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Saturday, October 17, 2009
Ghee Lamp How-To Video
Thursday, October 1, 2009
More Carnatic Music in praise of Murugan
And here is some information about her from her website (scroll down for more information about this particular song, including the meaning rendered in English):
The hymn Azhagu Deivamaga is another composition by Periyasami Thooran in praise of Murugan. Below are the lyrics (in Tamil) along with the meaning in English, both of which were taken from here:Hailed as a prodigy, Shobana Vignesh is considered one of the leading performing and recording Carnatic musicians in India. She has both musical legacy and phenomenal talent. Schooled in the Carnatic system of music by stalwarts in the field like Sri Swamimalai Janakiraman and Prof. T.R. Subramaniam from the age of five, Shobana had already stunned thousands with her prodigious talent by the time she touched her teens. Her most recent and notable achievement has been the honor of receiving the ‘Young Achiever Award’ for 2007 in the field of Carnatic music by the highest circulated magazine in India, ‘India Today’.[The Indian Express, June 26th, 2005]She is fondly known as ‘Mahanadhi’ Shobana for her brilliant performance as a child actor and singer in the National award winning movie ‘Mahanadhi’ in the year 1994. She has blossomed from a child prodigy into one of the most valuable and versatile artistes in the music field. Shobana made her recording debut at the tender age of 13 and since then has released more than 120 albums ranging over 1000 songs in various Indian languages. She is one of the top selling artists of Carnatic and Devotional music in India.
Vocalist Mahanadhi Shobana’s voice has an inherent blend of sweetness and depth. She displays an astonishingly expressive range, acquired no doubt through meticulous training and practice. This research scholar in music, tutored by Swamimalai Janakiraman and Prof. T.R. Subramaniam, has a touch of class and polish in her delivery.
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caraNam 1
azhagu deivamAga vandu pazhani malai mIdil nirkkum
Adi Sakti annai tanda bAlan avan asurar tammai venra vaDivElan
nalla amudam ennumOr tamizhil pADiDum anbar vAzhavE karuNai Sei guhan
aran uganda guruvAm uyar SIlan enrum aruL surandE kAkkum anukUlan
The Lord who stands (nirkkum) atop (mIdil) the hill (malai) of pazhani [2] has come (vandu) to us as (Aga) a handsome (azhagu) god (deivam)! He (avan) is the young child (bAlan) given (tanda) to us by his mother (annai) pArvatI (Adi Sakti); bearing a lustrous spear (vaDivElan) he went on to win over (venra) a horde of demons (asurar) [3]. He is the Lord who lives deep inside the cave (guhan) of our hearts, and showers compassion (karuNai Sei) on his devotees (anbar) who sing (pADiDum) in tamizh (tamizhil) – a language that is like (ennum) a (Or) pot of excellent (nalla) nectar (amudam), so that the devotees can flourish (vAzhavE). This noble (uyar) soul of sterling character (SIlan) is that preceptor/mentor (guruvAm) accepted (uganda) by the mighty Siva (aran) [4]. He is the one with overflowing (surandE) grace (aruL) who assists us kindly (anukUlan), and protects (kAkkum) us forever (enrum).
caraNam 2
kuzhandaiyAgak kumaranAgak kOvaNADait turaviyAga kOlam koLLum kATSi enna SolvEnkaNDu kUrum mAya vinaigaL yAvum velvEn
indak-kuvalayattilOr kaliyugap-peru varadanAit-tigazhndaruLum kandanaik-
kumbiTTenran piNigaL nIngi magizhvEn uLLak-kumural OindE nalla vazhi selvEn
What (enna) can I say (SolvEn) about the vision (kATSi) of the forms (kOlam) he takes (koLLum) in pazhani: as a baby (kuzhandaiyAga), as a young man (kumaranAga), and as an ascetic recluse (turaviyAga) dressed in a loincloth (kOmaNADai)? But I do know that by merely seeing these forms of the Lord, I have gained the ability to win over (velvEn) (or defeat) all (yAvum) of the deceptive/duplicitous/shameful (mAya) deeds (vinaigaL) [5] that every one complains (kUrum) about. I will bow down/pray (kumbiTTu) to murugan (kandan) [6] who is resplendent (tigazh) as a (Or) mighty (peru) benefactor (varadanai) in this (inda) world (kuvalayattii) during kaliyug (kaliyuga) as he blesses (aruLum) us, and rejoice (magizhvEn) as my miseries (piNigaL) are dispelled (nIngi), and ) the churn (kumral) in my heart (uLla) subsides (OindE), so that I can now travel (SelvEn) the path (vazhi) of righteousness (nalla).
caraNam 3
nIla mayil mIdil Eri AvinankuDiyil tOnrum nimalanAm kuzhandai murugEsan
uyar nittilap-pon muruval vaLLi nEsan avan nIL nilam tanil anbu SeidiDum
aDiyaryAraiyum kAttu ninriDum nitya jyOti vaDivAm prakASan
tUran nenjai nIngAdenrum angu vAsan
He is the immaculate/spotless/supreme being (nimalanAm) who appears (tOnrum) in the temple town of pazhani (AvinankuDiyil) as a handsome/beautiful (murugESan) child (kuzhandai) mounted (Eri) on (mIdil) a blue (nIla) peacock (mayil). Sporting a mischievous smile (pon muruval) continually (nittila) on his face, he (avan) is the beloved (nESan) of the gypsy, vaLLi. He is ever resplendent (prakASan) in the form (vaDivam) of an eternal (nitya) [7] flame (jyOti) that is never extinguished, as he protects (kAttu ninriDum) any and all (yAraiyum) of his devotees (aDiyAr) in (tanil) this wide (nIL) world (nilam) who love (anbu SeidiDum) him. He is the one who will not vacate (nIngAdu) the heart (nenjai) of the composer, tUran [8], and will live (vAsan) there (angu) forever (enrum).
Wednesday, September 30, 2009
Kaliyuga Varadhan sung by Mahathi
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as the Lord who is manifest
Can be seen in Pazhani
This Murugan, with the powerful trident,
tendered by the daughter of the mountain
is like the emerald in color,
this nephew of srinivasan
He came into the world, the apple of lord siva's eye
Grew up, nurtured and tended by the 6 karthigai sisters
Rid the devas of all their troubles in a second
Granted boons before being asked
Here is a video of Mahathi performing Kaliyuga Varadhan:
This song in praise of the God Murugan was composed by Tamil poet, teacher, and patriot Periyasaami Thooran (1908-1987).
Murugan is often referred to as a God of War, but as this song makes clear in very simple and direct language, he is far more than that. "Kali Yuga Varadan" is another name for Murugan, as the presiding deity of the current dark age, Kali Yuga.
Murugan is also known as Karttikeya and Skanda. The "6 karthigai sisters" referred to in the song are the stars of the Pleiades.
For more information on Kali Yuga Varadhan, see this fascinating (and very beautifully illustrated) article written by Dr. A Kanakaratnam: Murugan: The Kali Yuga Varada
Saturday, May 16, 2009
Kumarasambhava: The Birth of Karttikeya
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If you like your religion hot and spicy, you can do no better than this little masterpiece by Kalidasa (whose name means "servant of Kali"), which is simultaneously sensual, sexual, and downright romantic in a way immediately recognizable to anyone who has ever watched a Latin American soap opera. There is nothing crude about Kalidasa's eroticism, but neither is there any hint of restraint, other than the meticulous restraint of a master artist at work, a restraint that only serves to make the effect on the reader all the more overwhelming.
This work celebrates the sensual dance that is embodied life, while simultaneously praising the severest forms of asceticism. One almost gets the impression that there is a (not necessarily very subtle) anti-Buddhist subtext here: Middle Way? We don't need no stinking Middle Way! In fact, when the God of Love is first summoned by Indra, Kama is eager to help Lord Sakra, the Powerful One, in any way that he can: and in his enthusiasm he launches into listing various possible assignments he could be tasked with, and he speculates that perhaps Indra has called him because "one desiring your place has aroused your jealous rage with especially long asceticism ... who, against your wishes, seeks the path of release through fear of the pains of rebirth." Against such an imagined upstart Kama offers to see to it that his asceticism is brought to an end by "lovely women's sidelong glances charming with their dancing brows."
[When I first posted this I somehow managed to swap Indra with Vishnu! My only defense is that I wrote the post while sitting in my backyard sunroom, and I was distracted by the beauties of nature.....]
Here is a sampling from Cantos 3 & 4 of the poem:
Indra to Kama:
I have two weapons:Describing the arrival of spring:
my thunderbolt and you.
The thunderbolt is blunted
against those great
in the strength of asceticism.
You are effective everywhere...
And Madhu (Spring), O Kama, Stirrer of the senses!
because of his friendship for you,
will be your companion without being asked.
Who has to tell the wind to fan a fire?
[3.12,21]
Keeping close to his beloved,
the bee drank honey from the same flower cup,
and the black antelope
scratched his doe with his horn,
she closing her eyes to his touch.
[3.36]
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His lower body firm...The Lament of Rati after the death of her beloved Kama:
sitting straight and erect
shoulders slightly bowed,
through holding his hands
palm upward
he seemed to have in his lap
a full-blown blue lotus....
The fierce pupils motionless
and their brightness slightly lessened,
his eyes, directed downward,
were focused on his nose,
the eyelashes stationary,
the stilled eyes stilling the brow.
By restraints of his internal currents
he was like a cloud
without the vehemence of rain,
like an expanse of water
without a ripple,
like a lamp in a windless place
absolutely still.
[3.45-48]
O Love, do you rememberBrahma offers comfort to Rati:
me tying you up
with the strings of my girdle
when you got my name wrong,
or the beatings with the lotuses
that were my ear ornaments,
paining your eyes with
their flailing filaments?
You used to say:
"Hrdaye vasas iti",
[you dwell in my heart]
words dear to me.
I realize they're false.
If they were not a polite phrase,
how is it that when you have no body
Rati is unharmed?
[4.8-9]
O master of sexual delights,
I'm still wearing on my limbs
the decoration of spring flowers
you fashioned for me,
but that beautiful body of yours
is not to be seen.
You were called to mind
and called away
by the cruel Gods
before you completed
the adornment of my left foot.
Come, finish painting it.
[4.18-19]
O beautiful woman![Arthur Ryder's 1914 translation is available online at sacred-texts.com. And the very pretty painting of Parvati, Shiva's beloved, seated in meditation, is from the Sanatan Society website.]
look after this body of yours,
which will be united with your beloved,
for the river whose waters
have been drunk by the sun
is joined again with the flood
at the end of the hot season.
[4.45]
Thursday, April 2, 2009
OM: Restarting this old blog
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The logo for this blog is the Tamil version of "OM" - in addition to the usual associations with that sacred syllable the Tamil version is especially associated with Shiva's other son (besides Ganesh), Karttikeya. One version of His story is that Karttikeya's mother is the River Ganges, another is that He has six mothers - the Krittikas (stars of the Pleiades).
Here's a short and simple version of Karttikeya's story.
Here's a more involved version, showing Murugan's (Karttikeya's) Yantra featuring the Tamil OM in the center.
The cool pic is from exoticindiaart.com.