dwarf. It's a game I knew so little about in my youth and yet, from the looks of things, it seems to have been quite popular in its time. The first installment of a fantasy comic called "Kalgar" appears in this issue, written and drawn by David Lloyd. Rounding out the issue are three new magic items by Joseph Nicholas and Brian Asbury's new experience point system. The system, which he facetiously dubs "the Asbury System" is based on hit points of the creatures defeated, not hit dice. This enables him to dole out XP to characters based on the amount of damage they do to an opponent. I can see some value in this sort of approach, but, as with most of Brian Asbury's articles in WD, the new rules seem more complex than they ought to be.

To my mind, this issue is a weak effort, compared to some of its predecessors. Overall, I was none too impressed by it, but such is the nature of periodicals. Here's hoping the next issue is better.

Friday, March 6, 2009

Modern Oddity

I was recently reminded of a bit of trivia I once knew but had somehow forgotten: George Romero's 1968 horror magnum opus, Night of the Living Dead is in the public domain, because its original distributor released it without a copyright notice. Consequently, anyone can now sell their own copies of the film or produce works derivative of it, including roleplaying games. I personally think that's rather nifty, but it's definitely an oddity in the modern world, where I long ago gave up hope that almost anything will ever pass into the public domain again.

This includes OD&D, which, under the terms of copyright at the time of its publication in 1974, would have entered the public domain in 2030. Those terms have since been revised multiple times, so that's an alternate reality that'll never come to pass. Fortunately, we have the Open Game License, which has given us Swords & Wizardry and Labyrinth Lord, among many other fine retro-clones and simulacra. So, whatever else I might say, my non-existent hat's off to the guys who came up with and promoted the OGL. The old school movement owes them a lot.