Showing posts with label Mary Condren. Show all posts
Showing posts with label Mary Condren. Show all posts

Thursday, July 31, 2014

Brigit Reviews (Series Six): Nonfiction, Academic/Popular Academic


Finally! The last installment of my promised book reviews. A pleasure it was to acquaint myself with the breadth of writing available on Brigit. I'll pin links to the reviews on the Pages tab (below the title banner of this blog) in order to make them more accessible to later readers, and will also make the whole lot available by request as a pdf. In the meantime you can find the previous reviews and introductory material at these links:



Brigit Reviews (Series Six):
Nonfiction, Academic/Popular Academic

By “academic/popular” I mean books written in a scholarly style but accessible (sometimes with a real effort) to a general audience. They are footnoted, backed up citations, and so on, and so the thinking in them can be more or less traced and verified. These I can only observe as a reader, not criticize as an expert.

The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland, Mary Condren (1989)

“Fire and the Arts” (etc) in Pagan Past and Christian Present in Early Irish

            Literature, Kim McCone (1990)

The Festival of Brigit, Séamas Ó Catháin (1995)

Celtic Goddesses: Warriors, Virgins and Mothers, Miranda Green (1996)

“Imbolc: A New Interpretation”, Phillip A. Bernhardt-House (pp 57-76) in Cosmos 18 (2002)

The Rites of Brigid, Goddess and Saint, Seán Ó Duinn (2005)

Landscape with Two Saints: How Genovefa of Paris and Brigit of Kildare Built Christianity in Barbarian Europe, Lisa M. Bitel (2009)

“Queering the Flame: Brigit, Flamekeeping, and Gender in Celtic Reconstructionist Pagan Communities”, by Erynn Rowan Laurie in The Well of Five Streams: Essays on Celtic Paganism (Immanion Press, projected release 2015) 17 pp.


Introduction

There are some delicious writings in here, with lots of obscure references and nimble interpretations; a cornucopia of ideas to mull over in building an understanding of Brigit. Two recommended sources which give abundant info on the world in which St Brigit lived are Early Medieval Ireland 400-1200 by Dáibhí Ó Crónín (1995) (not reviewed here) and Bitel’s Landscape with Two Saints: How Genovefa of Paris and Brigit of Kildare Built Christianity in Barbarian Europe. Placing her in the context of her world allows for a much deeper look into her Lives and mythos, helping us to notice where our assumptions are modern and inappropriate, and allowing us to develop a more balanced perspective.

Though the earliest of these investigations, Condren’s The Serpent and the Goddess is less about Brigit as it is the Christian church in Ireland and its treatment of women. I don’t recommend it for developing an understanding of Brigit.
In The Festival of Brigit, Ó Catháin explores the festival of Imbolc and searches far afield for evidence linking Brigit to, for example, the bear cult and horned deities. Fascinating reading, carefully explored and documented.

McCone’s Pagan Past and Christian Present contains important insights into sacred kingship, the sovereignty goddess, and the three major divisions of Celtic society and convincingly suggests their reflection in Brigit’s various personae.

Green examines the place of women and female deities in Celtic society, and focusses on a number of female-related themes and specific goddesses in Celtic Goddesses: Warriors, Virgins and Mothers. Brigit is looked at in the chapter on the transition from paganism to Christianity.

Bernhardt-House offers a detailed and unique examination of the meaning of the word Imbolc and its possible links to the wolf in ancient times in “Imbolc: A New Interpretation”.

In The Rites of Brigid, Ó Duinn examines a variety of Brigit-related folk customs. He compares in detail the perpetual fires of the Vestal Virgins and Brigit, and describes other sacred and perpetual flames in medieval Ireland.Very useful.

Bitel looks at some important Lives of St Brigit in Landscape with Two Saints, comparing that by Cogitosus of Kildare with those of later writers of Armagh, and putting them into the political context of their times. She examines the legacy of Brigit, and the changing role of women in Ireland.

A rather different perspective is offered in Laurie’s “Queering the Flame: Brigit, Flamekeeping, and Gender in Celtic Reconstructionist Pagan Communities”. This piece, which could have fit well into the Nonfiction, Popular (NeoPagan) section, I place here because of Laurie’s exacting standards of research and presentation. (Footnotes and citations and quotes, oh my!)

You may notice trouble linking to footnotes through their symbols. No worries. Just scroll to the end of the post and they are there.

Read More!

Sunday, April 05, 2009

Brigit, Harbinger of Spring: Audio Interview of Mary Condren


March 15, 2009

Brigit, Harbinger of Spring (click here for link to CBC archive of this interview)

Mary Hynes of Tapestry, CBC Radio One, interviews Mary Condren, Irish Brigit scholar and author of The Serpent and the Goddess.

Tapestry is a thoughtful and often inspiring weekly program on spirituality and religion.

Listen:

[runs: 54:12]

Statue of Brigit, near Kildare, Ireland (Photo by: Kim Young-Milani)

The spring equinox arrives in a few days. On the pagan calendar, it is already here. The Celtic season of Imbolc began back in February. Its patroness is Brigit; part saint, part myth, ancient symbol of the Divine Feminine, and of a frozen world coming back to life. Mary Hynes speaks with Irish scholar Mary Condren about the renewed interest around the world in Brigit, fifth century saint from Kildare. Mary Condren teaches at the Centre for Gender and Women’s studies, at Trinity College, Dublin. She is also the author of The Serpent and the Goddess: Women, Religion and Power in Celtic Ireland.



A poem by Anne O'Reilly, read by Mary Condren:

Brigid

These words will never carve your image out of bog oak
But that is what they want to do:
To dig down into the moist wetness,

To touch the layers of centuries that have made you,

Woman, Goddess, Saint
To see your shape emerge in tact from the ancient earth.
The fine coat of resin will preserve your beautiful shape

In tact, and I will call on you, Great Woman
To grace me with a golden branch and tinkling bells.
And I will polish you then with images of
Sun and moon and cows,
Sheep, serpent, vultures,
Bags, bells, bats,
And sacred fires.
So that you become a fiery arrow,
And breath life into the mouth of dead Winter.
As it is in these days in the lives of women, whose
Spirits have ceased to quicken.
Nurture them with your milk,
Be midwife to their birthing,
Release them from all that hinders them.
O! beautiful vessel still in tact, where we have unearthed you,
Remind us of your many manifestations,
And let us smile again in memory.
Your cloak spread in the green field of Kildare;
You who turned back the streams of war;
Whose name invoked stilled monsters in the seas
Whose cross remains a resplendent, golden, sparkling flame.
Come again from the dark bog, and
Forge us anew!