Showing posts with label (1952) The Quiet Man. Show all posts
Showing posts with label (1952) The Quiet Man. Show all posts

Friday, August 24, 2012

JOHN FORD (1950-1960)

Summary: Ford was challenged by the politics of this decade and chose to remain neutral. He would never be able to repeat the success of his early films in the forties, but came out with a number of huge hits. The story he had hoped to direct for years, "The Quiet Man" (1952), became a box-office success and made more money than any other of his pictures. In the fifties, he also brought us the most popular and defining western of all-time, "The Searchers" (1956).

Popular Western Films: "Wagon Master" (1950), "Rio Grande" (1950), "The Searchers" (1956) & "The Horse Soldiers" (1959).

Interesting Fact: By this time in his career, he had won more Oscars than any other director, to date, with a total of six. Two of them were awarded for his filming on WWII.

Western Awards: "The Searchers" (1956) & "The Horse Soldiers" (1959) both won him an award from the Directors Guild of America.

 
 
 
 
"My Name is John Ford and I make westerns."

The beginning of the fifties would be a little rough for Ford. The Red scare was on the war path and the people of Hollywood were picking sides. For a man who had served his country only a few years before, he remained silently neutral for the most part. Once, in a very tense moment, he had successfully fought off the request of a loyalty oath among directors.

At this same time, Ford would finish off his Calvary trilogy with his final installment, "Rio Grande" (1950). This film would bring some new life to Ford's stock company. Patrick Wayne, son of John Wayne, was to debut in this film and would also star in some of Ford's other pictures. It would also introduce Maureen O'Hara and John Wayne as a pair to the screen. Their chemistry was so fresh and original that they became an instant success. Hollywood had never seen a couple of such nature and they would later star in four other pictures.


Suddenly, Wayne has risen to greater heights than Ford, and the two friends would switch places in a small way. In the late 1930's, Ford pulled Wayne out of poverty row and into the leading men spotlight. Wayne would now return the favor by aiding Ford during a time of need. One of the first things that Wayne did was talk Republic Pictures into allowing Ford to finally direct a film he had been waiting on for a long time, "The Quiet Man" (1952).


Though not a western, "The Quiet Man" would once again reunite the Ford's famous crew under "Pappy's" direction. Wayne brought along his family and the picture became a who's who of Ford's friends. Another addition to the cast would be Ford's older brother, Frank, who was responsible for bringing John to Hollywood and also showed him the ropes until he could move on. Though this was not his last film, Frank would pass away one year later at the age of seventy-two. In all, "The Quiet Man" was a fulfilment of John Ford's dream and gave him a chance to finally return to his Irish heritage. The film was also an astounding success and won him his last Oscar.

Following this triumph, Ford returned to Monument Valley and made his darkest western ever, "The Searchers" (1956). The story is about a man returning to civilization after a Civil War, only to be thrust into a violent search for his missing niece. It has been said that this picture was a reflection of the lost innocence America was experiencing during this time. The character of Ethan Edwards resembled everything hopeless, yet everything great about America. His last film, of the fifties, would be "The Horse Soldiers" (1959). The picture would star Wayne and William Holden and would be another success for Ford.


Ford's drinking began to catch up with him in his mid-sixties, and his health began to decline. He had also become slightly forgotten, though the effects of his films would carry on and inspire new talent in generations to come. He had finally been allowed to direct his favorite picture, and had a new kind of character in Ethan Edwards. Even with his failing health and drooping popularity, he would go on to make even more monumental films in the decade to come.

Friday, June 22, 2012

FAVORITE FILMS OF WARD BOND

Earlier I mentioned a favorite actor of my parents, and now my father would like me to post on him. The man is Ward Bond, an amazing actor in his own right.

To list all of his films would take a large amount of time and detail, but I wish to highlight some of them. The complete tally is way over two-hundred and many of them are among the classics of our day. This was a particular impressive task that he achieved, since he died at the young age of fifty-seven. His voice and stature are unforgettable, yet he could play one part as well as another without the two being similar.

He was a good friend to John Wayne & John Ford, and appeared in many of their pictures. In fact the partnership with Ford created the longest record for director and star to appear together, twenty-six films. Bond himself starred in multiple pictures a year, once reaching a staggering thirty films in just one year in 1935.

Here are some of the favorites:


In 1939 we see him in two of the most popular films of its time, Gone with the Wind & Drums Along the Mohawk. I actually prefer Ford's film over the popular Fleming classic. Here we see Bond in a role he'd play a countless other times, the comedic country folk who added muscle to any fight. Always a friend of the lead and ready to follow at any moment.

Then in 1940, he finds himself in one of the most monumental pictures of it's time, The Grapes of Wrath. This character was more silly than comedic, and that's the beauty of his talent. In one film he is a convincingly brainless wit, and in the next he is a dominating strategic soldier.


Before he moved onto more dominating roles, he plays the country folk fool once again in Sergeant York (1941). His role was as the spirited friend of York who most often found in a tavern. He and Cooper did an amazing job of bringing this part of America to the screen. You would think that he was incapable of ever playing an sober person.


His strength and stature now came to the fore-front when he played the legendary John L. Sullivan in Gentlemen Jim (1942). He was the ultimate candidate for this gigantic American role. The scene in the end is one of the most endearing and humble that I have ever seen on screen. The movie itself is a treasure of a film to watch.


With WWII in full swing, he landed a great role on a classic film, A Guy Named Joe (1943). In a cast with some of the best of Hollywood, he didn't look left out. This film is an amazing one to watch and taught the World a new kind of love story.



Switching to a more modern role in Frank Capra's It's a Wonderful Life (1946), we discover that Bond can play anything. His part as "Bert" the cop has always baffled me. "How could this be the same guy in that other film?" I've watched it so many times before I even noticed it was him. That's alright though, as a kid I use to get Cooper & Stewart confused. True story!


He went on to be in many other amazing films as the years went by. Two of them in particular were shot in the same year, but as completely separate characters. The two films were 3 Godfathers (1948) & Joan of Arc (1948). With one, he played a common role as the sheriff hunting down the outlaws. The other placed him in a era he had never played before, the close ally of Joan of Arc in France. Both films are personal favorites and it's no wonder that Bond would be in them.


In 1952, he plays in the side role of Father Peter Lonergan, who wouldn't leave his fishing pole for almost anything. The Quiet Man brings together the Ford cast again also making this one of my favorite roles of his. Who would of thought that a witless country folk / cowboy could ever have played man in the cloth so well.

There are many films that I did not list that happened during and after the ones listed above. It seems every time I love a new film, I discover Ward Bond in the cast. He was not a fill in character, but an interesting side story to every script he played. You wanted to see more of what that character did and what he would rather be doing. This is truly one of the greatest supporting actors in the history of Hollywood.