Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference

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Quintessentially fascinating, love intrigues and perplexes us, and drives much of what we do in life. As wary as we may be of its illusions and disappointments, many of us fall blindly into its traps and become ensnared time and again. Deliriously mad excitement turns to disenchantment, if not deadening repetition, and we wonder how we shall ever break out of this vicious cycle.

Can psychoanalysis – with ample assistance from philosophers, poets, novelists, and songwriters – give us a new perspective on the wellsprings and course of love? Can it help us fathom how and why we are often looking for love in all the wrong places, and are fundamentally confused about what love really is ?

In this lively and wide–ranging exploration of love throughout the ages, Fink argues that it can. Taking within his compass a vast array of traditions – from Antiquity to the courtly love poets, Christian love, and Romanticism – and providing an in–depth examination of Freud and Lacan on love and libido, Fink unpacks Lacan s paradoxical claim that love is giving what you don t have. He shows how the emptiness or lack we feel within ourselves gets covered over or entwined in love, and how it is possible and indeed vital to give something to another that we feel we ourselves don t have.

This first–ever commentary on Lacan s Seminar VIII, Transference, provides readers with a clear and systematic introduction to Lacan s views on love. It will be of great value to students and scholars of psychoanalysis and of the humanities generally, and to analysts of all persuasions.

See also

Let's Keep Talking: Lacanian Tales of Love, Sex, and Other Catastrophes

Reading Seminar XX: Lacan's Major Work on Love, Knowledge, and Feminine Sexuality

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This collection offers the first sustained, in-depth commentary on Seminar XX, Encore, considered the cornerstone of Lacan's work on the themes of sexual difference, knowledge, jouissance, and love. Although Seminar XX was originally popularized as Lacan's treatise on feminine sexuality, these essays, by some of today's foremost Lacanian scholars, go beyond feminine sexuality to address Lacan's significant intertwining concern with the rupture between reality and the real produced by modern science, and the implications of this rupture for subjectivity, knowledge, jouissance, and the body.

The essays clarify basic concepts, but for readers already familiar with Lacan they also offer sophisticated workings-through of the more challenging and obscure arguments in Encore—both by tracing their historical development across Lacan's œuvre and by demonstrating their relation to particular philosophical, theological, mathematical, and scientific concepts. They cover much of the terrain necessary for understanding sexual difference—not in terms of chromosomes, body parts, choice of sexual partner, or varieties of sexual practice—but in terms of one's position vis-à-vis the Other and the kind of jouissance one is able to obtain. In so doing, they make significant interventions in the debates regarding sex, gender, and sexuality in feminist theory, philosophy, queer theory, and cultural studies.

Lacan to the Letter: Reading Ecrits Closely

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To read Lacan closely is to follow him to the letter, to take him literally, making the wager that he comes right out and says what he means in many cases, though much of his argument must be reconstructed through a line-by-line examination. And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan’s work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Écrits: A Selection.

As a translator and renowned proponent of Lacan’s works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus.

From a parsing of Lacan’s claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the Graph of Desire), Fink’s book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century’s most important thinkers.

Reading Seminar XI: Lacan's Four Fundamental Concepts of Psychoanalysis: The Paris Seminars in English

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This book provides the first truly sustained commentary to appear in either French or English on Lacan's most important seminar, The Four Fundamental Concepts of Psychoanalysis. The 16 contributors unpack Lacan's notoriously difficult work in simple terms, and supply elegant illustrations from a variety of fields: psychoanalytic treatment, film, literature, art, and so on. Each of Lacan's fundamental concepts--the unconscious, transference, drive, and repetition--is discussed in detail, and related to other important notions such as object a cause of desire, the gaze, the Name-of-the-Father, the subject, and the Other. This volume also includes a translation of Lacan's companion piece to Seminar XI, "Position of the Unconscious" (an article from the French edition of the Ecrits that has never before appeared in English), by one of the foremost translators of Lacan's work, Bruce Fink. As an indication of the important of this article, Lacan considered it to be the sequel to his "Function and Field of Speech and Language in Psychoanalysis," arguably his most important paper in the 1950s.

The contributors include many of the best minds in the Lacanian psychoanalytic world in Paris today. Chapters include "Excommunication: Context and Concepts" by Jacques-Alain Miller, "The Subject and the Other I and II" by Colette Soler, "Alienation and Separation I and II" by Eric Laurent, "Science and Psychoanalysis" by Bruce Fink, "The Name-of-the-Father" by Francois Regnault, "Transference as Deception" by Pierre-Gilles Gueguen, "The Drive I and II" by Marie-Hele`ne Brousse, "The Demontage of the Drive" by Maire Jaanus, "The Gaze as an Object" by Antonio Quinet, "The Phallic Gaze of Wonderland" by Richard Feldstein, "The 'Evil Eye' of Painting: Jacques Lacan and Witold Gombrowicz on the Gaze" by Hanjo Berressem, "Art and the Position of the Analyst" by Robert Samuels, "The Relation between Voice and the Gaze" by Ellie Ragland, "The Lamella of David Lynch" by Slavoj Zizek, "The Real Cause of Repetition" by Bruce Fink, "Introductory Talk at Sainte-Anne Hospital" by Jacques-Alain Miller, and "The End of Analysis I and II" by Anne Dunand.

Reading Seminars I and II: Lacan's Return to Freud

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In this collection of essays, Lacan's early work is first discussed systematically by focusing on his two earliest seminars: Freud's Papers on Technique and The Ego in Freud's Theory and in the Technique of Psychoanalysis. These essays, by some of the finest analysts and writers in the Lacanian psychoanalytic world in Paris today, carefully lay out the background and development of Lacan's thought. In Part I, Jacques-Alain Miller spells out the philosophical and psychiatric origins of Lacan's work in great detail. In Parts II, III, and IV, Colette Soler, Eric Laurent, and others explain in the clearest of fashions the highly influential conceptualization Lacan introduces with the terms "symbolic" "imaginary" and "real" Part V provides the first sustained account in English to date of Lacan's reformulation of psychoanalytic diagnostic categories-neurosis, perversion, psychosis, and their subcategories-their theoretical foundations, and clinical applications (ample case material is provided here)

A Clinical Introduction to Lacanian Psychoanalysis: Theory and Technique

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"The goal of my teaching has always been, and remains, to train analysts."

--Jacques Lacan, Seminar XI, 209

Arguably the most profound psychoanalytic thinker since Freud, and deeply influential in many fields, Jacques Lacan often seems opaque to those he most wanted to reach. These are the readers Bruce Fink addresses in this clear and practical account of Lacan's highly original approach to therapy. Written by a clinician for clinicians, Fink's Introduction is an invaluable guide to Lacanian psychoanalysis, how it's done, and how it differs from other forms of therapy. While elucidating many of Lacan's theoretical notions, the book does so from the perspective of the practitioner faced with the pressing questions of diagnosis, what therapeutic stance to adopt, how to involve the patient, and how to bring about change.

Fink provides a comprehensive overview of Lacanian analysis, explaining the analyst's aims and interventions at each point in the treatment. He uses four case studies to elucidate Lacan's unique structural approach to diagnosis. These cases, taking up both theoretical and clinical issues in Lacan's views of psychosis, perversion, and neurosis, highlight the very different approaches to treatment that different situations demand.

The Lacanian Subject: Between Language and Jouissance

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This book presents the radically new theory of subjectivity found in the work of Jacques Lacan. Against the tide of post-structuralist thinkers who announce "the death of the subject," Bruce Fink explores what it means to come into being as a subject where impersonal forces once reigned, subjectify the alien roll of the dice at the beginning of our universe, and make our own knotted web of our parents' desires that led them to bring us into this world.

Lucidly guiding readers through the labyrinth of Lacanian theory--unpacking such central notions as the Other, object a, the unconscious as structures like a language, alienation and separation, the paternal metaphor, jouissance, and sexual difference--Fink demonstrates in-depth knowledge of Lacan's theoretical and clinical work. Indeed, this is the first book to appear in English that displays a firm grasp of both theory and practice of Lacanian psychoanalysis, the author being one of the only Americans to have undergone full training with Lacan's school in Paris.

Fink Leads the reader step by step into Lacan's conceptual system to explain how one comes to be a subject--leading to psychosis. Presenting Lacan's theory in the context of his clinical preoccupations, Fink provides the most balanced, sophisticated, and penetrating view of Lacan's work to date--invaluable to the initiated and the uninitiated alike.

Against Understanding, Volume 2: Cases and Commentary in a Lacanian Key

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Against Understanding, Volume 2, casts a spotlight on the status of case studies in psychoanalysis, which are commonly used to illustrate clinicians’ expertise and mastery rather than patients’ actual itineraries. When a case is presented, the complex, unwieldy, and often self-contradictory material of a therapeutic trajectory is often vastly oversimplified in view of producing a linear narrative that seems perfectly to fit the parameters of a practitioner’s preferred theoretical framework.

Bruce Fink attempts to eschew the appearance of "mastery" in assembling clinical material and in discussing his approach to practice and theory in the myriad case histories and vignettes included in both Volumes 1 & 2 of Against Understanding. To counterbalance the kind of paring down of material usually carried out to make cases conform to a particular paradigm, the case write-ups presented here include much of the "raw data" so often omitted: verbatim quotes from patients about their lives, backgrounds, dreams, and fantasies; and details about the many obscure, vacillating, and unruly phases of treatment. Fink hopes thereby to allow readers to form their own opinions about the well-foundedness or unsoundness of his formulations, interpretations, and interventions.

This second part of a two-volume collection of papers, interviews, and case studies provides the reader with hundreds of illustrations of Lacanian theory in practice, and will be essential for psychoanalysts, psychotherapists, psychiatrists, psychologists, social workers and counselors.

Against Understanding, Volume 1: Commentary and Critique in a Lacanian Key

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Against Understanding, Volume 1, explores how the process of understanding (which can be seen to be part and parcel of the Lacanian dimension of the imaginary) reduces the unfamiliar to the familiar, transforms the radically other into the same, and renders practitioners deaf to what is actually being said in the analytic setting. Running counter to the received view in virtually all of contemporary psychotherapy and psychoanalysis, Bruce Fink argues that the current obsession with understanding – on the patient’s part as well as on the clinician’s – is excessive insofar as the most essential aim of psychoanalytic treatment is change.

Using numerous case studies and clinical vignettes, Fink illustrates that the ability of clinicians to detect the unconscious through slips of the tongue, slurred speech, mixed metaphors, and other instances of "misspeaking" is compromised by an emphasis on understanding the why and wherefore of patients’ symptoms and behavior patterns. He shows that the dogged search for conscious knowledge about those symptoms and patterns, by patients and practitioners alike, often thwart rather than foster change, which requires ongoing access to the unconscious and extensive work with it.

In this first part of a two-volume collection of papers, many of which have never before appeared in print, Bruce Fink provides ample evidence of the curative powers of speech that operate without the need for any sort of explicit, articulated knowledge. Against Understanding, Volume 1 brings Lacanian theory alive in a way that is unique, demonstrating the therapeutic force of a technique that relies far more on the virtues of speech in the analytic setting than on a conscious realization about anything whatsoever on patients’ parts. This volume will be of interest to psychoanalysts, psychotherapists, psychiatrists, psychologists, social workers, and counselors.

The Psychoanalytic Adventures of Inspector Canal

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Psychoanalysts make the best detectives! When it comes to divining motives, deciphering ambiguous pronouncements, detecting delusions, and foiling the tricks memory plays, famed French analyst Jacques Lacan—turned self-proclaimed retired Inspector Quesjac Canal—is second to none (apologies to Agatha Christie's Hercule Poirot, Edgar Allen Poe's Dupin, and Umberto Eco's William of Baskerville).

Reluctantly drawn into helping hapless New York City police detectives with crimes reported by luminaries like Rolland Saalem, music director of the New York Philharmonic Orchestra, and involving prominent personages like Tobias Trickler, Mayor of New York City, and Sandra Errand, vice president for North American sales at YVEH Distributors of Spirits, Canal solves cases that are anything but what they appear to be and mends tears of the heart and soul at the same time.

The Adventures of Inspector Canal includes three intrigues that weave together psychoanalytic themes, historical mysteries, and contemporary issues in a unique manner.

In “The Case of the Lost Object,” the conductor of the New York Philharmonic becomes obsessed about the theft from his Lincoln Center office of the slow movement from a precious original musical score.

In “The Case of the Pirated Formula,” a hard-charging businesswoman is determined to stop a Chinese counterfeit version of the famous green Chartreuse liqueur her company distributes from flooding the American market.

Finally, in “The Case of the Liquidity Squeeze,” the sex life of the beloved mayor of New York City becomes fodder for public consumption and derision when he is accused of paying for his visits to a so-called massage parlor from public coffers. The psychoanalytic themes of love, desire, and loss intertwine as important relationships develop between Canal and those he assists.

Death by Analysis: Another Adventure From Inspector Canal's New York Agency

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A stunning young analyst-in-training keels over dead in front of three hundred guests at her Institute’s annual conference. It looks like murder. But initial inquiries suggest she was liked by one and all: her teachers, supervisors, fellow-students, and even patients. New York’s finest are forced to call upon Inspector Canal, an allegedly former French secret serviceman now living in Manhattan (loosely based on the inimitable Parisian psychoanalyst, Jacques Lacan), to penetrate the calm demeanor of the dead woman’s professional entourage.

More daring than ever, changing identities and donning the most unlikely of disguises before, during, and even after a mad Halloween party, Canal feels his way through a minefield of denials and dissimulations, trying not to trigger any further detonations. As in his previous escapades, the Frenchman gets caught up in the misadventures of Eros while attempting to solve age-old and newer forms of crimes of the heart, grappling with the biggest mysteries of them all: love and death.