Showing posts with label Artisan. Show all posts
Showing posts with label Artisan. Show all posts

L.A. Story and the Mystery Of the Missing Commentary

Someone in the extras describes L.A. Story as being a brilliant comedic love story for the oft-maligned city of Los Angeles, which it absolutely is, and also a deeply beautiful romance between writer/ star Steve Martin and Victoria Tennant, which it isn't.  Yes, L.A. Story is a delight, full of brilliant gags, one of the world's best supporting casts (Richard E. Grant, Woody Harrelson, Rick Moranis, Kevin Pollak, Patrick Stewart, Chevy Chase, Larry Miller, Terry Jones, George Plimpton and even Juice Crew Allstar MC Shan) and genuinely intelligent writing about life in LA.  The opening homage to Fellini's 8 1/2 and the way it retains but deflates the pretentiousness of its many Shakespeare references are genius.  But the romance is shallow and feels tacked on.  It doesn't get as much screentime as it needs to flesh out the relationship, so it's forced to lean on textbook meet-cutes and coincidence-driven RomCom cliches.  And another sticking point is that Tennant is alright but a clear case of nepotism (she was Martin's wife at the time) spoiling the opportunity to cast a truly funny leading lady, like Lily Tomlin or Bette Midler, who could've brought as much to the role as the rest of the cast do to theirs.
Writing-wise, it's under-cooked too, and feels like it's pulling against the thrust of the main story.  Like, we have to keep stopping examining Martin's relationship with LA every time the screenplay takes a pit-stop at Tennant's B-story.  Really, she should be tied to the A-story.  I think the five-pointed love pentagram is over-complicated, since this film's already packed with so much great stuff already.  They probably should've aged up Sarah Jessica Parker's character (who manages to breathe a lot of humanity into an otherwise one-joke character), and have her been the final love interest.  So instead of Martin falling for this quirky journalist who just flew in from London, he'd be falling for this quirky shop girl (wink), whose eccentricities as an LA local would be part and parcel with Martin's love for LA, so every scene is on-theme.  Marilu Henner could be the outsider, a NY woman whose misunderstanding and lack of appreciation for LA's spirit would dovetail with them realizing they're wrong for each other.  Maybe that's too on the nose?  That's how I would fix it, but even if you don't like that, the point is that there is a major problem that needed fixing here.
But thankfully - dare I say magically? - Martin's homage to LA is so good, that you can easily get past the problem.  The film is packed with so many great jokes it starts out playing more like a classic Zucker Brothers' romp (or perhaps more significantly, like Martin's early classic films with Carl Reiner), but then Martin and director Mick Jackson manage to bump enough sincerity into it that you can't help being touched by the film's heart, even if it is misguided and rickety.  When the music swells and Martin and Tennant turn into small children, it really is an effective moment... helped by the fact that it's possibly the one moment where their relationship stays on-message with the rest of the film: LA celebrates and nurtures the residents' youthful ambitions.  The fact that it's dated (car phone jokes in the age of the smartphone, yadda yadda), doesn't even work against it, because you sense that it's perfectly capturing, and occasionally skewering, a very specific time and place in our history and culture in need of preserving... and a particularly silly one at that.
L.A. Story debuted on DVD all the way back in 1998 as a non-anamorphic disc in an Artisan snapper, which was reissued three years later with a proper amaray case.  They sowed some confusion as to whether these were actually the same discs (oh, we're going to get into that in a bit), but yes, they were.  We got updated discs in 2006, though, for Lions Gate's 15th Anniversary Edition (itself reissued in 2010 with a new cover and identical disc), which boasted a healthy, anamorphic remaster and all new extras.  And that's a good thing, because that's as good as it ever got, at least here in the USA.  In other parts of the world, it's actually been issued on blu plenty of times.  Personally, I went with the recent 2020 German release from Koch Media.
2001 Artisan DVD top; 2006 Lions Gate DVD mid; 2020 Koch BD bottom.
So the big upgrade came between the original DVDs and the 15th Anniversary.  Not only, as you can plainly see in the first set of shots, did we make the leap to an anamorphic picture, but the aspect ratio's been corrected from 1.80:1 to 1.84:1.  That may sound slim, but it means a decent chunk of image around the edges has been restored, in addition to some light overall reframing.  Also, the saturation has been brought down to normal levels as opposed to being blasted off the charts, which was an interesting look, but ultimately not too lifelike.  Then Koch's blu makes things even nicer.  It corrects the AR a bit more, to a good and proper 1.85:1, which despite technically being a tighter matte, actually adds extra slivers of info as it undoes some vertical pinching.  More importantly, though, it's just a sharper, clearer HD image with some nice, untouched film grain for an old master.  I was expecting that bare minimum bump, but the old DVD looks downright soft and messy compared to this surprisingly clean BD.  It's a pleasant surprise.

The original DVD includes the film's stereo surround mix with optional English and Spanish subtitles.  The 15th Anniversary DVD keeps all of that, but gets a bit showy by adding in a new 5.1 mix as well.  Well, happily, Koch has preserved both tracks in now lossless formats (PCM for the stereo and DTS-HD for the 5.1), as well as a PCM German dub.  The only downside is that they dumped the English (and Spanish) subs, replacing them with (naturally) German ones.
1998 US DVD top; 2001 US DVD bottom.
But doesn't the title of this post mention a "Missing Commentary?"  Yes, that's been the biggest drama in L.A. Story's history on disc.  See, the original 1998 snapper case listed its proper specs, but the 2001 re-release, which has the same UPC, featured new, updated specs promising a "Director's Commentary Track."  I can still feel how excited I was to upgrade, only to discover that inside was the same old, commentary-less disc, and the new information was some kind of crappy mistake.  Part of the reason it sticks with me is that this wasn't immediately obvious.  In those days you couldn't just pop a disc into your computer's DVD drive and analyze the disc's contents.  Finding obscure features and easter eggs was a slow, imperfect process that brought people like us together on online forums to puzzle it out.  It's not clearly demarcated on the menu and pressing the audio button during the movie doesn't work, but it certainly wouldn't have been the first DVD feature blocked from remote access.  And this disc WAS full of easter eggs tucked into obscure places that wouldn't even show up as distinct Titles in the disc directory.  So I know I'm the not the only person who wasted a lot of time hunting and pecking for that elusive commentary.  But no, it's definitely 100% not there. The 15th Anniversary Edition didn't come up with it either.
deleted scene... yes, John Lithgow is flying through LA in a jetpack
So instead let's talk about the special features that aren't dirty lies that conned us devoted double-dipping fans out of $20.  As you can see in the specs posted above, the original DVD had a featurette and easter eggs.  The featurette is your usual, brief promotional affair that doles out just the briefest interview soundbites and B-roll footage with a bunch of clips from the movie, almost like an extended trailer.  It's alright, but not much.  And the easter eggs, some easier to find than others, consisted of additional EPK interview clips with Jackson and the cast.  All told, there's a little over four minutes, which is nice but about as much as you'd expect for extras relegated to waster egg status.  It also has the trailer.

The 15th Anniversary was more of a special edition.  It still had the promo featurette, although in a slightly shorter form, cutting out about a minute of material including a clip from Roxanne, and a scene + interview clip with Sarah Jessica Parker.  But it adds higher quality stuff, including a detailed interview with the producer and an "interactive map," which basically amounts to an exploration of the film's shooting locations across thirteen video clips with the film's production manager.  These are both made with care and quite interesting.  But the jewel in the crown is the collection of over 20 minutes worth of deleted scenes, which includes a lot of great stuff.  There are whole subplots with John Lithgow and Scott Bakula who were completely cut out of the movie (though featured in the trailers), clearly just for time because they're great.  We also get an additional teaser, some bonus trailers, and a slipcover.
a brief, German-exclusive interview with Grant
And Koch's blu?  Happily, everything from the old DVDs is here.  Technically the easter eggs from the old DVD aren't, but all that footage and more is now spread across the other, newer extras.  The BD adds a collection of EPK interviews with the cast and producer, plus a collection of behind the scenes footage.  It also restores the longer version of the featurette... although that SJP soundbite, like the rest, are repeated in the extended interviews.  I'd actually recommend watching everything else and skipping the featurette, which is just redundant footage.  Anyway, the blu also now has five trailers for the film, additional TV spots and a stills gallery.  So yeah, it's nothing major, but it's everything from before and more.  The blu also comes in a slipcover and includes reversible artwork, so you can hide the garish yellow ratings icon.
So this blu is a strong recommend.  It looks better than I expected, with lossless audio and even some new extras.  But still no commentary.  I sometimes wonder if the session was planned but nobody got the memo that it had fallen through at the last minute, or if a commentary really was recorded and is still sitting in Artisan's vaults.  Maybe Jackson let it all hang out and the studio refused to release it, or maybe he was silent for more than half the picture, leaving the producers with a track full of dead air.  We'll probably never know.  But at least we finally have a home video edition that's worthy of this little gem.

Twin Peaks: Going Beyond the Entire Mystery

Okay, CBS and Paramount have an amazing Twin Peaks boxed set out there, called Twin Peaks: The Entire Mystery, which happens to be going through a couple changes.  More on that in a bit.  But now, even putting aside the fact that Showtime has recently reunited David Lynch, Mark Frost and pretty much the entire cast to film two new seasons of the series, and those have yet to be released, so obviously they're not in this set, sure.  Even forgetting that, is the definitive 10-blu-ray disc set really 100% complete?  Or are there exclusive reasons to hang onto the previous DVD releases of Twin Peaks? Well, just the fact that this post exists should tell you the answer that question.  However, it's going to take some serious delving to untangle all of the enigmatic little details...
Update 8/13/18: Twin Peaks certainly wouldn't be complete without its new third season, The Return!  So we'll look at the DVD and blu-ray editions of that.  And we've got Criterion's new blu-ray edition of Fire Walk With Me as well.

Update 6/16/20: I suppose we'll never truly get to the bottom of the mystery, but CBS and Paramount are taking us substantially deeper with their massive, 21-disc Z To A box set.  It rounds up everything from The Entire Mystery set (yes, the full ten disc version) and The Return set, plus adds two more blus worth of extras, and presents the pilot and episode 8 of The Return in 4k on a genuine UHD disc. Wow.

Update 11/3/22: It's Update Week, so I'm slipping in one one of the few discs still left out: Criterion's 2018 DVD. We already had their 2017 BD, so this is just their concurrent SD release.
Twin Peaks began as the ultimate television experience, combining the talents of the man behind Hill Streets Blue with the mad genius behind Blue Velvet. It was a dark, layered and strange mystery mini-series about the secret double-lives we all lead getting uncovered when an the FBI is brought in to solve the murder of the home-coming queen in an idyllic small town. Just about everything you can imagine is dug out of peoples' closets from affairs and prostitution to drugs and abuse to an alternate dream reality and afterlife that really no one could have imagined. It blew away everyone's expectations in both ratings and critical reviews, and the dubious decision was made to delay the resolution of the mystery and ride wave of success just a little bit longer.

Due to fan pressure, they finally had to solve the mystery, but the series went on for a second season anyway, with Lynch and Frost focusing on other projects and leaving the series in the hands of others, and the quality dropped like a stone.  It wasn't a total loss, you still had a fantastic cast playing the characters you loved, but everybody was treading water at best as bad decisions and plot points continued to pull the series apart until it was quickly cancelled. Lynch returned to direct the final episode, which showed a clear bump up in quality, but it was too little and much too late. Even at the show's lowest point, however, it was determined that if everyone who watched the series would pay to see a movie, it would be a predetermined success, so Lynch returned to the town of Twin Peaks once more for the feature-film Fire Walk With Me, which was a little patchy at points, but mostly a very engrossing and vindicating prequel.
Now, Twin Peaks history on home video is a little convoluted, so bear with me. At the very beginning, before people know what a cultural phenomenon Twin Peaks was to become, the studios decided to release just the Twin Peaks pilot, with the ending of the first season tacked on as an awkward resolution, as a stand-alone movie overseas. What this did is leave the pilot in the hands of Warner Bros, and the rest of the series with Paramount. So when season 1 was first released on VHS, and again on DVD, in nice boxed sets, it was missing the first episode... which, you know, is hugely essential to the series. So Warner Bros wound up releasing it separately on VHS, and there was a common import PAL DVD from Republic Pictures everybody copped in 2001, which thankfully excluded the false "European ending."  Other regions didn't have this problem, though, so you could get season 1 including the pilot episode as a full set if you imported from almost any other country. You'll see the German DVD set in this comparison.

So, okay, anyway, Artisan put out special edition boxed sets of season 1 (sans pilot) in 2002. That same year, New Line released Fire Walk With Me as a semi-special edition DVD.  Paramount initially released season 2 by itself in 2007 (as season 1 was already out).  But then later that year, the entire series was remastered, and CBS re-acquired the rights to the pilot episode, putting them all together in their Definitive Gold Box Set.  How "definitive?" Well, it had the pilot reunited with the series (which you can watch with or without the international ending), both seasons, and some all new extras, but it was lacking some features from the Artisan sets and still, didn't have Fire Walk With Me. Then, in 2014, we got The Entire Mystery set, which included both seasons, the pilot, and Fire Walk With Me, all in HD on blu-ray for the first time, and with all new extras, including the 90 minutes of highly sought-after deleted scenes from Fire.  But it still doesn't have everything from the Artisan sets, and it even lost a few things from the Gold Box.  Yeah, it's all pretty confusing.  But don't worry, we're going to nail it all down.  But first let's look at the restorations.
2002 Paramount DVD top; 2007 Gold Box DVD mid;
2014 Paramount blu bottom.
So yes, looking back, the restoration between the two DVDs is quite clear.  The older discs really look pale and fuzzy compared to the Gold Box.  The blu-rays, naturally, are clearer still.  They're all framed at the normal 1.33:1 television ratio, although the Gold Box and blu-rays have slightly more information along the edges, with the old discs zoomed in just a sliver.  So I'm happy to report at no time were we being sold a bill of goods; there is an appreciable uptick in quality with each re-release.  Look at the waitress close-ups full size and you'll really see the benefit of the HD.

For the record, I used to own the original Artisan boxed set and the Republic DVD.  I no longer have them for the comparison, but the as I recall the Artisan set was a direct match of German set seen here, and the pilot DVD was about the same (FTR, the fingernail examination shots above are taken from the pilot episode), if not even a little worse.  The fundamental fact is that, image quality-wise, there's really nothing to go back for.
2019 Paramount UHD.
And now we have the pilot (with the proper or theatrical ending) in 4k on an Ultra HD disc.  It's the same framing and everything as the previous blu (which, yes, is still included in the Z To A box, too), but the colors are more natural.  It doesn't look darker because this is a non-HDR UHD.  We're getting the benefit of the 4k resolution, but that's it.  Getting in close, the grain still looks a little funky, digitally speaking (I feel like every Twin Peaks encode ever could be better, honestly), but the UHD does resolve more fine detail than the blu.  Looking at the equipment behind Sheriff Truman there, it's definitely more defined on the UHD.  And overall, this pilot is a more vibrant, film-like experience than ever.

Audio-wise, the original sets and Gold Box all gave you DTS 5.1 mixes of the episodes, Dolby 2.0 on the pilot (excluding the Artisan set, of course, which doesn't have the pilot), a couple mono dubs, and multiple subtitle options. The blu-box gives you DTS-HD 7.1 and 2.0 mixes, plus foreign dubs and multiple sub options.  Meanwhile, the UHD strips your options down a bit to just the 7.1 in DTS-HD, plus all the subtitles.
But we can't leave the audio discussion behind without talking about perhaps the most controversial aspect of the Entire Mystery and Z To A sets... audio sync issues.  At a few points, in episodes 3, 9 and the on some of the Fire Walk With Me deleted scenes, the sound goes out of sync.  Maybe.  On some players.  Some players will sync up if you adjust a frame-rate setting on them, and testing them just now on my PC, they seem perfectly in sync (and I'm looking at the specific scenes very closely).  So people have been asking for a recall for years, Amazon has pulled the set from their store multiple times, but it doesn't seem like anything has been done.  I guess it's sort of a player-specific issue, but a somewhat common one, in that it will only work with certain brands or firmware... or maybe a quiet replacement was done, and newer editions are corrected, but I've seen no evidence of this besides wishful thinking.  The accounts I've read say the sync isn't too far out of whack, so casual viewers might not even notice if they're not paying attention.  But yeah, it's unfortunate, and something CBS really should have definitively resolved, especially considering the prices they charged for the set. But there it is.  Fingers cross, and it will play correctly for you, too!
New Line 2002 DVD first; Paramount 2014 blu second;
Criterion 2017 DVD third; Criterion 2017 blu fourth.


Can't forget about Fire Walk With Me! Now, even the old DVD was anamorphic widescreen, but the second thing you'll probably notice on this comparison is that both are nicely matted to 1.85, but the new blus (and Criterion's DVD) have a decent amount of additional picture on all four sides.  You shouldn't need me to even say what the first thing is: they've really done some changes with the color timing.  Some scenes are more subtle than others (i.e. the first set compared to the second set), but it's throughout the whole film.  I'll assume the later discs are more accurate and what Lynch wanted, but I couldn't say for sure without cornering him in a room.  What I can say, though, is the the image is much clearer in HD.  Grain honestly looks a little bit patchy, but it's a sure step forward without all the smudgy compression issues or edge enhancement the old DVD has.  And between the two blus?  Well, they're clearly using the same master, but Criterion's encode seems a bit more even.  In motion, it's unlikely anybody would be able to spot the difference, but in close-up comparisons, I'd give Criterion's new disc the edge.  But again, practically speaking, they're essentially identical.

Again, the old DVD gave us a 5.1 mix, 2.0, English subs, plus a French dub and some foreign subtitle options.  And the blus give us another DTS-HD 7.1 mix, plus 2.0 and English subs.  The Criterion DVD gives us the 5.1 and 2.0 with English subs.  The difference between the three blus is just that CBS's discs also throws in many additional foreign dub (French, German, Italian, Japanese, Castilian and Latin) and sub (Danish, Dutch, Finnish, French, German, Italian, Japanese, Norwegian, Portuguese, Castilian, Latin and Swedish) options.
Now let's get into the really complicated stuff.  The special features.  It doesn't help that plenty of the extras are presented almost like easter eggs, where you have to click on unmarked symbols to discover what will play, but let's do this.  First of all, the old Republic pilot DVD was barebones (except for some bonus trailers), and the German set doesn't give us any more or less than the English Artisan set in terms of extras.  They're identical.

So what did the original season 1 sets give us?  Firstly, the "Log Lady" intros to each episode (except the pilot), which feature the same actress from the series giving enigmatic intros to each episode and that were recorded for the Bravo channel when they reran the series back in the late 90s.  Secondly, and more importantly, every episode (again, except the pilot... basically, there are no extras for the pilot ever) has audio commentary by various crew members (directors when it wasn't Lynch, writers, DOPs and a production designer).  There are also on-screen trivia track notes and hidden interview clips with the people doing the commentaries for each episode. Then the set rounds out with a collection of interviews including: an interview with Mark Frost, a featurette on the Red Room's backwards talk, a 22 minute featurette on Lynch, a featurette on the Twin Peaks diner and on-camera "Postcards From the Cast" interviews with most of the cast.  All told, the postcards are a full hour's worth of interviews, and they're quite interesting, so it's worth clicking through them all.  There are a couple other easter eggs, but they're just DVD credits and special thanks stuff.  The old sets also include a booklet with notes and a text interview with Sheryl Lee (but if you import, remember your booklet may not be in English).

Paramount's initial season 2 set is a lot like Artisan's season 1 set, minus commentaries: Log Lady intros, a short interview on each disc, and about 40-minutes worth of additional interviews at the end.
Now we come to the Gold Box.  Interestingly, it loses almost all of the episode-specific stuff.  It has the Log Lady Intros, but none of the audio commentaries, trivia tracks, or easter egg interviews from the Artisan discs.  I've read it suggested online that Lynch didn't approve of commentaries and such, and requested they not be included, but I suspect it's more an issue of licensing from Artisan, as it also doesn't include the Postcards and other interviews and featurettes from their set.  Then again, it doesn't have the interviews from Paramount's early season 2 set either, which really seems strange to me.  But it does have a large collection of its own special features.

Disc 9 has a few deleted scenes and a stills gallery on it.  And then all the rest is on disc 10, including a feature-length making of documentary called Secrets From Another Place and a half-hour featurette called "A Slice of Lynch." Then there are two Twin Peaks sketches from Saturday Night Live with Kyle MacLachlan, a collection of featurettes about a Twin Peaks festival (some very short, but about a half hour total).  There's a music video for the theme song '"Falling," several galleries, and a huge collection of Twin Peaks commercials.  There are ads for the show when it was airing, but also amusing ads for other products that used Twin Peaks' IP including a series hosted by the character Lucy, and a long collection of spots for their 1-900 hotline. They also have the alternate ending for the pilot viewable separately, some unrelated bonus trailers, and it comes with an insert for David Lynch's coffee brand he was (is?) selling.
Finally, we come to The Entire Mystery. They also have both versions of the pilot and the Log Lady intros, plus they have the recaps and previews for each episode as options, which is a nice touch. A few of the episode discs have promos and galleries on them, but most of the special features is saved for the later discs.  Secrets From Another Place is here, the 900 number stuff, the festival material and other promos, etc.

One interesting change off the bat is the "A Slice Of Lynch" featurette from the Gold Box is here, but re-edited and about twenty minutes longer! They call it "A Slice of Lynch: Uncut."The deleted scenes are carried over, but there's also more of them, which is great. And there's a new collection of outtakes.  There's a new featurette on the filming locations and thankfully, all the interviews from the Paramount season 2 set are here. Even better, a lot of the Artisan stuff has now been carried over, including the diner featurette, the Mark Frost interview, and the hour's worth of "Postcard" interviews.

BUT... the Entire Mystery doesn't recover the entire Artisan ball that the Gold Box fumbled.  It doesn't have any of the audio commentaries.  Maybe the bit about Lynch objecting to them was right after all.  It's also missing the corresponding interview snippets with the commentary participants. And some of the fun stuff from the Gold Box is missing, like the Saturday Night Live clips, the music video, and a bunch of the funny commercials. Very frustrating.
CBS's Fire Walk With Me is completely frustration free, however. The original DVD had a nice half-hour featurette called "Reflections On the Phenomenon Of Twin Peaks" and the original trailer. Both of those have been carried over to the blu.  Also included, as I've already mentioned, are over 90 minutes of deleted scenes.  What's interesting is we see here that a lot more of the original television actors had minor parts and cameos that ultimately got dropped from the film.  I think the final film is better for it, but fans will definitely get a big kick out of seeing these scenes. Then there's a weird, almost 40-minute featurette called Between Two Worlds where Lynch talks to a bunch of the actors in character (a bit of a weird "where are you now" feature, with Mrs. Palmer especially perhaps giving us a little insight into what to expect in seasons 3 and 4), and they discuss aspects of their fictitious lives. There are two more half-hour featurettes where the cast and crew talk about the how the show got cancelled and became a movie, a brief collection of vintage EPK interviews, a couple extra trailers, a stills gallery and a collection of "atmospherics," which are like little video loops from the film.

As for Criterion's pass at the film, they include some of the extras, including the entire run of deleted scenes, a shorter version of Between Two Worlds, and the trailers.  All the vintage featurettes and interviews got dropped.  But in their stead, Criterion created two new, nice and in depth on-camera interviews with Cheryl Lee and composer Angelo Badalamenti.  One can't fault The Entire Mystery for not including these, since Criterion's stuff came out afterwards.  But essentially, fans who already have the box have to ask themselves if they need those two interviews enough to spring for the Criterion.
And speaking of stuff you can't fault The Entire Mystery for not including since it was released afterwards, there's a whole new season of Twin Peaks now!  It aired on Showtime between May and September of 2017, and came out on DVD and blu-ray just before Christmas.  Entirely directed by David Lynch this time, and co-written between him and Frost, I'm happy to report that this season doesn't go off the rails like season 2 did.  Nearly the entire cast and crew return for this outing, with a whole bunch of new, impressive actors added to the roster (like, oh say, Laura Dern, Naomi Watts, Matthew Lillard, Jane Adams, Jennifer Jason Leigh, Tim Roth and Jim Belushi to name just a few), the series rejoins our characters 25 years later, still dealing with Cooper's dark doppelganger, who split from him and escaped the ledge at the very end of season 2.  Eschewing the conventions of the Dynasty-style television of the original seasons' era that it was in some ways sending up, or at least subverting, season 3 flies even further out into space and the idiosyncrasies of Lynch's artistry.  There were a few moments where I feel the tone slipped from their grasp momentarily (the green gardening glove was a bit too silly for my tastes), and it doesn't have the driving focus of solving Laura Palmer's murder like season 1 did.  But overall, it's as engrossing as Twin Peaks has ever been, and in a way, it's even more exciting for being one of the few cinematic journeys with a properly arcing narrative where you still cannot predict where it'll go next.  I know some viewers have criticized it for being too esoteric, or even nonsensical, but to them I'd say, give it a second watch, think about it, and I don't think it's any more indecipherable than, say, Mulholland Drive.
2017 CBS DVD top; 2017 CBS blu bottom.
The series is in 16x9 now, 1.78:1, and looks pretty great, settling in alongside its new "golden age of television" peers.  Unlike its predecessors, this season was shot digitally, so there's no point in trying to peck out film grain or anything.  I think it's safe to assume this is a more or less direct port of the DCP, with the blu-ray having a much crisper, more satisfying image than the noticeably softer DVD.  It was shot in 4k with an HDR-friendly camera, though, so it's a bit of a shame there wasn't any more available on UHD.  But it's hard not to be happy with the blu-rays, which still manage to look even a bit better than how it originally aired.
2017 CBS/ Paramount blu top; 2019 CBS/ Paramount UHD bottom.
And yes, all The Return discs are exactly the same in the Z To A box... except for that UHD with episode 8!  Though, to be clear, the previous blu that includes episode 8 is in this set, too.  Now, as with the pilot, this does not feature HDR.  But unlike the pilot, this was material was shot and made for 4k, so it looks especially authentic here.  Where edges turn into blocks on the blu when you get in close, they still hold firm as smooth, natural curves on the UHD.  The only question is if you have a television large enough to appreciate the upgrade.  Also, even without HDR, the colors are richer on the - see how that globe has a stronger, deeper yellow glow?

The series is presented in Dolby 5.1, bumped up to DTS-HD for the blu and UHD, with optional English subtitles across the board.  And one neat thing about the DVDs and blu-rays is that, well, you remember when the series first aired, they showed the first couple of episodes together in two hour chunks, right?  And those eps were actually edited together into one seamless double-episode, with one only series of credits each and all.  Well, these boxes give you those episodes both ways.  So you can watch each episode as an individual hour with full credits, or the pairs edited together as they first aired.  Not a big deal, but just like the previous seasons giving you the ability to watch the episodes with the bumpers and all, it's nice that they gave us all the options here as well.
Behind the Red Curtain
Fans should be delighted with its over 6 hours of special features.  Most of it consists of a series of behind-the-scenes documentaries called Impressions, which give you a wonderfully candid look at the making of the series as Lynch and company travel all around the country filming its various scenes.  Seriously, this is one of the best 'making of's I've ever seen on any disc.  It does have some cornball narration which I could've just as well done without; but the substance of the content is so great, at the end of the day, who cares?  Then there's an hour-long comic-con panel, hosted by the creator of Lost, with some of the series biggest stars.  It's alright, but nowhere near as interesting as those docs.  It's also nice that they kept the small series brief promo featurettes that were previously available when the series was airing On Demand.  And there's a stills gallery and a reel of company logos, for the one weirdo who cares about that.

So, all of the above are included in both the DVD and blu-ray sets.  But the blu-ray has almost another hour and a half of exclusive special features that were left off the DVDs.  There are two more half-hour docs by Richard Beymer (yes, the actor who plays Ben Horne), which are essentially just like the other 'making of's, but without that narration.  In other words, they're great.  Then there's another more traditional, but still quite good half hour featurette by the guy who directed some of the features for The Entire Mystery.

And Z To A?  Yeah, here come those extra two blu-rays worth of new stuff.  The biggest feature, taking up one and a half of the discs, which are essentially more half-hour Impressions-like documentaries, minus the narration.  There's one for every single episode of The Return, so that's about nine more hours peaking behind the curtain right there.  There's also a great, 90-minute interview with MacLachlan and Lee, with a good interviewer who knows how to press for fresh new details.  And there's a new brief but engaging chat with Harry Goaz and Kimmy Robertson, a.k.a. Deputy Andy and Lucy.  Fan of the music of The Return?  Good news, we also get every Roadhouse performance, adding up to another 72 minutes of stuff.  And Z To A comes in a very stylish box, which also houses a box of 24 art cards, a magnet of Cooper & Laura Palmer, and an individually numbered certificate of authenticity (mine's #17,479 of 25,000).
So ultimately, of course The Entire Mystery Collection is the way to go. It looks the best in HD... there's that unfortunate sync issue, but even if you get it on your player, it's probably better to live with that than the standard definition episodes. Plus, it has the largest collection of extras.  Just not all of the extras.  In fact, it's missing enough from the old set that I'd actually recommend picking up the Artisan season 1 set (or a foreign version with the same extras, like I did) for the commentaries.  You can find them used pretty cheap nowadays, and they're substantial enough extras to make it worthwhile. It's frustrating that they dropped some Gold Box stuff, too; but I wouldn't recommend getting that unless you're super rich or a Twin Peaks mega-fan, in which case I'm sure you've already collected every Twin Peaks VHS, laserdisc, DVD and blu-ray there is to have anyway just for the different covers.  And then you might as well spring for the Criterion Fire Walk With Me, too.

So, to be clear, all other previous editions, like the Paramount season 2 set, the New Line Fire Walk With Me DVD, and any screwy old pilot-only discs you have are totally obsolete.  Unless you're just collecting them as objects, you can go ahead and chuck those.  The Gold Box and Criterion Fire Walk With Me disc have some exclusive extras, but not a lot.  What I seriously recommend is The Entire Mystery 10-disc version, the season 3 blu-ray set, and Artisan's season 1.
Buyers beware if you're still looking to buy The Entire Mystery set rather than the Z To A.  The Entire Mystery set was originally comprised on 10 blu-ray discs in a stylish box, but has been quietly replaced in the US market with a lower budget 9-disc set in a more standard plastic case.  As of September 20th, this new set's discs 1-9 are all exactly the same, but the 10th disc of extras has been dropped.  But the good news is Z To A includes that tenth disc, as well as all the previous nine, the eight from The Return and the three new discs (2 blus of extras and the UHD).  There is no single thing from The Entire Mystery and Return sets absent from Z To A.  The only things it's missing are the commentaries and clips from the season 1 DVDs, the tiny bits from the Gold Box, and the two exclusive interviews on Criterion's Fire Walk With Me.  If you're a super-mega fan, you probably already have every single one of those sets, but for most of us, Z To A is so thorough, you won't be aching for those additional odds and ends.  Except possibly for the commentaries, they offered a lot of unique value.

Vestron Recovers Ken Russell's Gothic (DVD/ Blu-ray Comparison)

Now here's a Ken Russell film you don't have to be a completist to enjoy. Though from his later, and most would say lesser, period, Gothic actually holds up quite well. I think it would probably be better appreciated by audiences today, in fact, than it was originally received in the 80s. It's certainly one of his wilder movies, so there's no risk of being bored at the very least. Russell lets loose with extreme, over the top imagery, this time specifically within the realm of - as its title implies - classic gothic literature and art, oftentimes replicating famous paintings of the 18th and 19th century. Imagine Northanger Abbey on acid, with a orchestral score by Thomas Dolby. It's had a tortured history on DVD though, with only a late-coming import version even being in the correct aspect ratio. Allow me to point you in its direction.

Update 8/26/15 - 1/31/18: The new blu-ray is here, the new blu-ray is here!  After all the junk DVDs (and the one admittedly decent import), it took until 2018, but thanks to Vestron, we finally have a worthy home video release of this mad-cap masterpiece of demented gothic horror.
Gothic tells the story of the famous, real summer of 1816, when Mary Shelley (Natasha Richardson), Percy Shelley (Julian Sands) and Claire Clairmont (Miriam Cyr) visited Lord Byron (Gabriel Byrne) and his physician (Timothy Spall) at his villa in Switzerland, and two classic novels, Frankenstein and Dracula, were conceived. If this premise sounds familiar, it's because two different films: Rowing With the Wind, starring Hugh Grant and Elizabeth Hurley and Haunted Summer, starring Eric Stoltz, Laura Dern and Alex Winter, both remade the same story in 1988. But 1986's Gothic came first and remains infinitely more memorable. Not a lot of detail is known for sure about what went on in that villa, so of course Russell is left to speculate and extrapolate; and he of course came up with the most colorful and feverish supposition of the three films. But on the other hand, the film is largely interior, showing us the visions they concocted in their minds, and strictly in terms of plot events, very little happens besides "they got inebriated and held a seance." It's a story of mass hallucination and collective imagination, depicting the birth of only fictional characters and artistic inspiration. And there aren't many filmmakers as suited to that sort of ambitious task as Ken Russell.
This is one of those films I picked up a couple of times over the years. I first had the original 2000 DVD from Artisan, which was full frame and barebones, so I was immediately on the look out for an upgrade. I optimistically and naively bought the 2001 DVD from Front Row, hoping for something better, but it was possibly even worse. In 2002, Artisan reissued the film with a slightly improved, but still fullscreen and barebones disc. Then word finally came in 2003 of an upcoming import that was widescreen and anamorphic from MGM itself, which was free to release it overseas where it hadn't already been licensed by these cheaper companies. Now, I've long since sold off my 2000 Artisan and Front Row discs, but in addition to the Artisan re-release and MGM, I just so happen to have a 2005 Mill Creek DVD from their Chilling Classics collection, which is as at least ugly as any that came before it.  Anyway, it's all obsolete now, thanks to Vestron's new 2018 blu-ray special edition!
1) 2002 Artisan DVD; 2) 2003 MGM DVD; 3) 2005 Mill Creek DVD; 4) 2018 Vestron blu-ray
Wow, now that is a huge difference. To be fair, while fullscreen, Artisan's 2002 re-release is clearly better than Mill Creek's transfer newer here, but it still pales in comparison to MGM's lovely widescreen (slightly letterboxed to 1.85:1) picture. And that in turns, pales in comparison to Vestron's much more vivid (also 1.85), distinctly detailed blu.  Sure, the fullscreen versions are largely open matte - and Artisan's fullscreen is slightly superior to Mill Creek's with a little extra info on all four sides - so they have more picture.  But look at 'em; it's just a sea of empty head-space. "Oh look, 20% more blank ceiling... but it's so dark, you can't make it out anyway!" The film looks far, far superior in its proper framing, and this is a film where the painterly image and its composition are hugely important. Plus, despite having less picture on the top and bottom, MGM's disc still manages to find a good chunk of horizontal information unique to their transfer.  And then Vestron tops that, by unveiling even more from all four sides.
1) 2002 Artisan DVD; 2) 2003 MGM DVD; 3) 2005 Mill Creek DVD; 4) 2018 Vestron blu-ray
As you can see, Mill Creek's DVD is also plagued with interlacing and some kind of awful edge enhancement, which Artisan's and MGM's discs are not.  But both Mill Creek and Artisan appear drained of color and so dark and murky, with Mill Creek apparently cranking some sort of clarify tool just so you can make out what's going on in the picture.  And even MGM's DVD is covered in compression artifacts.  But that's all irrelevant now, as all of those problems are happily done away with on the blu.  Vestron's known for relying on HD masters already in their library rather than striking up fancy, new ones, and they seem to have done that again here.  This isn't the fresh, 4k scan Arrow would've given it.  But how can you look at this film's history on disc and not be grateful for how far its come.  And even strictly by the latest standards, the colors are beautiful and it's quite an attractive picture to look at even on a very large screen.

MGM's European DVD also came with a host of language options, including the original English plus German, French, Spanish and Italian dubs, as well as English, German, French, Italian, Dutch, Spanish and Greek subtitles. Mill Creek's DVD of course had none of that, and neither did Artisan's or Front Row's.  Now, Vestron gives us the original mono track in 2.0 in lossless DTS-HD, and includes optional English and Spanish (a first for Vestron?) subtitles.
To their slight credit, Artisan's older disc at least had the trailer, which none of the other DVDs do, including MGM's or Artisan's own reissue. The reissue does have an amusing animated menu, though, I must say.  But until Vestron came along, we never got beyond the barebones Gothic release.  However, we're well beyond it now.  Let's start with the commentary.  I stated in my 2015 write-up of the DVDs that unfortunately we'd wasted so much time giving this film a special edition it was no longer possible to secure a Ken Russell commentary.  And that was a real shame, because he'd made great ones for so many of his films and Gothic really cried out for one.  Well, obviously Vestron couldn't perform a miracle, but they did the next best thing, pairing up his wife Lisi Russell with film historian Matthew Melia.  Between the pair of them, they bring the combination of expertise and personal insight that you'd hope for from an actual director commentary.  And thankfully, Lisi seems to have had a genuine interest in Ken's films, so she really brings something to the table.

So that's a great, insightful listen, but almost as essential is the interview with screenwriter, Stephen Volk, who tells us this film depicts the world just as he sees it.  He also has a lot of critical insight into this film from its origins to why this film is the way it is, including some details you'd never have guessed really did originate from Shelly's account of the real events.  Fans will probably be drawn more to the Julian Sands interview, which of course is good fun as well, and there's another on-camera interview with the DoP Mike Southon, who has some great anecdotes about working with Russell's temper and bringing to life his off-beat vision.  Vestron also includes their usual separate soundtrack audio which concludes with an interview with the composer.  And in this case, it's Thomas Dolby, so even fans who typically skip these might check this one out.  Additionally, yes, the trailer's back, as well as a TV spot and an image gallery.  And like all Vestron titles, it comes in a slipcover.
MGM's disc was essential in 2003, a must import.  But looking at it today, it's not even a very good DVD. Vestron's blu is the film's first special edition, and the extras are great.  But even if it were barebones, it would be the only serious option for this film.  Is it going to win blu-ray of the year and stand-up against Arrow's 4k remasters or the latest Transformers movie?  No, it's a little soft and there's room for technical improvement.  But for an 80s catalog title, this is well above satisfactory already, and then when you take into account the serious deficit that is this movie's home video situation, especially in the states, this is massive.  Finally, Gothic is nice to look at.  ...Except maybe, you know, for the scenes where the characters are all smeared in blood, sweat and feces.