Showing posts with label Hollywood Satanism. Show all posts
Showing posts with label Hollywood Satanism. Show all posts

Mar 2, 2015

From Skyfall to SPECTRE: 007 Secrets

I'm re-posting this, but considering the attention the latest movie "Spectre" in the James Bond series is garnering, it's a worthy read.  Lots of insights behind the simple spy fights to save the world ideals.  Good stuff...

Film poster. Image: Imp Awards.
Film poster. Image: Imp Awards.

By: Jay
SPECTRE HACKS AND STEALS ‘SPECTRE’!

I thought it odd the new Bond film will be titled SPECTRE, as I have recently written an article about how the secretive organization from the film mirrors the real cabals and cartels that rule the real world, and in particular the black markets.  Indeed, SPECTRE is presented early on in From Russia with Love with this very feature – they are international, as opposed to SMERSH being Russian, and play nation states off against one another.  Transitioning from the Soviet-affiliated SMERSH in the first Bond novel, Casino Royale, SMERSH transforms into SPECTRE, a formidable “terrorist” organization from the ambiguous East.

It is telling that back in the 50s and 60s Fleming was already predicting the transition from the communist threat to the international terrorist threat – something that gave me the indication that Fleming novels are worth a deeper look. With the recent fiasco that is, in my analysis, a staged marketing trick, Sony claims to have been hacked by North Korea and had the SPECTRE script leaked, as well as the “hacker terrorists” threatening 9/11 style attacks on theaters (?) that play Franco and Rogen’s The Interview.
Casino Royale Ca$h Options
I suspect more is at work, given the plot of Skyfall surrounded a former Mi6 operative, Mr. Silva (Javier Bardem), playing a hell-bent hacker intent on wreaking vengeful havoc on M (Judy Dench) and all of Her Majesty’s Secret Service.   It is surely not coincidence that in Skyfall Silva has “back door” technology that brings to mind PROMIS software or the recent hubbub involving NSA spying and Snowden.  With these recent news events in mind, an analysis of Skyfall is overdue.  In the reboot of Casino Royale, we saw Bond engaged in a bout with an associate of what we can assume will be SPECTRE, the infamous LeChiffre, and in my analysis of Casino Royale, I noted as follows concerning the real associations that can be made between LeChiffre’s secret organization and the real cartels that run our world:

“In the beginning (of the Casino Royale novel), however, Bond is not after SMERSH, but a wealthy, disfigured rogue who stuck out on his own and created a “fifth column” from SMERSH, named LeChiffre.  LeChiffre translates as “the cypher,” letting us know more is at work here.  LeChiffre, according to Bond writer Ian MacIntyre, was based on British Satanist/occultist Aleister Crowley.
In fact, Ian Fleming, it has recently been claimed by researcher Anthony Masters, was responsible for crafting the plot to lure Rudolph Hess to Scotland based on a bogus astrological chart that tickled Hess’ fancy, created by Crowley. The plot worked, apparently, and Hess parachuted into Scotland and was captured.  LeChiffre, “the cypher,” has curious features, and like many Bond villains a strange sexual appetite and fixation, in the same vein as Crowley.”

And in regard to put options and dirty financial dealings before 9/11 we can see a curious parallel:
"You've got mail! Inbox: Blofeld (1)
“You’ve got mail! Inbox: Blofeld (1) Image: suitsofjamesbond.com

“While LeChiffre funds an uprising, he simultaneously makes a call to his broker to sell a million puts on Skyfleet, an amorphous airline.  We get the impression LeChiffre plans a terror event that will in some way benefit his selling of the put options.  In terms of esoteric analysis, this begins to look strikingly like the events prior to 9/11 that those “in the know,” know about.  Prior to the terror events of that day, numerous puts had been placed on United Airline stocks, resulting in much speculation as to clear prior knowledge on the part of many in the power structure.  As you can see from this mainstream report, the establishment blames “rogue traders.”  Absurdly, the report purports the laughable line that the retard phony terrorists lurking in caves in Afghanistan were the masterminds behind not only the amazingly complex black operation of 9/11, but also the put options and insider trading.  Why, Al Qaeda is virtually omnipotent and omnipresent!  And in the narrative of Casino Royale, that is exactly what LeChiffre attempts to do, as he has engineered a bombing to occur on the release of a new prototype plane to be unveiled by Skyfleet.”

Quantum of No Solace

Moving to the sequel in the rebooted series, Quantum of Solace, alchemy comes to the fore in Bond’s failed attempt to “bond” with the feminine.  Quantum is the idea of matter or quantity or prima materia, and for Bond, a bit of peace and solace is never attained – primarily because he is a programmed killer, and the final betrayal of Vesper Lynd in Casino can only bring forth a cold, “The bitch is dead” from a unremorseful 007.  This is crucial for understanding Fleming’s novels, as they are just as littered with esoteric images as the films.  Quantum of Solace is a Fleming short story about Bond, but it is not like the film, aside from Bond’s inability to permanently pair with any babes (outside of getting laid).  So, alchemically we saw the Quantum villains have names that are colors, Mr. White, Mr. Green, etc.

Read the rest of this article on - http://jaysanalysis.com/2014/12/18/from-skyfall-to-spectre-007-secrets/

Feb 19, 2015

Bobbi Kristina Nearly Dies in Same Bath as Whitney Houston

 


In 2012, Bobbi Kristina Brown nearly died in the same bathtub as her mother Whitney Houston. With the high strangeness at Clive Davis' Pre-Grammy Party, we must question the ritual sacrifice aspects of her death.
Learn more: http://freemantv.com/
This episode of Frontline was filmed in 2012 while Freeman and friends were traveling aboard MSMMLE, their magical school bus.
See More: http://freemantv.com/watch/our-magic-...

Feb 17, 2015

The Vigilant Christian Compilation - From Katy Perry, MTV and Satanic Foolishness to a Born Again Christian

If I get behind on these guys like I do sometimes, I think it's better to catch up all at once.  So here's the latest very interesting and relevant work from Vigilant Christian...
 

The bible tels us that we defeat the enemy by the power of the word of our testimony! In this video I share a testimony of a teen girl who is now a new born Christian! Please subscribe to her to support, encourage and show Christlike love to her. She is young and her battle trying to stand for God in her generation will not be easy! Please share this video :) God Bless, STAY VIGILANT & FEAT NO EVIL !!!

Please Subscribe to Gabriella - https://www.youtube.com/channel/UCvPE...
Like her n Facebook - https://www.facebook.com/pages/The-Ne...
BORN-AGAIN CHRISTIAN TESTIMONIES !!! God is MIGHTY to Save! Playlist - https://www.youtube.com/playlist?list...
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Feb 3, 2015

Katy Perry, the Super Bowl and Satan

Pastor Joe Schimmel gives us more of Perry's background, statements, lyrics and intentions of her music for those who may not know her backstory. 

 


Katy Perry has drawn in millions of unsuspecting, young fans into her web with her seemingly fun loving, innocent, bubble gum persona. But as with so many other leading artists in the satanically dominated music industry, there is far more to Katy Perry than meets the eye, as under her bright persona lies great darkness.

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Feb 2, 2015

Katy Perry: Super Bowl Illuminati Halftime Show | Hyped for Halftime | Pepsi EXPOSED !!!

Hot off the presses, the first breakdown of the occult symbolism that was pushed on Americans during their unique "holy-day"/holiday, that is the Super Bowl.  Can't have a holy day without religious expression for all the people, whether they want it or not. The halftime show of the Super Bowl has been an incantation/inculcation orgy for the pagans who run these corporations, and they won't miss any chance to slip in their beloved occult signs and symbols anywhere they can.  They are certain that their god will be coming any day now (Rev. 12:12) the seed of the Serpent (Gen. 3:15-16) and they want you to be prepared to bow appropriately when the evil one makes his appearance here on earth.  Are you ready? 


This is part 2 of The Illuminati Super Bowl Half-Time Ritual. In this video we look at a Pepsi promotional video featuring Katy Perry FULL of Illuminati symbolism. Looks like we are for sure going to see another satanic ritual this year at the Super Bowl! Please share this video !!! God Bless, STAY VIGILANT & FEAR NO EVIL !!!

PART 1 - Katy Perry: 2015 Super Bowl Illuminati Half-Time Ritual Pr-Show EXPOSED !!! http://youtu.be/5Og-DhIBGDk
Illuminati Tranhumanist Agenda ! Man Merges with Machine to become a god https://www.youtube.com/playlist?list...
Saturn Symbolism - Occult and Satanic Symbolism 101 - (Episode 1) https://www.youtube.com/watch?v=NsIXd...
FULL VIDEO - https://www.youtube.com/watch?v=DE7H4...
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Brother Andrew - https://www.youtube.com/user/andrewco...
Sister Nichole - https://www.youtube.com/user/NicholeM...
Shawn Y - https://www.youtube.com/user/icejiuji...
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Brother Steve @ Bluemarin Music - https://www.youtube.com/user/marineau...
Come and like us on Facebook @ www.facebook.com/thevigilantchristianmar­io

 


Katy Perry admits she sold her soul to Satan after he gospel singing career never took off and guess who she's following on Twitter?
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Jan 30, 2015

The Dark Nexus of Mind Control and Artificial Intelligence

For more info on the link between movies and occult symbolism, check out - http://vigilantcitizen.com/


Is Alice's nightmare world becoming a reality? Note that Alice in Resident Evil is subjected to mind control and genetic manipulation by a secretive corporation that controls governments, the Umbrella Corp.
Is Alice’s nightmare world becoming a reality? Note that Alice in Resident Evil is subjected to mind control and genetic manipulation by a secretive corporation that controls governments, the Umbrella Corp.
 
By: Jay

In researching the MK ULTRA programs and their various offshoots, I came across an interesting connection to the coming SmartGrid.  Under Dr. Ewan Cameron, a prison tracking device known as the Schwitzgebel Machine was utilized to monitor inmates locations, heart rate and other personal details that were reciprocally transmitted to the good doctors.  What comes to the fore is the similarity with the development of the Smartphone and its new capabilities for monitoring heart rate, health, etc., as well as basically anything else.  Is there a connection between mind control and the coming A.I. takeover?  While this may sound like the ultimate paranoiac tin foliage, I suspect more at work here.

In my analysis, the rollout of the great technological utopia we are being sold was not the result of mere organic market forces that competed to produce harder, better, faster and stronger products.  The average libertarian, for example, believes this deception, presuming the “invisible hand” of the market results in a natural advancement, while any other economic model retarded growth and “progress.”  On the contrary, much of the technological progress we have seen in the last few decades is not the result of independent, competing ideas, but is rather the strategically timed and intentional release of the military industrial tech complex, given to an idiot public for the purpose of long term enslavement and depopulation.

The connection to MK ULTRA arises in relation to experiments with jc manipulation which I have already highlighted in regard to Dr. Michael Aquino and his infamous essay, “From PSYOP to MindWar: The Psychology of Victory,” where the combination of ELF/VLF and various RF manipulation is discussed in detail towards the end.  A Nexus Magazine article “Techniques Used by Governments for Mind Control,” by Sid Taylor outlines the RF experimentation in the MK programs:
“MK ULTRA SUBPROJECT-68
 
This was Dr. Cameron’s ongoing “attempts to establish lasting effects in a patient’s behaviour” using a combination of particularly intensive electroshock, intensive repetition of prearranged verbal signals, partial sensory isolation, and repression of the driving period carried out by inducing continuous sleep for seven to ten days at the end of the treatment period. During research on sensor deprivation, Cameron experimented with the use of Curare, (the deadly poison used by South American Indians to tip their arrow heads), to immobilise his patients.
After one test he noted: “Although the patient was prepared by both prolonged sensory isolation (35 days) and by repeated depatterning, and although she received 101 days of positive driving, no favourable results were obtained.” Patients were regularly treated with hallucinogenic drugs, long periods in the “sleep room”, and testing in the Radio Telemetry Laboratory that was built by Rubinstein under Dr. Cameron’s direction. Here, patients were exposed to a range of RF and electromagnetic signals and monitored for changes in behaviour. It was later stated by other staff members who had worked at the Institute that not one patient sent to the Radio Telemetry Lab showed any signs of improvement afterwards.”
 
When we consider the intersect with drug experimentation, the cocktail of brainwashing, “imprinting” and RF frequency technology becomes clear as something engineered by design.  Taylor continues, echoing something akin to a mondo Faces of Death flick:

“There were an enormous number of MKUltra operations. The project farmed out work to eighty institutions, of which forty-four were colleges or universities, fifteen research facilities or private companies, twelve hospitals and three prisons. The estimated total cost of the operation was 10-25 million dollars.
 
Prisoners were used in experiments conducted at the California Medical Facility in Vacaville State Prison by Dr. James Hamilton. Funded by another chain of front organisations, Dr. Hamilton conducted “clinical testing of behavioural control materials.” In New Jersey, testing was conducted by Dr. Carl Pfieffer at the Borden Reformatory, on similar materials. At Holmesburg State Prison in Philadelphia volunteers were used to test a particularly violent incapacitating drug. Around the same time as these tests were being conducted by the CIA the US Army initiated two projects, THIRD CHANCE and DERBY HAT. They conducted experiments both home and abroad, and at one time the New York State Psychiatric Institute was conducting research under contract to the Army. Between 1955 and 1958 the Army also tested LSD on 1,000 volunteer US servicemen at Fort Bragg and the Army’s Chemical Warfare Laboratories at Edgewood….
Alice recovers from trauma based mind control, splitting her psyche in Resident Evil.
Alice recovers from trauma based healthcare, er, mind control, splitting her psyche in Resident Evil.
 
In this MKSearch sub-project the isolation chamber that had been constructed earlier by Dr. Cameron at the Allan Memorial Institute was rebuilt at a laboratory of the National Institutes of Mental Health. This time, instead of humans, apes were to be subjected to a cruel combination of treatments. After first being lobotomised, the animals were kept in total isolation. The radio telemetry techniques developed earlier by Leonard Rubenstein were adapted so that radio frequency energy could be beamed into the brains of the highly disturbed animals. Many were then decapitated and their heads would be transplanted onto another body to see if the RF energy would bring them back to life. The apes that were not killed in this way were later bombarded with radio waves until they fell unconscious. Autopsies revealed that their brain tissue had literally been fried. These experiments were conducted around 1965/66, so it is a frightening reality that it is around 25 years since intelligence agencies covertly started experimenting with the use of radiated energy to control behavior….
 

Jan 28, 2015

Hollywood CIA – A Dark Cult Marriage Revealed


BFFs 4-Ever.
BFFs 4-Ever.
By: Jay

One of the more fanciful, or thought to be fanciful, topics I’ve been covering for a good while now is the subject of the relationship of the CIA to Hollywood.  Recent blockbusters like Zero Dark Thirty and American Sniper focus on the military and intelligence agencies in supposed “based on true events” scenarios, but is more at work here?  The film industry has always loved tales of espionage, but in reality, the creation and manufacturing of a completely alternate reality and history is far more extensive than most would assume.  While many films have nobly challenged assumptions about war in figures like Kubrick or Stone, for the most part, film has functioned as one of the most powerful forms of propaganda in the western establishment’s arsenal.
Watching some old G.I. Joe cartoon episodes for an upcoming analysis, I was not surprised to find Harvard psychological consultants as part of the production of the show, as reaching the youth with propaganda is central to creating cubicle dwelling automatons later in life.   Likewise, researching this as a thesis topic was also instrumental in making these connections, as was the mass of information in Peter Levenda’s Sinister Forces trilogy.  More recently, a plethora of news articles have surfaced that highlight this deep relationship, as this rabbit hole never ends.  The coalescing of intelligence agencies, secret societies and Hollywood in reality is more sensational than any incestuous cult a pulp crime fiction writer could dream up.
Author John Rizzo has recently published a book titled Company Man: Thirty Years of Controversy and Crisis in the CIA, which is an amazing admission of this scandalous affair between intelligence and the film industry.  The L.A. Times comments:
“The CIA has long had a special relationship with the entertainment industry, devoting considerable attention to fostering relationships with Hollywood movers and shakers—studio executives, producers, directors, big-name actors,” John Rizzo, the former acting CIA general counsel, wrote in his new book, “Company Man: Thirty Years of Crisis and Controversy in the CIA….
Rizzo's "Company Man." Image: amazon.com
Rizzo’s “Company Man.” Image: amazon.com
The CIA also recruits actors to give more visibility to propaganda projects abroad, such as a documentary secretly produced by the agency, Rizzo said. And the agency sometimes takes advantage of the door-opening cachet that movie stars and other American celebrities enjoy. A star who met a world leader, for example, might be asked for details about that meeting.
The CIA has officials assigned full-time to the care and feeding of Hollywood assets, Rizzo wrote.  Other former CIA officials added that some of those operatives work in the Los Angeles office of an agency department called the National Resources Division, which recruits people in the U.S. to help America spy abroad.”
Britney's infamous meltdown.
Britney’s infamous meltdown.
With that in mind, recent news regarding Brittney Spears may reveal much more than the headline suggests.  Researchers have opined that “rehab” centers may actually be used for “programming” the “stars” for various mind controlled objectives (as John Marks hints at in his Search for the Manchurian Candidate, pg. , whether as sex slaves or spies as Rizzo discusses.  Author Dave McGowan has detailed the military and intelligence connections to Laurel Canyon, the home of the budding counter-culture rock movement in the 60s, which spawned acts like Zappa and the Doors.  Military and intelligence connections thus come to the fore here with Brittney’s ex, who “coached her through rehab” being killed transporting “dignitaries” in Afghanistan – obviously an intelligence cover.  Was Sundahl her helpful boyfriend, or was more at work here?
The notion of mind controlled sex slaves and DID/MPD actors and singers is something still far-fetched for the masses, yet more and more information supporting this idea continues to come forward.  In regard to Lady Gaga and Amanda Bynes, I recently wrote:
“The potential for abuse here is quite obvious. In my old article, I also relate how the modern psychiatric “bible,” known as the DSM-V still cites Dr. Estabrooks’ old essay, showing the present establishment views all this as authentic, as well as a host of films that portray mind control themes.  In fact, it seems as if mind controlled assassins and alters is appearing in countless productions with increasing frequency.  Remember – it was Hollywood that was making films about MKULTRA before it was even known to the public as a real program, as we see in the 1962 The Manchurian Candidate.
With this direct Hollywood connection in mind, we can see the likely possibility of the abuse of pop stars, who become high-priced commodities for the same establishment.  I have written before about Candy Jones, and all the way up to the present, top stars are now alleging they were abused by their “handlers” and/or producers.  While some cases may be publicity stunts, it is hard to believe they all are.
 

Jan 7, 2015

Secrets of Magic and Mind Control - feat. Beyonce & Jay Z




Move over Madonna, there’s a new High Priestess in town and her name is Queen B! Considering that Beyonce was Time Magazine’s “Most Influential Person”, we should know what is in the programming. What Destiny was Beyonce born to fulfill? Was she groomed from birth or initiated into the dark occult by Jay-Z?

Jamie Hanshaw shares insights into her upcoming book, Celebrity Mind Control and, of course this is Weird Stuff! See more at: http://freemantv.com/beyonce-celebrit...

Jan 2, 2015

Year in Review: Our Top Ten Conspiracies of 2014

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Guest Post: Patrick Henningsen and Shawn Helton21st Century Wire
With the year drawing to a close, it’s important to take inventory of some of the larger, more impactful conspiratorial stories and events in 2014.  It was a year which saw an unprecedented assault on reality, and our imaginations. Make no mistake, this is a psychic war being waged on our senses, as a media-driven synthetic reality is being advanced to consume reason and logic.

There were a number of other notable events that could have easily made this list – like the federal stand-off at Bundy Ranch, CIA Torture Report and Israel’s siege of Gaza – but we chose the ten most improbable conspiracies for this end of year omnibus special.
We hope you’ll agree, that this is the best ‘conspiracy countdown’ on the web this holiday season.
In the count down to number one, here’s our top ten of 2014…

10. Scottish Independence – Was the vote for Scotland’s independence rigged? It’s no secret that Westminster didn’t want Scottish self-determination to prevail north of the border. The Glasgow City Council confirmed that there were at least ten cases of suspected electoral fraud occurring at polling stations following the Scottish referendum vote on the September 18th. There were a number of reports indicating voter fraud, including the Sky News cameras capturing proof that ‘Yes’ votes were being placed in ‘No’ piles on the day of the referendum. The BBC wase also caught using its state-sponsored platform to effectively smear the ‘Yes’ campaign. There are plenty of financial and geopolitical reasons to ensure that Scotland would stay in the UK, and according to some, an independent Scotland could have seen as much as a 90 percent boost in income from profits derived from gas and oil reserves due to the UK’s borders being redrawn. North Sea oil appears to have been front and center when examining this seemingly fraudulent referendum vote in 2014…
Read more about Scottish voter fraud here
1-US-Propaganda-Seth-Rogen-Interview
DC-HOLLYWOOD PROPAGANDA? Actor Seth Rogen on a marketing junket for his bizarre film release.
9. Hollywood’s The Interview and ‘Sony Hack’ scandal – Despite being hyped and spun to high heaven, and getting a ton of free publicity from the President himself, Sony Pictures Entertainment’s release of The Interview failed to impress the critics, before it proceeded to flop it’s way into Hollywood’s dustbin of perennial mediocre films. While the FBI and the entire US media blamed the infamous ‘Sony Hack’ on a fictitious secret North Korean hacking unit called ‘Bureau 121′ (seriously?). 21WIRE called it from the onset for what it truly was – a ‘false flag’ hack. We also revealed how this film was actually an expensive piece of Rand Corportion and US State Department propaganda designed to weaken morale in North Korea and hopefully pave the way for regime change. That didn’t stop mindless US politicians and media charlatans from claiming that it was our “patriotic duty as Americans” to go and see this movie on Christmas Day. Another classic example of consensus reality gone Pete Tong
Read more at ‘The Interview Exposed’
1-Sheikh-Monis-Ottawa
IMAGE: Bibeau conceals his identity with a scarf, while Shiekh Monis plays role of ‘terror mascot’ Down Under.
8. Ottawa Shooter and The Sydney Siege – Bizarre shootings have become an almost monthly event in the west, so we’ve paired these two international terror mascots together at #8. In 2014, both Canada and Australia were thrust into America’s weird world of ‘ISIS-related’ terroresque incidents. Suspected Parliament Hill and National War Memorial assailant, aka ‘The Ottawa Shooter’, Michael Zehaf-Bibeau, was quickly elevated to international monster status by the media and yet, he appeared to have the perfect ‘modus operandi’ and fractured criminal résumé required to be an informant for the Canadian security services. It turns out, the authorities admit Bibeau was being ‘monitored’ (managed). Just prior to the Ottawa shooting, we revealed how the Canadian Security Intelligence Service (CSIS), had pushed through a weighty anti-terror security measure called C-44. It should also be mentioned that several multi-agency drills had taken place in weeks leading up to the shooting in Canada. On the day of the shooting, Canadian SWAT officers could be seen laughing and joking while posing for cameras – indicating that this was a completely staged event. Similarly, another colorful gunman rose to brief international prominence in December – ‘Shiekh’ Man Haron Monis who starred in the Sydney Siege in December. Like in Canada, there were also a series of drills, like ‘Operation Hammerhead’, which took place prior to Monis taking hostages at the Lindt Chocolate Cafe in Martin Place. Like Bibeau, Australia’s Shiekh Monis had the perfect informant profile, including regular mainstream media spots given to him, and just like Bibeau, Shiekh Monis was also being ‘monitored’ (managed). The building of an ‘artificial Jihad’ has been an ongoing theme since the War on Terror was declared, and there’s been no shortage of coerced participants and mentally disturbed, low-life criminals who’ve stepped on stage to play the role of ‘domestic terrorist’, ‘self-starter’ and ‘homegrown ISIS-linked’ boogeyman…
Read more on the Ottawa Shooter here  +  Read more on The Sydney Siege here
1-Isla-Vista-Miller-Vegas-Shooters
TALE OF TWO SHOOTERS: Rodgers toasts his fans on YouTube, while Jerad Miller plays the role of the ‘Joker’ in Batman.
7. Isla Vista Tortured Teen Rampage and Vegas ‘Sin City’ Shooters – In 2012, we had Aurora and Sandy Hook, and in 2013 it was Aaron Alexis and LAX, and 2014 was no different. In the US, regularly scheduled and seemingly unexplainable bizarre shooting incidents have become something of a national pastime, so we’ve included this dynamic duo in at #7. In California, 22-year-old Elliot Rodger (son of a Hollywood producer) was named in an apparent drive-by-shooting near UC Santa Barbara in Isla Vista. He pulled off the improbable: twelve crime scenes at ten different locations, including three stabbings at the alleged shooter’s apartment complex – all prior to two separate shootouts with police, according to ‘official’ reports. In his well-scripted YouTube videos, Rodger craved “Retribution”, and lamented ‘being a virgin’, blaming women for rejecting his advances. It was like a plot straight out of any teen vampire movie. Similarly, the incredible narrative of the newlywed ‘Vegas Shooters’, Jerad and Amanda Miller, whose wild road adventure took them from Occupy rallies in the Midwest, to Las Vegas, where they quickly reconfigured their image from left-wing activists into that of right-wing ‘patriots’. Their apparent cross-country American adventure documented on YouTube soon turned into a double cop-killing rampage in Vegas this past June, and eerily mirrored the plot of the Hollywood classic, Natural Born Killers. After their arrival in Las Vegas, the Millers were sent to Bundy Ranch before the infamous standoff in April, where a number of major media spots were organized for them on networks like NBC, and Al Jazeera America. It turns out that the Millers have a working relationship with the Las Vegas Sheriff’s department, although it is still unknown exactly what purpose they served…
Read more about the Isla Vista Rampage here + Read more on Vegas Shooters here
1-Ferguson-Garner
A TALE OF TWO VICTIMS: Michael Brown shooting sparked protests in Ferguson, MO, while the plight of Eric Garner mobilized crowds in the Big Apple and beyond.
6. Michael Brown in Ferguson and Eric Garner in NYC – A verdict was returned, and Ferguson burned. It brought back memories of similar scenes; the 1965 Watts Riots, the Rodney King verdict and the subsequent 1992 LA Riots, and was also a near repeat of the Zimmerman-Martin verdict scenario in 2013. On the evening of November 24th, in Clayton, Missouri, St. Louis County prosecutor announced that the Grand Jury had delivered its decision in the case of Officer Darren Wilson vs. Michael Brown. Five indictment charges were presented, but the jury found “no probable cause” and returned a “no true” bill for all charges. Tremors began to shake the streets almost immediately after. The Three Amigos – President Obama, AG Eric Holder, and ‘Reverend’ Al Sharpton worked overtime, fomenting a national race war on the back of the incident, and it worked – racial tensions were inflamed, as the US Mainstream media continued to promote the lie that Michael Brown cried ‘#HandsUpDontShoot‘ and was somehow shot in the back while in retreat. The lie went viral in a social media explosion fueled by more Twitter #hashtags. Then lightning seemed to strike twice – a similar incident and verdict was returned in NYC, and the victim’s name was Eric Garner, who had died after an apparent ‘choke-hold’ arrest by a NYPD officer. ‘#ICantBreathe’ became the new #hashtag de jour. Anti-police street protests and march went nationwide. It all came to a thundering halt, however, when 28 yr old Ismaaiyl Brinsley, shot and killed two NYPD officers on Dec. 20th – a point-blank revenge attack for Eric Garner’s death in Brooklyn’s Bed Stuy district. After the double hit, Police began to push back against Twitter mobs and against blanket accusations of racism. It was a drama and controversy like no other before it, and will no doubt take more twists and turns as the Occupy Movement finalize their plans for  renewed nationwide demonstrations in either the spring, or fall of 2015…
See the full Ferguson timeline here + See the Eric Garner case here
1-Nazis-KIev
Read the rest of this article at - http://jaysanalysis.com/2015/01/01/year-in-review-top-conspiracies-of-2014/

Dec 13, 2014

Kesha: The Satanic Cult Leader




WARNING: For mature audiences. Some footage may be inappropriate and/or offensive to some viewers.

Ke$ha is one of pop music's hottest artists on the scene today. But what message is she spreading to countless young fans? Millions of her young impressionable fans are being introduced to overtly satanic themes, partying, promiscuity and more. Is this really what we want our kids exposed to?

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Dec 6, 2014

Lady Gaga ‘Raped’ – Victim of Mind Control?



A traumatized victim? Highly possible.
A traumatized victim? Highly possible.

By: Jay

Readers will recall a recent piece I did on Katy Perry claiming she wanted to become an Illuminati Grand Mistress of the Dark Blooded Lord, and how this was not really a sensible analysis, given the dissimilar characteristics of Voltaire and Perry, despite both having mastery of the nuances of empiricist philosophy. So, at the moment, I’m eating candy on my couch and listening to Ke$ha to see if any spirits manifest from the aether.  None have as yet, but the night is young, so let’s make the most of it.  However, on a more serious note – what are we to make of this possibility of the degenerate elite establishment’s use of mind control techniques to traumatize and split the psyche of these pop stars with drugs and other means, thrusting them before international audiences to promote a prepackaged agenda?  When we look at the actual documented programs surrounding mind controlled alters and programmed sex slaves, we must answer in the affirmative.

For documentation, I’ve reblogged my old article on “Mind Controlled Alters,” citing the Church Committee hearings on MKULTRA and its attendant programs that relied on the work of famous programmers:

The names associated with the programs are Dr. Ewen Cameron, Dr. Sidney Gottlieb, Dr. Jose Delgado, Dr. Jolyon West, Dr. George Estabrooks, and others.  While this itself is easily tracked down in terms of the existence of the programs, what is lesser known are articles like Dr. George Estabrooks’ article from the April 1971 Science Digest, Hypnosis Comes of AgeIncluded in the article are some striking admissions, especially since the OSS, CIA and FBI utilized Estabrooks and his skills.   The article mentions, first of all, Estabrooks’ claim of the use of secret couriers and keywords that function as the triggers in the operative: “The system is virtually foolproof.  As exemplified by this case, the information was “locked” in Smith’s unconscious for retrieval by the only two people who knew the combination.  The subject had no conscious memory of what happened, so could not spill the beans.  No one else could hypnotize him even if they might know the signal phrase.”
 
Thus, all the way back to World War II the program had been perfected to give handlers the ability to program alters within preselected, highly suggestible individuals.  The key trigger words, phrases, signs or codes unlock the alter, with the front persona having no knowledge of the information locked in the alter.  The potential for abuse here is quite obvious. In my old article, I also relate how the modern psychiatric “bible,” known as the DSM-V still cites Dr. Estabrooks’ old essay, showing the present establishment views all this as authentic, as well as a host of films that portray mind control themes.  In fact, it seems as if mind controlled assassins and alters is appearing in countless productions with increasing frequency.  Remember – it was Hollywood that was making films about MKULTRA before it was even known to the public as a real program, as we see in the 1962 The Manchurian Candidate.

With this direct Hollywood connection in mind, we can see the likely possibility of the abuse of pop stars, who become high-priced commodities for the same establishment.  I have written before about Candy Jones, and all the way up to the present, top stars are now alleging they were abused by their “handlers” and/or producers.  While some cases may be publicity stunts, it is hard to believe they all are.  News hounds will recall Amanda Bynes believing she was brainwashed and implanted with a microchip and Ke$ha recently suing for abuse by her “handler,” Dr. Luke, with Luke in turn counter-suing.  Prior to that, we have witnessed a barrage of news stories the last few years recounting a stream of victims alleging networks of sickos using and abusing those under them.  Let us not forget Penn State and Jerry Sandusky and Jimmy Savile of the UK, as well as a host of UK government officials.  Recent reports also arose from actors like Corey Feldman, who alleges similar crimes.

Consider the positive symbology of Florence’s “No Life, No Light”
 
 


Read the rest of this article at - http://jaysanalysis.com/2014/12/03/lady-gaga-raped-victim-of-mind-control/

Nov 27, 2014

Terminator Series – Revelation of the Coming A.I. Takeover

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Insert dumb "I'll be back joke." Image: Indiewire.
Insert dumb “I’ll be back joke.” Image: Indiewire.
 
By: Jay
I’ll spare you any Arnold impersonations, as The Terminator impersonation is perennially the material of hack comedians. On the contrary, the Terminator series is one of the more profound examples of predictive programming, establishing memes and implanting preparatory ideas comparable to The Matrix. While The Matrix is the classic conspiracy-genre trope for “awakening” to the fraud of the system as a whole, the Terminator series is far more ominous and serious in its foreboding message. Foreboding, because the real shadow government plan is to erect Skynet in reality, and serious because the establishment’s entire paradigm is that of depopulation. Mix the two together, and you get Terminator.  Thus, I have been of the opinion for a few years now that the reason for the erection of A.I., while full of esoteric undertones, is pragmatically about erecting a control grid impervious to human error which will then function as a global human deletion grid.
Past regimes and empires collapsed due to corruption, degeneration and human frailty. What, then, is the one way to avoid this imperial atrophy? The answer is robotics, and removing humans from the equation – the rise of the machines. For this analysis, I am not going to do the traditional scene by scene approach to symbolism: The Terminator series is pretty straightforward. Like a gigantic android middle finger, the Terminator films are a full-frontal example of the long-term plan of the establishment to erect a control grid with human agents out of the loop. I will also look at real white papers and plans that detail this plot, as well as prominent voices who have given this very warning.
In the first installment, we are introduced to an apocalyptic future where an amorphous Skynet has decimated the globe with a nuclear strike intent on wiping out the human population. Here enters Arnold, the T-800 model cyborg assassin, sent back in time to halt the birth of John Connor, the future leader of the human resistance. With archetypal 80s blue lightning, the action commences with a naked Arnold ravaging L.A. in pursuit of Sarah, John’s soon to be mom who gets busy with Kyle Reese, another resistance fighter from the future sent back to give birth to John. I’m not positive, but something there in this plot timeline doesn’t add up – if your future dad comes back in time to conceive you, presumably you could also come back in time to conceive yourself, if you were incestuous. But this brings up a side theme in the Terminator films in addition to A.I. – the issue of determinism, time and free will. Whether the nuclear apocalypse is predestined or whether the time continuum can be altered was a big movie question in the 80s – just ask Marty McFly and the Doc.
Skynet nukes America (think Matthew Broderick in Wargames!) because its “achieving self-awareness” results in a calculated cost-beneft analysis of the threat and uselessness of billions of hominid meatbags. Human reasoning and emotions and frailty give rise to error, and humans might shut down Skynet, ergo they must be eliminated. The essential revelation is not that robotics will evolve consciousness (which is all based on the outdated mechanistic Enlightenment worldview that all of reality is an atomistic causal determinism), but rather that the radical eugenics program of the global elite has morphed into a technocratic transhumanism. Racial and familial eugenics is really a thing of the past – an older form of eugenics that gave way to bioethics and bioengineering. Combined with technocratic futurism, we now have a new paradigm, spun off from the Darwinian and Malthusian models – transhumanism or post-humanism.
T2 film poster.
T2 film poster.
 
In Terminator 2: Judgment Day, this becomes more evident, as an advanced silver silly putty nanotech T-1000 bot is now on the trail of Connor with a new twist introduced – the future humans have also sent a hacked T-800 Arnold bot to protect John. Debates ensue concerning the ability of free will to change the track of history, blah, blah, but what’s more relevant in the sequel is the statement Arnold makes concerning how Skynet came to be. Arnold reveals that the U.S. military decided to go to a fully A.I. robotic and drone force. Aware readers will recognize that this is now quickly becoming our reality, as numerous publications have reported the Air Force plan to move entirely over to unmanned A.I. drones. The Declassified Air Force A.I. plan for 2009-2047 reads as follows:

“Figure 10 – Long Term – Full Autonomy

The final portfolio step leverages a fully autonomous capability, swarming, and Hypersonic technology to put the enemy off-balance by being able to almost instantaneously create effects throughout the battle space. Technologies to perform auto air refueling, automated maintenance, automatic target engagement, hypersonic flight, and swarming would drive changes across the DOTMLPF-P spectrum. The end result would be a revolution in the roles of humans in air warfare.
4.6.4.1 Long Term (FY25-47) Technology Enablers

Assuming legal and policy decisions allow, technological advances in artificial intelligence will enable UAS to make and execute complex decisions required in this phase of autonomy. Today target recognition technology usually relies on matching specific sensor information with predictive templates of the intended target. As the number of types of targets and environmental factors increase the complexity of and time to complete targeting increases. Further, many targeting algorithms are focused on military equipment. Our enemies today and those we face in the future will find ways to counter our systems. Autonomous targeting systems must be capable of learning and exercising a spectrum of missions useful to the Joint Warfighter. However, humans will retain the ability to change the level of autonomy as appropriate for the type or phase of mission.”

The goal is thus to attain full autonomy, with attack systems functioning to spot targets and threats ahead of time using predictive templates, something like a military version of pre-crime. Just like Minority Report, the decision of Skynet as to who will constitute a future threat and must therefore be eliminated (without any trial or due process) is to be determined by predictive algorithms! The justification of the preemptive iStrike doctrine is, of course, a “wartime scenario,” but all this legalese shuffling around means is all humans are potential threats in a global “wartime scenario.” While the majority of mankind still thinks the battlefield of life is competition between nation states and rival corporations, the globalists have already planned decades ahead in their white papers for scenarios of universal, perpetual war theater engaged against the “insurgent” population of humanity en masse.

In Terminator 3: Rise of the Machines, a sexy silver putty nano bot from the future again traverses back in time to hunt John Connor, while Arnold as the older Commodore 64 model returns to be his guardian angel. Both Terminator 2 and 3 include the theme of the A.I. obtaining “self-awareness,” which cheese ball scenes of Arnold and Connor bonding over Arnold beginning to have “feelings.” The entire ethos of A.I. obtaining “consciousness” is itself a nonsensical myth born of Darwinism meets tech, operating on the reductionist, mechanistic, materialist assumption that “consciousness” is nothing more than a more complex evolution of chemical reactions. The final goal with this idea is, as I’ve written, a mirrored, virtual mimicry of our present reality, with a melded bio-organic one.
T3. Skynet should've just sent the hot bot the first time, in the 80s.
T3. Skynet should’ve just sent the hot bot the first time, in the 80s.
 
This replacement grand narrative is the ultimate Royal Society myth perpetuated for the last few centuries, and almost all collegiate techies and the corporate guru establishment are duped by it. Having bought the propaganda of Terminator, plus T-1000 more hours of Hollywood psy ops, as well as years of standardized education since youth, the training to see “A.I.” bots as “alive” is a now a reflexive action to decades of conditioning (think of the sympathy we are to feel for “David” in Spielberg and Kubrick’s A.I.). Myths need a future, millennialist component, as well as a grand narrative explanation for the past, and Darwinism melded with techno-utopianism is a perfect concoction for modern man, with perhaps a little panspermia thrown in for good measure. However, while a “living” A.I. consciousness may not be obtainable, as JC Collins has elucidated, and as I commented, a synthetic, a spontaneous data-driven subconscious might be possible through the collection of mass data via the Internet and social media over long periods of time.

Read the rest of this article at - http://jaysanalysis.com/2014/11/26/terminator-series-revelation-of-the-coming-a-i-takeover/

Sep 21, 2014

Hollywood Babylon – The Inside Story on the Occult Empire

I think a lot of people can see the overt evil that Hollywood exudes in it's films and other activities, but many don't see the ritual magic they are actively participating in.  These are incantations and invocations of evil on a massively public level, which seem to be very successful at accomplishing their purpose.


Vanity of vanities.
Vanity of vanities.
 
“The earliest gods were invoked by ritual act (dromenon = the thing done) such as a sacrificial dance, commemorating the fact that our life begins and ends when they call upon us.  Subsequently the thing was said (legomenon) as well as done, and the dromenon was on its way to becoming the drama.  Once speech within the temple precincts has been endowed with the power of word-magic, we have “the invocation” properly so called.” (Dudley Young, Origins of the Sacred: The Ecstasies of Love and War, pg. 413)

By: Jay

Hollywood is, as David Lynch titles it, an “inland empire” – a kind of covenantal city-state of its own, with its own religion, including all the trappings of neophytes, acolytes, servants, agents, star saints, hierophants and hierarchs and holy sites.  It is a veritable polis of initiatory esoterica where the holy sites and rites of Hollywood are not the altars of mainstream religion, but another ancient religion, ultimately summed up in the epithet of the ancient mysteries.  The ancient mysteries comprise the competing religious practices of the empires of old, but the one empire that seems to have achieved the most appropriate association with Hollywood is Babylon – the “gate of the gods”.
Babylon was the ancient pagan empire prominent in biblical prophetic works as an enemy of God’s people due to their idolatry.  Hollywood is no different, functioning as the propaganda arm of the antichrist media establishment, intent on re-engineering society into its alchemical opposite, unleashing the destructive forces of cultural Marxism and death.  This is why stories and narratives continue to emerge of Hollywood scandals, sex and murder rituals and occult crime, with no puzzle pieces ever put together from mindless denizens of talking head puppetdom.  From the dozens of in-depth analyses on my site looking into the esoteric meanings in Hollywood films, it logically follows that this classic thesis of “Hollywood Babylon” is not far off.  This title is not new, either: detailed accounts are found in insider researchers like Peter Levenda, and even older than his Sinister Forces trilogy, occultist Kenneth Anger’s book and documentary, Hollywood Babylon, which (documentary) I will include below.
Ritual scene in Polanski's The 9th Gate.
Ritual scene in Polanski’s The 9th Gate.
 
From its beginnings, Hollywood has been an empire of tragedies, full of lost lives, drugs, and real life drama, but this troupe lifestyle is nothing new.  The stage has long been the site of tragedy and something much darker – ritual invocation, all the way back to the ancient Greeks and Romans.  For Greece and Rome, the stage was sacred, where the dramaturgical interactions of the gods were actually a form of magical invocation.  The actors donned the costumes of the gods, with the playwright scripting the narrative to inculcate the masses into the appropriate morals of the state.  Although the idea of the theater as explicitly sacred is foreign to the modernity, it was not for historic man, nor is modern man’s praxis any less religious in regard to the theater.  Sir James Frazier elaborates the ancient belief in the magical character of dramaturgy and acting in his classic The Golden Bough:
Ritual scene in Kubrick's Eyes Wide Shut.
Ritual scene in Kubrick’s Eyes Wide Shut.
 
“Here then at the great sanctuary of the goddess in Zela it appears that her myth was regularly translated into action; the story of her love and the death of her divine lover was performed year by year as a sort of mystery-play by men and women who lived for a season and sometimes died in the character of the visionary beings whom they personated. The intention of these sacred dramas, we may be sure, was neither to amuse nor to instruct an idle audience, and as little were they designed to gratify the actors, to whose baser passions they gave the reins for a time. They were solemn rites which mimicked the doings of divine beings, because man fancied that by such mimicry he was able to arrogate to himself the divine functions and to exercise them for the good of his fellows. The operations of nature, to his thinking, were carried on by mythical personages very like himself; and if he could only assimilate himself to them completely he would be able to wield all their powers.
Bacchanalia of Andreas
Bacchanalia of Andreas
 
This is probably the original motive of most religious dramas or mysteries among rude peoples. The dramas are played, the mysteries are performed, not to teach the spectators the doctrines of their creed, still less to entertain them, but for the purpose of bringing about those natural effects which they represent in mythical disguise ; in a word, they are magical ceremonies and their mode of operation is mimicry or sympathy. We shall probably not err in assuming that many myths, which we now know only as myths, had once their counterpart in magic; in other words, that they used to be acted as a means of producing in fact the events which they describe in figurative language. Ceremonies often die out while myths survive, and thus we are left to infer the dead ceremony from the living myth. If myths are, in a sense, the reflections or shadows of men cast upon the clouds, we may say that these reflections continue to be visible in the sky and to inform us of the doings of the men who cast them, long after the men themselves are not only beyond our range of vision but sunk beneath the horizon.” (pg. 651)

Read the rest of this article at - http://jaysanalysis.com/2014/09/19/hollywood-babylon-the-inside-story-on-the-occult-empire/

Sep 2, 2014

True Detective Season 1 – Esoteric Analysis

The tree of life, the family tree of the Tuttles.
The tree of life, the family tree of the Tuttles.

By: Jay

The first season of True Detective captivated the viewing public this year, topped only by Breaking Bad in attention and critical praise.  While the Internet is rife with theories and analysis, few have succeeded in plumbing the depths of the story in its proper fullness.  While Vigilant Citizen did produce an adequate overall analysis, several important points were missed relating to specific religious symbolism, as well as the numerous philosophical references given by Rust Cohle (played by Matthew McConaughey).  In this analysis I will give the full significance of the first season of True Detective, which ranks as one of the most revealing films of the occult underground since Eyes Wide Shut.

The opening sequence lays out a heavy dose of symbolism that cues the viewer into the dark meaning of the series as a whole: we see key images such as backwoods evangelical revival, strippers, the emblematic tree, a playground, several butts, a black eye and telephone imposed over a child’s head.  The meaning of the entire series is thus not merely the conflict between Rust and Marty in their personal lives, or the elite Satanic rituals, but the impact of the spiritual degeneration that has occurred over just 17 years, from 1995 to 2012.  In other words, the spiritual effect that the infernal powers have brought about over just the last 20 years have resulted in a massive decline in the moral status of American society as a whole.  True Detective is therefore a survey of that degeneration and demonism, juxtaposing what appears as a grotesque, Southern Gothic backwoods existence ruled by an older bloodline (the Tuttles), with the so-called “normal” American family of Marty Hart.
Cohle sketches out the first ritual murder.
Cohle sketches out the first ritual murder.
 
As the series begins, we see an offering of a dead girl in a prostrate pose praying before a tree, wearing a crown of twigs and marked with a spiral symbol.  Detective Rust Cohle is immediately aware of the ritual connotations of the killing, noting the “meta-psychotic” nature of the crime.  Educated readers will recognize the “meta” prefix as referencing notions like metaphysics and meta-narrative. As I’ve detailed before with Spielberg films and Philip K. Dick works, meta-narrative is associated with this higher level discourse, as is found in “twilight language.”  I wrote:

The black eye.
The black eye.
 
“In semiotics, particularly in Plato’s Sophist, simulacrum is intended to fool the viewer into thinking the copy is the real thing.  The copy takes on a life of its own, yet viewed in scale it would clearly appear that the copy is not real.  This is a perfect analogy for the nature of film itself, as well as the role of the director.  The writer and/or film director is creating a simulacra of the real world with models and pictures, piecing and placing them together in a certain way, just as Roy does with the model train and city he has built. One may think of the simulated beings in Blade Runner or the simulated world of The Matrix here. Spielberg has mastered this art of simulation, and is presenting a simulated reality world – that of UFO-invaded America that is intended to produce a certain effect in the population.  Can this be taken to a larger scale, to which Spielberg and the director himself is a “toy” of the larger, galactic forces or entities of the cosmos?  Are we a Greek scale of being, being “played” and “directed” by the celestial hierarchy?”
Lots of butts.
Lots of butts.
What is applied to the “director” here applies to the thinking of the “meta-psychotic,” who sees a direct connect between his victims and ritual items as copies of the real items.  In the same vein, the notion between “twilight language” is the writing of a script with reality by higher celestial entities, be they angelic or demonic.  Here, the Tuttles are practitioners of “old time religion” – a primal form of voodoo and ritual magic.  Mystical toponomy also comes into play, as Louisiana is the setting for the series, where the Tuttle bloodline has long held sway, having combined their beliefs with the indigenous Santeria and vodoun superstitions.  Cohle immediately senses this, functioning as the series’ prophet/priest, having himself spent years in narcotics enforcement, as well as losing his daughter, resulting in his “touching the darkness.”  A committed nihilist at the beginning, Cohle espouses the very worldview of the Satanic elite – a Nieztschean eugenics stance, combined with eternal return, where materialistic chaos returns to its beginning in endless spirals, associating Cohle’s own mind with the recurring spiral symbolism in the series.  Humans are “sentient meat” that happened to develop the “mirror” of consciousness accidentally, and ever since, man is engaged in a perpetual self-delusion of convincing himself he is a “person” with meaning.  Cohle the philosopher scoffs at these notions, having immersed himself in so many years of battling the darkness.  Nietzsche famously said, “And when you gaze long into an abyss the abyss also gazes into you,” which perfectly describes Cohle.
Another version of the cyclical spiral, the wreath portal.
Another version of the cyclical spiral, the wreath portal.
 
Read the rest of this article at - http://jaysanalysis.com/2014/08/30/true-detective-season-1-esoteric-analysis/

Aug 16, 2014

Robin Williams: The Sad Truth The Media Won't Tell You

Robin Williams


By: Joe Schimmel

Everybody is currently talking about Robin Williams and his tragic suicide. Many are puzzled as to how a man, who made so many people laugh, could be so depressed that he would violently end his life. What people are not learning is the deeper truth about the insidious forces that tormented Robin Williams and drove him to suicide.

Robin Williams acknowledged that he had opened himself up to transformative demonic powers that aided him on stage. Without the aid of such demonic powers, it is likely that you would have never have heard of Robin Williams and many other famous celebrities. Williams also recognized that these powers had manifested a very evil influence on stage and that there could be a hefty price to pay for their assistance. Williams told James Kaplan of US Weekly:

“Yeah! Literally, it's like possession ‑ all of a sudden you're in, and because it's in front of a live audience, you just get this energy that just starts going…But there's also that thing ‑ it is possession. In the old days you'd be burned for it…But there is something empowering about it. I mean, it is a place where you are totally ‑ it is Dr. Jekyll and Mr. Hyde, where you really can become this other force. Maybe that's why I don't need to play evil characters [in movies], 'cause sometimes onstage you can cross that line and come back. Clubs are a weird kind of petri dish environment. I mean, that's where people can get as dark as they can in comedy ‑ in the name of comedy, be talking about outrageous stuff and somehow come out the other side. I mean, that's one place where you really want to push it” (Robin Williams, "Robin Williams,” by James Kaplan, US Weekly, January, 1999, p. 53).

Williams’ last statement quoted above answers the question as to why the demonic powers use entertainers. Their goal is to promote evil and darkness and increase mankind’s rebellion against God.

Williams went on to say on the heels of that admission:

“The people I've ad­mired ‑ Jonathan [Winters], in his best days, was out. Gone. But the price he paid for it was deep” (Ibid).

Sadly, it seems that the price Robin Williams has now paid is just as deep as that of his idol, Jonathan Winters. In fact, in the same US Weekly Interview, James Kaplan says:

“With a gift for mimicry and improvisation that verged on demonic possession, Williams could even approach the artistry of his idol Jonathan Winters—a man whose genius took him, once or twice, over the edge into mental illness. Williams' own version of hell has been extensively chronicled” (Ibid).
Jonathan Winters
Like Robin Williams, Jonathan Winters had to contend with the tormenting demonic powers he utilized for fame and fortune. “These voices are always screaming to get out,” Winters told the Fort Worth Star-Telegram, further admitting “They follow me around pretty much all day and night.”

At the height of Winter’s success, he voluntarily committed himself to a psychiatric hospital for eight months. Winters would later claim that if he were not careful, the authorities would put him back in the  “zoo,” an obvious reference to the mental institution. Winters, like Williams, often fell into deep depression and struggled with heavy drinking.

While many only knew Robin Williams to be what they considered a somewhat "family friendly" actor, he was one of the most successful crude stand-up comics who ever lived. It was during his standup where he was most able to tap into what he calls “possession…Dr. Jekyll and Mr. Hyde… that's where people can get as dark as they can in comedy ‑ in the name of comedy” (Ibid).
It was in Williams’ stand-up where he would go into his manic, stream-of-consciousness rants filled with vulgar language, perverse sexuality and the glorification of illicit drugs and drunkenness. Many people express shock after seeing Williams' stand-up, not knowing his act was so perverse.

Comedians, like many famous musicians, pay the price for their fame by becoming enslaved to the demonic forces that possess and torment them. Jim Morrison, the frontman of America’s most successful band in the 60’s, admitted that he had to drink “to silence the constant voices of the demons” (James Riordin, “Break on Through: The Life and Death of Jim Morrison,” p. 23). The Door's photographer, Frank Lisciandro, stated that, “Jim drank to quiet the ceaseless clamor of the demons, ghosts and spirits. He drank because there were demons and voices and spirits shouting inside of his head and he found that one of the ways to quell them was with alcohol” (Ibid., p. 28).

Read the rest of this article at - http://www.goodfight.org/a_v_williams_robin.html