Total Recall (2012)

Title: Total Recall (2012)

Director: Len Wiseman

Writer: Kurt Wimmer, Mark Bomback

Cast: Colin Farrell, Kate Beckinsale, Jessica Biel

Review:

I recently wrote an article in which I compared both versions of Total Recall: Paul Verhoeven’s 1990 film, and this new remake. On that article I pointed out the many differences and similarities between both films, because let’s face it, it’s kind of difficult not to compare the two, especially when you’re such a fan of the original one. But now that I’ve said my piece about both films, I feel like this new one is good enough to get its own review. So, here it is a review for Len Wiseman’s Total Recall, sans any comparisons to Verhoeven’s film. But remember, if you’re interested in reading about how the new and the old compare, don’t hesitate to check out my previous article which does just that in a pretty extensive way.

On this film we meet Douglas Quaid, a blue collar worker who can’t wait to escape his redundant life, he doesn’t know what it is he wants, but he knows he wants a change. While drinking at the local bar he asks his co-workers if they are happy with how their lives have turned out, spending their shitty pay drinking shitty beers in a shitty bar. Quaid wants more out of life, unfortunately he is stuck in his same-o same-o life. But salvation awaits! ‘Rekall’ is a company that sells you fake memories, they can implant fake memories into your brain and make you believe you’ve done whatever you ever wanted to do. Of course, Quaid finds all of this very titillating, it is exactly what he needs, the great escape. So Quaid ends up buying the ticket and taking the ride. Problems arise when the fake memory implants awaken a hidden personality which was lying dormant somewhere in the back of his mind. Now people are chasing him and trying to kill him! Is Douglas Quaid who he thinks he is, or is he someone else?

First things first, I loved the themes on this film. I’ve always said that the best sci-fi films are those that comment on the world we live in rather then just being a showcase for  special effects and I’m glad to say that this new Total Recall does just that, it comments on the way society is structured and on they way governments are operating, making their moves so to speak in order to keep a certain part of the population enslaved. Slavery isn’t over; it just changed its name. This new film makes us question the structure of society and if this is the way things should be. On this film when Douglas Quaid is on his way to work, he has to step onto this giant elevator to take what they call “The Fall”. Basically, the working class travels to their jobs by traversing through the core of the planet on this huge elevator. The thing we need to notice about this scene is how tired and bored everybody looks from doing the same thing every day.

Same as the working class that Chaplin portrayed as sheep in Modern Times (1936) or the workers who enter the giant elevator to work in Fritz Lang’s Metropolis (1927), the workers in Total Recall are portrayed as sheep as well. Interesting how going to work and commuting is called “The Fall”, the symbolisms didn’t escape me at all. It’s the idea that we are being treated as herd and that our lives are being wasted doing menial, repetitive jobs that lead our lives nowhere. I take the train to work everyday and can’t help to think we’re all sheep when I see so many people getting on and off the train, looking tired and bored out of their minds; like sheep in a heard in deed. Or rather, like lambs to the slaughter, day by day, the blue collar workers lives are sheered by the scissors of redundancy and time. Why does life have to be like this for some? Can’t life turn out to be something more interesting? Can it all be changed somehow? Can humanity focus their efforts on something more worthwhile? These are some of the questions that Total Recall considers.

This version of Total Recall is really about waking up from that slumber, about disconnecting from that dormant state and taking control of your lives. Quaid is about to take the ‘Rekall’ trip, which is really just a way to try and forget the world and live in a temporary state of bliss. In this film, Quaid is buying a fake escape, not unlike the fake escape that drugs and alcohol offer. These escapes are only temporary, when you wake up; your problems are still there. A smarter solution to redundancy would be to identify it and take the steps to eradicate it from our lives. In a way, Total Recall is also commenting on the stupidity of succumbing to mind numbing drugs to escape our problems. One thing is to use drugs for recreational purposes, but it’s far more damaging to use them to forget about your life, to ignore and escape your problems instead of facing them. There’s a quote from Joe Versus the Volcano (1990), by the way, one of my favorite films ever and a film that addresses some of the very issues that this new Total Recall film addresses; and that quote says: “My father says that almost the whole world is asleep. Everybody you know, everybody you see. Everybody you talk to. He says that only a few people are awake, and that they live in a state of constant amazement” I totally agree with this sentiment, and it’s what this new Total Recall film is talking about, waking up from that slumber; taking control of your life and doing what you really want with it.

In Quaid’s case, what he feels he needs to do with his life is joining the revolutionary movement so he can change the status quo of society, shake things up, destroy the old way of doing things and starting something new. The idea of destroying something in order to create something new is not a new idea in cinema or in life for that matter, but it is a path seldom taken by society. Big changes occur when old patterns of action are left behind; this I feel is something that has to happen in the world. Things have to change in order for everyone to be happy and free, in order for all of us to truly enjoy life. Not just a select few. Not just the rich and powerful, but everyone.

In the world of Total Recall, and in many parts of the real world we live in governments have taken steps to oppress the working class even further, while lying through their teeth about how they do it. The villains of this film are a dictator and his army of cops. The dictator tells the people that they are putting more cops on the street to protect the population, when in fact what they are really doing is gathering more cops to increment their own private little army with which to oppress. In this respect, Total Recall also reminded me a lot of those faceless cops in George Lucas’s THX-1138 (1971), by the way, THX-1138 was an obvious inspiration for this film. I’ve personally seen the powers that be increment their police force, only to use it against the population and to violate said populations humans rights. Not to protect it, but to oppress. But you wouldn’t know that from looking at the media, where they portray themselves as protectors of the people in television commercials and news articles paid by themselves, to make themselves look like heroes. The film is telling us not to stand idly as these vile creatures take over the world, that in order for a change to occur, people need to rise up from complacency.

Aside from these heavy themes, the film is a great sci-fi/action film, I was never bored. Tonally, it’s a more serious film than Verhoeven’s film, it's not looking to make you laugh with one liners or jokes every five seconds, it doesn’t feel as overtly kinetic as Verhoeven’s film and that’s fine, we couldn’t really expect Len Wiseman, the director of this film to do the same exact film in tone or feel. This Total Recall was going for something different. Yeah we go through the same beats and moments, and there’s a nudge or two to Verhoeven’s film, but in the end, this new Total Recall was trying it’s hardest to be something different. I love Verhoeven’s film for all its craziness, but I also loved this new Total Recall for different reasons, mainly, the awesome art direction, the futuristic technology, I mean, how cool where those hand phones? I enjoyed the decidedly rebellious tone and the flying car chase sequence! They really out did themselves with those scenes. In terms of fx and action, this one pulled no stops, it’s a chase movie with nonstop action. So many things worked just right on this one that I can’t bring myself to say I didn’t like it, because I did like it very much so, it’s not as fun or gory, but then again, it wasn’t trying to be.  

Rating: 4 out of 5 

Original vs. Remake Comparison: Total Recall (2012) vs. Total Recall (1990)

I remember seeing the original Total Recall in theaters way back in 1990 when Arnold Schwarzenegger was at the peak of his action star powers, when he was the king of the world of action movies. Total Recall was up to that point in Schwarzenegger’s career,  the biggest film he’d ever been in, the most expensive, the most epic; the most bombastic. And Arnold was just getting warmed up, a couple of years later he would amaze the world with Terminator 2: Judgment Day (1992). There was no doubt in my mind that Verhoeven’s Total Recall was an event film, people were talking about the special effects and about how over the top it was, but most of all, the movie was getting tons of heat because of the violence and the ‘disrespect for human life’ that it displayed. You know what I say to that: “Wake up people: it’s only a movie!” But then again, this was a time when Hollywood was getting a lot of criticism because of the violent quotient of it’s films. Yes ladies and gentlemen, 1990 was a summer/year of violence in theaters. We got such action packed gore fests as Die Hard 2 (1990), Robocop 2 (1990), Predator 2 (1990), hell, we even got artsy violence with David Lynch’s Wild at Heart (1990). Boy did I love going to the movies that summer! But the king of the violent films that year was the film we will be considering today, Paul Verhoeven’s Total Recall (1990). 

Paul Verhoeven and Arnold Schwarznegger

After seeing the remake last night, I can clearly see what makes both of these movies so different; and trust me they are very different. Let’s start things off with the way the action star has changed through out the decades. The 80’s and early 90’s were filled with action stars that were essentially, huge muscle bound tanks of destruction, you messed with them they’d answer with a roundhouse kick, a punch to the jaw or they’d blow you away really good. One look at the top action stars of the 80’s and it is crystal clear, muscles were the thing. Arnold Schwarzenegger, Sylvester Stallone, Jean Claude Van Damme, Chuck Norris, Dolph Lundgren, all of them, muscle bound and unstoppable. These guys were invincible in their films, so one thing that distinguished the action star of those days was the fact that nothing could get through them, they were damn near indestructible. With few exceptions, today’s action stars are not muscle bound freaks, but instead have a leaner figure. They are also more vulnerable, less indestructible. One look at the way James Bond was portrayed in Casino Royale (2006) will tell you this. Where Bond was once the epitome of indestructible, he now takes a beating; yes my friends; today’s action stars have one thing in common and that’s that they are psychologically  and physically vulnerable. This is why for this new remake we get a lean Colin Farrell instead of a muscle bound Arnold Schwarzenegger.

And speaking of Arnold Schwarzenegger, he was a big part of what made the original Total Recall what it is. Arnold has always been a bigger than life character, both in his movies and in real life and he wanted to make sure that this film was going to be as big if not bigger than his ego. He’d been trying to get on board the Total Recall train since the days when Dino De Laurentis was producing it. When that fell through he convinced Carolco to buy the rights of the film for 3 million. He negotiated a deal that gave him unparalleled control over the film. He had veto power over everyone, the producers, the writers, the director…he even had final say so over promotional material which would explain why his face is plastered over the entire poster! It was Arnold who chose Paul Verhoeven as a director because he was impressed with Verhoeven’s Robocop (1987). And here is where another essential element that made the old Total Recall what it was, the involvement of director Paul Verhoeven. It’s no secret that Verhoeven’s loves to cram his films with sex and violence. Veerhoven’s over the top style is plastered all over his Total Recall. When you see both the remake and the original, you see just what Verhoeven and Schwarzenegger brought to the project: sex, violence, cheesy one liners and over the top action. All of these elements are what is missing from the new film. It’s as if the fun was sucked right out of the movie. The new film is much more serious in tone, more solemn, cold. Basically, it’s not as much fun.

When Cronenberg was on board as director for the original Total Recall, he added an important element to the script that went on to become a huge part of Verhoeven's version: it was the element of actually going to Mars, he also added the Mutants and Kuato. Though in Philip K. Dick’s short story ‘We Can Remember it for you Wholesale’ Quaid does want to go to Mars (actually it’s the reason why he goes to Rekal) he never actually does. In Cronenberg’s script, Quaid actually does go to Mars and sides with the mutant rebels. There’d be none of these elements in Veerhoven’s film if it hadn’t been for Cronenberg take on the project. So it’s Cronenberg we have to thank for the whole ‘get your ass to Mars’ twist from the first film; which of course was completely deleted from the remake, apparently this was an effort to keep some amount of faithfulness to Philip K. Dick’s story. This means that on this new remake you won’t get, alien machinery, no mars colony, no mutant whores or clairvoyants, no Kuato, no Benny, no heads about to explode because of lack of air, no Mars with blue sky, no spaceships landing on Mars. Basically, anything that was Mars related was eliminated, which kind of brings the fun level down for me. Instead, we get a post apocalyptic earth in which over population is a huge problem. We get buildings on top of buildings, humans commuting in mass to their jobs, flying cars and a society living under a police state, a society that’s constantly being surveyed by the powers that be. So I guess this is the biggest difference with this new film. Eliminating Mars and keeping the film firmly grounded on Earth. They’ve switched the need to turn on the Alien Atmosphere Producing Machines with the need to stop a dictator from achieving his conquest of the people.

The new film is completely earthbound

Here’s where the two films walk on common ground. Both films are distinctively subversive. In both films Quaid was the evil corporate douche bag who now wants to be who he is, not who he used to be. He is the evil man who prefers to be the good guy he has turned into. His evil side is like a distant memory that he does not want to be a part of. Also, both films are about stopping the powers that be from abusing the people. On the original, we had Quaid trying to give the people free air, the way it should be. Why charge people for something that should be free? On the remake we have the workforce, battling against a government that wants nothing more then to obliterate the poor while looking like they are doing something good; a government that lies through the media, and uses the police as their own personal militia. This whole element of the working class vs. the higher powers actually reminded me a whole lot of Metropolis (1927), which is also a film about the working class asking for some respect. They after all helped build the futuristic city of Metropolis, all they want is to be treated fairly and with respect. Aesthetically, the film also reminded me of Ridley Scott’s Blade Runner (1982) and Spielberg’s Minority Report (2002), especially when the film goes into those flying car chases; which by the way are one of the coolest elements in the film. At the end of the day though, in between all the special effects and action, both films are about the people struggling to be heard and treated fairly. 

     

The original cut for Total Recall got Verhoeven an X Rating from the MPAA, it was deemed way too violent and graphic for the masses and so, cuts had to be made in order to get an R rating. Still, I’d say that Verhoeven walked away with an extremely gruesome movie. I still love watching Verhoeven’s film because it’s so over the top and crazy. I mean, it’s as if the film is constantly trying it’s hardest to shock you, I appreciate that about it. Three breasted prostitutes? Awesome! Heads that are about to explode due to lack of oxygen? Cool! Masks that talk and explode? Tre Cool! Sharon Stone top less? Double the Pleasure, Double the Fun! And what about Arnold’s none stop barrage of one liners? Fun as hell! Unfortunately all these elements where sucked out of the new one. I knew where the one liners were supposed to go on the remake…they just didn’t happen. They weren’t there. I was screaming "see you at the party Richter!" in the theater, and a couple of people laughed, they knew what I was talking about. It’s as if this remake was too self-righteous to have any fun? It’s trying to be so politically correct with its delivery that it looses its edge, it looses what made the previous film fun.

To make matters worse, one of the things that made the original so entertaining were Rob Bottin’s imaginative make up effects. These make up effects were so good that they got Rob Bottin and crew Academy Awards for their work. The three breasted girl, Kuato, the mask, the mutants, even Johnny Cab is gone, all of these creations we have Rob Bottin to thank for. Paul Verhoeven basically gave Bottin free reign to come up with as many gags as he could for the film and Bottin was eager to please. He was the one who came up with some of the films most show stopping moments, like the mask scene, that idea about the mask opening up and saying “get ready for a surprise!” was all Bottin! Sadly, the show stopping make up effects were completely ignored on this one. Instead we get tons of CGI environments.

I don’t want to sound like I didn’t enjoy this remake because it has some very good things going for it. I loved the art direction, which mixed elements from Blade Runner, Metropolis and Minority Report. There's no doubts about it, this is one cool looking movie, kudos to director Len Wiseman for achieving this. And whose fantastic idea was it to put both Jessica Biel and Kate Beckinsale on the same flick? Kudos to that genius, whoever he or she might be. And Colin Farrell did a good job as Quaid. I wouldn’t mind seen him on more action films. I also loved the idea behind these robot cops; they looked awesome and gave me a glimpse at what we might be seeing in the upcoming Robocop remake which is currently in production. Sadly, if that Robocop remake follows the same ‘modus operandi’ of this Total Recall remake, then the new Robocop will be an equally neutered version of the original. So yeah, the point I want to make about this new remake is that even though it had tons of none stop action and great visual effects, when compared to Verhoeven’s film, this new one feels neutered, like the majority of remakes nowadays. They offer us cleaner, “safer”, more politically correct versions of films that had balls. It seems to me like sex and violence are being eliminated from entertainment. Gone are the raunchy comedies, the ultra violent action films and the ultra gory horror films. Society is being neutered, who’s got the balls to bring an edge back to cinema?

(Go to this link for my full review of Total Recall (2012) 

Ratings:

Total Recall (1990): 5 out of 5

Total Recall (2012): 4 out of 5  

Shooting the flying car chase