Showing posts with label Vienna. Show all posts
Showing posts with label Vienna. Show all posts

Vienna 1913: When Freud, Hitler, Trotsky, Tito and Stalin all lived in the same place

A century ago, a single square mile in the capital of the then Austro-Hungarian Empire was home to some of the most remarkable men of the 20th Century.


In 1913, Hitler, Stalin, Trotsky, Tito and Freud all lived within a few miles of each other in Vienna, with some of them being regulars at the same coffeehouses.

The characters would have spent much time in these same two square miles of central Vienna


The Vienna of 1913
  • The neurologist Sigmund Freud moved to Vienna in 1860 as a child and left the city in 1938 after the Nazis annexed Austria
  • Soviet dictator Joseph Stalin spent a month in the city, meeting Trotsky and writing Marxism and the National Question, with Nikolay Bukharin
  • Nazi leader Adolf Hitler is believed to have lived there between 1908 and 1913 where he struggled to make a living as a painter
  • Josip Broz, later Yugoslav leader Marshal Tito, was a metalworker before being drafted into the Austro-Hungarian army
  • Russian revolutionary Leon Trotsky lived in Vienna from about 1907 to 1914, launching paper Pravda - The Truth



Further reading on Why were Hitler, Stalin and Trotsky in Vienna in 1913?


See also:



The Dislocated Subject: Conference, 21 - 22 October 2016, Freud Museum Vienna



21 October, 8 p.m. – Keynote Lecture by Paolo Fabbri
22 October, 9.30 a.m. to 2 p.m. – Panel Talks



The Sigmund Freud Museum’s 2016 autumn conference is devoted to the theme of “new subjectivity”. In a world which is dominated by new ways of communication, by technology that subverts the perception of the body, by the new organisations of the family and groups and by global violence, we are witnessing an overflowing of the subject. The cult of the body and of youth, the desire to procreate also without the shared will of the couple, the lack of a collective conscience, etc. tell us about a “dislocated” subject’.

The conference which opens with the keynote lecture „Yes, we zombies can“ by the Italian semiologist Paolo Fabbri, discusses two aspects of this dislocation of the subject: 1) an “embodied dislocation”, in which the subject, identified with the physical body, reacts by altering this location and technically modifying its appearance or functions, and 2) “disembodied dislocation”, where the subject relocates to a non-physical world of chatrooms, avatars and self-representations within a virtual, globalised reality.

‘Geographies of Psychoanalysis’

Psychoanalysis has been expanding in countries very distant from the historical psychoanalytical culture. The answers to our new realities created by globalization, technological progess and new forms of communication are different from country to country, thus, psychoanalysis has to provide different answers. It is no longer only a question of dialogue with other disciplines, but one of establishing a comparison between different anthropological positions. We have to understand whether psychoanalytical concepts are universal and if its therapeutical methodology is effective in different countries worldwide.

The work of the International Research Group ‘Geographies of Psychoanalysis’, which started a few years ago by a number of the Italian Psychoanalytical Society journal‘Psiche’ (n.1/2008) under the direction of Lorena Preta, brings together the different experiences of psychoanalysts living and working in a variety of realities and cultures.

More on the group

Picture: William Kentrigde, North Pole Map. Courtesy Fondazione MAXXI, Photo credit Roberto Galasso


 

Setting Memory - Bettina von Zwehl & Paul Coldwell: Special exhibition at the Sigmund Freud Museum in Vienna

Special exhibition at the Sigmund Freud Museum in Vienna
7 October 2016 – 21 January 2017
Opening: 6 October, 7 p.m.


Works by London-based artists Bettina von Zwehl and Paul Coldwell kick off the discourse about “loss, memory and reorientation” at the Sigmund Freud Museum on 7 October, 2016 – notions that today define the atmosphere of the former living and working rooms of Sigmund and Anna Freud. The exhibition SETTING MEMORY at Vienna’s Berggasse corresponds with personal shows by the artists at the Freud Museum London and thus underlines the close relationship of these two Freud institutions.


Bettina von Zwehl uses the quality of photography as a tool of memory and instrument of research, following the main principles of psychoanalytic treatment methods: criteria such as “observation”, “transference” and the “principle of confidentiality” are subjected to artistic scrutiny in a series of portraits.

Photographs from a series documenting Anna Freud’s personal belongings in London afford insights into past life-worlds – visual reminiscences returned to their place of origin that depict the setting of the early history of pedagogy and child analysis in “Red Vienna” of the 1920s. The multi-part installation Sospiri (Sighs) stages experiences of loss and mourning: inspired by Gerhard Richter’s work, the artist combines personal traces of life and memory in an unembellished photographic memory record.


Paul Coldwell picks up from those historical events that left the house at Berggasse 19 a “vestigial memory space”. By reconstructing antiques that once populated Freud’s desk, Coldwell revives the memory of the ambience of Sigmund Freud’s workplace. Exhibits rendered in white and reduced in size provide a visual counterpart to the grand narrative of loss and absence. Like the suitcase used by the Freuds while fleeing into exile in London in 1938, the containers in which the reproductions were shipped to Vienna also testify to a sense of departure and new beginnings.

As Sigmund Freud linked the methods of psychoanalysis to those employed by archaeologists, who today often make use of X-rays, the artist uses this method to scan a Freud fetish (Freud’s coat) and uncover the underlying content of meaning.


Part of the exhibition SETTING MEMORYis the artistic documentation of Paul Coldwell’s Balloon Releases action that took place in cooperation with students from the “Business Academy Donaustadt” in Vienna in June this year and that was devoted to visualising loss of home and migration.

Newly released artist books by Bettina von Zwehl and Paul Coldwell afford specific insights into the latest series of both artists.

The exhibition will be accompanied by a catalogue.


Special exhibition, starting October 7, 2016



 

Vienna International Summer School, June 26 - July 3, 2016

This academic and experiential summer school program is designed for both students and professionals. The one-week course will also be of great interest to anyone who wants to learn more about the origin of psychoanalysis, Sigmund Freud’s impact on psychotherapy, and the cultural and historic implications of Vienna, the capital of Austria.


Join other like-minded learners and explore analytic history, thought and modern practice of psychoanalysis in Vienna, where it all began. Classes will be held at Sigmund Freud University and various historic spots within Vienna.


This is an immersive experience that focuses on theoretical as well as experiential learning about the fundamental principles of the science of psychotherapy. It is open to students, professionals and individuals from all over the world with a thirst for more knowledge on this topic.

This summer, immerse yourself in psychoanalysis and the rich cultural heritage of Vienna

Be part of an international contingent for an intensive, one-week program in the fundamentals and history of psychotherapy. Learn what the books don’t teach. Explore the places and principles that were until now simply part of your imagination.

You’ll learn from international professors and experts as you engage in classroom activities focused on deepening your skills, theory and experience of the broad topic of psychotherapy science. You’ll also explore cultural and multi-cultural sensitivities from a wide range of perspectives.
Hosted by Sigmund Freud University and Mind Body Passport’s Dr. Leslee Brown, this International Summer School program consists of lectures and theory along with self-awareness (experiential, integration) courses, working up the theoretical lectures, and learning in accord with the general orientation of European learning models. Members of the university’s academic staff will guide our enlightening off-campus excursions.

The academic program will be woven together daily in-group psychoanalysis integration and a daily morning social dream group that will provide students with the experience of enhancing understanding of themselves, the group and analytic theory.

Participants will convene to study “The Human Soul,” with opportunities to learn about global citizenship through immersion in the vibrant Viennese culture. Learning happens through observation, dialogue, self-reflection and hands-on experiences, taking you from the academics of the classroom to the sights and sounds of the Vienna of yesterday and today.
All participants will receive a course certificate of completion.

More info here.

What Does the Princess Want? Marie Bonaparte between Biology and Psychoanalysis

25. February 2016, 20:00 - 22:00
Sigmund Freud Museum, Berggasse 19, 1090 Wien

Lecture by Rémy Amouroux. Part of the programme accompanying the exhibition "So this is the strong sex." Women in Psychoanalysis please register: veranstaltung@freud-museum.at


"Today, biographical anecdotes concerning Marie Bonaparte (1882-1962) are more famous than her scientific work. It is well known that she was a descendant of Napoleon Bonaparte and a royal princess by marriage. She was also a student and friend of Sigmund Freud, and she helped him to escape from the Nazis. For her contemporaries, she was a respected model of orthodox. However, she developed a conception – anchored in the natural sciences rather than the human sciences – that went against the ideological current of post-war French psychoanalysis. As a psychoanalyst, Marie Bonaparte was always looking for the biological origin of the psychological process. Perhaps this is the reason why some of her ideas are strange from a twenty-first century point of view?

Aside from giving a biographical account, I will describe her role in the psychoanalytic movement, but also her connection with the scientific and literary circles. Moreover, I will explore the cultural climate in which Marie Bonaparte has evolved. This contextualization will allow me to focus on her psychoanalytic work about female sexuality and illustrate how and why is it connected with biological issues." Rémy Amouroux


See also

Dora – Hysteria – Gender: A Conference (Sigmund Freud Museum, Wien)

Friday, 12 February 2016, 2:00 - 9:00 p.m.
Sigmund Freud Museum, Berggasse 19, 1090 Wien

Admission free, please register: veranstaltung@freud-museum.at


Dora – Hysteria – Gender

Freud’s 1905 Fragment of an Analysis of a Case of Hysteria is not only the first of the five major case studies he wrote, the so-called Dora case is also the only major case study dealing with a female patient. This first major case study is one of the most commented of Freud’s texts – a study that not only met clinical interest. For, in the 1970 and 1980s we can witness the start of a “Dora renaissance” that produced many new readings of the text from literary, philosophical and especially also feminist perspective. In these readings often special attention was paid to ideological aspects of the case study in particular and psychoanalysis in general, notably also regarding the power relations operating in language and sexuality. Indeed, we find such relations inherent to the field of psychoanalysis, sexuality, pathology and feminism in a condensed way in the Dora text. A thorough analysis of the text thus requires an interdisciplinary approach.

Such approach is central in the symposium “Dora – Hysteria – Gender”. The aim of the symposium is not only to situate the text originally named “Dream in Hysteria” in relation to The Interpretation of Dreams and the Three Essays on the Theory of Sexuality while focusing on Freud’s understanding of sexuality, bisexuality, hysteria, perversion and transference from a historical and systematic perspective. The aim is also to elaborate the text’s potential and to develop new readings in view of the contemporary scientific fields of gender and queer studies. Part of this undertaking is the critical analysis of Freud’s theory of femininity.

With: Rachel Blass, Jens De Vleminck, Daniela Finzi, Esther Hutfless, Ilka Quindeau, Beatriz Santos, Philippe van Haute, Herman Westerink und Jeanne Wolff-Bernstein.

A Conference by the Sigmund Freud Museum in cooperation with the Freud Research Group


Lectures (Language as indicated)

2:00: Daniela Finzi (DE): Konstruktionen einer Fallgeschichte. Von „Traum und Hysterie“ zu In Doras Case

3:00: Rachel Blass (EN)

4:00: Beatriz Santos (EN): Is Dora a woman? Thinking identity and identifications through the feminist critique of a case of hysteria

5:00: Panel Discussion Hysteria and Perversion (EN)

Jeanne Wolff-Bernstein, Philippe van Haute und Esther Hutfless

7:00 Lecture (DE)

Ilka Quindeau: „Von Dora zu Conchita - neuere Konzepte zu Geschlecht und Sexualität in der Psychoanalyse“

See also


http://www.freud-museum.at/en/event/opening_women.html

Solidarity and Alienation: Social Structures of Hope and Despair - Sigmund Freud University, Vienna - May 6th-8th 2016

Psychoanalysis and Politics conference: Solidarity and Alienation

Sigmund Freud University, May 6th-8th 2016



Questions of what founds and undermines solidarity appear central today. Psychoanalysis, however, may be said to have addressed the notion of solidarity only marginally. In ‘Civilization and its Discontents’ Freud asserts that “human life in common is only made possible when a majority comes together which is stronger than any separate individual and which remains united against all separate individuals” and posits this togetherness as the “decisive step of civilization” (Freud, 1930, 94 – 95). In this sense, there is scope for further enquiry into solidarity as the core of civilization and its motivations.

To Kropotkin (1998), mutual aid within a species is an important factor in the evolution of social institutions. Solidarity is essential to mutual aid; supportive activity towards other people does not result from the expectation of reward, but rather from instinctive feelings of solidarity.

Hoelzl (2004) raises the problem of the particularity of solidarity; Aristotle’s ethics understood friendship in terms of a network among male Aristocrats within the polis. Since, however, only Aristocratic and wealthy men were eligible for a friendship that constituted the social bond of the community, the politics of friendship was elitist and linked to personal wealth. The shift from solidarity among friends to solidarity with strangers summarizes the problem of universal solidarity and identifies a problematic source in the history of the concept. This raises the question of whether or to what extent solidarity is restricted to identification based on similarity, and to what extent it can go beyond perceived similarity.

Jürgen Habermas describes solidarity as standing in for one another. While Habermas’ discourse-ethics examines successful interactions of understanding, Axel Honneth’s critical social theory also takes negative practices of misrecognition into account. Solidarity is seen as one form or pattern of recognition, with law and love as two other forms. Humiliation and insulting acts are seen as the negative counterpart to solidarity. Habermas’s theory of communicative action and Honneth’s social theory of recognition share the Hegelian assumption of recognition as reciprocal. Because of the asymmetrical relationship between the master and the slave, an asymmetrical act of solidarity is understood as a deficient mode of reciprocal solidarity. Asymmetrical acts of solidarity establish the master-slave relationship and therefore bondage. In contrast, Hoelzl (2004) asserts that further to recognition, the individual must be willing to occupy the position of sacrificial victim given that solidarity, in its most radical form, may mean giving one’s life for the other. Questions may be raised, in this sense, on the nature, dynamics and stakes of solidarity and solidary acts. How far can acts of solidarity be unilateral? What do they presuppose in terms of mutuality, individual investments and social relationships? Further, what distinguishes solidarity from related emotions such as empathy, compassion, pity and love?

We may, furthermore, ask what constitutes the opposite of solidarity. Amongst several conceivable opposing poles such as egoism, disengagement or radical individuality, alienation is arguably at the core of its decline. Consensual definitions posit alienation as separateness and estrangement of the subject from the other, the social group and social institutions leading into a meaningless, inauthentic existence (Skelton, 2006). Questions can be raised as to whether alienation indeed undermines solidarity or constitutes its negative condition of possibility.

Since the Industrial Revolution, technology and capitalism are said to have a causal relation with alienation, as Gerlach (2009) states paraphrasing Marx, “when the life [the subject] has given to the object sets itself against him as an alien and hostile force.” Alienation is thus characterised by the universal extension of “saleability” – the transformation of everything into commodity – the conversion of human beings into “things” to appear as commodities on the market – the “reification” of human relations – and by the fragmentation of the social body into “isolated individuals” who pursue their own limited, particularistic aims, making a virtue out of their selfishness in a cult of privacy (Mészáros, 1970).

Paul Verhaege’s contemporary diagnosis links alienation today with an increase in systems of monitoring and measurement and an ethic of competition where effectiveness is postulated as the highest aim: “Only the best – that is, the most productive – are to be rewarded, so a measuring system is devised. Quality criteria are then imposed by the powers that be, fairly soon followed by a rigid top-down approach to quality that stifles individual initiative. Autonomy and individual control vanish, to be replaced by quantitative evaluations, performative interviews, and audits. From then on, things go from bad to worse. Deprived of a say over their own work, employees become less committed (‘They don’t listen anyway’), and their sense of responsibility diminishes (‘As long as I do things by the book, they can’t touch me’). […] This harmful trend is destroying work ethos and, in the long run, communal ethos as well” (Verhaege 169-170). Thus competition undermines solidarity and external measurement systems renders the product of one’s labour unrecognizable and alien.

Fromm (1955), describes the alienated subject as being “out of touch with himself as he is out of touch with any other person”, leading into different social visible forms of alienation such as over-conformity and non-commitment. Primitive anxieties and forms of attachment are said to pre-date alienation if understood as an individual or social schizoid phenomenon (Lerner, 1985). Different philosophical schools, furthermore, relate alienation to dialectical recognition and estrangement (Hegel 1807; Marx, Engels, 1846); absurdity of meaninglessness and nihilism (Sartre, 1938), loss of connection with God (Kierkegaard, 1849) and third-personal relationships to the I and the other (Heidegger, 1927; Buber, 1923). A thread can be found from Rousseau’s ideas on alienation from nature to psychoanalytic conceptualisations, and parallels could be drawn with Winnicott’s (1965) concepts of the true and the false self, though ‘false self’ formations are not linked with an account of social structures. We might refer to Menzies Lyth’s descriptions of a ‘forced introjection of a social defence system’ that ‘relied heavily on violent splitting’ to ask what forms of splitting (not necessarily always negative) are socially required of people today and about their consequences for our sense of solidarity and alienation. For Durkheim (1897), anomie is common when society has undergone significant changes in its economic fortunes, whether for better or for worse, and when there is a major discrepancy between the ideology and values commonly professed and what is achievable in one’s everyday life.

Lynd (1961) suggests that alienation understood as separation may have beneficent as well as terrifying aspects. Regarding the former, the myth motif of the wandering prophet “is the precondition for the discovery of that which is newer and older and more real than the parochial customs of the village” (170), versions of which can be found in Anna Karenina, Bread and Wine, and Doctor Zhivago. “The true prophet”, argues Lynd, “goes into the unexplored wilderness and […] returns to be a leader and life-giver to his people” (170), alienation being the precondition of this experience. Going beyond the settlement “and setting one’s face toward the more enduring, universal realities, involves conflict with many accepted social forms” (170). In this sense, questions can be raised on the hopeful potential of alienation itself and its potential to unsettle social establishments.

(The symposium lasts for three full days, from 9 am Friday 6th until about 6 pm Sunday 8th. Two dinners, Friday and Saturday, are included in the ticket price. Link to sign up)

More info here.


„So this is the strong Sex.“ Women in Psychoanalysis: Special exhibition at the Sigmund Freud Museum in Vienna

16 October 2015 – 12 June 2016

Special exhibition at the Sigmund Freud Museum in Vienna

http://www.freud-museum.at/en/event/opening_women.html

On October 15, the Sigmund Freud Museum opens its special exhibition “So this is the strong sex.” Women in Psychoanalysis, which is dedicated to women from the early history of psychoanalysis. Marie Bonaparte, Helene Deutsch, Emma Eckstein, Anna Freud, Lou Andreas-Salomé and Sabina Spielrein had a major influence on the work of Sigmund Freud and on the development of psychoanalysis.

“So this is the strong sex.” – Emma Eckstein is said to have once greeted Sigmund Freud with this ironic allusion. Succinctly, this quotation conveys the possible new interpretations of predominant gender roles. As patients, these women provided Sigmund Freud with the basis for his discovery of the unconscious; the “father of psychoanalysis” himself confirms how he developed his treatment method known as the “talking cure” together with them.

Marie Bonaparte photographed in Freud's consulting room, Vienna 1937

In addition to their practical work as analysts, these protagonists made substantial contributions to the development of psychoanalytical theory, inspiring Freud’s works or even anticipating them, as in the case of Sabina Spielrein. Their involvement in the international dissemination and global institutionalisation of psychoanalysis is equally undisputed: Sabina Spielrein in Switzerland and Russia, Lou Andreas-Salomé in Germany, Marie Bonaparte in France, Helene Deutsch in the USA, and Anna Freud in England.

Lou Andreas-Salomé

The biographies and works of these different figures, all impressive, are focused on in the exhibition along with Freud’s theoretical work from the perspective of feminism, gender and queer studies criticism.

„So this is the strong Sex.“ Women in Psychoanalysis 

16 October 2015 – 12 June 2016

Special exhibition at the Sigmund Freud Museum
Opening: 15 October 2015, 19:00

Please register here.
 

Fin-De-Siecle Vienna: Politics and Culture




http://www.amazon.co.uk/gp/product/0394744780/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=0394744780&linkCode=as2&tag=freuquot-21
A landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born.

Freud, Dora, and Vienna 1900



Buy Freud, Dora, and Vienna 1900 here.

http://www.amazon.com/gp/product/0029072123/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0029072123&linkCode=as2&tag=permacmedia-20
Hannah S. Decker uses the famous case of Sigmund Freud and "Dora", his emotionally trouble adolescent patient, to paint a richly detailed portrait of turn-of-the-century Vienna.


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