Showing posts with label Laura Shepherd Robinson. Show all posts
Showing posts with label Laura Shepherd Robinson. Show all posts

Thursday, 4 April 2024

Capital Crime Announces Fingerprint Award nominations!

 

OVERALL CRIME BOOK OF THE YEAR 2023

THE MURDER GAME by Tom Hindle

NONE OF THIS IS TRUE by Lisa Jewell

THE SECRET HOURS by Mick Herron

IN THE BLINK OF AN EYE by Jo Callaghan

STRANGE SALLY DIAMOND by Liz Nugent


THRILLER BOOK OF THE YEAR 2023

FEARLESS by M W Craven

THE SILENT MAN by David Fennell

THE RULE OF THREE by Sam Ripley

THE ONLY SUSPECT by Louise Candlish

THE HOUSE HUNT by C. M. Ewan


HISTORICAL BOOK OF THE YEAR 2023

DEATH OF A LESSER GOD by Vaseem Khan

THE SQUARE OF SEVENS by Laura Shepherd-Robinson

THE MURDER WHEEL by Tom Mead

THE GOOD LIARS by Anita Frank

THE HOUSE OF WHISPERS by Anna Mazzola

TRUE CRIME BOOK OF THE YEAR 2023

NO ORDINARY DAY by Matt Johnson

MY GIRL by Michelle Hadaway

VITAL ORGANS by Suzie Edge

UNLAWFUL KILLINGS: LIFE, LOVE AND MURDER: TRIALS AT THE OLD BAILEY by Her Honour Wendy Joseph QC

ORDER OUT OF CHAOS by Scott Walker

AUDIO BOOOK OF THE YEAR 2023

THE RUNNING GRAVE by Robert Galbraith (narrated by Robert Glenister)

THE LAST GOODBYE by Tim Weaver (narrated by Joe Coen, Brendan MacDonald, Peter Noble, Dominic Thorburn and Candida Gubbins)

THE BEDROOM WINDOW by K. L. Slater (narrated by Clare Corbett)

CONVICTION by Jack Jordan (narrated by Sophie Roberts)

OVER MY DEAD BODY by Maz Evans (narrated by Maz Evans)

GENRE -BUSTING BOOK OF THE YEAR 2023

INK BLOOD SISTER SCRIBE by Emma Torzs

THE MYSTERIOUS CASE OF THE ALPERTON ANGELS by Janice Hallett

KILLING JERICHO by William Hussey

MURDER IN THE FAMILY by Cara Hunter

THE LOOKING GLASS SOUND by Catriona Ward

DEBUT BOOK OF THE YEAR 2023

DEATH OF A BOOKSELLER by Alice Slater

THE LIST by Yomi Adegoke

GENEVA by Richard Armitage

THE BANDIT QUEENS by Parini Shroff

THIRTY DAYS OF DARKNESS by Jenny Lund Madsen


Voting is now open and you can vote for your favourite book here.

Friday, 15 December 2023

My Favourite Reads of 2023

This year I have read a varied number of wonderful books and if you have listened to the CrimeTime Podcast back in November and also have followed DampPebbles #R3COMM3ND3D2023 then a number of the books on my favourite reads list this year should be of no surprise. I also have some honourable mentions.

I have put the books in alphabetical order solely because whilst I could actually work out my top 4, the rest would be slightly more difficult.

The Land of Lost Things by John Connolly (Hodder and Stoughton)

Twice upon a time - for that is how some stories should continue. Phoebe, an eight-year-old girl, lies comatose following a car accident. She is a body without a spirit, a stolen child. Ceres, her mother, can only sit by her bedside and read aloud to Phoebe the fairy stories she loves in the hope they might summon her back to this world. But it is hard to keep faith, so very hard. Now an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, and to journey - to a land coloured by the memories of Ceres's childhood, and the folklore beloved of her father, to a land of witches and dryads, giants and mandrakes; to a land where old enemies are watching, and waiting.

All the Sinners Bleed by S A Cosby (Headline Publishing)

A black sheriff. A serial killer and a small town ready to combust. Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, Charon has had only two murders. After years of working as an FBI agent, no one knows better than Titus that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. But a year to the day after Titus's election, a school teacher is killed by a former student. The student is then fatally shot by Titus's deputies. As Titus investigates the shootings, he unearths terrible crimes, and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. With the killer's possible connections to a local church and the town's harrowing history weighing on him, Titus tries to project confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town's Confederate history. Charon is Titus's home and his heart. But where faith and violence meet, there will be a reckoning.

Ozark Dogs by Eli Cranor (Headline Publishing)

After his son is convicted of murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt. Headed by rancorous patriarch Bunn and smooth-talking, erudite Evail, the Ledfords have never forgotten what the Fitzjurls family did to them, and they will not be satisfied until they have taken an eye for an eye. As they seek revenge, and as Jeremiah desperately searches for his granddaughter, their narratives collide in this immersive story about family and how far some will go to honor, defend-or in some cases, destroy it.

Everybody Knows by Jordan Harper (Faber & Faber)

In Hollywood, nobody talks. But everybody whispers. Welcome to Mae Pruett's LA. A 'black-bag' publicist at one of Hollywood's most powerful crisis PR firms, Mae's job isn't to get good news out, it's to keep the bad news in and contain the scandals. But just as she starts to question her job and life choices, her boss is gunned down in front of the Beverly Hills Hotel, and everything changes. Investigating with the help of an ex-boyfriend, Mae dives headlong into a neon joyride through the jungle of contemporary Hollywood. Pitted against the twisted system she's worked so hard to perpetuate, she's desperately fighting for redemption, and her life.

The Secret Hours by Mick Herron (John Murray Press)

Monochrome is a busted flush - an inquiry into the misdeeds of the intelligence services, established by a vindictive prime minister but rendered toothless by a wily chief spook. For years it has ground away uselessly, interviewing witnesses with nothing to offer, producing a report with nothing to say, while the civil servants at its helm see their careers disappearing into a black hole. And then the OTIS file falls into their hands … What secrets does this hold that see a long-redundant spy being chased through Devon's green lanes in the dark? What happened in a newly reunified Berlin that someone is desperate to keep under wraps? And who will win the battle for the soul of the secret service - or was that decided a long time ago? Spies and pen-pushers, politicians and PAs, high-flyers, time-servers and burn-outs ... They all have jobs to do in the daylight. But what they do in the secret hours reveals who they really are.

The McMaster's Guide to Homicide by Rupert Holmes (Headling Publishing)

Welcome to The McMasters Conservatory for the Applied Arts - a luxurious, clandestine college dedicated to the fine art of murder where earnest students study how best to "delete" their most deserving victim. Who hasn't wondered for a split second what the world would be like the object of your affliction ceased to exist? But then you've probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this "Poison Ivy League" college-its location unknown to even those who study there-is where you might find yourself the practice target of a classmate...and where one's mandatory graduation thesis is getting away with the perfect murder of someone whose death will make the world a much better place to live. Prepare for an education you'll never forget. A delightful mix of witty wordplay, breathtaking twists and genuine intrigue, Murder Your Employerwill gain you admission into a wholly original world, cocooned within the most entertaining book about well-intentioned would-be murderers you'll ever read.

The Lost Diary of Samuel Pepys by Jack Jewers (Moonflower Publishing)

It is the summer of 1669 and England is in dire straits. The treasury's coffers are bare and tensions with the powerful Dutch Republic are boiling over. And now, an investigator sent by the King to look into corruption at the Royal Navy has been brutally murdered. Loathe to leave the pleasures of London, Samuel Pepys is sent dragging his feet to Portsmouth to find the truth about what happened. Aided by his faithful assistant, Will Hewer, he soon exposes the killer. But has he got the right man? The truth may be much more sinister. And if the real plot isn't uncovered in time, England could be thrown into a war that would have devastating consequences ...

Viper's Dream by Jake Lamar (Bedford Square Publishers)

A hard-boiled crime novel set in the jazz world of Harlem between 1936 and 1961, Viper's Dream combines elements of the epic Godfather films and the detective novels of Chester Himes to tell the story of one of the most respected and feared Black gangsters in America. At the centre of Viper's Dream is a turbulent love story. And the climax bears an element of Greek tragedy. For the better part of 20 years, Clyde 'The Viper' Morton has been in love with Yolanda 'Yo-Yo' DeVray, a singer of immense talent but a woman consumed by demons. By turns ambitious and self-destructive, conniving and naive, Yo-Yo is a classic femme fatale. She is a bright star in a constellation of compelling characters including the chauffeur-turned-gangster Peewee Robinson, the Jewish kingpin Abraham 'Mr. O' Orlinsky, the heroin dealer West Indian Charlie, the corrupt cop Red Carney, the wife-beating singer Pretty Paul Baxter, the pimp Buttercup Jones and the brutal enforcer Randall Country Johnson. But Viper's Dream has a fast-paced vibe all its own, a story charged with suspense, intrigue and plot twists and spiced with violence and humour. It is also steeped in music. The Viper's story is intertwined with the history of jazz over a quarter century.

Small Mercies by Dennis Lehane (Little, Brown)

'Mrs. Fennessy, please go home.''And do what?' 'Whatever you do when you're home.''And then what?' 'Get up the next day and do it again.' She shakes her head. 'That's not living.''It is if you can find the small blessings. 'She smiles, but her eyes shine with agony. 'All my small blessings are gone.'In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of 'Southie', the Irish American enclave that stubbornly adheres to old tradition and stands proudly apart. One night Mary Pat's teenage daughter Jules stays out late and doesn't come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. The two events seem unconnected. But Mary Pat, propelled by a desperate search for her missing daughter, begins turning over stones best left untouched - asking questions that bother Marty Butler, chieftain of the Irish mob, and the men who work for him, men who don't take kindly to any threat to their business. Set against the hot, tumultuous months when the city's desegregation of its public schools exploded in violence, Small Mercies is a superb thriller, a brutal depiction of criminality and power, and an unflinching portrait of the dark heart of American racism.

The Second Murderer by Denise Mina (Vintage Publishing)

It's mid-September, a heatwave has descended on the parched hills of LA and Private Detective Philip Marlowe is called to the Montgomery estate, an almost mythic place sitting high on top of Beverly Hills.Wealthy twenty-two-year-old Chrissie Montgomery, set to inherit an enormous fortune, is missing. She's a walking target, ripe for someone to get their claws into. Her dying father, along with his sultry bottle blonde girlfriend, wants her found before that happens. They've hired Anna Riorden, Marlowe's nemesis, too. The search takes them to the roughest neighbourhoods of LA through dive bars and Skid Row. And that's before he finds the body at The Brody Hotel. Who will get to her first, Marlowe, Anne, or the men chasing her fortune? And does she want to be found?

The Turnglass by Gareth Rubin (Simon & Schuster)

1880s England. On the bleak island of Ray, off the Essex coast, an idealistic young doctor, Simeon Lee, is called from London to treat his cousin, Parson Oliver Hawes, who is dying. Parson Hawes, who lives in the only house on the island - Turnglass House - believes he is being poisoned. And he points the finger at his sister-in-law, Florence. Florence was declared insane after killing Oliver's brother in a jealous rage and is now kept in a glass-walled apartment in Oliver's library. And the secret to how she came to be there is found in Oliver's tete-beche journal, where one side tells a very different story from the other. 1930s California. Celebrated author Oliver Tooke, the son of the state governor, is found dead in his writing hut off the coast of the family residence, Turnglass House. His friend Ken Kourian doesn't believe that Oliver would take his own life. His investigations lead him to the mysterious kidnapping of Oliver's brother when they were children, and the subsequent secret incarceration of his mother, Florence, in an asylum. But to discover the truth, Ken must decipher clues hidden in Oliver's final book, a tete-beche novel - which is about a young doctor called Simeon Lee.

The Square of Sevens by Laura Shepherd-Robinson (Pan Macmillian)

'My father had spelt it out to me. Choice was a luxury I couldn't afford. This is your story, Red. You must tell it well.' A girl known only as Red, the daughter of a Cornish fortune-teller, travels with her father making a living predicting fortunes using the ancient method: the Square of Sevens. When her father suddenly dies, Red becomes the ward of a gentleman scholar. Now raised as a lady amidst the Georgian splendour of Bath, her fortune-telling is a delight to high society, but she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholemew Fair to the grand houses of two of the most powerful families in England. And while Red's quest brings her the possibility of great reward, it also leads into her grave danger.

Honourable mentions

Palace of Shadows by Ray Celestin

Resurrection Walk by Micheal Connelly

The Mantis by Kõtarõ Isaka

Moscow Exile by John Lawton

Flags on the Bayou by James Lee Burke

Prom Mum by Laura Lippman







Sunday, 1 January 2023

Some crime books that I am looking forward to the first half of 2023.

With the start of the New Year there are so many books that I am looking forward to read during the first six months.These include debuts, long running series from some of my favourite authors as well a standalone books.

These are some of the books that I am looking forward to being published and reading during the first half of the year. In no particular order -

All The Sinners Bleed (Headline) by S A Cosby. After years of working as an FBI agent, Titus Crown returns home to Charon County, land of moonshine and cornbread, fist fights and honeysuckle. Seeing his hometown struggling with a bigoted police force inspires him to run for sheriff. He wins, and becomes the first Black sheriff in the history of the county. Then a year to the day after his election, a young Black man is fatally shot by Titus's deputies. Titus pledges to follow the truth wherever it leads. But no one expected he would unearth a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. Now, Titus must pull off the impossible: stay true to his instincts, prevent outright panic, and investigate a shocking crime in a small town where everyone knows everyone yet secrets flourish. All while also breaking up backroads bar fights and being forced to protect racist Confederate pride marchers. For a Black man wearing a police uniform in the American South, that's no easy feat. But Charon is Titus's home and his heart, and he won't let the darkness overtake it. Even as it threatens to consume him..

Cast a Cold Eye (Pan Macmillan) by Robbie Morrison. Glasgow, 1933. Murder is nothing new in the Depression-era city, especially to war veterans Inspector Jimmy Dreghorn and his partner 'Bonnie' Archie McDaid. But the dead man found in a narrowboat on the Forth and Clyde Canal, executed with a single shot to the back of the head, is no ordinary killing. Violence usually erupts in the heat of the moment - the razor-gangs that stalk the streets settle scores with knives and fists. Firearms suggest something more sinister, especially when the killer strikes again. Meanwhile, other forces are stirring within the city. A suspected IRA cell is at large, embedded within the criminal gangs and attracting the ruthless attention of Special Branch agents from London. With political and sectarian tensions rising, and the body count mounting, Dreghorn and McDaid pursue an investigation into the dark heart of humanity - where one man's freedom fighter is another man's terrorist, and noble ideals are swept away by bloody vengeance.

The Last Dance (LittleBrown) which is the start of a new series by Mark Billingham. Meet Detective Miller: unique, unconventional, and criminally underestimated... He's a detective, a dancer, he has no respect for authority - and he's the best hope Blackpool has for keeping criminals off the streets. Meet Detective Declan Miller. A double murder in a seaside hotel sees a grieving Miller return to work to solve what appears to be a case of mistaken identity. Just why were two completely unconnected men taken out? Despite a somewhat dubious relationship with both reality and his new partner, can the eccentric, offbeat Miller find answers where his colleagues have found only an impossible puzzle?

The Hand that Feeds You (Bitter Lemon Press) by Mercedes Rosende.The attempted robbery of the armoured car in the back streets of Montevideo is a miserable failure. A lucky break for the intrepid Ursula Lopez who manages to snatch all the loot, more hindered than helped by her faint-hearted and reluctant companion Diego. Only now, the wannabe robbers are hot on her heels. As is the police. And Ursula's sister. But Ursula turns out to be enormously talented when it comes to criminal undertakings, and given the hilarious ineptitude of those in pursuit, she might just pull it off. She is an irresistible heroine. A murderess with a sense of humour, a lovable criminal with an edge and she is practically invisible to the men who dominate the deeply macho society of Uruguay. 

Fatal Legacy (Hodder & Stoughton) by Lindsey Davis. An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet. Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one? But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina's grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever. Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.

Needless Alley (John Murray/Viper Press) by Natalie Marlow. Birmingham, 1933. Private enquiry agent William Garrett, a man damaged by a dark childhood spent on Birmingham's canals, specialises in facilitating divorces for the city's male elite. With the help of his best friend - charming, out-of-work actor Ronnie Edgerton - William sets up honey traps. But photographing unsuspecting women in flagrante plagues his conscience and William heaves up his guts with remorse after every job. However, William's life changes when he accidentally meets the beautiful Clara Morton and falls in love. Little does he know she is the wife of a client - a leading fascist with a dangerous obsession. And what should have been another straightforward job turns into something far more deadly.

The Shadows of London (HarperCollins) by Andrew Taylor. London 1671. The damage caused by the Great Fire still overshadows the capital. When a man's brutally disfigured body is discovered in the ruins of an ancient almshouse, architect Cat Hakesby is ordered to stop restoration work. It is obvious he has been murdered, and Whitehall secretary James Marwood is ordered to investigate. It's possible the victim could be one of two local men who have vanished - the first, a feckless French tutor connected to the almshouse's owner; the second, a possibly treacherous employee of the Council of Foreign Plantations. The pressure on Marwood mounts as Charles II's most influential courtiers, Lord Arlington and the Duke of Buckingham, show an interest in his activities - and Marwood soon begins to suspect the murder trail may lead right to the heart of government. Meanwhile, a young, impoverished Frenchwoman has caught the eye of the king, a quiet affair that will have monumental consequences..

The Last Orphan (Penguin Random House /Michael Joseph) by Gregg Hurwitz. As a child, Evan Smoak was plucked out of a group home, raised and trained as an off-the-books assassin for the government as part of the Orphan program. When he broke with the program and went deep underground, he left with a lot of secrets in his head that the government would do anything to make sure never got out. When he remade himself as The Nowhere Man, dedicated to helping the most desperate in their times of trouble, Evan found himself slowly back on the government's radar. Having eliminated most of the Orphans in the program, the government will stop at nothing to eliminate the threat they see in Evan. But Orphan X has always been several steps ahead of his pursuers. Until he makes one little mistake... Now the President has him in her control and offers Evan a deal - eliminate a rich, powerful man she says is too dangerous to live and, in turn, she'll let Evan survive. But when Evan left the Program he swore to only use his skills against those who really deserve it. Now he has to decide what's more important - his principles or his life.

The Murder Game (Century) by Tom Hindle. One house. Nine guests. Endless motives for murder... In the seaside town of Hamlet Wick, nine guests assemble for a New Year's Eve party to remember. The owner of Hamlet Hall has organised a murder mystery evening with a 1920s twist, and everyone has their own part to play. But the game has barely begun when one guest is found dead - killed by a fatal injury to the head. With no phone signal and no way out of the house, the others are trapped with a killer in their midst. Someone is playing by their own rules. And in a close-knit community, old rivalries run deep...

Red Queen (Pan Macmillan) by Juan Gómez-Jurado. You've never met anyone like her . . . Antonia Scott is special. Very special. She is not a policewoman or a lawyer. She has never wielded a weapon or carried a badge, and yet, she has solved dozens of crimes. But it's been awhile since Antonia left her attic in Madrid. The things she has lost are much more important to her than the things awaiting her outside. She also doesn't receive visitors. That's why she really, really doesn't like it when she hears unknown footsteps coming up the stairs. Whoever it is, Antonia is sure that they are coming to look for her. And she likes that even less. This is soon to be a major series on Amazon Prime.

The Square of Sevens (Pan Macmillan) by Laura Shepherd Robinson. 'My father had spelt it out to me. Choice was a luxury I couldn't afford. This is your story, Red. You must tell it well.' A girl known only as Red, the daughter of a Cornish fortune-teller, travels with her father making a living predicting fortunes using the ancient method: the Square of Sevens. When her father suddenly dies, Red becomes the ward of a gentleman scholar. Now raised as a lady amidst the Georgian splendour of Bath, her fortune-telling is a delight to high society, but she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholemew Fair to the grand houses of two of the most powerful families in England. And while Red's quest brings her the possibility of great reward, it also leads into her grave danger.

The Invisible Web (Quercus Publishing) by Oliver Bottini. Berlin: A man is beaten up, the attacker escapes undetected. As a trail leads to Freiburg, Chief Inspector Louise Boni is sent to investigate. It's a complex case: the attacker appears to be a professional, the victim a secret service informer, the only witness knows more than she's saying, and the domestic intelligence service is hovering in the background but refusing to cooperate. Industrial espionage appears to be at play, focused on the burgeoning solar energy sector. Boni's investigation keeps being obstructed, so yet again she has to rip up the police handbook in her attempt to find out how the different threads of the web are linked. But by the time she discovers the truth, it's already too late for one of those involved . . .





Tuesday, 28 June 2022

THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR 2022 SHORTLIST - Voting closes soon

THEAKSTON OLD PECULIER CRIME NOVEL 

OF THE YEAR 2022 SHORTLIST

 

Elly Griffiths | Joseph Knox | Laura Shepherd Robinson

|Mick Herron | Vaseem Khan| Will Dean

The shortlist for the Theakston Old Peculier Crime Novel of the Year 2022, presented by Harrogate International Festivals, has been announced today, with six bestselling authors competing to win the UK’s most prestigious crime writing prize.

The coveted award, now in its eighteenth year, celebrates crime fiction at its very best, with this year’s shortlist taking readers from newly independent India to the tension of a remote Fenlands cottage, from a nail-biting missing persons investigation in Manchester to the wilds of North Norfolk, and from the hedonism of Georgian London to the murky world of international espionage. Selected by the public from a longlist of eighteen novels, with a record number of votes being placed this year, the list of six novels features newcomers to the shortlist, two New Blood panellists, a previous Festival Programming Chair, and a five-time shortlistee. None of this year’s shortlistees have ever taken home the prize before, making the competition even more tense.

Elly Griffiths, who was the Theakston Old Peculier Crime Writing Festival Programming Chair in 2017, is shortlisted for the fifth time for The Night Hawks, the thirteenth instalment in her popular Ruth Galloway series.The Night Hawks sees Norfolk’s favourite forensic archaeologist Galloway called when a group of metal detectorists discover a body buried on a beach with Bronze Age treasure, a find which will lead to a series of murders seemingly linked to the local legend of a spectral dog whose appearance heralds death.

Sunday Times bestseller True Crime Story, the first standalone novel from Joseph Knox, blends fact and fiction to tell the gripping story of a 19-year-old university student who leaves a party in her student halls and is never seen again. Knox, who was selected by Val McDermid as a New Blood panellist in 2017, was longlisted for the Theakston Old Peculier Crime Novel of the Year 2018 for his thriller Sirens the following year, but has never previously reached the shortlist stage.

Historical crime writer Laura Shepherd Robinson continues her incredible streak as her second novel Daughters of Night is shortlisted for the Theakston Old Peculier Crime Novel of the Year, two years after her debut Blood & Sugar was longlisted for the award in 2020. Robinson’s evocative novel transports readers to the seedy underworld of Georgian London, as Caroline ‘Caro’ Corsham tries to solve the murder of a prostitute in the infamous Vauxhall Pleasure Gardens, an investigation which will delve into the darkest corners of high society.

Bestselling author Mick Herron is longlisted for Slough House, the tenth instalment in his series of the same name, which was recently adapted by Apple TV as spy drama Slow Horses, starring Gary Oldman and Kristin Scott Thomas. Herron will be hoping to take home the prize this year, with 2022 marking the fifth time in the past six years he has secured a place on the shortlist.

Midnight at Malabar House by Vaseem Khan, the first in a new series chronicling the investigations of India’s first female police detective, marks Khan’s first time reaching the shortlist. The novel introduces readers to Inspector Persis Wadia as she is plucked from obscurity in a basement office and tasked with solving the murder of an English diplomat as the country prepares to become the world’s biggest republic.

Finally, The Last Thing to Burn sees bestselling author and New Blood 2018 panellist Will Dean move away from the Nordic setting of his acclaimed Tuva Moodyson series in favour of a claustrophobic thriller set on the British fenlands. The Last Thing to Burn, which has secured Dean his first ever placement on the shortlist, sees a woman held captive in a remote cottage by a man who calls her Jane and insists she is his wife. She has long abandoned hopes of escape, until she finds a reason to live and finds herself watching and planning, waiting for the right moment to act.

The six novels shortlisted for the Theakston Old Peculier Crime Novel of the Year 2022 are:

The Night Hawks by Elly Griffiths (Quercus Fiction)

True Crime Story by Joseph Knox (Doubleday)

Daughters of Night by Laura Shepherd Robinson (Mantle/Pan)

Slough House by Mick Herron (Baskerville)

Midnight at Malabar House by Vaseem Khan (Hodder & Stoughton)

The Last Thing to Burn by Will Dean (Hodder & Stoughton)

Simon Theakston, Executive Director of Theakston, added: “What a fantastic shortlist, six thrilling tales which deliver shocking twists and unforgettable characters! We raise a glass of Theakston Old Peculier to all of the shortlistees and look forward to revealing the winner in July as we kick off the Theakston Old Peculier Crime Writing Festival.”

Sharon Canavar, Chief Executive of Harrogate International Festivals, commented: “We are delighted to announce this year’s Theakston Old Peculier Crime Novel of the Year shortlist, featuring six novels by some of the most exciting crime writers working today. Whisking readers around the world and through time, this shortlist is a fantastic demonstration of the variety to be found in crime fiction. The public have a tough task ahead choosing just one winner and we can’t wait to see who they vote for!

The public are now invited to vote for a winner at www.harrogatetheakstoncrimeaward.com. Voting closes on Friday 8th July, with the winner to be revealed on the opening night of Theakston Old Peculier Crime Writing Festival, Thursday 21st July. The winner will receive a £3,000 prize, as well as a handmade, engraved beer barrel provided by T&R Theakston Ltd.

The Theakston Old Peculier Crime Novel of the Year is run by Harrogate International Festivals sponsored by T&R Theakston Ltd, in partnership with Waterstones and the Express, and is open to full length crime novels published in paperback 1 May 2021 to 30 April 2022 by UK and Irish authors.




Tuesday, 10 August 2021

Announcing SlaughterFest 2021

The programme for SlaughterFest 2021, a crime writing festival curated by internationally 

bestselling author Karin Slaughter has been announced. 

SlaughterFest will be broadcast on the Killer Reads Facebook page on 4th September 2021 and 

you can view the events programme below. Register your interest here.

Wednesday, 17 February 2021

A Q& A with Laura Shepherd Robinson

 

Laura Shepherd-Robinson is the author of the award-winning debut novel Blood & Sugar which won the Historical Writers’ Association Debut Crown and the Specsaver’s Debut Crime Novel award, was a Waterstones Thriller of the Month, and a Guardian and Telegraph novel of the year. It was also shortlisted for the Crime Writers’ Association John Creasey (New Blood) Dagger and the Sapere Historical Dagger. Her latest novel is Daughters of the Night which is out now. 

Ayo:    Congratulations on Daughters of the Night, can I though ask you first a question about your debut novel Blood & Sugar which made so many end of the year lists (including mine) and was nominated for numerous awards and won the HWA Debut Crown along with the Specsaver’s Debut Crime novel Waard?  How surprised were you with the reception of Blood & Sugar?

Laura:-           It was lovely that so many people appreciated Harry and Tad and the world I built for them. Slavery is such an important part of our history, and people are really beginning to appreciate that. I wanted to bring that subject to life in a crime novel and hopefully take it to new readers – I didn’t really have any expectations beyond that. To win two prizes and be a Waterstones Thriller of the Month was beyond anything I’d ever dared hope.  

Ayo:-  Why write about Daughters of the Night?

Laura:-           My first book involved the crew of a slaving ship and so naturally a lot of the characters were men. This time I wanted to redress the balance by focusing on women and the struggles they faced in Georgian England. The Daughters of Night in the title is a reference to prostitution – the victim and several of the characters work in the London sex trade – but it also refers to the Furies in Greek mythology, who were the daughters of Nyx, the Goddess of Night. They were women demons or goddesses, who pursued the perpetrators of unpunished crimes, often against women. Vengeance is a big theme of the book.

Ayo:-  Is Daughters of the Night a direct sequel to Blood & Sugar?  If not, what made you decide to write about a different character from Blood & Sugar?

Laura:-           It is not a sequel as such, but it takes place in the same world and the books complement one another. My main character, Caro, is the wife of Harry Corsham, the main character of Blood & Sugar. They have a rather strange, troubled marriage, which my readers have already seen from his perspective. I wanted to show her side of the story!

Ayo:-  Are you planning on writing about any of the characters in Blood & Sugar and Daughters of the Night?

Laura:-           I am currently writing a standalone book that is set in 1740. But I would love to return to the world of Harry and Caro and I know exactly where I want to take them!

Ayo:-  You clearly did a lot of research for Blood & Sugar.  Did any of the research that you did for your debut novel spill over into Daughters of the Night?

Laura:-           Definitely! The general way of life in the 18th century, the geography of London at the time, as well as many more precise historical details. I have a document where I put any brilliant details I come across – if I can’t use them in my current novel, I save them for the future.

Ayo:-  What did you find out that shocked/surprised you when you were doing your research for Daughters of the Night?

Laura:-           That 1 in 5 female Londoners participated in the sex trade at some point in their lives. The line between vice and virtue was much more blurred than people often assume. Women moved in and out of prostitution as their economic circumstances changed.

Ayo:-  What was it about value (which is an essential theme in the book) that fascinated you so much?

Laura:-           The commoditisation of women’s bodies is as old as time. The book explores different aspects of the sex trade, but also how women were depicted in art, and the legal and economic constraints placed on them in marriage. All the woman in the book struggle against a system that valued them only in terms of the men who desired them. Plus ça change.

Ayo:-  How did it make the crime more compelling?

Lucy Loveless, the prostitute whose murder is the central mystery of the book, was killed in part because she asserted the value of women’s lives and would not be silent. Caro, although of an entirely different economic and social status, in turn asserts the value of Lucy’s life. She refuses to stop her investigation, whatever the cost.

Ayo:-  Daughters of the Night has two timelines, was this intentional

Laura:-           Originally the book only had one. It wasn’t quite working, and adding the backstory was the missing piece. It was important to me that the victims in the book were depicted as women with agency and ambition and friendships, rather than dead, faceless sex workers. That’s all there in the backstory, as well as many clues to the mystery in the present.

Ayo:-  Where did you get your interest in history and historical crime fiction from?

Laura:-           Both my parents were very interested in history. As a child, I loved Joan Aitken’s Wolves of Willoughby Chase series and Tom’s Midnight Garden. Although I studied politics at university, I did courses on the 18th century as a subsidiary subject. Then I fell in love with Iain Pears’s An Instance of the Fingerpost, and that was when the idea of writing a historical novel came to me. I didn’t get around to it for over ten years, but eventually I did something about it!

Ayo:-  Do you have a favourite period in history? If so which period and why?

Laura:-           The 18th century obviously! It is the period that shaped so much that is familiar to us today: liberal values, art and architecture. But it was also very different to our society and much more brutal. I’m thinking of slavery, blood sports, the lack of women’s rights, crime and punishment, poverty. It’s an interesting juxtaposition and one that to me felt perfect for writing crime. 

Ayo:-  How has the lockdown affected your writing?

Laura:-           For the first six weeks it felt scary and confusing and I couldn’t write at all. Luckily I was between books, so I used it to take a break. I didn’t force it, I read some novels, and generally had a nice time with my husband. Then I woke up one morning filled with a fierce urge to write again, and I haven’t looked back!

Ayo:-  How do you write? Do you prefer writing in silence or do you have music on in the background? If you do have music on what type of music does it tend to be?

Laura:-           Absolute silence.

Ayo:-  What is the more important for you characterisation or plot or do you try and have a happy medium between the two?

Laura:-           I think they flow out of one another. Story is always king, but a good story needs both plot and character. I start from what I need my characters to do in the plot, and then construct a living breathing person who can credibly perform that role. And naturally, of course, sometimes they take on a life of their own, and I change the plot to better suit their personality.

Ayo:-  Do you plot before-hand or do you just let the writing flow?

Laura:-           I am a huge planner. I write 30k word plot plans before I start writing. Lots of things change as I go along, but the fundamental structure, the beginning and end, and major plot points rarely do. 

Ayo:-  What are you working on at the moment and can you tell us about it?

Laura:-           It’s called The Square of Sevens. It’s set in 1740 and is more of a feminist Dickensian mystery than a straight crime novel. The book’s heroine is called Red. She tells fortunes with playing cards and her method of fortune-telling informs the structure of the book. I can’t say too much more about it at the moment, but I am absolutely loving writing it.

Ayo:-  With the lockdown festivals and events have had to be either cancelled or moved online.  What have you missed the most due to the lockdown?

Laura:-           Seeing my lovely writer friends and having fun at book launches and festivals. Writers are such solitary creatures, and we need to come out of our caves from time to time to stop us going mad. Zoom has been a life-saver in this respect – imagine doing this in the 18th century!

Ayo:-  What do you do to relax?

Laura:-           Mostly the usual boring things. Dinner parties, TV, wasting too much time on Twitter. Oh, and we like to play bridge – another thing we’ve been unable to do. We’ve been filling the gap with jigsaws and Lego. 

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Daughters of the Night by Laura Shepherd-Robinson (Published by Pan Macmillan) out now.

London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she finds a well-dressed woman mortally wounded in the bowers of the Vauxhall Pleasure Gardens. The Bow Street constables are swift to act, until they discover that the deceased woman was a highly paid prostitute, at which point they cease to care entirely. But Caro has motives of her own for wanting to see justice done, and so sets out to solve the crime herself. Enlisting the help of thief taker Peregrine Child, their inquiry delves into the hidden corners of Georgian society, a world of artifice, deception and secret lives. But with many gentlemen refusing to speak about their dealings with the dead woman, and Caro's own reputation under threat, finding the killer will be harder, and more treacherous, than she can know. 

More information about Laura and her books can be found on her website.  You can also follow her on Twitter @LauraSRobinson.

The Shots review of Daughters of the Night can be read here.