Kerry Says ~ Let's Be Imagists!

The Sea and it's Raining. I Missed You So Much
Artist: Wura-Natasha Ogunji
33^rd Bienal de São Paulo
Photograph: Kenia Santos

“The point is that you start with any image … Contemplate it and carefully observe how the picture begins to unfold or to change. Don’t try to make it into something, just do nothing but observe what its spontaneous changes are. Any mental picture you contemplate in this way will sooner or later change through a spontaneous association that causes a slight alteration of the picture. You must carefully avoid impatient jumping from one subject to another. Hold fast to the one image you have chosen and wait until it changes by itself. Note all these changes and eventually step into the picture yourself, and if it is a speaking figure at all then say what you have to say to that figure and listen to what he or she has to say.” ~ C.G. Jung

The Sea and it's Raining. I Missed You So Much
Artist: Wura-Natasha Ogunji
33^rd Bienal de São Paulo
Photograph: Kenia Santos

Imagism was born in England and America in the early Twentieth Century. A reactionary movement against Romanticism and Victorian poetry, Imagism emphasized simplicity, clarity of expression, and precision through the use of exacting visual images. The movement was rooted in ideas first developed by English philosopher and poet T. E. Hulme, who, as early as 1908, spoke of poetry based on an absolutely accurate presentation of its subject, with no excess verbiage. [Source]

The challenge for today's poem is to follow the advice of Carl Jung: "The point is you start with any image..." and tell us what it has to say to you. Remember the key points of simplicity, clarity and precision.

Kenia Santos kindly allowed me to use her photos from her visit to the 33rd Bienal de Sao Paulo, as well as this link to a video clip on Facebook, which features this Contemporary Artwork by Wura-Natasha Ogunji. If you use an image on your blog, please use the accreditation used beneath the picture. If you display the image on Instagram please tag @kenia.cs. Kenia blogs at An Exercise in Existing

A Birthday in September ~ William Carlos Williams

William Carlos Williams was born on 17 September 1883 and was a fore-runner of the Imagist movement of poetry in the early 1900s. He was sometimes referred to as the Physician Poet, as he was a medical doctor by profession, but he is said to have "worked harder at being a writer than he did at being a doctor".

The poet and critic Randall Jarrell said of his poetry, "William Carlos Williams is as magically observant and mimetic as a good novelist. He reproduces the details of what he sees with surprising freshness, clarity, and economy; and he sees just as extraordinarily, sometimes, the forms of this earth, the spirit moving behind the letters. His quick transparent lines have the nervous and contracted strength, move as jerkily and intently as a bird."

More William Carlos Williams quotes at izquotes.com

Imagist poets wrote free verse, with a specific focus on diction, "To use the language of common speech, but to employ always the exact word, not the nearly-exact, nor the merely decorative word." They were also at pains to attain "clarity of expression through the use of precise visual images."

Let us take a few lines from The Widow's Lament in Springtime by way of example:

Sorrow is my own yard
where the new grass
flames as it has flamed
often before but not
with the cold fire
that closes round me this year.

In the first five words he has set up the extended metaphor of the poem, and asked of his reader an imaginative leap: to take all we know of a yard and apply it to all we know of sorrow. Consider his choice of the words 'my own yard'. The speaker of the poem (the widow) lays claim to this domain of grief. The poem concludes with the lines:

Today my son told me
that in the meadows,
at the edge of the heavy woods
in the distance, he saw
trees of white flowers.
I feel that I would like
to go there
and fall into those flowers
and sink into the marsh near them.

Consider his use of the transferred epithet 'heavy', used to describe the woods, but really indicative of her own depression. His choice of verbs in the final two lines is exact: the movement from 'fall' to 'sink'.

Our challenge today is to write in the style of the Imagists. Here are a few guidelines, as defined by Ezra Pound:
I. Direct treatment of the "thing," whether subjective or objective.
II. To use absolutely no word that does not contribute to the presentation.
III. As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the metronome.
Above all, bear in mind that an image is "that which presents an intellectual and emotional complex in an instant of time."

The Sunday Mini-Challenge is posted at noon on Saturday, to allow extra time on the weekend for the creative process. Please link a new poem, or alternately, you may want to take an older poem and rewrite it, with an eye to cutting away excess verbiage, changing words and phrasing in order to produce a poem more in keeping with the Imagist tenets. If you choose this option, please include a link to the original poem, or a copy thereof, so that we may review your process in the interest of learning more about the art of writing. In this regard, I would ask that comments not be made along the lines of "I think this one is better than that" but focused on the piece which is intended for today's challenge.