In Orbit: a little art textile

I've been working on various art textiles for ages, many of them in different stages of completion. This particular piece, which I've named "In Orbit", is one that I began way back at the end of 2021 and then put aside. But the art quilt association that I'm part of is having a 100 day challenge, and it inspired me to get out this old top and finish it up. 

I figured out the quilting pattern for it after some sketching of ideas, and then just got busy and did it.

 I used a layer of very thin batting and then also a piece of felt, to give it some oomph when hanging. I used the same material for a backing, and tried out a new to me technique for the binding. Basically you make the backing an inch bigger than the front all around, and then fold in the excess into about a 1/4" binding that you fold over the top of the quilt and stitch down, making sure the corners are neatly tucked. 

I liked this technique but did find it hard to make the edges even. I might use it again on a small project but it's not my favourite kind of binding that I've tried. 

In any case, I'm so happy to have this piece out of my UFO pile and onto a wall! I love the acidic colours and had fun coming up with the final design. One down.... so many to go!

Whisper Project #2: a textile exhibition

A few days ago I was delighted to attend the opening of a textile exhibition in Ingersoll, a small town near me. This was the opening of the Whisper Project #2, a project of the Fergus-Guelph Pod of SAQA (Studio Art Quilt Associates), which I belong to. I don't get time to participate in a lot of activities with the group, but this is the second time I've made a piece for this project. 

It's really fun -- it works like the old fashioned game of telephone: the first person gets a photo and creates a 12x12 piece based on the photo, then passes a pic of only their piece (not the original) to the next person in line, and so on, until the end of the line (usually 5 to a group). It can result in some pretty neat artworks! 

This time I was smack dab in the middle of a group, and really enjoyed working from my inspiration piece, which was beautiful. I was able to see the whole show hung, 7 groups of five this time, and it was great. 

My piece is called "Before the Coffee Gets Cold", inspired by the Japanese novel of the same name, and I was so pleased to see that it was on the promotional card for this show. What an honour! 

This was great fun, and the show will be moving around to various locales over the year, so I may get another chance to visit it again. It's nice to have a deadline to help you finish something :) 

Textile Side Projects

I took a little detour from my garment sewing this week (even though I have a skirt nearly done...) because I was struck with the desire to work on an art quilt. I have been experimenting with various ideas for the past few years, although I haven't made even a fraction of the ideas I've considered.

But this week I was looking at some of the patchwork circles I made last year, and felt the need to work on them again. This is a project that uses up both scraps of cotton from various sources, and my own dressmaking offcuts. I start by cutting a circle from medium weight fusible interfacing, then lay strips of cotton in one colourway across the circle and fuse down. I then cut the larger circle into rings and shift them around to make various combos.

This week I was playing with spreading out the rings into different arrangements. As I was doing so with a red circle, I realized that a fabric I had sitting on the giveaway pile would make a great background for the red rings. It was a cotton that I picked up somewhere but didn't like the print -- large, irregular profiles of some kind of statue. But the print was widely spaced and the background was great. So I cut up bits of the green and yellow fabric and stitched them into a block that singes the eye when paired with the red fabrics. I really love it.

I've made a few little tester strips and have been trying out different quilting ideas but haven't got any further yet. I'm hoping to have this little one (12x12), tentatively named In Orbit, done this month.

On the weekend, we went down to the 2021 Grand National Fibre Arts show currently exhibited at the Woodstock Museum, and seeing those pieces in such a variety of styles, with so many techniques and ideas on display, has inspired me to finish something instead of stalling and putting projects aside (common for me...) I hope to be able to share more about this one with you all soon! 

Do any of my readers make textile art projects as well as sewing our own garments? Or do you lean toward fibre arts like needle felting or rug hooking, or anything at all like that? I find it really enjoyable to do both and move back and forth between them, although wardrobe projects have really been taking precedence for a while. But variety is creatively satisfying!

Weekend Review: Stone Field, True Arrow

Stone Field, True Arrow / Kyoko Mori
New York: Picador, 2000.
288 p.

I picked up this book by chance recently, mostly because of a mention in the blurb that the main character is a weaver and makes clothes. These things always interest me! Later I realized that I'd also read her YA novel Shizuko's Daughter,  many years ago.

This is the author's debut adult novel, and while it is was interesting there were flaws in my reading experience.

Maya Ishida left her artist father in Japan when she was sent to live with her estranged mother in the US when she was only a child. She's always found her mother harsh and unloving, and missed her father and Japan so much that she has become an emotionally withdrawn adult.

She's created a comfortable life for herself, finding a job in a small clothing boutique, and an apartment/studio above it as her refuge. Strangely enough, she's also found a husband, a local high school teacher who isn't demanding but is also still enmeshed with his ex-wife.

Maya is detached from all of this, from life, from her relationship with her husband (which eventually breaks down, not surprisingly; there seems to be no emotional connection between them at all). But she meets someone else, a man full of spirit and energy who is also an artist -- what she has always aspired to, though she has settled into her life of weaving wearables as her art form. I found it strange that at one point Maya seems to disregard her own weaving, which has been commented on multiple times already in the book as unusually beautiful and artistic, as a secondary choice to her ideal of "real" art, painting. As a textile focused maker myself, I believe that weaving, sewing, quilting ARE art and are not secondary to painted art. Maya is a weaver; she is an artist. The author's choice in making this statement was unclear in the plot for me.

This is a very quiet, muted book. The plot has a few emotional eruptions, both positive and negative -- but there seem to be many failed relationships throughout, not just Maya's own - and Maya never leaves behind her extreme detachment from everything around her. Of course, the word Maya is also a Buddhist term for the illusory nature of the world, so perhaps that detachment is an integral part of this character.

In any case, I found this a satisfying read, though a slow one. I was in the right mood for it, and the elements around weaving, yarn, and clothing were engaging and beautifully told. The characters themselves were a bit sad sack and there is no emotional resolution to the story, which I would have preferred to see. So, while uneven and not fully satisfying, I still wanted to finish this and see what happened to all these characters. Perfect if you are looking for a quiet melancholic read as we move into the fall.