cult film freak: henry silva

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Written by James M. Tate / 2/09/2024 / No comments / action , brian kelly , henry silva , joan collins , race car , seventies , sport , thriller , tv movie

BRIAN KELLY, JOAN COLLINS & HENRY SILVA 'DRIVE HARD, DRIVE FAST'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPobgib0HV4V_HJYE3tS5o4ovXtQV_5utKcxh2VUN6dNaIpubhHBm_mWg6LzGBDCdS9RcctpVPWGHzW0demkYFpeirBL56YXfkPsLQzN5lc8mPkO85L3iEkZHvB4Zd1V2rXx02azztHaBBtyDyhXgLKhYpoTL2Ra4YFn90XR5i_4bjdQUPYpgqYs9BZXUd/s1904/Screen%20Shot%202025-02-18%20at%202.16.18%20PM%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1208" data-original-width="1904" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPobgib0HV4V_HJYE3tS5o4ovXtQV_5utKcxh2VUN6dNaIpubhHBm_mWg6LzGBDCdS9RcctpVPWGHzW0demkYFpeirBL56YXfkPsLQzN5lc8mPkO85L3iEkZHvB4Zd1V2rXx02azztHaBBtyDyhXgLKhYpoTL2Ra4YFn90XR5i_4bjdQUPYpgqYs9BZXUd/s16000/Screen%20Shot%202025-02-18%20at%202.16.18%20PM%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Brian Kelly in DRIVE HARD, DRIVE FAST Released: 1973 Rates: **</u></td></tr></tbody></table><p>Filmed in 1969 and aired in 1973, by the time audiences saw the TV-movie DRIVE HARD, DRIVE FAST, lead actor Brian Kelly was permanently handicapped from driving too fast and hard on his motorcycle, ending a career that might have had potential since the FLIPPER star was a surprisingly good actor... <br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Sadly, the vehicle featuring Kelly's race-car driver traveling through mountainous landscapes with married Joan Collins while being bugged/eavesdropped by her crazy husband Henry Silva, is too loud and confusing, littered with bad folk music and benign second-hand conversations without enough of the otherwise creatively-edited races or chases (more documentary-style LE MANS than mainstream GRAND PRIX) built into the title.   </p><span></span>

action, brian kelly, henry silva, joan collins, race car, seventies, sport, thriller, tv movie

BRIAN KELLY, JOAN COLLINS & HENRY SILVA 'DRIVE HARD, DRIVE FAST'

Brian Kelly in DRIVE HARD, DRIVE FAST Released: 1973 Rates: ** Filmed in 1969 and aired in 1973, by the time audiences saw the TV-movie DRIV...

ROBERT FORSTER VS THE JAWS OF LEWIS TEAGUE'S 'ALLIGATOR'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLhjZZEXaCTvBzXASbNLH3AyED7yAnSo5-wsY_nggShpWZdsKSGeGqFoSD2e-xkjy0ctqHyg6mViP_qea7pZFQGUivg7V6v5SRzbRT4neC9zIJfl-MU_EQ2jGjMTsZVHYk2e7T1GpHCDqnw0q6085GYdiH7NzcQuvglTcrA178s3zDty_vgAeacmeyoQ/s1924/Screen%20Shot%202022-12-17%20at%208.49.16%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1386" data-original-width="1924" height="289" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLhjZZEXaCTvBzXASbNLH3AyED7yAnSo5-wsY_nggShpWZdsKSGeGqFoSD2e-xkjy0ctqHyg6mViP_qea7pZFQGUivg7V6v5SRzbRT4neC9zIJfl-MU_EQ2jGjMTsZVHYk2e7T1GpHCDqnw0q6085GYdiH7NzcQuvglTcrA178s3zDty_vgAeacmeyoQ/w400-h289/Screen%20Shot%202022-12-17%20at%208.49.16%20PM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Poster art for Lewis Teague's ALLIGATOR Year: 1980</u></td></tr></tbody></table>Of the many JAWS-clones, ALLIGATOR is the most original, and, the second with an original screenplay by John Sayles after PIRANHA, there's an extremely memorable opening with a baby alligator getting flushed down a toilet...<br>
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Well little "Ramon" grows up, and really, really big since a corporation's testing a growth-serum on dogs, and a pet store owner tosses the enlarged, steroid-filled corpses into the Los Angeles sewer that the gator feeds and grows on: The audience learning all this a step before Robert Forster's cop with a past, David, a kind of old school detective type snooping around and ultimately believing what seems farfetched if impossible. Like JAWS, the mayor cares only about money, and there are enough edgy obstacles to make this creature-feature play like a legitimate thriller... <br>

bart braverman, body count, cop, creature, cult, eighties, exploitation, henry silva, horror, jaws-clone, leslie brown, lewis teague, michael v. gazzo, perry lang, robert forster, robin riker, thriller

ROBERT FORSTER VS THE JAWS OF LEWIS TEAGUE'S 'ALLIGATOR'

Poster art for Lewis Teague's ALLIGATOR Year: 1980 Of the many JAWS-clones, ALLIGATOR is the most original, and, the second with an ori...

BURT REYNOLDS STARS/DIRECTS THE NEO NOIR 'SHARKY'S MACHINE'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlc58prpFJfj1m4HHqFvC25yNzqmXicU58scAaXWvcKg_mJY3MQtDHuefuDGxQBxgLjwFgBieOo2GbhxfTKZ4CvQNeWsObyc1SWLsvHCnl3cO8HZxIGGtHkGZnBEzMxeMyCIUbP1trrxHl5k6dKYMl64QwXWiaLUthfoZFU04OS8JJcRFeyyPS07CfNWhf/s1976/Screen%20Shot%202024-09-14%20at%202.25.54%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1097" data-original-width="1976" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlc58prpFJfj1m4HHqFvC25yNzqmXicU58scAaXWvcKg_mJY3MQtDHuefuDGxQBxgLjwFgBieOo2GbhxfTKZ4CvQNeWsObyc1SWLsvHCnl3cO8HZxIGGtHkGZnBEzMxeMyCIUbP1trrxHl5k6dKYMl64QwXWiaLUthfoZFU04OS8JJcRFeyyPS07CfNWhf/s16000/Screen%20Shot%202024-09-14%20at%202.25.54%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: SHARKY'S MACHINE Year: 1981 Rating: ****</u></td></tr></tbody></table><p>Although Burt Reynolds' box office rival Clint Eastwood deemed SHARKY'S MACHINE "Dirty Harry in Georgia," it's actually a spiritual remake of the film noir LAURA where a cop falls for a mysterious woman who was supposedly murdered by a killer using a shotgun at her apartment door — but turns out being another dame entirely...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And before all that, Reynolds goes from a risky narc officer... whose opening drug deal turns into a solid city shootout... to one of several vice squad members in the shabby and neglected police headquarters-basement; and their first gig busting whores at a political rally with the two coolest characters, not including Burt, also the director... and with a skin-diver's cut instead of his usual distracting toupee, he hasn't been this legit since DELIVERANCE... <br></p><p><span></span></p>

action, bernie casey, brian keith, burt reynolds, charles durning, cop, earl holliman, eighties, henry silva, jazz-score, neo noir, rachel ward, vice, vittorio gassman

BURT REYNOLDS STARS/DIRECTS THE NEO NOIR 'SHARKY'S MACHINE'

Title: SHARKY'S MACHINE Year: 1981 Rating: **** Although Burt Reynolds' box office rival Clint Eastwood deemed SHARKY'S MACHINE ...

LATER 'ALLIGATOR' SUE LYON & OTHER CAREER SCREEN CAPTURES

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<tr><td class="tr-caption" style="text-align: center;"><u>Sue Lyon as an NBC Newscaster in Lewis Teague's cult classic ALLIGATOR Year: 1980</u></td></tr>
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<span style="color: #0c343d;">The lovely Sue Lyon, famous for playing 
the steamy teen in Stanley Kubrick's adaptation of LOLITA, turns up as a
 newscaster along with Henry Silva, who tells her "You're very pretty" 
in the creature-feature classic ALLIGATOR in 1980, which was her last 
role. So let's take a look at some of her other roles...</span><br>

actress, creature, eighties, exploitation, henry silva, seventies, sixties, sue lyon

LATER 'ALLIGATOR' SUE LYON & OTHER CAREER SCREEN CAPTURES

Sue Lyon as an NBC Newscaster in Lewis Teague's cult classic ALLIGATOR Year: 1980 The lovely Sue Lyon, famous for playing the steam...

OPAQUE GLIMPSE OF THE 'LAURA' NOIR OF 'SHARKY'S MACHINE'

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizRCb6d7p5W9flhe_snbGzMDILC8oafwZ85yR9II7KXgtUuak0D4rfFUL5KW741deYBFFFxiiC5zqIZrurJalYEz4kIZNTI5DqLmDcxafbll5NwlwCBjQRRfNXKrcN0889vFIKivtFDntK/s1600/70099_front.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1487" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizRCb6d7p5W9flhe_snbGzMDILC8oafwZ85yR9II7KXgtUuak0D4rfFUL5KW741deYBFFFxiiC5zqIZrurJalYEz4kIZNTI5DqLmDcxafbll5NwlwCBjQRRfNXKrcN0889vFIKivtFDntK/s320/70099_front.jpg" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Blu Ray for SHARKY'S MACHINE Year: 1981</u></td></tr>
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Burt Reynold's later CITY HEAT co-star and then-current action flick competitor didn't go nuts for SHARKY'S MACHINE...<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGAjn3piti0QXRSz9q9AuAqlkwb5Vi6-8BIhMFCm8xK6uWm8kylEJsYJqXFhHszW6JReXDIFegABYgR6kBAzUDWfaJrIKWkg9qqw2ZnfWBelvqxkwCss6SduvUqfdBVovcbBCllPLLJNXo/s1600/17098155_279482575814259_8978835975765532059_n.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGAjn3piti0QXRSz9q9AuAqlkwb5Vi6-8BIhMFCm8xK6uWm8kylEJsYJqXFhHszW6JReXDIFegABYgR6kBAzUDWfaJrIKWkg9qqw2ZnfWBelvqxkwCss6SduvUqfdBVovcbBCllPLLJNXo/s400/17098155_279482575814259_8978835975765532059_n.jpg" width="237" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Source Novel turned Novelization Style</u></td></tr>
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In tough guy competitor Clint Eastwood's view it was "DIRTY HARRY in Georgia" when, in a technical sense, the story of a resilient yet vulnerable cop, falling for a gorgeous dame who, with several men after her, winds up being mistaken for another tall beauty that gets shot and, well... the MACHINE source novel author William Diehl must have been heavily influenced by Vera Caspary's LAURA directed by Otto Preminger and starring two of our favorites, Dana Andrews and Gene Tierney.<br />
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And this movie's ingenue, Rachel Ward, would be, in the decade to come, no stranger to Neo Noir, later replacing Jane Greer in a steamier OUT OF THE PAST remake titled AGAINST ALL ODDS, and in the Steve Martin archive footage Noir fest, DEAD MEN DON'T WEAR PLAID. Meanwhile, Reynolds played in several Neo's including SHAMUS, HUSTLE, FUZZ and as director, this MACHINE was his chance to go underneath the character — starting out where Quentin Tarantino's JACKIE BROWN would almost-finish-up: a bearded undercover Reynolds as Sharky determinedly strolls to Randy Crawford's funky soul track titled <i>Street Life</i>, followed by an bloody violent shoot-em-up that's part Western and does in fact resemble Eastwood's HARRY more than any other scene. But Sharky has much less control than Eastwood's icon, quickly being demoted down to Vice inside a grungy basement quarters, where the real story begin (and least not forget, Clint had his own SMOKY AND THE BANDIT with the ANY WHICH WAY films)...<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQTiISS8df3mFjCQDvcbAZQxfvMqOsIdoi58Q_BkoF76Fyf2bau78QLU4b4S0L8vepQP44fbo-ZfjSO1cjQxA5JOt4dcAzxnUFnl9uAtnypU6KraMqrHdt5uyttEbFJVWnfIgI0svMPdJU/s1600/Screen+Shot+2017-03-03+at+11.44.48+PM.png" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQTiISS8df3mFjCQDvcbAZQxfvMqOsIdoi58Q_BkoF76Fyf2bau78QLU4b4S0L8vepQP44fbo-ZfjSO1cjQxA5JOt4dcAzxnUFnl9uAtnypU6KraMqrHdt5uyttEbFJVWnfIgI0svMPdJU/s320/Screen+Shot+2017-03-03+at+11.44.48+PM.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Neat Neon Noir Poster</u></td></tr>
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From terrific arial copter shots of a glass skyscraper with a see-through elevator to a lonely montage of Sharky staking out Ward's Domino from an empty building across her million dollar suite, Burt does as fine a job directing this murky tale, full of urban daylight contrasting with neon darkness, shadows, alleyways, a lake in the middle of nowhere, and side-characters including crooked politician Earl Holliman (who semi-recently signed the LP below), an even more crooked cop and Kung Fu assassins with nunchucks...<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSk70hM1R2yKGtqrpyI8rZrKvErp7aAc2k7S5dQ3QdcQuEtnIDVcjpgeZP6kS378NIq5fOrTGHoaaPDC7jJHYmBoK2zPSddpapZbXJxcPy8JR1Wc_mFdnqCzF5CHEfeUcWDG8746SS-RE/s1600/17342584_285999318495918_7727592696766594446_n.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSk70hM1R2yKGtqrpyI8rZrKvErp7aAc2k7S5dQ3QdcQuEtnIDVcjpgeZP6kS378NIq5fOrTGHoaaPDC7jJHYmBoK2zPSddpapZbXJxcPy8JR1Wc_mFdnqCzF5CHEfeUcWDG8746SS-RE/s320/17342584_285999318495918_7727592696766594446_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Original LP Signed by Earl Holliman</u></td></tr>
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The cool and gritty aesthetic matches his on-screen persona here, better than he'd been in years, since his pre-fame days, and not to be trivial, but his hair — a sort of skin diver's cut that seems like it's just-about to recede — makes his presence more credible than the SMOKEY AND THE BANDIT flicks where he'd often wear a hairpiece hybrid of Liberace and Harpo Marx...<br />
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For fans of his better Hal Needham action flicks like HOOPER and even the first CANNONBALL RUN, there's good news and bad, and for those weary of Burt's acting troupe behaving like they're involved in an end credit blooper reel or a improvisational workshop, it's mostly good since, when it counts, the performances are right to the point, sparse like the dialogue and old fashion tough. That's if you don't count miscast motormouth wire man Richard Libertini and grouchy lecturing Vice boss Charles Durning — the latter who's usually always overboard yet good but he goes so horribly over the top, the other actors have to wait until his frantic monologues end: and often seem in a different movie altogether... <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijWuqL0JDZtgvGzKhCiaD9WpTASLMQR1WlcbjjqAKHqeHbkOPumE6fYECzZ3ObSMHaP9YpsdHjckMHZEWkJj5PN5Rraf99yKrMhAo0VCAPqxHPApL6l6b76mliwzWicDrtbIqc80JsxtVp/s1600/scan0071_150.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijWuqL0JDZtgvGzKhCiaD9WpTASLMQR1WlcbjjqAKHqeHbkOPumE6fYECzZ3ObSMHaP9YpsdHjckMHZEWkJj5PN5Rraf99yKrMhAo0VCAPqxHPApL6l6b76mliwzWicDrtbIqc80JsxtVp/s400/scan0071_150.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Burt, Richard, Bernie and Brian SHARKYScore: ****</u></td></tr>
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What brings some of the obvious improv down is scene-stealer Bernie Casey as one of Sharky's two partners, Arch, who has a penchant for Eastern philosophy and contrasts wonderfully with veteran actor Brian Keith, who, on his own, brings Durning down a few notches just by being older, cooler, calm, quiet and weathered in the same motion picture (not unlike PULP FICTION fans realizing Sam Jackson could kick boss Ving Rhames's fat ass)...<br />
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An underrated, forgotten gem, lost within a myriad of Burt Reynolds flicks during his popular peak, and, with only sporadic action sequences, relies mostly on grisly murders... a few bordering on an exploitation body-count horror flick mostly from the hand of Henry Silva, the gloriously insane, drugged-up, wide-eyed hit man brother of lead heavy Vittorio Gassman (a deathly charming gentleman liken to a powerfully rich Bond villain), who's put in his place too quickly for Sharky to fight for his life once the second half shifts from a cop melodrama into high octane bedlam where Burt Reynolds, in front of the screen and behind the camera, sure ain't fooling around this time.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7r_c8512KqVPqw4jUe_l1rM6dkvs1QRdZlEpYuBnY320BhkRldfcxhLv2N1uhp-WZEBk0kx11yQRJRwpBCw7Se2jQFD66ZtvswBCTowTVPic0ScHsQa8x0bXBgScDZveZIcVUtgfxJ6X8/s1600/Screen+Shot+2018-09-08+at+7.46.51+AM.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="730" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7r_c8512KqVPqw4jUe_l1rM6dkvs1QRdZlEpYuBnY320BhkRldfcxhLv2N1uhp-WZEBk0kx11yQRJRwpBCw7Se2jQFD66ZtvswBCTowTVPic0ScHsQa8x0bXBgScDZveZIcVUtgfxJ6X8/s1600/Screen+Shot+2018-09-08+at+7.46.51+AM.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Henry Silva is Clifton Webb's wild side; Vittorio Gassman the classy side: LAURA and SHARKY'S MACHINE</u></td></tr>
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action, bernie casey, brian keith, burt reynolds, cop, crime, eighties, henry silva, jazz score, neo noir, rachel ward, vice

OPAQUE GLIMPSE OF THE 'LAURA' NOIR OF 'SHARKY'S MACHINE'

Blu Ray for SHARKY'S MACHINE Year: 1981 Burt Reynold's later CITY HEAT co-star and then-current action flick competitor didn...

Written by James M. Tate / 2/09/2013 / No comments / action , crime , exploitation , fernando di leo , henry silva , italian-import , mario adorf , seventies , woody strode

THE ITALIAN CONNECTION

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin34ZTP8V2h8cjdBrlJZjO-Y30r0mOggDuGniqNAaxv-JNe7kZM7HfzuC2l6YiUmpijf_VNJLaLTqgZ4YsNRjYwtxE5RaEdHB4TDL9ZNglDupBCzndW4pteZzyG1bYB9kOZmUYWmXaD_M/s1600/italian+connection.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin34ZTP8V2h8cjdBrlJZjO-Y30r0mOggDuGniqNAaxv-JNe7kZM7HfzuC2l6YiUmpijf_VNJLaLTqgZ4YsNRjYwtxE5RaEdHB4TDL9ZNglDupBCzndW4pteZzyG1bYB9kOZmUYWmXaD_M/s1600/italian+connection.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">year: 1972 cast: Mario Adorf, Henry Silva, Woody Strode, Cyril Cusak rating: ***1/2</td></tr>
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Although two New York hit men, Henry Silva and Woody Strode, supposedly templates of Quentin Tarantino’s Jules and Vincent PULP FICTION thugs, are far better villains than blocky local Mario Adorf is a lead-role/antihero, this Italian <i>mobsploitation</i> juggles each character decently enough... and everything narrows down to one thing only: Adorf, as small time pimp Luca Canali, is – if Silva and Strode can help it – a dead man.<br />
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The endearing traits of imported crime movies are here in droves: the wah-wah peddle guitar vibrates through the bursting horn section orchestrating insert-heavy action scenes, naked ladies, and a pivotal car chase as Canali, with a fierce boar-like countenance, seeks the thug who killed his family.<br />
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More attention on Silva, a sly womanizing braggart, and Strode, the brooding baseline, would have been nice – they’re far too cool to serve as an eventual backdrop to Canali’s quest to survive and then seek answers. That is, until the incredible climactic shootout between all three within a junkyard

action, crime, exploitation, fernando di leo, henry silva, italian-import, mario adorf, seventies, woody strode