Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

Friday, December 13, 2024

TV Quote of the Day (‘Curb Your Enthusiasm,’ As Larry Vents About Calling Doctors on Weekends)

Larry David [played by Larry David]: “Why don't we just call your doctor?”

Cheryl [played by Cheryl Hines]: “You can't call my doctor on the weekends, unless it's a life-threatening emergency.”

Larry: “What?”

Cheryl: “Yeah, if you call his machine, it'll tell you you can't page him.”

Larry: “You called up and that's what it said?”

Cheryl: “Yeah.”

Larry: “That is obscene, you know that?” [imitating the doctor] " ‘Can't disturb the doctor on the weekend! Don't call Dr. Zeppler on the weekend unless it's life-threatening!’"

Cheryl: “Okay, okay.”

Larry [imitates the doctor's wife]: " ‘Norman, is someone calling? Who's calling? We're in the middle of dinner, Norman!’"

Cheryl: “Larry…”

Larry: "‘This better be life-threatening or you're not gonna leave this house!’"

Cheryl: “Larry, please. I'm begging you!”

Larry: "‘Norman! Unless they were burned in a fire I don't want you getting up from your chair. Do you understand, Norman?’"—Curb Your Enthusiasm, Season 1, Episode 9, “Affirmative Action,” original air date Dec. 10, 2000, teleplay by Larry David, directed by Bryan Gordon 

Thursday, October 31, 2024

TV Quote of the Day (‘The Twilight Zone,’ on ‘Weapons That Are Simply Thoughts’)

Rod Serling [Closing Narration]: “The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices to be found only in the minds of men. For the record, prejudices can kill, and suspicion can destroy, and a thoughtless frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is that these things cannot be confined to the Twilight Zone.”— The Twilight Zone, Season 1, Episode 22, “The Monsters Are Due on Maple Street,” original air date Mar. 4, 1960, teleplay by Rod Serling, directed by Ron Winston

Friday, October 25, 2024

Quote of the Day (Filmmaker Nancy Meyers, on Boys and Girls Growing Up in the Oprah Era)

“When my daughters were growing up, Oprah was on TV every day at three o’clock pushing girls forward. Meanwhile, boys fell in love with video games. These boys turned into men who wear hoodies and don’t shave. I think there is a reluctance to embrace adulthood.” —Film director-screenwriter (What Women Want) Nancy Meyers interviewed by Eliana Dockterman for “7 Questions: Nancy Meyers,” Time Magazine, October 5, 2015

The image accompanying this post, showing Nancy Meyers at the Screenwriting Expo at the Los Angeles Convention Center hosted by Creative Screenwriting magazine, was taken Nov. 16, 2008, by thedemonhog.

TV Quote of the Day (‘Yes, Minister,’ on Public Subsidies for the Arts)

James Hacker [played by Paul Eddington, left]: “Why should the rest of the country subsidize the pleasures of the middle-class few? Theater, opera, ballet—subsidizing art in this country is nothing more than a middle-class rip-off!”

Sir Humphrey Appleby [played by Nigel Hawthorne, right]: “Oh, minister—how can you say such a thing? Subsidy is about education preserving the pinnacles of our civilization, or haven't you noticed?”

Hacker: Don't patronize me, Humphrey. I believe in education, too. I’m a graduate of the London School of Economics, may I remind you?”

Humphrey: “Well, I'm glad to learn that even the LSE is not totally opposed to education!”—Yes, Minister, Season 3, Episode 7, “The Middle-Class Rip-Off,” original air date Dec 23, 1982, teleplay by Antony Jay and Jonathan Lynn, directed by Peter Whitmore

Saturday, October 5, 2024

Flashback, October 1959: Serling’s ‘Twilight Zone’ Takes Viewers to ‘Another Dimension’

With three Emmy Awards for writing already to his credit, Rod Serling began to air in October 1959 the first episodes of the series that not only consolidated his status as one of the pioneers of quality television but also established him as a legend of the science fiction and fantasy genre: The Twilight Zone.

Even with endless imitations, parodies, and revivals at the hands of others, it’s easy to lose sight of just how different The Twilight Zone was from what might be termed “alternative futures” at that time.

Serling would have none of the little green men invading Earth, mad scientists, and assorted other creatures that reflected American paranoia about the Red Scare in the 1950s. The quotidian existence of his characters was one that his mass audience could relate to, only for these everyday figures to be launched, as one of the show’s famous intros put it, into “another dimension, a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas.”

The themes that Serling consistently explored were alienation, prejudice, loneliness, colonialism, climate change, domestic abuse, and war—a subject that its creator knew all too much about, having seen action in the Pacific Theater in WWII. (This summer, a Serling short story believed to have been lost for 70 years and based on his wartime experiences, “First Squad, First Platoon,” was published in The Strand Magazine.)

The series first saw light as “The Time Element,” a Serling script deep-sixed by CBS until it was resurrected and run as an episode of “Desilu Playhouse.”

The network, realizing its mistake in burying the project, now gave the green light to what turned out to be the pilot proper for the show, “Where Is Everybody?”

The Twilight Zone arrived on TV in the heyday of the anthology series, a genre that also gave rise to such acclaimed shows as Alfred Hitchcock Presents, Playhouse 90, The Naked City, and Thriller (which I discussed in this prior post).  

Serling wrote or adapted 92 of the 156 episodes of the original The Twilight Zone, but as time went on he also enlisted the services of Charles Beaumont (who wrote another 22), Richard Matheson (16) and the future creator of The Waltons, Earl Hamner Jr. (8).

So much of The Twilight Show has passed into legend: from the eerie theme composed by Marius Constant, twist endings a la O. Henry, and Serling’s onscreen lit cigarette (the product of a three-pack-a-day addiction dating back to his wartime experiences).

Serling’s deep voice and staccato delivery of the introductions and conclusions made him as indelible a narrator as Alfred Hitchcock. But he was nobody’s original idea as host.

According to Josh Weiss’ post from March of this year on the SyFi Wire blog, the services of Westbrook Van Voorhis, famous as the narrator of The March of Time radio program, were engaged—until hearing his voice on the pilot left network execs feeling he was too “pompous-sounding.”

The idea of Orson Welles was then floated, and though that voice was certainly memorable, it would have come at a cost that would have ballooned the show’s budget. Finally, Serling suggested that he try it. To everyone’s delight, it worked out wonderfully.

For years, the creepy nature of the show left me a bit leery about viewing it. In the last few years, however, I’ve relented, and have developed some favorites among the episodes:

·         Nightmare at 20,000 Square Feet,” with William Shatner as the airplane passenger convinced that a monster only he can see is out to wreck his flight;

·         The Jungle,” with John Dehner as an engineer back from a hydroelectric power project in Africa, increasingly discomfited by signs that a witch doctor’s curse may be coming home to roost;

·         Eye of the Beholder,” about a young woman undergoing a surgical procedure meant to make her look “normal”;

·         Time Enough at Last,” on a bookworm finding himself with no distractions from his reading after a nuclear attack; and

·         What's in the Box,” with William Demarest and Joan Blondell as an unhappy couple feuding after his TV set shows him quarreling with and killing her.

If The Twilight Zone made Serling, it could also be said to have unmade him. The non-stop demands on his time as executive producer, host, and chief writer—and of battling the show’s advertisers (McCann-Erickson) and network censors over tone and content—left him running on empty in the fourth and fifth seasons. “You can't retain quality,” he lamented. “You start borrowing from yourself, making your own cliches.”

They also left him craving adulation from the public and critics he had achieved with his on-air presence, leading to short-lived lucrative but creatively unsatisfying 1960s ventures as a game-show host, documentary narrator, and commercial pitchman for Schlitz Beer and Famous Writer’s Correspondence School.

When he did return to his typewriter, he flailed in a new entertainment landscape where his ideas were downgraded, disregarded or sidelined.

His screenplay for Planet of the Apes, for instance, was revised by Michael Wilson (the famous ending, involving the Statue of Liberty, was his major surviving contribution), and on the early 1970s series Night Gallery, he possessed no creative control, leading to complaints that it was a low-grade knockoff of The Twilight Zone.

His constant smoking and stress caught up with him, and death came to Serling in 1975 at the age of 50 amid heart surgery. A decade after its cancellation, the series that he helmed—more of a success d’estime than a commercial hit in its original network run—was already a cult favorite in syndication.

Over the years it’s influenced the likes of Steven Spielberg, Stephen King, George Lucas, James Cameron, J.J. Abrams, M. Night Shyamalan, Guillermo Del Toro, and Jordan Peele (who would become the showrunner and host for a 2019-2020 remake of the series on CBS All Access.

Friday, October 4, 2024

TV Quote of the Day (‘The Hollywood Squares,’ on Airline Security)

Peter Marshall: “True or false: Some airlines now give you a thorough frisking before permitting you to board the plane.”

Paul Lynde: “That’s the only reason I fly.”—Game-show host Peter Marshall (1926-2024) and comic actor Paul Lynde (1926-1982) quoted by Daniel E. Slotnik, “Peter Marshall, Longtime Host of ‘The Hollywood Squares,’ Dies at 98,” The New York Times, Aug. 17, 2024

Friday, September 27, 2024

TV Quote of the Day (Ellen DeGeneres, on What People Think of Her)

“I used to say I don't care what people think of me. I realize now, looking back, I said that at the height of my popularity.” —Comic and former talk-show host Ellen DeGeneres, “Ellen DeGeneres: For Your Approval,” Netflix original streaming date Sept. 24, 2025, directed by Joel Gallen

Friday, September 6, 2024

TV Quote of the Day (‘M*A*S*H,’ With the Epitome of Bureaucracy)

Col. Henry Blake [played by McLean Stevenson] [yawning and bored]: “What are these forms for?"

Cpl. Walter “Radar” O'Reilly [played by Gary Burghoff]: "These are forms to get the forms that enable us to order more forms, sir."— M*A*S*H, Season 1, Episode 23, “Ceasefire,” original air date Mar 18, 1973, teleplay by Laurence Marks and Larry Gelbart, directed by Earl Bellamy

Saturday, August 31, 2024

Quote of the Day (Emily Nussbaum, on Reality Shows)

“For these viewers [of reality shows], there was no controversy — any qualms about the medium had faded, long ago. The most successful reality show had it all: a titillating flash of the authentic, framed by the dark glitter of the fake, like a dash of salt in dark chocolate. No taste was harder to resist.” — Pulitzer Prize-winning TV critic Emily Nussbaum, Cue the Sun! The Invention of Reality TV (2024)

The image accompanying this post shows Teresa Giudice from Real Housewives of New Jersey: Reunion. A question: with all the catfights, real or manufactured, that this and other reality shows have inspired, why would their “stars” want to get together for reunions?

A second question: Why did Bravo want to bring my state into further disrepute by creating a whole niche in its wildly successful franchise here? 

If you want to know the truth (a slippery element when dealing with this genre, I grant you), I don’t watch reality shows for the same reasons that I don’t watch wrestling on TV: they’re fake and they convey an awful impression of this country to the rest of the world. Had they been around before the fall of the Berlin Wall, we would have lost the Cold War for sure.

I see that, from 2017 to 2022, U.S. exports grew by $489 billion. But why do I get the queasy feeling that so much of this increase came from franchises of these fake shows marketed abroad?

Monday, July 22, 2024

TV Quote of the Day (‘Succession,’ on Selling One’s Soul)

Tom Wambsgans [played by Matthew Macfadyen]: “Do you want a deal with the devil?”

“Cousin Greg” Hirsch [played by Nicholas Braun]: “What am I gonna do with a soul anyways? Souls are boring! Boo, souls! Of course!” —Succession, Season 3, Episode 9, “All the Bells Say,” original air date Dec 12, 2021, teleplay by Jesse Armstrong and Jamie Carragher, directed by Mark Mylod

These days, Cousin Greg is not the only one to make a Faustian bargain.

Friday, June 21, 2024

TV Quote of the Day (‘Seinfeld,’ In Which George Connects Hopelessness With Attractiveness)

George Costanza: “I mean it's gotten to the point where I'm flirting with operators on the phone. I almost made a date with one.”

Jerry Seinfeld: “Oh, so there's still hope.”

George: “I don't want hope. Hope is killing me. My dream is to become hopeless. When you're hopeless, you don't care, and when you don't care, that indifference makes you attractive.”

Jerry: “Oh, so hopelessness is the key.”

George: “It's my only hope.”— Seinfeld, Season 3, Episode 16, “The Fix Up,” original air date Feb. 5, 1992, teleplay by Elaine Pope and Larry Charles, directed by Tom Cherones

Monday, June 10, 2024

TV Quote of the Day (‘M*A*S*H,’ As Margaret Utters a Sweet Endearment to Frank)

Maj. Margaret “Hot Lips” Houlihan [played by Loretta Swit]: “Frank?”

Maj. Frank Marion “Ferret Face” Burns: “Yes, dear?”

Margaret: “For a moment there, you looked like you had a chin.”M*A*S*H, Season 4, Episode 1, “Welcome to Korea,” original air date Sept. 12, 1975, teleplay by Everett Greenbaum, Jim Fritzell, and Larry Gelbart, directed by Gene Reynolds

Monday, June 3, 2024

TV Quote of the Day (‘All in the Family,’ As Archie Rushes a Wedding)

[Edith Bunker has invited residents from the Sunshine Home where she volunteers to 704 Houser Street, for an elderly couple’s wedding. Her husband Archie is rushing the ceremony so he can dash off on a weekend fishing trip with his friend Barney.]

Reverend Schaeffer [played by Will Mackenzie]: “Mr. Bunker, this is the form for the solemnization of marriage.”

Archie Bunker [played by Carroll O’Connor]: “We don’t want the long form. That’s only for young people who are strong enough to stand up for a half hour listening. This couple’s gonna have to take a nap in five minutes.”—All in the Family, Season 8, Episode 6, “Unequal Partners,” original air date Oct. 23, 1977, teleplay by Chuck Stewart and Ben Starr, directed by Paul Bogart

Friday, May 24, 2024

TV Quote of the Day (‘Jersey Shore,’ As the Duration of a Crush is Described)

“It's obvious that Sammi has a crush on me. It goes back to the days of prehistoric kindergarten.”—Mike “The Situation” Sorrentino, in Jersey Shore, Season 1, Episode 8, “One Shot,” original air date Jan. 14, 2010

The Memorial Day weekend is here, bringing with it summer. At this time of year, many young people gather together in houses, get drunk and stupid, and wreck the joints. 

Those are the types of idiots that Jersey Shore was about. While it aired, some colleges offered courses on the show. One of its “stars,” Snooki, was even paid $32,000 to speak at a student-sponsored event at Rutgers University 13 years ago.

And then there’s “The Situation.” What I’d like to know is who else he met in “prehistoric kindergarten”? Pebbles Flintstone?

Can you think of any better demonstration of the crisis in American education, or even the dire state of this republic?

Monday, May 20, 2024

TV Quote of the Day (‘Succession,’ As Cousin Greg Worries About Prison)

“Cousin Greg” Hirsch [played by Nicholas Braun]: “Yeah, I, uh... I'm worried about prison... I-I-I-I just feel because of my physical length, I could be a target for all kinds of misadventures.”—Succession, Season 3, Episode 6, “What It Takes,” original air date Nov 21, 2021, teleplay by Jesse Armstrong, Will Tracy, and Jamie Carragher, directed by Andrij Parekh

Oh, Cousin Greg, you’re not the only one worried about prison these days! There’s someone else who fears that “physical length” might make him a tempting target.

Oh, because of that, and the extra pounds that seemingly endless rounds of golf don’t seem to have trimmed…that puffy orange hair that begs for a good yank to test its strength and authenticity…and his former status as the most powerful man in the world.

Some might say that concern for his office’s dignity—a quality he daily had tried to corrode—might prevent jail time, or at least a significant amount of it.

There’s also the near-certainty that, though he’s been yelling so much about how he wants to testify at his trials, his lawyers won’t let him anywhere near the witness stand. 

After all, Cousin Greg only came off like a nervous doofus in front of Congress, whereas this guy might be ruthlessly exposed as the vengeful liar he is (as he has been in civil cases).

But he sure seems fearful every day as he engages in the kind of intimidation of judge, prosecutor, and anyone associated with the case that would never be permitted of…well, of a mafia don.

As the story arc of Succession demonstrated, “Cousin Greg” would serve as a great apprentice to anyone scheming for power. Only the guy in recent news who dreads prison might refuse to have his picture taken with him, loathing anyone who makes him look smaller.

Monday, April 15, 2024

TV Quote of the Day (‘30 Rock,’ With ‘Country Jenna’ Foreshadowing ‘Country Carter’)

Jenna Maroney [played by Jane Krakowski]: “Did you hear what happened? I am so upset.”

Liz Lemon [played by Tina Fey]:Oh, no. Okay, let me explain...”

Jenna: “I came in here to shoot these tennis promos, and they had blue gels on the lights. You know that makes my teeth look see-through. You weren't here to do your job, Liz.”

Liz: “Okay, well, Josh quit.”

Jenna: “Who? Jack's counting on Country Jenna to save the show, but I just want to understand what it is that's distracting you from the one thing you've been told to do.”

Liz: “Really? You wanna know what I've been doing?”

Jenna: “Yes, Liz. Enlighten me.”

Liz: “Jack is hiring a new cast member.”

Jenna [Screaming at the top of her lungs]: “If it is a blonde woman, I will kill myself!” — 30 Rock, Season 4, Episode 1, “Season 4,” original air date Oct. 15, 2009, teleplay by Tina Fey, directed by Don Scardino

Quote of the Day (James Kaplan, on How ‘Curb Your Enthusiasm’ Was Unlike Anything on TV Before)

“The show [Curb Your Enthusiasm] wasn't quite like anything that had been on TV before. The real-life details (there were deadpan talking-head interviews with [Jerry] Seinfeld, [Richard] Lewis, Jason Alexander, and Rick Newman, the founder of Catch a Rising Star), the handheld camera (an acknowledged presence in several scenes), and the improvised dialogue made the show much closer to the bone than Seinfeld. Seinfeld was scherzo, its fun stemming from the constantly shifting play among its troupe of four. [Larry] David's new form was simpler and starker. There was a basic triangle: Larry; Jeff, his manager, who helps get him into trouble (usually in the form of telling lies and keeping secrets Larry being spectacularly bad at the latter); and Cheryl, his wife, who calls him to account.”— American novelist, journalist, and biographer James Kaplan, “Angry Middle-Aged Man,” The New Yorker, Jan. 19, 2004

I came across this quote and the larger article from which it comes a couple of days after the series finale of Curb Your Enthusiasm. I bet that James Kaplan never thought that the subject of his profile, Larry David, expected his show to conclude a full two decades later.

The factors that Kaplan points out did make the show unusual, and, indeed, account for much of the devoted audience it built over the years. 

But, I would argue, David’s series only follows in the footsteps of Garry Shandling’s talk-show parody, The Larry Sanders Show, in what I have heard called a “neuroticon.”

This mini-genre follows, documentary-style, a prominent figure in TV comedy—or, rather, his highly exaggerated alter ego—through his self-absorbed, often self-defeating, private life—or, as Kaplan puts it, “routinely managing to annoy or infuriate everyone around him.”

That protagonist interacts with equally exaggerated versions of real-life celebrities who frequently are the star’s friends. The main character eventually irritates his long-suffering wife enough that she grows tired of his antics and divorces him.

Given the public attention and affluence that have come to David over the last 35 years, it was a surprise for me to read, in Kaplan’s profile, that, before Seinfeld was picked up, David was “a standup comic in trouble...middle-aged, single, living in a building with subsidized housing for artists on the West Side of Manhattan, and just scraping up.”

Every time he took the stage as a stand-up comedian, David told Kaplan, he was “taking my life in my hands…Every time I went up, I thought I was putting my life on the line.”

It didn’t get any better with the pitch that David and friend Jerry Seinfeld made to NBC executives for what became Seinfeld. Whatever these suits were feeling about the proposed star, “they would have gotten rid of me without even thinking about it,” David remembered.

Believe it or not, in a viewing habit similar to The Larry Sanders Show, I only began to watch David’s HBO sitcom after it had concluded filming. Now, I am finding out what I missed over 12 seasons and nearly a quarter-century—and, through streaming, have gotten a close relative to do likewise.

Many longtime viewers will cherish moments from this comedy of cringe for a long, long time from now, as Abby Alten Schwartz explains in this February article from The Huffington Post.

Friday, February 9, 2024

TV Quote of the Day (‘Arrested Development,’ As a Real Estate Developer Explains How He Got Into Legal Trouble)

George Bluth Sr. [played by Jeffrey Tambor]: “I was set up. By the Brits. A group of British builders operating outside the OC…for a partnership to build homes overseas. I did not know they meant Iraq.”—Arrested Development, Season 3, Episode 2, “For British Eyes Only,” original air date Sept. 26, 2005, teleplay by Richard Day, Mitchell Hurwitz, and Karey Dornetto, directed by John Fortenberry

Funny how a script from nearly two decades ago predicts a real-life occurrence: a real-estate developer claiming to be “set up.” And this developer announcing plans to plead not guilty as a spectacular protest—or, a “protestacular,” in the words of (fictional) son Gob.

Well, that might be one area where satire diverges from reality: Nobody cares a whit what happens to George Bluth Sr., but America in 2024 hangs on every word and whine from a counterpart every bit as ridiculous but far more dangerous.

The U.S., you might say, is in a state of arrested development because of one arrested developer.

Monday, February 5, 2024

TV Quote of the Day (‘Seinfeld,’ on Jerry Wearing ‘The Puffy Shirt’ to a Benefit for the Homeless)

[Though Kramer is ecstatic about Jerry’s new “pirate look,” Elaine bursts out laughing at the “Puffy Shirt,” and asks why he’s wearing it.]

Jerry [played by Jerry Seinfeld] [Furious at his predicament]: 'Why am I wearing this now?'? I'll tell you why I'm wearing it now—because [Kramer’s female friend] The Lowtalker asked me to, that's why! And I said 'yes.' Do you know why? Because I couldn't HEAR her!”

Elaine Benes [played by Julia Louis-Dreyfus]: “When did she, [snickering] when did she ask you this?”

Jerry: “When we were at dinner, when Kramer went to the bathroom.”

Elaine: “I didn't hear anything.”

Jerry (yelling): “Of course not! Nobody hears anything when this woman speaks!”

Elaine [Finally grasping the seriousness of the situation]: “Well, you can't wear that on the show!”

Kramer [played by Michael Richards] [Muffled, low, and threatening]: “Elaine, you want to stop?”

Elaine (Turning around to Kramer): “Wha- What? No. (Back to Jerry) Jerry, you are promoting a benefit to CLOTHE homeless people. You can't come out dressed like that! You're all puffed up! You look like the Count of Monte Cristo!”— Seinfeld, Season 5, Episode 2, “The Puffy Shirt,” original air date Sept. 23, 1993, teleplay by Larry David, directed by Tom Cherones 

Monday, January 29, 2024

TV Quote of the Day (‘The Office,’ on the Appropriate Attitude Towards Challenges)

Dwight [played by Rainn Wilson]: “I am ready to face any challenges that might be foolish enough to face me.” —The Office, Season 3, Episode 14, “The Return,” original air date Jan. 18, 2007, teleplay by Lee Eisenberg, Gene Stupnitsky, and Michael Schur, directed by Greg Daniels