Showing posts with label Zutons. Show all posts
Showing posts with label Zutons. Show all posts

Thursday, 30 June 2011

"Greed, Violence, Moral Corruption"

According to Star Trek: Enterprise's T'Pol those are "the worst qualities of this era", said during a visit to 2004 in Carpenter Street. To put it in context she says of Loomis, a particularly slimy character played by Leland Orser: "In one individual we've managed to find the worst qualities of this era: greed, violence, moral corruption."

2004 was the year that the European Union expanded to include ten more countries, Facebook was founded and a colossal earthquake caused a massive tsunami to hit southeast Asia on Boxing Day.

Whilst in my last term at university I was in and wrote for The Miracles Of Marta Manole. After I finished Uni, I began working a bookshop and trying to work out how to get into acting.

These are a few of my favourite things from 2004:

Film
Shaun Of The Dead
Posing the question: What would you do in Zombie apocalypse? The Pom Rom Zom Com from Edgar Wright and Simon Pegg is very funny with a great script, a great cast and a great soundtrack. Here's the trailer.





Goodbye Lenin!
A great film about how the reunification of Germany affected the day-to-day life of everyone in East Berlin, except one. Here's the trailer.






The Incredibles
A supervillain draws a couple of superheroes come out of retirement and discovers to his cost that its become a family business. Not a spoof, nor a parody but a tribute to a genre that is far more realistic and well observed than most of the big-budget live-action superhero adaptations combined. Here's the trailer.


The Life Aquatic With Steve Zissou
Bill Murray, Angelica Huston, Willem Dafoe and Jeff Goldblum are all wonderful in a film that features eclectic aquatic animation, incredible cross section sets and Seu Jorge singing David Bowie songs in Portuguese. Here's the trailer.




Eternal Sunshine Of The Spotless Mind
Charlie Kaufman and Michel Gondry's tale about memory is constantly changing, visually astounding and has great performances across the board. Here's the trailer.





The Village
M. Night Shyamalan's fantasy thriller was widely misunderstood on cinematic release and has been unfairly overlooked ever since. There are great performances across the board with a special mention for Bryce Dallas Howard. I don't mind admitting that the twist had me completely fooled, but by the time it comes the viewer is well and truly thinking like a villager.

The Life And Death Of Peter Sellers
Geoffrey Rush is fantastic as the man in search of a character to call his own in this biopic that pulls no punches. Featuring flawless representations of films from throughout Sellers' career and leaves you wanting to watch them all. Here's the trailer.

Blake's Junction 7
Awkwardness abounds as the scourge of the Terran Federation Avon and company bump into Blake and Servalan during a stop off at Newport Pagnell motorway service station. Great fun if you know Blake's 7 and great fun if you don't. Here's a trailer.



TV
Angel: Harm's Way; Soul Purpose; Damage; You're Welcome; Why We Fight; Smile Time; A Hole In The World; Shells; Underneath; Origin; Time Bomb; The Girl In Question; Power Play; Not Fade Away
Harm's Way begins with a hilarious Wolfram & Hart recruitment video, features a brilliant chopstick fight and it's about time Mercedes McNab got her dues. Soul Purpose is another great dream episode with Angel's hallucinations of his friends and Fred's autopsy and Spike single-handedly ending armageddon and turning the world into a beautiful, happily-ever-after-candy-mountain place where all our dreams come true are both wonderful. Tom Lenk fits in perfectly as Andrew in Damage and he's back to his storytelling best. The hundredth episode, You're Welcome, is a masterpiece. Charisma Carpenter returns and puts in another great performance as Cordelia comes out of her coma and it's a joy to have her back and hear her take on the new situation. The episode builds beautifully to a heartbreaking ending. The World War II flashbacks of Why We Fight are great and Eyal Podell gives Lawson a real intensity. Smile Time is hilarious and disturbing in equal measure, and features some great puppetry. A Hole In The World asks "Who would win in a fight: cavemen or astronauts?" It's another great ensemble piece as the troops rally to save Fred. Lorne's sudden act of violence is a surprise, the reveal of Gunn's unwitting involvement is a sucker punch. Jonathan M. Woodward and Alec Newman are great as Knox and Drogyn respectively, but the scenes between Amy Acker and Alexis Denisof are flawless in what is possibly the saddest piece of television ever. Shells picks up where the last episode left off and while Denisof and Woodward are as great as ever it's all eyes on Acker as Illyria. There is a lot of talk about layers in Underneath, Adam Baldwin's entrance as Marcus Hamilton is incredibly gory and yet belies why he's chasing Eve, Acker and Denisof continue to be wonderful and the reveal that Wolfram & Hart's hell dimension is a suburban ultra-right-wing version of The American Dream is very funny. Vincent Kartheiser returns in Origin as the Connor it would have been a joy to watch, Dennis Christopher is wonderful as Cyvus Vail, it's great to see Jack Conley back as Sahjhan, once again Denisof is fantastic as a man on the edge and Sparky's bulb proffering is hilarious. Illyria rescues Gunn and the reveal of Sparky's latest victim is great, however she is unable to control her powers and becomes a walking Time Bomb that could go off at any moment, the time skips her excess powers create are interesting and her despatching four regular characters in seconds is pretty shocking, meanwhile the Rosemary's Baby-esque plotline with the Fell Brethren has some hilarious parental dialogue. Angel and Spike visit Italy in The Girl In Question, the flashback of Spike and Dru in Italy in the 1950's is very funny, Carole Raphaelle Davis is hilarious as the gypsy-hating buxom CEO of Wolfram & Hart's Italian office and the elusiveness of The Immortal adds to his appeal, but this episode that gives us Angel and Spike as a comedy double act also features the return of Fred's parents and sees Illyria's bittersweet impersonation of their daughter and the effect it has on Wesley. The episode is stylishly shot to differentiate between the two plot strands. David Boreanaz really keeps you guessing as Angel's apparent acceptance of Wolfram & Hart's evil clients sinks to new depths in Power Play as he joins the Circle of the Black Thorn and convinces the rest of the gang that he's just as bad. The series finale, Not Fade Away is fantastic and filled with great moments: Angel signing away his claim on the Shanshu prophecy, Lorne's last day, Angel's last day, Spike's last day, Spike volunteering to betray Angel, Lorne's "I'm out" speech, Gunn killing the senator while she's still on the phone, the reveal of Illyria blocking the car, Lorne's exit and Lindsay's reaction to it, Illyria lying to Wesley, Angel picking out the operative word in Hamilton's speech about how his blood is filled with the ancient power of The Wolf, The Ram and The Hart, Illyria taking revenge on Cyvus Vail and the final scene. This series came to a premature end and doesn't have a happy ending, because it doesn't really have an ending at all and yet it doesn't finish on a cliffhanger either. This episode says the fight never ends, it says atonement never ends.

Star Trek: Enterprise: Proving Ground; Countdown; Zero Hour; Storm Front; Home; Borderland, Cold Station 12 & The Augments; The Forge, Awakenings & Kir'Shara
The search for the Xindi superweapon is a bit of an oddity with few episodes standing out. Proving Ground however sees it in a wider political context and features another fantastic performance from Jeffrey Combs. Countdown and Zero Hour are a suitably impressive climax to the season and end on a great cliffhanger. Storm Front mixes the temporal cold war with the second world war and sees aliens changing history and assisting the Nazis in an occupation of the USA. The newsreel footage of Hitler's visit to New York in Part II is a very nice touch. When Enterprise finally returns Home and the crew disperse, three plot strands explore the repercussions separately of each other. The three-parter Borderland, Cold Station 12 and The Augments is crammed with action and yet finds time for Brent Spiner to be very charismatic as Arik Soong. This is precisely what the Xindi epic needed. After three years without them The Forge, Awakenings and Kir'Shara finally sees the creation of the Vulcans that we know and love from the Star Trek series set after the prequel and thankfully it's a great story that gets them there.

Farscape: The Peacekeeper Wars
The mini-series picks up where season four's finale left off and must have alienated newcomers in their droves. It shamelessly takes no prisoners in utilising several of the plot strands of the series that preceded it. This two-parter gives the series a sense of closure that Bad Timing did not and contains one of television's best death scenes.

Nighty Night
Julia Davis is great as Jill, a widow whose husband is uncooperatively still alive. The rehabilitation of Angus Deayton began here. Somehow each episode manages to be more extreme than the last.

Star Wars: Clone Wars Chapters Eleven to Twenty
More animated tales of clone attacks from Genndy Tartakovsky. Highlights include Mace Windu's singlehanded defeating an entire droid army and the fight Anakin and Asaaj Ventress through the trees and the rain.

QI
Bombs, Beavers and Biscuits are among the subjects under discussion for Stephen Fry's Quite Interesting panel game.




Black Books: Manny Come Home; Elephants And Hens; Moo-Ma And Moo-Pa; A Little Flutter; Party
The show that elevated slovenliness to an art form is back. Manny has begun working next door at monolithic Goliath Books with Simon Pegg as the boss that walks a fine line between corporate and congenial, meanwhile in his absence Bernard has let his misanthropy reach new lows, Manny Come Home gets everybody back on the same page. Elephants And Hens is made up of two distinct and hilarious plots: Bernard and Manny attempt to write the children's book to end all children's books (it's about an elephant and a balloon) via some wonderful flights of fancy, while Fran spectacularly ruins a hen night. Manny's Moo-Ma And Moo-Pa pay him a visit and The Shining-style bar-under-table scenes are great. Bernard has A Little Flutter and the letter he writes to the woman working in the bookies is hilarious. Manny almost uses the word Party as a verb, and the trio share a few cutting home truths in the final episode.

Radio
The Hitchhiker's Guide To The Galaxy: Fits The Thirteenth to Eighteenth
Twenty-Three years after the last series, five years of living on prehistoric Earth for Arthur Dent and Ford Prefect come to an end as they are catapulted back into galactic politics, reunited with Slartibartfast, take on the Krikkitmen and meet Agrajag. This radio adaptation of Douglas Adams' novel Life, The Universe And Everything is closer to the novel than its successors.

Music
The Zutons: Who Killed…
The Zutons' sound is distinctive and yet varied and the band's debut album is a confident, assured, thoughtful, inventive and above all fresh outing.
Stand Out Tracks: 'Zuton Fever'; 'Pressure Point '; ''You Will You Won't'; ' 'Confusion'; 'Railroad'; 'Not A Lot To Do'; 'Remember Me'; ' Don't Ever Think (Too Much)'

Books
The Vesuvius Club by Mark Gatiss
The first adventure of Lucifer Box, the noted portrait artist, resident of Number 9 Downing Street and agent for His Majesty's Secret Service. This book is bold, wonderful and constantly surprising.





Comics
Ex Machina: The Pilot; State Of Emergency
This story of a superhero in politics by Brian K. Vaughn and Tony Harris is an intriguing mix between the day-to-day grind of Mitchell Hundred's mayoral position and his 'destiny' as The Great Machine. First strip The Pilot has the bravest shock ending I can think of in comics, but don't just take my word for it you can download Issue #1 for free. Its follow up, State Of Emergency, is a fascinating commentary on the awkward relationship between politics and art.

2000 AD: There's Something About Mary
A prequel of sorts to the movie Shaun Of The Dead (above), this strip shows how Mary become a zombie and has a nice twist regarding her dead companion in the film. I love 2000 AD and I feel a bit bad that I'm shortchanging it in these posts because I can never remember when I read what and in which prog. I'm going to try and improve on that, but until I do this strip looks beautiful and has got just the right amount of red on it.

Y: The Last Man: Comedy & Tragedy 2, Safeword, Widow's Path; Tongues Of Flame; Hero's Journey; Ring Of Truth 1-2
The second part of Comedy & Tragedy concerns the staging of a play about the last man on Earth and Yorick's reaction to it. Yorick is forced to confront his survivor guilt in Safeword in terrifying fashion. Blood is spilt as Yorick, 355, Dr. Mann & Ampersand attempt to cross the Widow's Path blockade. Tongues Of Flame examines what remains of faith after the Gendercide and presents another flasshback to the moment it happened 15,000 feet above ground. We follow Hero's Journey from childhood to Amazon to searching for her brother. The first two parts of Ring Of Truth see the trio (and their monkey) in San Francisco and it looks like whatever killed all the men has finally caught up with Yorick.

Tales Of The Vampires: Tales Of The Vampires 2-6; Spot The Vampire; Jack; Father; Antique; Dust Bowl; Taking Care Of Business
Exploring the wider Buffyverse, Joss Whedon's Tales Of The Vampires framing story is a rewarding tale in its own right. Jane Espenson invites you to Spot The Vampire in the style of a children's puzzle with a nice twist ending. The hunt is on for Jack the Ripper in a beautifully illustrated strip reveals why we'll never find him. Father is a lovely story of a Vampire who carries some responsabilities beyond the grave. Antique is Drew Goddard's sequel to TV episode Buffy Vs Dracula and features a great Buffy Vs Dracula fight, but also an interesting emotional attachment to Xander from his master. Dust Bowl is about a farmer turned Vampire who doesn't know that he's a Vampire and is forced to learn the rules the hard way. A Vampire who believes he is Taking Care Of Business for God meets someone who believes they are God in Ben Edlund's satifying little tale.

Doctor Who: Bad Blood; Sins Of The Fathers; The Flood 1-6
The Eighth Doctor gets in the midst of Bad Blood between Sitting Bull's Lakota Indians and Custer's US Cavalry, which is complicated by the return of Jodafra and Destrii. Scott Gray's script and Martin Geraghty's art are great and the ending is shocking. Sins Of The Fathers catch up with the Doctor and Destrii and her heroism earns her a place in the TARDIS. The first six parts of The Flood are fantastic: the look of Camden, Destrii's cultural misunderstandings, the new look of the Cybermen are all great, but after 38 years their motivation is the most believable yet. It's also incredibly prescient as the most Russell T. Davies-style strip with an epic storyline, newsreaders, a fannish scientific advisor, etc...

Recommendations welcome.

Saturday, 30 April 2011

"I Missed A Year? Was It Good?"

So asks Rose in Doctor Who's Aliens Of London and to which the Doctor responds "Middling" (and yes I realise that the year she's talking about isn't exactly a calendar year and is mostly 2005, but I like the Doctor's response a lot).

Continuing this pointless ramble backwards through time to 2006. This was the year that South Ossetia declared independence from Georgia, Saddam Hussein was hanged and Pluto was demoted to the status of dwarf planet.

For me, it was a year largely spent of temping in offices, but I managed to join Equity for me and I was in Burdett-Coutts At Home.

These are a few of my favourite things from 2006:

Film
A Cock And Bull Story
A post-modern film about the making of a film adapted from The Life And Opinions Of Tristram Shandy, a novel which was post-modern before that phrase had any meaning. As Steve Coogan plays Shandy in the autobiography of a life as-yet unlived: “But I am getting ahead of myself, I am not yet born.” This film is fantastic. Here's the trailer.

Stranger Than Fiction
What would you do if you started hearing your life being narrated? What if the voice in your head revealed you were the main character in an unfinished novel that is due to end with your death? Will Ferrell, Emma Thompson and Dustin Hoffman are all wonderful in this metafictionish masterpiece. Here's the trailer.


Little Miss Sunshine
This very funny road movie comedy drama is a race against time that culminates in a beauty pageant for children. This film takes the high road and avoids all the easy shots it could take at such a repugnant target and as a result makes a far better comment on the sexualisation of children. Here's the trailer.


Children Of Men
A great piece of apocalyptic cinema, both wonderfully bleak and somehow hopeful. Here's the trailer.







The Lives Of Others
This German language masterpiece about life under Stasi observation in the former East Germany and features a beautiful performance from the Ulrich Mühe. Here's the trailer.





Scoop
Woody Allen is brilliant as Sid Waterman, a stage magician who goes by the name ‘The Great Splendini’ that gets caught up in a tale of a journalism student who should have been a dental hygienist, a boat along the river Styx, a tarot card killer, British high society and a scoop from beyond the grave. Here's the trailer.


TV
Life On Mars
Hit by a car in 2006, Coma victim Sam Tyler wakes up in 1973 and so begins the best police procedural of all time. Great performances across the board, great music, great period references and juxtapositions of then and now.

Doctor Who: New Earth; Tooth And Claw; School Reunion; The Girl In The Fireplace; The Idiot’s Lantern; The Impossible Planet & The Satan Pit; Love & Monsters; Army Of Ghosts & Doomsday; The Runaway Bride
David Tennant’s first series builds on the success of its predecessor. The new Doctor and Rose visit New Earth and despite the cast change it’s business as usual. The lift business and the bodyswapping provide great comic opportunities and the plight of the patients is chillingly bleak. Tooth And Claw is a wonderfully chilling gothic Hammer horror of an episode. The return of the now sadly missed Elisabeth Sladen is a vital for the show, while Sarah Jane Smith and the Doctor undergo a School Reunion, the series updates its mission statement: this meeting of old and new categorically states that this is all one television series. The Girl In The Fireplace is incredible. All of it: Arthur, “a door, once opened, may be stepped through in either direction…”, Banana Daiquiris, “We do not require your feet” and the great reveal at the end. Incredible. As a tribute to the fifties The Idiot’s Lantern never looks less than beautiful and the script has some great period detail. The series is so life-affirming that when The Impossible Planet & The Satan Pit take us to Doctor Who at its darkest, it’s unsettling in more ways than one. Shaun Parkes’ world weariness is palpable, Gabriel Woolf’s voice is as chilling as ever and Tennant’s monologues in the presence of The Beast are magnificent. Love & Monsters makes a virtue of a filming limitation, moving the focus away from the Doctor and Rose and onto those left behind. The script is very tight, Marc Warren & LINDA are very endearing, Camille Coduri is spectacular, it contains the oddest sexual imagery in the history of television and introduced me to the Electric Light Orchestra. The season finale Army Of Ghosts & Doomsday strikes a perfect balance between an epic action movie with Daleks versus Cybermen and a beautifully touching exit for Rose. The Runaway Bride shouldn’t work as well as it does, the Doctor committing infanticide on BBC1 on Christmas Day, and yet somehow it's still a lot of fun.

Torchwood: Everything Changes; Ghost Machine; Small Worlds; Countrycide; They Keep Killing Suzie; Random Shoes; Out Of Time
Doctor Who’s post watershed spinoff set in Cardiff’s alien underbelly arrives in style as PC Gwen Cooper investigates the mysterious Torchwood Three in Everything Changes. Eve Myles, Indira Varma and Tom Price are wonderful in an episode which thanks to retcon and an inability to die, manages to have its cake and eat it twice. It’s Owen’s turn for some character development in Ghost Machine and after witnessing a rape from the past he decides to threaten the rapist in the present, in a scene played wonderfully between Burn Gorman and Gareth Thomas, that implies that he sees in Ed Morgan the man he might have been. On the face of it Small Worlds is simply Torchwood away with the fairies, but it is much more important than that: it’s the first time Jack’s past catches up with him and the first time Torchwood Three loses. The beautifully shot and fantastically named Countrycide capitalises on your expectations thus far. Torchwood’s arrogance comes home to roost in They Keep Killing Suzie, a phenomenal episode for the whole team. Torchwood Three fan Eugene haunts Gwen as she investigates his death in Random Shoes, a wonderful episode rooting the supernatural in the domestic and often unfavourably and unfairly compared to Doctor Who's Love & Monsters (see above). Louise Delamere, Mark Lewis Jones and Olivia Hallinan are all wonderful as three temporal refugees in Out Of Time, a beautiful story which shows what Torchwood can achieve and how far it's come.

Time Trumpet
A nostalgic look back at the first thirty years of the twenty first century with the likes of David Cameron, Charlotte Church, Ant & Dec, June Sarpong, Tony Blair, Alastair Campbell, Natasha Kaplinsky and Jamie Oliver. Brilliant, hilarious and sobering.

QI
The alphabetical odyssey looks at subjects such as Danger, Dogs and Domesticity this time around.


Hogfather
Death takes a holiday, or rather takes a holiday in hand. This adaptation of the Discworld’s Christmassiest tale has a very strange quality to it, as it muses on the nature of belief itself. David Jason and Michelle Dockery are great as Albert and Susan Sto Helit respectively.

Johnny And The Bomb
Elsewhere in the Pratchettverse, this tale about the consequences of time travel sees Johnny Maxwell and his friends deal with the height of the blitz, changing history and casual racism better than many productions aimed at an older audience. George Mackay puts in a wonderful central performance as Johnny.

American Dad: Dungeons & Wagons
It’s not unusual for a story to feature two narratives that run parallel with each other, but using entirely different styles of animation to illustrate each of them is. The animation used for Steve’s computer game is some of the most beautiful I’ve ever seen and not to be outdone that of the ‘real world’ includes an incredibly impressive car chase.

Radio
Doctor Who: The Chimes Of Midnight, Part Three & Four; Blood Of The Daleks, Part One
The last two parts of The Chimes Of Midnight are wonderful as reality unravels around the Eighth Doctor and Charley in an Agatha Christie meets The Stone Tape mystery with some very darkly funny dialogue and terrifying simple truth.
The first part of Blood Of The Daleks is Big Finish’s first work designed specially for radio and it’s easy to see the influence of the show’s return to television on it. Like Donna Noble before (and after) her, Lucie Miller is teleported directly into the TARDIS on a very important day and very bolshy about it. More importantly she is a real shot in the arm and kick up the arse for audio Doctor Who.

Nebulous: The Deptford Wives; The Buzzing; I, Nebulous; Destiny Of The Destinoyd; Tempus Fugitive; Last Of The Present Sirius
K.E.N.T.'s finest return for a second series and explores SF clichés in their own way. The Deptford Wives take on the criticisms of sexism often levelled at science fiction and manages to be even more sexist. The Buzzing features a great cameo by Steve Coogan and the funniest genocide I've ever heard. The return of David Warner as Nebulous' nemesis Dr. Klench in I, Nebulous, the series take on bodyswapping sees Warner and Mark Gatiss swap roles and Paula Breeze give great commentary during Klench's peace conference speech. A trip to the moon sees Nebulous fall in love and a clutch of red-shirted men die in two possibly related elements of Destiny Of The Destinoyd. Tempus Fugitive sees Kate O'Mara as a woman splintered throughout time tasking each member of KENT to visit an ironic time to travel to in order to reunite her. Rory finds himself at Woodstock and unable to remove his trousers when offered free love, Harry travels to the far future and is worshipped as a God by the survivors of the UltraWithering where everyone was reduced to sentient body parts and Nebulous arrives in his own childhood inspiring himself to shun clowning in favour of physics. The last of the present series, Last Of The Present Sirius, sees Nebulous find himself in trapped in a time loop and a weekend omnibus of a reality TV show at the same time. The beauty of Nebulous is that the scripts are packed with throwaway references that function as jokes: the Notting Hill Carnivore, the Edward Woodward Woodwork Award and "the Sequel Devils? They came back again. And again".

Chris Addison’s Civilization: A Controlled Universe; Cities And Laws; A Working Society; A Sense Of Identity
Described within as “two hours of your life you won’t get back” by its host, but actually two hours of insightful comedy with a very high gag rate. Concerning our attempts to control our world: writing, time, justice and identity. Featuring the incredibly prolific author and polymath Professor Austin Herring.

Music
Jarvis Cocker: Jarvis
Pulp frontman Jarvis Cocker releases his first solo album and reassuringly he has lost none of his lyrical dexterity.
Stand Out Tracks: 'Don't Let Him Waste Your Time'; 'I Will Kill Again'; 'Fat Children'; 'From Auschwitz To Ipswich'; 'Running The World' (hidden track)

The Zutons: Tired Of Hanging Around
This Liverpool foursome's second album is great from start to finish. Move over Winehouse, the original 'Valerie' is fantastic.
Stand Out Tracks: 'Tired Of Hanging Around'; 'It's The Little Things We Do'; 'Valerie'; 'You've Got A Friend In Me'

Books
What Happens Now by Jeremy Dyson
What seems like a nice little story about a boy with an overactive imagination takes a very different turn indeed and ends up challenging our expectations of narrative itself. Along the way it takes in seventies television production, religious scepticism and epistolary evidence.



Fat by Rob Grant
The novel is made up of three separate, but interweaving, strands following three individuals whose lives are all ruled by society’s obsessions with dieting, obesity and celebrity. Have some cake.





The Boy In The Striped Pyjamas by John Boyne
A child’s eye view of the depths of human cruelty. Everybody should read this book.







Where’s Wally? The Great Picture Hunt by Martin Handford
You can't beat a bit of Wallyspotting.








The God Delusion by Richard Dawkins
The equivalent of an atheist holy book? No, but a rallying call, certainly. Dawkins applies an enviable scientific rigour to articles of faith and intelligent design, but contrary to popular belief does not attempt to prove the non-existence of God. The chapter title: 'Why there almost certainly is no God', is a sign of the care he has taken. Very few of his detractors take the same care.

The Devil In Amber by Mark Gatiss
Lucifer Box returns during the period between the world wars in another tale of derring-do. Facing off against an army of fascists, the devil itself and the unwelcome affections of Mrs Croup.





Comics
Pride Of Baghdad by Brian K. Vaughn & Niko Henrichon
This spectacular graphic novel follows four lions that escaped from Baghdad Zoo after it was bombed during the 2003 invasion of Iraq.


Doctor Who: The Betrothal Of Sontar; The Lodger; F.A.Q.; The Futurists; Interstellar Overdrive; The Green Eyed Monster
The Tenth Doctor and Rose visit The Betrothal Of Sontar in his first comic strip appearance, their dialogue is great, the artwork is sumptuous and the characterisation and design of the Sontarans are both brilliant. Mickey gets a houseguest in The Lodger as the Doctor stays with him for a few days and this one-shot strip is a great character piece. F.A.Q. is the tale of an imaginary friend with a surprisingly grown-up tinge. Followed by The Futurists where temporal cause and effect meets political cause and effect in this sprawling story of men out of their time and may also feature the only use in comics of the word "twp". Interstellar Overdrive sees stadium rockers in a time loop with fatal consequences and part two is a great reworking of the events of part one. There is great artwork throughout and the characterisation of the new Doctor is already bang on. The Green Eyed Monster is a very funny strip with a playfully mocking tone and it's nice to see Jackie in the comic, however briefly.

Online
Geek Chase
Grant Naylor Productions ran this promotional competition when they released Beat The Geek, an interactive quiz on DVD. The game is still up long after the competition is over. Follow these instructions and start chasing at Diva-droid International.