
It feels fitting to use Carl's image for this post, given that the one thing we all thought we knew is that though The Walking Dead creators have always maintained that anyone could die, we all really believed Rick and Carl to be the exception to that rule. The mid season finale ended with the big reveal that in attempting to save Siddiq - a man Rick had denied sanctuary to, Carl was bitten by a walker. Much of the mid season premier was dedicated to Carl's tearful goodbye.
When a character becomes the moral center on The Walking Dead, that's usually an indication that the end is nigh. We've seen this trend with Hershel, Dale and Tyreese. It's an attempt by the authors to humanise the character and make the death more meaningful. This is becoming more and more difficult to do with each cast member that dies because in canabalising its cast, the writers have given us less reason to invest in the characters and their various story lines. Who is going to die at the season finale and mid season finale has become a standard question leading to some speculation, but very little real investment.
The other ongoing surety, is the juxtaposition between Rick and Morgan. Rick and Morgan have been teachers to each other, as well as friends, rarely in the same place at the same time. In this case, Rick and Morgan must deal with the result of their influence on the young men that they care about and how this will shape the war with the Saviours and Alexandria itself. I do think it's worth noting that in this case, Rick was clearly painted into the white knight role, while Morgan who is Black, in the negative and I find that to be extremely troubling.
Throughout the season, we've been seeing little flashes into future of an older and wiser Rick. It turns out that these are visions of what Carl hopes the future will be. Carl wants a world where there is no more war and people are refocused on rebuilding society. Carl's vision sees people like Eugene and Negan gardening and working in Alexandria, right alongside people from the Kingdom and the Hilltop; it's his personal utopia. Carl is careful to impress upon his father that this what could be if Rick returned to the man he used to be and when Carl in turn thanks Rick for making him who he is, Rick has little choice but to commit to Carl's vision of the future. Even as Carl is dying, he's becoming the moral compass of the show and giving Rick reason not to give into his grief and fall apart, or commit even worse crimes in the name of revenge or keeping Judith safe. The problem is that unlike Dale or Hershel, we have no idea where this sudden spurt of morality came from and so can only assume that the writers have become overly committed to framing death the same way repeatedly.
Unlike many of the other characters who have died, in the case of Carl, there was a enough time for him to actually say goodbye. Carl took a picture with Judith, used paint to capture their handprints, and wrote letters to all the citizens of Alexandria, lest he run out of time to tell everyone how he felt. Carl stayed alive long enough to receive accolades from the normally silent Darryl about the people he saved and to call Michonne his best friend. Carl and Michonne's relationship is something that we've had to assume because we really haven't seen much evidence of the closeness he implied. Carl, the only born son of Rick Grimes, got the send off that few have ever had and he did it with a grace that doesn't remotely fit his character.