Showing posts with label Mystery Fiction. Show all posts
Showing posts with label Mystery Fiction. Show all posts

Saturday, 29 June 2024

In The St Hilda's Spotlight - Jake Lamar

 Name: Jake Lamar

Job: - Author

Website: https//jakelamar.com

X: @jakelamar

Introduction

Jake Lamar is an author of a memoir, seven novels and numerous essays, reviews, and short stories. His novel The Last Integrationist won France’s Grand Prize for best foreign thriller. His most recent book Viper’s Dream was a New York Times top 4 thriller of the month. It was one of The Guardian’s best thrillers of 2023 and is currently shortlisted for the CWA Historical Dagger 2024

Current book?

I am writing a crime novel about chess. I describe it as a cross between Stefan Zweig and Chester Himes.

Favourite book?

Catch-22 by Joseph Heller. Read it when I was fourteen. It was the first time I really understood satire. That Heller could describe the horrors of war in such a darkly humorous way was a revelation for me.

Which two musicians would you invite to dinner and why?

John Lennon and Paul McCartney in their 1966 incarnations. This is the toughest question in the bunch for me. Because some of the musicians I revere most might not make the greatest dinner party company. Billie Holiday would show up hours late. Thelonious Monk would probably just glower benignly, hardly speaking at all. Miles Davis might insult the other guests. Lennon and McCartney might very well insult the other guests but hearing them riff off each other would more than make up for it.

How do you relax?

Just hanging out with Dorli, my partner of 28 years. A very wise, older friend of mine once said: "The most important thing isn't having someone to do something with. It's having someone to do nothing with."

Which book do you wish you had written and why?

Invisible Man by Ralph Ellison. Read it when I was fifteen. An astounding literary feat on so many levels. Veering from tragedy to satire, the novel encompasses the madness of the USA's racial caste system, from the rural South to the urban North. Ellison gave the world a metaphor for social marginalization---invisibility---that resonates with people to this day, as when groups and individuals say they want "to be seen." And, amazingly, in this 500-plus page epic, the reader never learns the name of the first-person narrator.

What would you say to your younger self of you were just starting out as a writer?

Writing and Publishing are two different planets. You will live on Planet Writing. Every once in a while, you will get in your spacecraft and fly over to Planet Publishing. But you will live on Planet Writing. Never let the volatile climate on Planet Publishing negatively impact the atmosphere on Planet Writing.

How would you describe your latest published book?

My friend and colleague David Peace was the first to call Viper's Dream "jazz noir." I think that nails it. The book is a hard-boiled crime novel---in the tradition of Hammett, Chandler, and Himes---set in the jazz world of Harlem between 1936 and 1961.

With A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Kind of Blue by Miles Davis

Monk's Dream by Thelonious Monk

Purple Rain by Prince

If you were given the ability to join a band which, would it be and why?

Sly and the Family Stone, circa 1969. The music of my late childhood/early adolescence, naturally. Check them out in the magnificent concert documentary film Summer of Soul. A band made up of men and women, of different ethnic origins, mixing gospel, rhythm-and-blues, jazz and soul, to create the ultimate feel-good Funk.

If you were to re-attend a concert which, would it be and why?

Easiest question in the bunch. Prince: The Fox Theatre; Detroit, Michigan; April 1993. A relatively intimate venue---5,000 seats---not an arena or stadium. His Purple Majesty was at the peak of his powers. The crowd was 75% African American. By the third hour, the place was delirious. Prince screamed from the stage: "I got too many HITS! Y'all can't STAND it!"

What are you looking forward to at St Hilda’s?

The conversations!

  

Viper’s Dream by Jake Lamar (Bedford Square Publishers)

A hard-boiled crime novel set in the jazz world of Harlem between 1936 and 1961, Viper's Dream combines elements of the epic Godfather films and the detective novels of Chester Himes to tell the story of one of the most respected and feared Black gangsters in America. At the centre of Viper's Dream is a turbulent love story. And the climax bears an element of Greek tragedy. For the better part of 20 years, Clyde 'The Viper' Morton has been in love with Yolanda 'Yo-Yo' DeVray, a singer of immense talent but a woman consumed by demons. By turns ambitious and self-destructive, conniving and naive, Yo-Yo is a classic femme fatale. She is a bright star in a constellation of compelling characters including the chauffeur-turned-gangster Peewee Robinson, the Jewish kingpin Abraham 'Mr. O' Orlinsky, the heroin dealer West Indian Charlie, the corrupt cop Red Carney, the wife-beating singer Pretty Paul Baxter, the pimp Buttercup Jones and the brutal enforcer Randall Country Johnson. But Viper's Dream has a fast-paced vibe all its own, a story charged with suspense, intrigue and plot twists and spiced with violence and humour. It is also steeped in music. The Viper's story is intertwined with the history of jazz over a quarter century.

Information about 2024 St Hilda's College Crime Fiction Weekend and how to book tickets can be found here



Wednesday, 3 January 2024

Left Coast Crime 2025: Rocky Mountain High Jinks

 


Left Coast Crime is thrilled to announce our Special Guests for Left Coast Crime 2025: Guests of Honor Manuel Ramos and Sara Paretsky, Fan Guest of Honor Grace Koshida, and Toastmaster John Copenhaver.



Registration is now open for LCC 2025 in Denver, Colorado, March 13-16, 2025. Left Coast Crime registration includes a Welcome Reception, two special Breakfasts, the Awards Banquet, and admission to all panels and interviews. The early registration fee of $299 extends through April 15, 2024, the close of LCC 2024: Seattle Shakedown.

 More Information and Online Registration: https://leftcoastcrime.org/2025/

Sunday, 14 May 2023

Agatha Christie Teaser Trailer - A Haunting in Venice


The official trailer for A Haunting in Venice, the third of Kenneth Branagh's Poirot adaptations has been released. When the retired detective attends a séance in a decaying, haunted palazzo in Venice, a sinister world of secrets and murder is unveiled. This supernatural thriller comes to cinemas September 15th 2023.



Inspired by the novel Hallowe’en Party, and directed by and starring Oscar® winner Kenneth Branagh as famed detective Hercule Poirot. A Haunting in Venice is set in eerie, post-World War II Venice on All Hallows’ Eve and is a terrifying mystery featuring the return of the celebrated sleuth, Hercule Poirot. Now retired and living in self-imposed exile in the world’s most glamorous city, Poirot reluctantly attends a séance at a decaying, haunted palazzo. When one of the guests is murdered, the detective is thrust into a sinister world of shadows and secrets.

Saturday, 1 April 2023

SMFS Official Announcement: 2023 Derringer Award Finalists

 

Since 1998, the Short Mystery Fiction Society has awarded the annual Derringers—after the popular pocket pistol—to outstanding published stories. The awards recognize outstanding stories published during 2022. Results of membership voting are scheduled to be posted on May 1, 2023.

The full listing of the nominees and the markets that published the finalist stories has been compiled and supplied by Assistant Derringer Coordinator Joseph S. Walker. 

Flash

Catch and Release” by April Kelly (Mystery Magazine, May 2022)

Acknowledgments” by Karen Harrington (Guilty Crime Story Magazine online flash fiction, April 2022)

Easter Spam” by John Weagly (Shotgun Honey online flash fiction)

The Final Chapter” by James Blakey (Yellow Mama, October 2022)

Where Palms Sway and the Surf Pounds” by Curtis Ippolito (Shotgun Honey online flash fiction)


Short

Double Trouble” by M.E. Proctor (Bristol Noir online, March 2022)

Hiding Out in Cedar Key” by Sharon Marchisello (White Cat Publications online, April 2022)

The Shape of Australia” by Christine Poulson (Ellery Queen’s Mystery Magazine, July/August 2022)

My Two-Legs” by Melissa Yi  (Alfred Hitchcock’s Mystery Magazine, September/October 2022)

Digging In” by Andrew Welsh-Huggins (Black Cat Weekly #40)


Long

The Vigil” by Toni Goodyear (Carolina Crimes: Rock, Roll and Ruinanthology)

Tethered” by Marcelle Dubé (Crime Wave: Women of a Certain Ageanthology)

The White Calf and the Wind” by Mike Adamson (Black Cat Mystery Magazine #11)

The Donovan Gang” by John M. Floyd (Alfred Hitchcock’s Mystery Magazine, Sept/Oct 2022)

Negative Tilt” by Bobby Mathews (Rock and a Hard Place issue 7)

Something Blue” by G.M. Malliet (Ellery Queen’s Mystery Magazine, November/December 2022)


Novelette

The Wraith of Bunker Hill” by Paul D. Marks (Ellery Queen’s Mystery Magazine, Sept/Oct 2022)

Two Shrimp Tacos and a .22 Ruger” by Adam Meyer (Guns & Tacos, Down & Out Books)

Dead Men Tell No Tales” by Liz Filleul (The People’s Friend Special, issue 225)

The Refusal Camp” by James Benn (Alfred Hitchcock’s Mystery Magazine, Sept/Oct 2022)

Ripen” by Ashley-Ruth M. Bernier (Black Cat Weekly #48)




Tuesday, 4 May 2021

Call for Submissions - American "Golden Age" Mystery and Detective Fiction 1920 - 1945

 Call for Submissions

Third issue of Mean Streets: A Journal of American Crime and Detective Fiction

Topic: AMERICAN “GOLDEN AGE” MYSTERY AND DETECTIVE FICTION 1920-1945

Proposals: July 15, 2021

Final essays: December 1, 2021

The “Golden Age” of mystery and detective fiction is generally agreed upon as bounded by World War I and World War II. While the designation is widely applied to both British and American fiction of the period, it has most closely adhered to British fiction, perhaps because American crime writing in the period was sharply bifurcated between Classical and Hard-boiled writing. Indeed, Stephen Wright claims that “It was in Britain that the clue-puzzle had its richest development” and also traces the important revision of narrative structure that became known as the “inverted” story to an English writer. So, in what lay the contribution of American writers? Are there unique features in their offerings to the Classical detective narrative? Is there any cross-fertilization (or creative friction) between Classical and Hard-boiled practices? Do the circumstances of American life and culture of the period produce qualities notably different from British narratives?

Some possible approaches:

  • Interrogate the question: Is there an American Golden Age?

  • Thematic explorations

  • Contemporary resurgence of Golden Age interest/popularity

  • Contributions of particular American publishers to Golden Age popularity and/or rediscovery (e.g., Rue Morgue Press, Library of Congress Crime Classics)

  • Juxtaposition of Classic and Hard-boiled fiction in the period

  • Analysis of the critical receptions of American writers by British critics

  • Selected authors associated with the period

    Anthony Abbot

    Stuart Palmer

    Anne Austin

    Zelda Popkin

    Hugh Austin

    Ellery Queen

    Earl Derr Biggers

    Patrick Quentin

    Anthony Boucher

    Virginia Rath

    John Dickson Carr

    Clayton Rawson

    Clyde B. Clason

    Mary Roberts Rinehart

    Dorothy Cameron Disney

    Mabel Seeley

    Todd Downing

    Rex Stout

    Mignon Eberhart

    Kay Cleaver Strahan

    Erle Stanley Gardner

    John Stephen Strange

    Frances Noyes Hart

    Phoebe Atwood Taylor

    C. Daly King

    Darwin Teilhet

    Rufus King

    S.S. Van Dine

    Helen McCloy

    Carolyn Wells

    Abstracts of 250 words with proposed title should be directed no later than July 15, 2021, to the editors: Rebecca Martin (doc.rmartin@gmail.com) and Walter Raubicheck (wraubicheck@pace.edu).

    Final papers of 7000-8000 words will be due by December 1, 2021, with publication anticipated in spring 2022. Feel free to send questions to both editors.

    About Mean Streets

    This journal is published by the Pace University Press (New York City), which has been sponsoring scholarly journals since the 1980s.

    Mean Streets is a refereed journal edited by two scholars in literature and film and guided by an Editorial Board comprised of distinguished scholars from several disciplines. Submissions will be reviewed by the editors and selected Board members.

    The journal’s first issue appeared in spring 2020, with the second issue anticipated in June 2021. Copies may be ordered at press.pace.edu/journals/mean-streets/.


Friday, 21 February 2020

40th Annual LA Times Book Prizes

The Los Angeles Times will honour Walter Mosley at the 40th Annual Book Prizes.

The LA Times Book Prizes recognize outstanding literary achievements in 12 categories, including the new Ray Bradbury Prize for Science Fiction, with winners to be announced April 17.

Walter Mosley will be honoured with the Robert Kirsch Award.

The annual ceremony recognizing outstanding literary achievements will take place on Friday, April 17, 2020. The ceremony kicks off the weekend literary and cultural gathering, Festival of Books, Stories and Ideas, taking place April 18-19 at USC. 

Crime-fiction writer Walter Mosley will receive the 2019 Robert Kirsch Award for lifetime achievement, which recognizes a writer whose work focuses on the American West. “We are pleased to celebrate Walter Mosley’s 30-year writing life, which spans mysteries, short stories, science fiction, nonfiction, plays, and works for television and film,” said Times Books Editor Boris Kachka. “Whether through a detective story set in the streets of 1950s Los Angeles or essays about contemporary politics, Mosley reaches a wide range of readers, bringing about a deeper understanding of the world and the people who live in it.” 

Born and raised in Los Angeles, Mosley eventually settled in New York City. As Columnist Patt Morrison said in a profile for The Times, “You can take Walter Mosley out of Los Angeles … but you can’t take L.A. out of Walter Mosley.” The author of more than 43 books crossing various genres, he is best known for his 14-volume mystery series featuring detective Easy Rawlins, a Black private detective living in South Central Los Angeles. 

A Grand Master of the Mystery Writers of America, Mosley has received numerous awards, including the Edgar Award for best novel, the Anisfield-Wolf Award, a Grammy, a PEN America’s Lifetime Achievement Award and several NAACP Image awards. 

The finalists for the Mystery/Thriller prize are below. 

Your House Will Pay by Steph Cha (Ecco) 
The Night Fire by Michael Connelly (Little, Brown and Company)
The Lost Man by Jane Harper (Flatiron Books)
 Lady in the Lake by Laura Lippman (William Morrow)
 Heaven, My Home by Attica Locke (Mulholland Books) 

The complete list of finalists and further information, including past winners, is available can be found here.

Tuesday, 21 January 2020

2019 Agatha Award Nominees


The 2019 Agatha Award nominees have been announced.  The winners will be announced at Malice Domestic 32 which will be taking place between 1 – 3 May at the Agatha Awards Banquet.

Best Contemporary Novel
Fatal Cajun Festival by Ellen Byron (Crooked Lane Books)
The Long Call by Ann Cleeves (Minotaur)
Fair Game by Annette Dashofy (Henery Press)
The Missing Ones by Edwin Hill (Kensington)
A Better Man by Louise Penny (Minotaur)
The Murder List by Hank Philippi Ryan (Forge)

Best First Mystery Novel
A Dream of Death by Connie Berry (Crooked Lane Books)
One Night Gone by Tara Laskowski (Graydon House, a division of Harlequin)
Murder Once Removed by S. C. Perkins (Minotaur)
When It’s Time for Leaving by Ang Pompano (Encircle Publications)
Staging for Murder by Grace Topping (Henery Press)


Best Historical Mystery 
Love and Death Among the Cheetahs by Rhys Bowen (Penquin)
Murder Knocks Twice by Susanna Calkins (Minotaur)
The Pearl Dagger by L. A. Chandlar (Kensington)
Charity’s Burden by Edith Maxwell (Midnight Ink)
The Naming Game by Gabriel Valjan (Winter Goose Publishing)

Best Nonfiction
Frederic Dannay, Ellery Queen’s Mystery Magazine and the Art of the Detective Short Story by Laird R. Blackwell (McFarland)
Blonde Rattlesnake: Burmah Adams, Tom White, and the 1933 Crime Spree that Terrified Los Angeles by Julia Bricklin (Lyons Press)
Furious Hours: Murder, Fraud and the Last Trial of Harper Lee by Casey Cep (Knopf)
The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle Remade the World for Women by Mo Moulton (Basic Books)
The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold (Houghton, Mifflin, Harcourt)

Best Children/Young Adult
Kazu Jones and the Denver Dognappers by Shauna Holyoak (Disney Hyperion)
Two Can Keep a Secret by Karen MacManus (Delacorte Press)
The Last Crystal by Frances Schoonmaker (Auctus Press)
Top Marks for Murder (A Most Unladylike Mystery)
by Robin Stevens (Puffin)
Jada Sly, Artist and Spy by Sherri Winston (Little Brown Books for Young Readers)

Best Short Story
"Grist for the Mill" by Kaye George in A Murder of Crows (Darkhouse Books)
"Alex’s Choice" by Barb Goffman in Crime Travel (Wildside Press)
"The Blue Ribbon" by Cynthia Kuhn in Malice Domestic 14: Mystery Most Edible (Wildside Press)
"The Last Word" by Shawn Reilly Simmons, Malice Domestic 14: Mystery Most Edible (Wildside Press)
"Better Days" by Art Taylor in Alfred Hitchcock Mystery Magazine

 

 

Friday, 30 August 2019

Call for Papers - Mystery and Detective Fiction

CALL FOR PAPERS:
2020 POPULAR CULTURE ASSOCIATION NATIONAL CONFERENCE 
IN PHILADELPHIA, PA.
Philadelphia Marriott Downtown, Wednesday, April 15 – Saturday, April 18, 2020

For information on PCA/ACA, please go to http://www.pcaaca.org

For conference information, please go to http://www.pcaaca.org/national-conference/

CFP: MYSTERY & DETECTIVE FICTION AREA DEADLINE: NOVEMBER 1, 2019

The Mystery & Detective Fiction Area of the Popular Culture Association invites proposals for our annual conference. We seek proposals from educators, graduate students, and independent scholars for academic discussions on all aspects and periods of mystery and detective fiction, including history, criticism, and theory, as well as explorations of social justice, diversity, inclusivity, and other current trends in scholarship. We welcome a wide range of topics and approaches on writers and works ranging from classic to contemporary, but ask that proposals go beyond plot summary to extend existing scholarship in new directions. Proposals should have a clear and focused argument that can be developed adequately in a 15-minute presentation.

We welcome proposals on the following:
Regional detective fiction, including texts set in or around Philadelphia, PA
Storytelling styles, stock characters, and tropes relevant to the genre (e.g. individual mysteries compared to series, long-term story arcs)
Axes of diversity and identity politics in mystery/detective fiction(e.g., race/ethnicity/class/gender/sexual orientation)
Critical race theory and other approaches that interrogate marginalization
Various subgenres (e.g., hardboiled detective fiction /cosy detective fiction)
Mystery and detection on film (including film noir, horror, romance)
Overlaps with other genres (e.g., horror, romance, dystopia, Westerns)
Trauma theory and other psychological approaches (e.g., cognitive poetics)
Representing crime, justice, violence, stereotyping, etc.
Comparisons between fictional and “true crime”/news representations of crime
Questions of high/low culture
International incarnations of mystery, detective, and crime works
Analyses of promotional and/or contextual materials (reviews, handbooks, etc.)
Mystery community culture (e.g., conferences, associations, forums, bookstores, listservs, author events, fandoms)
The genre as represented outside of print media, including film, television, podcasts, mystery dinner theatre, computer games, transmedia experiments, etc.

Please submit your 100- to 250-word abstract outlining both your object(s) of analysis and your primary argument by November 1, 2019. If you are a first-time presenter in our division (it does not need to be your first time presenting at PCA/ACA), please identify yourself with a note after your abstract. First-time presenters in Mystery & Detective Fiction are eligible for the Earl Bargainnier Award.

To propose a panel, submit individual presentations, then email both area co-chairs with a request to be considered as a panel. This year, PCA/ACA is requiring a minimum of four papers per panel. In your email, name all participants and briefly explain the thematic link between your papers.

ABOUT US
The Mystery & Detective Fiction Area of PCA/ACA is dedicated to recognizing, furthering, and promoting the scholarly study of all aspects of mystery and detective fiction. The M&D Fiction area offers an inclusive community where new and returning scholars can engage in sustained critical evaluation of texts, film, and television, podcasts, and other mediums relating to the theme. Each year we present the Earl Bargainnier Award for best paper by a first-time presenter in the M&D Fiction area and the George N. Dove Award for outstanding contributions to the serious study of crime fiction. In addition to panel presentations on all aspects of mystery and detective fiction, we organize a panel of local mystery authors and partner with other PCA sections with overlapping interests as well as coordinate formal and informal tours of the host city. We also invite members to participate in a group dinner, making this a truly collegial event. Members are also encouraged to participate in the annual business meeting, where we set the area’s course for the next year, and hold a raffle of fun low-cost items donated by area members.

For the rest of the year, we maintain contact through a listserv where we discuss ideas, circulate calls for contributions, and post book reviews and recommendations. 

To join the listserv, contact Karen Waldron at (kwaldron@coa.edu). Follow us on Twitter: @pca_mystery.

Please send all inquiries to co-chairs:

Patrick Russell University of Connecticut
AND/OR
Jennifer Schnabel
The Ohio State University schnabel.23@osu.edu
2020 CONFERENCE DATES AND DEADLINES
August 1, 2019                 Submission Page Goes Live
October 1, 2019               Early Bird Registration Rate Opens
November 1, 2019           Deadline for Paper Proposals and Endowment  Grants
December 1, 2019           Early Bird Registration Rate Ends
January 1, 2020               Regular Registration Rate Ends
January 2, 2020               Late Registration Rate Begins
January 15, 2020             Brigman and Jones Awards Deadline
January 20, 2020             Preliminary Schedule Available
February 1, 2020             Presenter Registration Deadline – participants who have not registered are removed from the program.
February 2, 2020              Registration ends for presenters at midnight.
April 15-18, 2020             National Conference
All presenters must be current, paid members of the PCA and fully  registered for the conference.
Refund requests must be submitted in writing. Full or partial refunds will be processed according to the following schedule:
Requested by Jan. 1: 100% refund
Requested by Jan. 15: 75% refund
Requested by Jan. 25: 50% refund
Requested by Feb. 1: 25% refund
After Feb. 1: 0% refund
Membership fees are not refundable.


Monday, 29 July 2019

CfP - The Golden Age of Crime: A Re-Evaluation

The Golden Age of Crime: A Re-Evaluation
A 2-day international conference at the University of Chester 3-4 April 2020

The Golden Age of crime fiction, roughly defined as puzzle-based mystery fiction produced between the First and Second World Wars, is enjoying a renaissance both in the literary marketplace and in scholarship. This conference intervenes in emerging academic debates to define and negotiate the boundaries of Golden Age scholarship.

As well as interrogating the staples of ‘Golden Age’ crime (the work of Agatha Christie and/or Ellery Queen, the puzzle format, comparisons to ‘the psychological turn’), this conference will look at under-explored elements of the publishing phenomenon.

We invite proposals for 20-minute papers or panel presentations of one hour. Topics can include, but are by no means limited to, the following:

Defining the parameters of Golden Age crime
The Queens of Crime (Agatha Christie, Margery Allingham, Dorothy L. Sayers, Ngaio Marsh, Josephine Tey, Gladys Mitchell)
Significant male writers of the Golden Age (John Dickson Carr, Anthony Berkeley, Ellery Queen)
Lesser-known Golden Age practitioners
Collaborative and round robin novels
Continuation novels
The Detection Club
Parody, pastiche, and postmodernism
Psychology and psychoanalysis
Meta-fiction and self- or inter-referentiality
The language of crime fiction
The Golden Age and social value
Nostalgia and heritage
Writing the past
Gender, sexuality, and queerness
Clues and coding
Crime and the Gothic
Magic and the supernatural
Place, space, and psychogeography
Reissues and rediscovery
Archival finds and innovations
The ‘Second Golden Age’
The influence of Golden Age crime writers on subsequent and contemporary writers
Interdisciplinary perspectives
Teaching Golden Age crime fiction

Organisers: Dr J C Bernthal (University of Cambridge), Sarah Martin (University of Chester), Stefano Serafini (Royal Holloway, University of London)

We welcome academic and creative paper proposals. Please email your 200-word proposal and short biographical note to goldenageofcrime@gmail.com no later than 15th December. Comments and queries should be directed to the same address.

Thursday, 25 July 2019

Capital Crime Announces Amazon Publishing Readers Awards Shortlist


Capital Crime and Amazon Publishing have partnered to present innovative new awards that give readers the power to honour their favourite books, films & TV

London 25th July 2019 - Capital Crimeis pleased to announce the shortlists for the 2019 Amazon Publishing Readers’ Awards. The awards are a celebration of the crime and thriller genre and in a UK festival first, recognise excellence in film and television as well as books. The shortlists were decided by Capital Crime’s advisory board of authors, industry leaders and reviewers, but readers will have the final say on who wins in each category.

David Headley, co-founder of Capital Crime said, ‘Capital Crime is all about the readers. With panels focused on entertaining and engaging, and events and parties that are open to all, it was only natural we give readers the ultimate say over who wins our awards.’

Capital Crime has invested in an innovative voting system which gives festival passholders the ability to decide their favourite books, film and TV series. The Amazon Publishing Readers’ Awards are decided by real crime and thriller fans.

Adam Hamdy, author and screenwriter, and co-founder of Capital Crime said, ‘Amazon leads the way in technology innovation and it’s fitting that our awards make use of new technology to put the power in the hands of crime and thriller fans.’

Capital Crime festival pass holders will be able to vote for the winner in each category from today until 19 September 2019.

Hatty Stiles, Senior Marketing Manager, Amazon Publishing, said, ‘We’re delighted to be sponsoring the Capital Crime Reader’s Awards, and excited to be part of this new festival that celebrates the crime and thriller community. As soon as we heard about Capital Crime’s innovative approach and stellar line-up, we were eager to be involved.’

The winners of the awards will be announced at Capital Crime on Saturday 26th September at a gala reception that marks the close of the festival.

The 2019 Amazon Publishing Readers’ Award Nominees are:

BEST MYSTERY
Jane Casey – Cruel Acts
Anthony Horowitz – The Sentence is Death
Ragnar Jonasson – The Island
Philip Kerr – Metropolis
Ian Rankin – In A House of Lies

BEST THRILLER
Steve Cavanagh – Twisted
Mick Herron – London Rules
Gregg Hurwitz – Out of the Dark
Manda Scott – A Treachery of Spies
Matt Wesolowski – Changeling

BEST DEBUT
Oyinkan Braithwaite – My Sister, The Serial Killer
Lesley Kara – The Rumour
Laura Shepherd-Robinson – Blood & Sugar
Harriet Tyce – Blood Orange
Holly Watt – To The Lions

BEST E-BOOK
Amer Anwar – Brothers in Blood
Mark Edwards – Last of the Magpies
Alex Michaelides – The Silent Patient
Liane Moriarty – Nine Perfect Strangers
CL Taylor – Sleep

BEST AUDIOBOOK
Robert Galbraith – Lethal White – Read by Robert Glenister
Anthony Horowitz – The Sentence is Death – Read by Rory Kinnear
Catherine Steadman – Something in the Water – Read by Catherine Steadman
Stuart Turton – The Seven Deaths of Evelyn Hardcastle – Read by Jot Davies
Harriet Tyce – Blood Orange – Read by Julie Teal

BEST INDEPENDENT VOICE
Edward Carey - Little
Will Carver - Good Samaritans
Will Dean – Red Snow
Jean Levy – What Was Lost
Matt Wesolowski – Changeling

BEST CRIME NOVEL
Louise Candlish – Our House
Ray Celestin – The Mobster’s Lament
MW Craven – The Puppet Show
Erin Kelly – Stone Mothers
Ian Rankin – In a House of Lies

BEST FEATURE FILM
American Animals
BlacKKKlansman
John Wick 3
The Sisters Brothers
Widows

BEST TV SHOW
Bodyguard
Bosch
Killing Eve
Line of Duty
You

Tickets for the festival are now on sale here: https://www.capitalcrime.org/