Showing posts with label Twilight Time. Show all posts
Showing posts with label Twilight Time. Show all posts

The Remains Of the Day In Full Bloom

You may've guessed what my second Twilight Time post would be, since I named this film in my Twilight Time #1 post.  Sony double-featured the two films on DVD in 2010, though they don't have much to do with each other apart from starring Emma Thompson and having come out only a couple years apart (The Remains Of the Day in 1993, then Sense and Sensibility in 1995).  But they were also two must have blus from Twilight Time, so here we are.

Update 6/23/19 - 3/26/23: Sorry, this update's been a little delayed... I've had to go through two defective copies to arrive at a fully functioning disc.  But looking around online, no one else has been reporting problems, so I assume it's just been my bad luck.  Anyway, I have it in hand now: Sony's 4k Ultra HD of Remains, released last month and looking stunning.
The Remains Of the Day is the second of two back-to-back films where Anthony Hopkins and Emma Thompson are at possible romantic odds with each other, directed by James Ivory, produced by Ismael Merchant, and written by Ruth Prawer Jhabvala.  The other, of course, being Howards End.  Certainly, there's a lot to distinguish the two, but since neither title particularly sets its film apart (one is abstractly vague and the other's just the name of the house), my short-hand for differentiating them is that this is the one with Christopher Reeves.  That's somebody you don't come across in a lot of English films.  So just commit that little "Remains Of the Day = Christopher Reeves" formula to memory, and you'll never confuse the two again.
But let's get serious about Remains Of the Day, because it deserves it.  Based on a novel by Nobel Prize winner Kazuo Ishiguro, this film takes place in two timelines, before and after the second world war.  In the latter, head butler Hopkins has to come to grips with the fact that he devoted his life and everything he believed in to the lord of his house, who turned out to be an infamous Nazi sympathizer.  Mike Nichols was originally set to direct, and he stayed on to produce after he had to drop out, giving the film to the Merchant/ Ivory team as the material was obviously in their wheelhouse.  The whole cast is superb (yes, even Reeves), including pitch perfect supporting performances by Peter Vaughan, James Fox and Hugh Grant.
The Remains Of the Day has had a pretty simple life on home video.  It was released on DVD by Sony in 2001 as a pretty attractive special edition.  There was that double-feature disc with Sense in 2010, but otherwise that one DVD has been the whole story until 2013, when Sony released it on blu in the UK and other foreign regions.  Two years later, and Twilight Time brought it home to the US with their edition in 2015.  And now in 2023, Sony has upgraded it to a proper 4k Ultra HD disc in the US and several other regions.
1) 2001 Sony DVD; 2) 2015 Twilight Time BD; 3) 2023 Sony UHD.


Okay, I left the negative space around the first set of shots so you can see how the old DVD is slightly window-boxed.  Back in 2001, I guess that all would've fallen into overscan area anyway, but it does change the aspect ratio from 2.33:1 on the DVD to an even wider 2.39:1 now on the blu.  Curiously, even with those vertical bars and narrower ratio, the DVD manages to have slightly more info along the sides.  That's because the DVD is slightly squished, which the BD corrects.  Colors remain almost the same, although there is a bit of a red overcast that the blu-ray clears up (look at the sky behind Hugh in the first shots).  And while the DVD was anamorphic, non-interlaced and generally quite good for such an older disc, the blu is still a big win with crisp detail and finely rendered grain.  The DVD also shows some serious artifacting along its edges, which the blu happily removes.  All in all, Twilight Time gave us an even greater improvement than I was expecting to find in this comparison.

Now, Sony's announcement for their UHD described it as being "previously restored in 4k," and indeed it seems to utilize the same scan going back to 2013, certainly still 2.39:1 and almost identically framed to the 2015 BD seen here.  But this master has a new Dolby Vision/ HDR grade, approved by Mr. Ivory, and of course we're finally getting it in full 4k resolution (this is a 3-layer disc with over 76 GB dedicated to just the main feature itself).  And yes, the grain looks much more smooth and natural.  By comparison, it appears chaotic and digital on the BD.  That was a world above the DVD, but it doesn't look like TT gave it the kind of top quality encode Sony would have.  And that combined with the full res disc really enhances the naturalism of the image when you examine it up close, and even when you don't, small detail that gets blown out to pixelation or contrast is retained on the new UHD.  And the colors really pop now.  If there's any potential criticism of the new release it's that maybe they've gone a bit overboard, the grass from the windows behind characters indoors, for instance, is positively radiating green.  But it sure looks beautiful.  The blacks are deep, the whites are bright and all the colors look truer than ever before, and quite strong at that.
There was one minor disappointment with Twilight Time in the audio department as well.  The original DVD gave us the choice beween the original stereo mix and a new 5.1, plus French, Portuguese and Spanish dubs with English, Chinese, French, Korean, Portuguese, Spanish and Thai subtitle options.  Twilight Time unsurprisingly drops the foreign language options, but they also dropped the original stereo track.  So we just got the 5.1 (though now in lossless DTS-HD) and English subs.

Sony went all out on their new UHD, though, bringing back the stereo mix, now in lossless DTS-HD, retaining the 5.1 DTS-HD and introducing a new Dolby Atmos track.  All that truly matters is that stereo mix, but you can't be mad at more options, and techies will like the new, cutting edge track.  They've also added seven foreign language dubs, and nineteen subtitle options, including both standard English and HoH.  So whatever you wanted, you've got it here now.
Sony's original DVD was pretty nice with the special features, too.  It features a lively audio commentary with Ivory, Merchant and Thompson, which strikes a nice balance between the seriously informative and anecdotal.  There are several deleted scenes, also with optional commentary, and three substantial featurettes that add up to roughly 75 minutes of 'making of' content, including interviews with all the stars, writers and major players, and some B-roll glimpses behind-the-scenes.  We're definitely talking more than your standard promotional quickie.  You also got the trailer and an insert with chapter stops.

Thankfully, Twilight Time retains all of that.  They don't add much more, but that's alright considering how much we already got.  The 2013 foreign blus seem to have dropped the commentary, but it's back here.  And they do add their signature isolated score track, of course.  Plus they throw in a second, international trailer and an 8-page booklet with notes by Julie Kirgo.  But basically, all the good stuff comes from the DVD.

And the UHD stays virtually the same, too.  All the DVD stuff is here, including the commentary, but we lose TT's isolated score track and the booklet.  Their international trailer got to stay, however, and it now comes in a sleek, stylish slipcover.
So this is an easy recommendation.  A great presentation of a great film.  The Twilight Time release was nice for its time, but this is down-right definitive, with its new HDR 4k presentation and the original stereo track, lossless for the first time.  This is a real "put this in your system to impress your friends" disc, and a film that truly deserves it.

Welcome To Fright Night ...For Real

Finally, finally, finally, Fright Night has a special edition! For those who haven't been keeping close track, Twilight Time originally released a limited edition blu-ray of Fright Night in 2011. Well, all 3000 copies of Twilight Time's blu, despite having no real extras except for an isolated score (a standard feature for Twilight Time), sold out surprisingly fast, and fans clamored for a copy as second-hand prices sky-rocketed into the hundreds of dollars. In the interim, Sony released non-limited blu-ray editions in Japan and Australia, and included the film in a 4 movie 2 disc DVD set here in the US, but the demand stayed high. So now Twilight Time has brought it back for a 30th Anniversary Edition, this time packed with the extras we've been begging for, and limited to a greater number of 5000 copies. Well, that sold out within two days, and those of us who pre-ordered are just now receiving our copies. Woohoo!

Update 1/25/15 - 10/8/22: Well, there's been a bunch of limited and imported Fright Night blus in the last several years, but all of that is over now. Sony has issued this directly, as a 3-disc UHD/ BD combo pack, with a superior 4k transfer, broad distribution (you can walk into a Best Buy and pick one up) and all new extras. Everything else, now, is history.
Tom Holland's Fright Night is just one of those perfect 80s horror flicks. It's fun without losing its serious edge. It's serious yet still manages to be genuinely funny. It's got a perfect concept and an iconic cast. It's the kind of horror movie that people who don't like horror movies will still enjoy, without alienating actual, hardcore horror fans. Not a lot of movies slam dunk on both sides of that fence.

It starts out a little Rear Window-ish, with William Ragsdale as our likeable every-man watching his neighbors suspiciously with binoculars... have they just committed a murder? Worse than that, they seem to be vampires! Of course nobody believes him and they all want him to stop telling crazy stories, even as the vampire gets dangerously closer to killing him and everyone he loves. Just when you think: maybe I'm starting to get tired of the "no, you've got to believe me!" schtick, the film takes a new angle. Ragsdale decides the only person in the world who can help him is Roddy McDowall, the vampire hunter he watches all the time on television. Of course, the actor who plays him is nothing like his character, but somehow he manages to press the cowardly and unbelieving McDowall into accompanying him, and they find themselves facing up against real life vampires!

Sony released Fright Night as a DVD flipper disc way back in 1999, and it became increasingly frustrating throughout the HD years that it was still the default disc up to the 2010s.  Twilight Time finally came to the rescue in 2011, and again in 2015, as discussed above.  Both of those pretty much uses the same transfer, but with minor adjustments to the contrast and bit-rate, as the film graduated to a dual-layer disc (also to accommodate the great number of extras, of course).  I highly recommend this HighDefDigest review, which fully compares the two, if you're still concerned about the pros and cons of the dueling Twilight Time editions.  Since then, Eureka's UK release became pretty popular, both for not selling out within hours of its pre-order availability, and its inclusion of (a cut down version of) the documentary, You're So Cool Brewster.  But now, who cares?  Sony has finally decided to stop passing off responsibility for this classic to boutique labels.  As a consequence, we've got a brand new UHD/ BD combo pack, with all new extras and all legacy stuff from the Twilight Times and the Eureka to render everything that came before it obsolete.
1) 1999 DVD; 2) 2015 BD; 3) 2022 BD; 4) 2022 UHD.
So yeah, they're genuine upgrades with each generation of media, but they've been top notch transfers since Sony's anamorphic 2.33:1 DVD back in the 90s. The colors are a little more natural on the 2015 blu and the detail is stronger, while also tweaking the aspect ratio to 2.40:1. You can see the geometry is a little pinched on the DVD.  Of course, the grain is much more evident on the blu; Jonathan Stark almost looks freckled compared to the DVD, which just doesn't capture detail that small. There's just more to see now in his eyes. And the DVD's also got that softer-edged, splotchier look that you routinely get between SD and HD.

And now of course, it's on UHD.  Even the new 2022 BD is updated, though.  The colors are stronger, plus a bit warmer, and the AR's been adjusted again ever so slightly to 2.39:1.  Both blu-ray encodes really do a pretty excellent job of capturing the grain, but there are little hints of macro-blocking and digital flaws that even the new 1080p blu corrects (look under Jonathan's eyes, for example).  Then of course the added resolution of the UHD keeps the image organic even when you get in super close.

Oh, and didn't I say the old DVD was a flipper disc?  Yeah, it had a 1.32:1 fullscreen version, too.  Out of curiosity, we might as well take a look at that.
Oof, it's not even open matte. And with the film being 2.35ish, that's like literally half the picture they're chopping off! But, okay. I really don't think anybody was thinking, hey, maybe the full-screen version will turn out to be the definitive one! So let's get back to the important stuff.

There is one flaw with the new UHD, and it's in the audio.  The DVD started us off with the original stereo mix, which is faintly hissy with occasional pops, but still perfectly satisfying.  It also has a French dub with English and French subtitles.  Twilight Time bumped the stereo up to DTS-HD, added a DTS-HD 5.1 remix, which cleans up the hiss and pops, and dropped the French stuff.  And this new set keeps the old mixes, still in DTS-HD, plus the English subs, restores the French options and also adds Spanish audio and subs.  All good so far.  But one big deal they make in the marketing of this is a new 7.1 Dolby Atmos mix.  And for the most part, it's great (putting aside the revisionism), except for one substantial mistake.  The song that takes place in the nightclub, when the vampire first walks in and all the way through to the dance, is missing its vocals!  It just plays as an instrumental track.  And it's not just a brief snippet of a tune that plays in the background of a scene.  The whole song plays all the way through and the characters do an important dance to it.  So gutting that song is makes a major difference.  Fortunately, the vocals are still on the original stereo track, which is really the only one that matters, plus the 5.1.  But anyone excited for the new, high-end 7.1 mix is going to be disappointed.
Of course, whether you're coming to the 30th Anniversary Edition from the DVD or from any of the older blus, by far the biggest advancement is in the extras department. First of all, that there are any at all. And secondly, there's a lot, and it's great, high-quality stuff. For starters, there's both the audio commentaries that were released online as mp3s years ago. They're lively, both informative and fun, and between them gather together almost everybody from the film: Tom Holland, Chris Sarandon, William Ragsdale, Stephen Geoffreys, Jonathan Stark, special effects artist Randall Cook, plus moderators.  Both trailers (one more than the DVDs got) and the isolated score are carried over from the 2011 blu, and they've added a stills gallery.

Frankly, that's all I needed to be happy with that release. But there's a lot more, including a reunion panel from 2008 that's just under an hour long, and brings together Tom Holland, Chris Sarandon, William Ragsdale, Stephen Geoffreys, Amanda Bearse (especially nice to get here, as she was missing from the commentaries) and Jonathan Stark. And there's a set of three in-depth interviews with Tom Holland that add up to a solid half hour.  Oh, and there's also a nice insert booklet. The DVD had one of those, too; but the 2011 blu came with a collector's magnet which this one doesn't have.
And finally there's a Vintage Electronic Press Kit, which is kind of a mess, but a beautiful mess. When Twilight Time first announced this, my mind just read that as one of those six minute featureless made to promote the film that are comprised of clips of the film interspersed with a few on-set interview soundbites, and maybe a few seconds of behind-the-scenes footage if we're lucky. Nothing great, but still nice to have for the little glimpses of the past, right?

Well, now let me tell you it's over 90 minutes. Awesome! It's also not a single, edited documentary. It's just all the footage that was included in the film's electronic press kit. That means, for example, that yes, there is a short featurette like I just described included here, and it has a neat into by Roddy McDowall. And then it's included again, minus the intro. So it's not like 95 minutes of great stuff, so much as 85 minutes of stuff with greatness mixed in. Fortunately, it's carefully broken up into chapters so you can jump to each little section and just hit Forward to skip one.

So, there's the featurette, a music video of the main theme and a little making of for the that music video, which are all pretty great. And there's individual interviews Tom Holland, William Ragsdale, Chris Sarandon, Roddy McDowall and Amanda Bearse, plus another featurette about visual effects artist Richard Edlund. Oh, and four brief "newswrap" stories about the film. But there's also stuff you're going to want to skip, like the same music video but with Spanish titles, or a series of clips from the film, which are nothing but short chunks of the film in low video quality. Oh yeah, all of this is in low video quality and has a big time counter embedded into the lower center of the image, which I guess is why Sony never put any of it on their DVD. But I'm sure glad Twilight Time didn't pass it over. Just sit there with your finger on the Forward button ready to skip the repeats, and it's a good 45 minute or so watch. And for the diehard fans who really want both versions of the featurette, etc; hey, it's nice they've got the option.
I was surprised we got the whole EPK on the 2022 set.  I was expecting them to trim it to just the highlights, if that.  But no, Sony is on an admirable "all legacy extras" kick, and I'm here for it.  So the commentaries, EPK and everything from the Twilight Time disc is here, and so is the cut-down (the Fright Night 2 half is still absent) from the Eureka disc is here, as well as the YSCB featurettes they carried over.  You can read all about that doc on my dedicated page for it.  So this is already the best, and a fully packed, set of special features.  But there's also a bunch of new stuff.

The least but longest is the 35th anniversary script read.  It's just a script read over zoom and lasts longer than the film itself.  They did pack in a few nice little touches: Tom Holland records an intro, Rosario Dawson and Jason Patric make cameo appearances, the cast don vampire fangs when appropriate, and they get Mark Hamill to stand in for Roddy McDowell.  But who wants to sit through a 2-hour script read when you've got the proper film on the same disc?  What you might want to do, however, is skip ahead to the last 35-minutes, because after the read-through, they have a fun reunion chat and Q&A with all the participants.  They even found Dorothy Fielding, who was MIA for the commentaries and documentary.  So that bit's fun.

And there's some other fun stuff, though sadly it's almost all shot on low quality webcams.  Oh well.  There's a great little featurette about the novelization that interviews the two authors, a short clip of Holland describing an unfilmed scene from the script with storyboards (turns we didn't miss much).  Oh, and you might remember from Holland and his editor in YSCB talking about how they disliked Columbia's trailer for the film and made their own?  Well, they found that, plus some more storyboards.  And there's also an interesting new interview with Amanda Bearse specifically on the queer themes of Fright Night that goes surprisingly in depth, running for almost an hour.  And it all comes in a very stylish steelbook with the classic poster art.  Though the accompanying J-card fails the Grindhouse Video "does it fit in the case" test.
 
It took ages, but by 2015, Fright Night finally started getting worthy home video releases.  And in 2022, we've got the best one yet.  I can't imagine anyone topping it, or even trying, until the next generation of movie tech, where they inject nanites with little film projectors into our bloodstream or something.  Maybe a replacement disc to fix the botched 7.1 track, or the same discs repackaged with a coffee table photo book and life-sized Jerry Dandridge figure, but not another upgrade.  I daresay we've peaked.

The Ultimate Sense & Sensibility

Boy, I've gotta get in gear - my list of discs I plan to cover on this site is outpacing the posts I actually get done.  I've got so much I want to do here!  There are so many compelling new releases coming out, but I don't want to get trapped into only covering new releases.  So let's jump right into A Pair of Twilight Times, starting with Sense & Sensibility.  Specifically, this is the 1995 Academy Award winning feature film version adapted by Emma Thompson and directed by Ang Lee.

Update 6/21/19 - 10/20/21: I never would've thought we'd see the day where Jane Austen made it to 4K Ultra HD (well, barring Pride & Prejudice & Zombies, I suppose...), but here we are!  Sony have included 1995's Sense & Sensibility in their impressive 'Columbia Classics Volume 2' 14-disc set.  And is my reviewing this a spoiler of five other Ultra HD discs in the very near future?  Ohhh, could be.  😉
Sense & Sensibility is Jane Austen's first novel with surprisingly clear themes - one sister represents the sense (pragmatism) and the other the sensibility (romanticism).  You don't exactly need an advanced degree in literature.  But it's still such a rich, layered and funny story, and Thompson expertly compresses the novel to feature length without compromising any of the wit or heart, while Lee presents us with sweeping vistas and gorgeous locales.  The cast is perfectly charming and marvelous, from leads Kate Winslet, Alan Rickman, Hugh Grant and of course Thompson herself, to the brilliantly selected supporting players like Imelda Staunton, Hugh Laurie, Robert Hardy and Elizabeth Spriggs.  I could go on and on about the merits about this film, but I don't think I need to.  1995's Sense & Sensibility is pretty widely recognized as classic desert island material.  You know, for a while a thought my DVD would be good enough, but no, this requires a proper upgrade.
Sense and Sensibility debuted on DVD all the way back in 1999 with an anamorphic special edition which held up well throughout all of the SD days.  As such, the DVD was reissued multiple times over the years, once packaged with a paperback copy of the novel, once with a hokey Sense and Sensibility-branded diary and pen, and once as a double-feature with Remains Of the Day.  But it was always the same DVD.  It's the HD era now, though, so we needed a blu-ray.  And this was just the kind of high-profile title you could count on Twilight Time to license from Sony.  And so in 2015, thankfully, instead of their standard barebones editions, they came through with a proper special edition.  It seemed like that would be the final, definitive release for this title, but not so!  In 2021, it's been updated to UHD in a new, even fancier 2-disc set, available (to date) only as a part of the 'Columbia Classics Volume 2' 14-disc boxed set.
1) 1999 Columbia Tri-Star DVD; 2) 2015 Twilight Time BD;
3) 2021 Columbia Tri-Star BD; 4) 2021 Columbia Tri-Star UHD.




Twilight Time's blu turned out to be an even bigger bump than I was expecting.  Naturally, the DVD being from the 90s has a lot of chunky compression that I was confident our 2015 BD would tidy up neatly.  And we advance from a slightly pillar-boxed 1.76:1 to a letterboxed 1.85:1.  That amounts to us losing a dollop along the top; but gaining a sliver on the right.  It's really less about picture information than just graduating to a proper, more natural AR.  But beyond those predicted improvements, we can also see that the DVD had a red hue over the whole image, which the blu lifts off, allowing the colors to really pop as a result.  Whites are now truly white instead of pink, and the sky is gently blue instead of scary purple. Grain is rather finely captured.  Say whatever else you want about 'em; you always get good scans when you deal with Sony.

Which is why they apparently didn't feel the need to re-scan it in 2021.  According to accompanying book, this the new BD and UHD are taken from the same 2012 4k scan of the original picture negative as the previous blu.  But they have re-color timed it for HDR, with input from the editor and final approval by Lee, plus additional dirt and scratch clean-up.  That means, for the two BDs, there's barely any difference at all.  But the colors are richer on the UHD, and the higher resolution means a more natural, less blocky/ pixelated image, though it's the sort of thing you'll need a big screen to appreciate.

Columbia actually gave us a choice between the original Dolby stereo mix and a newly created 5.1, not to mention Portuguese and Spanish dubs.  It also had English, Chinese, Korean, Portuguese, Spanish and Thai subtitles.  Twilight Time has kept both audio tracks, and bumped them up to DTS-HD in the process, but cut the subtitles down to just English.  And the new UHD?  Oh boy, it has an all new Atmos mix, and the previous 5.1 DTS-HD plus a bajillion dubs (Czech, French, German, Hungarian, Italian, Polish, Russian, Spanish and Turkish) and even more subtitle options... I'm not going to list them all out, but yes, English and English SDH are amongst them.
So one reason I held onto the DVD for so long was because it is nicely furnished with extras.  We get two audio commentaries: one with Thompson and producer Lindsay Doran, and the other with Lee and producer James Schamus - and they're both very good.  Not enough discs let us hear from the screenwriters, and it's all the more rewarding when said screenwriter is Emma Thompson.  We also get two brief but amusing deleted scenes, Thompson's clever acceptance speech at The Golden Globes, the trailer, a four-page insert with notes by an uncredited author and some bonus trailers.

I was pleasantly surprised to discover that Twilight Time not only carried over all the old DVD extras, which they definitely don't always do (*cough, cough* As Good As It Gets *cough*).  But I was even more delighted when I realized that they were also including several vintage but previously unreleased featurettes.  There are five in total, and grant us interviews with many of the cast and crew, and some tantalizing glimpses behind-the-scenes.  There's also Twilight Time's ever reliable isolated score track, an additional international trailer and an 8-page booklet with notes by Julie Kirgo.

The Columbia Classics retains nearly all of that, including the additional Twilight Time featurettes, except they seem to have misplaced the Golden Globes speech.  Whoops!  I can't complain, though, since in its place they've added a 25th Anniversary Reunion, where the Lee, Thompson, Winslet, Doran, Staunton, Imogen Stubbs, Greg Wise and Myriam Francois all jump on their webcams for a roughly half-hour conversation.  The set includes an impressive, full-color hardcover book about all the included films, but specifically with notes on Sense & Sensibility by Den of Geek's Kayti Burt and an excerpt from the screenplay.  It's an elaborate fold-out box with all the other films and their extras, of course, and the case for each of the individual features, including Sense, comes in an elegant slipcover.
Hey!  While I'm here, why don't we take a quick look at all the other versions of Sense & Sensibility out there.  Yes, I know... this is why my "plan to cover"s are outpacing my "covered"s, but let's do it anyway.  All told, there are four direct adaptations of Sense & Sensibility, not including this ridiculous thing and the modernized Kollywood adaptation.  Memorably, there is one for each decade.  We've just been over the 90's one, so here are the other three.
2009 2 Entertain/ Warner Bros/ BBC DVD.
The 70's Version - Originally aired in 1971 and divided into four 45-minute long episodes.  Being a series rather than a single film, the expectation is that now we're finally going to see all the parts cut out book for the film's screenplay in this much longer version.  And there is a little of that, but really, this is only about 40 minutes longer, so it's not a revelation of restored characters and plot points.  Indeed, this version trims out Margaret, the youngest of the three main sisters.  The additional bits we do get are nice, but hampered by the far more constrained production.  Sir John is played by an actor too young for the part, hamming it up like a school play's Mr. Fezziwig, and pretty much every scene is necessarily "stagey."  Certainly, there's enough here to recommend it to the committed Austenphiles - Keeping Up Appearance's Patrica Routledge steals every scene she's in.  But this is certainly the most forgettable entry out of the lot, remarkable mainly only for being the first.

The BBC's DVD is appropriately full-frame (it was a 70's television production, after all), at 1.31:1.  It's also interlaced, though that may be less of a PAL to NTSC conversion thing than just a baked-in trait of a vintage TV tape master.  But less forgivable is the strong edge enhancement, which would've been the sort of thing you could get away with more easily in the smaller screen days of standard definition, but really looks poor on modern televisions.  The disc is completely barebones, though it does offer optional English subtitles.
2004 Warner Bros/ BBC DVD.
The 80's Version - First broadcast in 1981, this adaptation is broken up into seven short (22-23 minutes long) episodes.  When you consider the fact that means we're getting seven sets of opening and closing credits, that makes it only slightly longer than the movie.  Indeed, poor Margaret gets the chop here, too.  Still, they manage to find some excellent moments and memorable exchanges the 90's version neglected, and generally does a much better job of drawing out the comedy than the 70's version.  For instance, they get some of the best use out of secondary characters like Robert Ferrars and Mr. Palmer.  Admittedly, a handful of moments get overwrought in this one, but the way it's broken into such shorter pieces, make it uniquely pleasant to casually graze on over time rather then binge in a single run.

Curiously, this release is a flipper disc with a blank side.  It's fullscreen, too, as it should be, at 1.32:1, but it's also interlaced and a bit hazy, though at least not as tampered with as the 70's version.  I assume this was shot on tape, too, so there are no film elements to go back to, meaning this is probably about as good as it possibly could look.  Showing this off on your big-screen TV definitely won't impress your neighbors, but Warner describes this as "lovingly remastered" and I believe them.  Optional English subtitles are included, but nothing else.  This one's available separately, but if you're a fan, I'd recommend getting it as part of the 6-disc Jane Austen Collection, which includes a strong 70s-80s BBC adaptation of each of Austen's novels.
2008 2 Entertain/ WGBH/ BBC DVD.
The 2000's Version - From 2008.  I was excited for this one, as it's by Andrew Davies, the man who gave us the ultimate Pride & Prejudice, not to mention a wealth of terrific Dickens and other masterpiece adaptations.  It might sound corny, and admittedly he's had one or two misfires in his storied career, but I'd say his name is a genuine hallmark of quality.  Well, I can't say he quite matched his Pride, but this is a strong version in its own right, with some slightly shameless attempts to make this production a little more risque.  It opens with a sexy fireplace love scene and features a fit Edward chopping wood in a wet, transparent shirt.  Comprising just three, longer episodes, this series' noteworthy casting includes The Walking Dead's notorious Governor as Colonel Brandon and an excellent Sir John, plus it's also got a very seductive score that sticks with you.  In a vacuum, I'd recommend this version, but living in a world that's already presented us with three previous Sense and Sensibilities, this one doesn't give us too much that we don't already have.  I'd say the 90s version is the most engaging watch, and the 80s adds a lot from the book that the later editions let slip away.  So once you've got those two, there isn't so much value left to extract from the 70s and 2000s versions.

Still, it's good enough that you may well want to pick this up.  And if you do, well, it definitely looks more modern with its widescreen 1.78:1 framing and clearly high def source.  But of course it's been brought down to a standard def DVD, and an unfortunately interlaced one at that  And a film this new really has no excuse to be interlaced, so it doesn't get the pass I'm giving to the previous to editions.  Apart from that, though, it looks nice enough.  The colors are vivid, and it doesn't feel like we're many generations removed from the source film.  Oh, and yes, English subtitles are an option here, too.
Miss Austen Regrets
In fact, this is also a nice little special edition.  Each episode gets an audio commentary by a revolving team of cast and crew: director John Alexander, producer Anne Pivcevic, Hattie Morahan who plays Elinor and Dan Stevens who plays Edward on episode 1, then Alexander, Charity Wakefield who played Marianne and Dominic Cooper who played Willoughby on episode 2, and finally the episode 1 team again for the last one.  Then there's a half-hour interview with interview Davies and Pivcevic, who spend a surprising amount of time talking about the Thompson film, and a photo gallery.  And that's just disc 1.  A second bonus disc includes the fine, feature-length dramatization of Jane Austen's real life, Miss Austen Regrets.  It's letterboxed to an unusual 1.81:1 and is also interlaced, looking generally as good as Sense, and also includes English subtitles.  In addition, there's a substantial audio-only extra: Remembering Jane Austen, a 70-minute, four-part radio play based on the memoir of James Austen-Leigh, the only written account of somebody who personally knew her.

This 2-disc set is available separately or in an attractively boxed Collector's Set box that pairs it with the 2007 adaptation of Persuasion.   There is also a Japanese 2-disc blu-ray release, which hopefully(!) clears up the interlacing issue and sharpens up some of the fine detail, but it's hard to find any concrete information about it online, and from what I gather is missing all of the special features, apart from the Davies/ Pivcevic interview and the photo gallery.
So the 90's version has been given an essential blu-ray release by Twilight Time.  And then they topped it with the new 2021 UHD.  But unless you're prepared to spring for the whole Columbia Classics Collection, the TT might still be your best bet (and used copies will probably start pouring into the market as people who did upgrade offload their previous edition).  As for the other Sense & Sensibilities?  Well, I'd start with the one from the 80's, then possibly add the 2000's and 1970's versions, in that order, depending how Austen-mad you are.  Oh, and actually you could squeeze that Kollywood version in there ahead of the 70's version, too.  It's pretty neat and the musical numbers are beautifully filmed.  The Kino DVD has English subs.