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(D. C. 54.8); and if the passage of Virgil refers to it, the poet must have been working at his seventh book in B. C. 20. When Augustus was returning from Samos, where he had spent the winter of B. C. 20, he met Virgil at Athens. The poet it is said had intended to make a tour of Greece, but he accompanied the emperor to Megara and thence to Italy. His health, which had been long declining, was now completely broken, and he died soon after his arrival at Brundusium on the 22d of September B. C. 19, not having quite completed his fifty-first year. His remains were transferred to Naples, which had been his favourite residence, and placed on the road (Via Puteolana) from Naples to Puteoli (Pozzuoli) between the first and second milestone from Naples. The monument, now called the tomb of Virgil, is not on the road which passes through the tunnel of Posilipo; but if the Via Puteolana ascended the hill of Posilipo, as it may have done, the situation of the monument would agree very well wi
are not always mauaged with due regard to the nature of the evidence. This passage in the sixth book was certainly written after the death of Marcellus, but Virgil may have sketched his whole poem and even finished in a way many parts in the later books before he elaborated the whole of his sixth book. A passage in the seventh book (5.606), Auroramque sequi Parthosque reposcere signa, appears to allude to Augustus receiving back the standards taken by the Parthians from M. Licinius Crassus B. C. 53. This event belongs to B. C. 20 (D. C. 54.8); and if the passage of Virgil refers to it, the poet must have been working at his seventh book in B. C. 20. When Augustus was returning from Samos, where he had spent the winter of B. C. 20, he met Virgil at Athens. The poet it is said had intended to make a tour of Greece, but he accompanied the emperor to Megara and thence to Italy. His health, which had been long declining, was now completely broken, and he died soon after his arrival at Br
bus exilis, spatiosa prodiga planta. Copa The Copa, in elegiac verse, is an invitation by a female tavern keeper or servant attached to a Caupona, to passengers to come in and enjoy themselves. Catalecta There are also fourteen short pieces in various metres, classed under the general name of Catalecta. That addressed " Ad Venerem," shows that the writer, whoever he was, had a talent for elegiac poetry. Editions The first edition of Virgil, a small folio, was printed at Rome about A. D. 1469 by Sweynheym and Pannartz, and dedicated to Pope Paul II. This rare edition was reprinted in 1471, but it is of no great value. The Virgil printed by Aldus at Venice in 1501, 8vo, is also very scarce. At the close of the fifteenth and the beginning of the sixteenth centuries there were many prints of Virgil, with the commentary of Servius and others. The edition of J. L. de la Cerda, which is valued for the commentary, appeared at Madrid in 3 vols. folio, 1608-1617. The valuable edition of
osque reposcere signa, appears to allude to Augustus receiving back the standards taken by the Parthians from M. Licinius Crassus B. C. 53. This event belongs to B. C. 20 (D. C. 54.8); and if the passage of Virgil refers to it, the poet must have been working at his seventh book in B. C. 20. When Augustus was returning from SamoB. C. 20. When Augustus was returning from Samos, where he had spent the winter of B. C. 20, he met Virgil at Athens. The poet it is said had intended to make a tour of Greece, but he accompanied the emperor to Megara and thence to Italy. His health, which had been long declining, was now completely broken, and he died soon after his arrival at Brundusium on the 22d of SeptembB. C. 20, he met Virgil at Athens. The poet it is said had intended to make a tour of Greece, but he accompanied the emperor to Megara and thence to Italy. His health, which had been long declining, was now completely broken, and he died soon after his arrival at Brundusium on the 22d of September B. C. 19, not having quite completed his fifty-first year. His remains were transferred to Naples, which had been his favourite residence, and placed on the road (Via Puteolana) from Naples to Puteoli (Pozzuoli) between the first and second milestone from Naples. The monument, now called the tomb of Virgil, is not on the road w
d there is no evidence of his attempting to rise by those means by which a Roman gained distinction, oratory and the practice of arms. Indeed at the time when he was born, Cisalpine Gaul was not included within the term " Italy," and it was not till B. C. 89 that a Lex Pompeia gave even the Jus Latii to the inhabitants of Gallia Transpadana, and the privilege of obtaining the Roman civitas by filling a magistratus in their own cities. The Roman civitas was not given to the Transpadani till B. C. 49. Virgil therefore was not a Roman citizen by birth, and he was above twenty years of age before the civitas was extended to Gallia Transpadana. It is merely a conjecture, though it is probable that Virgilius retired to his paternal farm, and here he may have written some of the small pieces, which are attributed to him. the Culex, Ciris, Moretum, and others. The defeat of Brutus and Cassius by M. Antonius and Octavianus Caesar at Philippi B. C. 42, gave the supreme power to the two victor
P. Virgi'lius or VERGI'LIUS MARO, was born on the 15th of October, B. C. 70 in the first consulship of Cn. Pompeius Magnus and M. Licinius Crassus, at Andes, a small village near Mantua in Cisalpine Gaul. The tradition, though an old one, which identifies Andes with the modern village of Pietola, may be accepted as a tradition, without being accepted as a truth. The poet Horace, afterwards one of his friends, was born B. C. 65; and Octavianus Caesar, afterwards the emperor Augustus, and his patron, in B. C. 63, in the consulship of M. Tullius Cicero. Virgil's father probably had a small estate which he cultivated : his mother's name was Maia. The son was educated at Cremona and Mediolanum (Milan), and he took the toga virilis at Cremona on the day on which he commenced his sixteenth year in B. C. 55, which was the second consulship of Cn. Pompeius Magnus and M. Licinius Crassus. On the same day, according to Donatus, the poet Lucretius died, in his forty-first year. It is said that Vi
tas was not given to the Transpadani till B. C. 49. Virgil therefore was not a Roman citizen by birth, and he was above twenty years of age before the civitas was extended to Gallia Transpadana. It is merely a conjecture, though it is probable that Virgilius retired to his paternal farm, and here he may have written some of the small pieces, which are attributed to him. the Culex, Ciris, Moretum, and others. The defeat of Brutus and Cassius by M. Antonius and Octavianus Caesar at Philippi B. C. 42, gave the supreme power to the two victorious generals, and when Octavianus returned to Italy, he began to assign to his soldiers lands which had been promised them for their services (D. C. 48.5, &c.). But the soldiers could only be provided with land by turning out many of the occupiers, and the neighbourhood of Cremona and Mantua was one of the districts in which the soldiers were planted, and front which the former possessors were dislodged. (Appian, App. BC 5.12, &c.) There is little e
, is a matter which no extant authority is sufficient to determine. Virgil became acquainted with Maecenas before Horace was, and Horace (Sat. 1.5, and 6. 55, &c.) was introduced to Maecenas by Virgil. Whether this introduction was in the year B. C. 41 or a little later is uncertain; but we may perhaps conclude from the name of Maecenas not being mentioned in the Eclogues of Virgil, that he himself was not on those intimate terms with Maecenas which ripened into friendship, until after they wehe reputation of a conjurer, a necromancer a worker of miracles ; it is the fate of a great name to be embalmed in fable. Works Bucolica The ten short poems called Bucolica were the earliest works of Virgil, and probably all written between B. C. 41 and B. C. 37. These Bucolica are not Bucolica in the same sense as the poems of Theocritus, which have the same title. They have all a Bucolic form and colouring, but some of them have nothing snore. They are also called Eelogae or Selections, b
ion and again restored, and whether he was not firmly secured in his patrimonial farm till after the peace of Brundusium B. C. 40 between Octavianus Caesar and M. Antonius, is a matter which no extant authority is sufficient to determine. Virgil beto which it can be referred, either the events recorded in Appian (App. BC 5.64), which preceded the peace of Brundusium B. C. 40, or to the events recorded by Appian (App. BC 5.78), which belong to the year B. C. 38. But it is not easy to decide to which of these two years, B. C. 40 or B. C. 38, the journey of Horace refers. It can hardly refer to the events mentioned in Appian (App. BC 5.93, &c.) which belong to the year B. C. 37, though even this opinion has been maintained. [HORATIUS FLACCUS of Virgil with a very different decree of pleasure. The fourth Eclogue, entitled Pollio, which may have been written in B. C. 40 after the peace of Brundusium, has nothing of the pastoral character about it, as the poet himself admits in the first l
but there are perhaps only two times to which it can be referred, either the events recorded in Appian (App. BC 5.64), which preceded the peace of Brundusium B. C. 40, or to the events recorded by Appian (App. BC 5.78), which belong to the year B. C. 38. But it is not easy to decide to which of these two years, B. C. 40 or B. C. 38, the journey of Horace refers. It can hardly refer to the events mentioned in Appian (App. BC 5.93, &c.) which belong to the year B. C. 37, though even this opinion B. C. 38, the journey of Horace refers. It can hardly refer to the events mentioned in Appian (App. BC 5.93, &c.) which belong to the year B. C. 37, though even this opinion has been maintained. [HORATIUS FLACCUS.] The most finished work of Virgil, his Georgica, an agricultural poem, was undertaken at the suggestion of Maecenas (Georg. 3.41), and it was probably not commenced earlier than B. C. 37. The supposition that it was written to revive the languishing condition of agriculture in Italy after the civil war, and to point out the best method, may take its place with other exploded notions. The idea of reviving the industry of a country by an elaborate poem, wh
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