Carrie Lofty received the printed ARCs for her January release, SCOUNDREL'S KISS. You know there has to be a contest forthcoming, right? And she also wrote a post for 1st Turning Point about how to make a group blog successful...a blog like this one!
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Join us Sunday when author Amanda McIntyre will be joining us to talk about TORTURED, her sexy erotica romance set in the 500AD Roman Empire ! You can read an excerpt here.
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We'll also draw the winner of Mingmei Yip's PEACH BLOSSOM PAVILION. You still have time to throw your name in the hat, if you haven't done so.
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And stay with us through the coming weeks when we'll be featuring authors who write everything from erotica to inspirational--but all unusual historicals! Christy Hubbard, Blythe Gifford, and Maureen Lang will be our guests. We hope you'll join us!
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Have a good weekend! If you have an announcement to make for next week, email Carrie. See you next week...
This week we're welcoming Kensington author Mingmei Yip as she discusses her debut novel, PEACH BLOSSOM PAVILION, available now. She is joining us to answer questions and give away a copy of this remarkable novel.
In a sunny California apartment, a young woman and her finance arrive to record her great-grandmother's reminiscences. The story that unfolds of Precious Orchid’s life in China, where she rises from a childhood of shame to become one of the most successful courtesans in the land, is unlike any they've heard before....
"Yip's English-language debut is beautiful and evocative. The relationships between these characters are real and heart-wrenching...rendered insightfully and memorably." -- RT Book Reviews
"A riveting account of mysterious lifestyles in pre-Communist China, PEACH BLOSSOM PAVILION is filled with amazing characters and unique stories. Brilliantly portrayed...stunningly presented novel. Beautifully written, readers will not be able to put this book down until the last page is turned." -- Romance Reviews Today
"Just as Arthur Golden's novel Memoirs of a Geisha introduced readers to the Japanese geisha tradition, PEACH BLOSSOM PAVILION provides a vivid account of a forgotten history, by transporting us to another place and time where prostitutes were glamorous and elegant..." -- Asiance Magazine
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Congratulations on your successful debut novel PEACH BLOSSOM PAVILION. Can you tell us what it is about?
Thank you! PEACH BLOSSOM PAVILION is the story of the last Chinese courtesan, or Geisha, set in the 1920s Shanghai. I am pleased to report that it has generated many good reviews and is now in its fourth printing.
When the novel begins, the protagonist Xiang Xiang, now ninety-eight, is telling her great-granddaughter about her life as a famous prostitute more than seventy years ago. Her story began when at thirteen, Xiang Xiang was tricked into a prostitution house after her father had been executed for a crime he did not commit. Her mother, now destitute, leaves her daughter to enter a Buddhist Nunnery.
This beginning grabs attention, but it sounds like a pretty miserable story, right?
It does seem that way in the beginning. But Xiang Xiang is determined to escape from the prostitution house so as to find her mother and avenge her father's death. On her quest to achieve these seemingly impossible goals, she endures many hardships. She also has two poignant love affairs, one with a handsome monk, and another people will have to read the book to find out.
I like the title PEACH BLOSSOM PAVILION. It evokes such a beautiful and poetic image. Can you tell us more about it?
High class prostitution houses in traditional China had many elegant sounding names, such as Sleeping Flowers Pavilion, Jade Gate Pavilion, Plum Blossom Garden , and Welcoming Spring Pavilion. The women who worked there were not mere prostitutes, but cultured, artistically accomplished courtesans, or Geisha, patronized by powerful government officials, learned scholars, or wealthy merchants.
Were Chinese Geisha similar to the Japanese ones?
Yes, both were elegant, artistically talented women, who, due to cruel fates such as overnight loss of family fortune, untimely demise of their parents, or kidnapping by bandits, ended up in prostitution houses.
While Japanese Geisha still exist, though in a less racy context, their Chinese counterparts passed into history when China became Communist.
What made you decide to write a novel on Chinese Geishas, and are there comparisons of PEACH BLOSSOM PAVILION to MEMOIRS OF A GEISHA?
I came about this indirectly. I play professionally a very ancient Chinese stringed instrument called the guqin, a kind of zither. While doing research on women who played this instrument, I found out that many were courtesans. This was a surprise to me because the guqin has always been presented as an instrument only for the respectable elite.
I decided to go to China to research this Chinese courtesan culture because I found these women's lives and their arts both intriguing and inspiring. Despite what had to have been a mostly miserable life, some were able to rise above their fates by practicing the arts of poetry, painting and music. Their determination deeply touched me. A few even escaped prostitution. A famous one, named Golden Flower, rose from a prostitution house to marry an ambassador and later became the mistress of the most powerful European general stationed in China . She used her influence to stop pillage by European soldiers and even, it is said, saved the life of the Empress.
Another reason is that when I talked to Americans, almost all had heard of Japanese Geishas, but no one even knew that Chinese Geishas existed. So I wanted to give these courageous and talented women the voice they had long been deprived of.
There is much more about Chinese Geishas, as well as my performance of some of their music on my website.
Yes, a few people compared my novel to Arthur Golden's MEMOIRS OF A GEISHA. I can assure the readers that my story is completely different. The only similar thing is the Asian setting which is inevitable, since both are about geishas and their culture.
Now can you tell us how do you write a novel from beginning to end? Do you have an outline and have all the details work out first?
I'll always have an idea first, then throw in plot and sub-plots together with characters. Since I'm somewhat of a free spirit, I never write a whole outline or set down the details for each chapter. Once I have started a story, it takes on a life of its own and the characters lead me where the story wants to go. I don't try to write out the plot ahead of time because it always changes while I am writing.
It seems that you have lots of ideas--how do you get them?
They come from all sorts of places: reading, watching people, my dreams, Hong Kong newspapers, experiences of my friends. Often I don't know where ideas come from--they just pop into my head. When I take the subway, I don't read or listen to music; I just watch the other passengers, one of my favorite pastimes. If I see an interesting face, then I'll make up a story for it. A beautiful, older woman may be an opera singer on her way to meet her poor, young lover--behind the back of her husband, who is also her manager. An old man maybe going home, just to heat up and eat his frozen dinner, watch sports on his twenty-year-old TV, then go to sleep in his solitary bed. Because he never married, and never had the chance to know the only child he might have had from a one-night stand on one cold winter night years ago.
If I have an interesting dream, I try to jot it down quickly the moment I wake up, otherwise it will fade.
What are your writing habits?
After I have an initial idea for a story, I'll finish my first draft as quickly as possible, so I'll have the entire novel set down. Then I get to work trying to fine tune everything--narration, characterization, voices, dialogue, and so on. Then I slow down for the third draft to make sure everything is correct, especially in an historical novel when it's important to be accurate. When I wrote PEACH BLOSSOM PAVILION, I spent a lot of time checking and double-checking to make sure not only the dates but the more interesting details such as locations, architecture, clothing, even hair styles were all accurate. Then I keep re-reading to catch any remaining glitches. I feel an author is obligated to the reader to be sure that the book is a good read, not only entertaining but providing something more, insights or new experiences.
Many who have reviewed PEACH BLOSSOM PAVILION found it to be a real page-turner. How do you make your writing interesting?
Interest is in the details. Plot is critical but it is what you do with it that makes a story come alive. I am a very curious person and find interest in almost anything. My reading materials range from academic papers to entertainment magazines to politics. In politics, much of human nature is revealed so it provides great raw material for character depictions. The many different strategies used in politics are also excellent for plots. The same is true of the entertainment world.
Reading is important too. There's a famous Chinese saying, "If you have read ten thousand books and traveled ten thousand miles, your writing will feel like it's aided by the highest spirits."
Do you have any advice for writers, especially beginners?
I think it is still essential to master the basics. Not only voice, characterization, dialogue, plot, but also sentence structure, its rhythm and music. I always try to vary the length of my sentences and start each one with a different subject. It's essential to spent whatever time it takes to find the right word. Sometimes, it is a single word that brightens a whole paragraph.
There is a Chinese saying "Slap on the thigh and exclaim." That's how the readers will react to a good choice of word. Readers may not be aware of the meticulous hard work behind a smooth sentence, but if you don't pay attention, they will soon become bored. I also think it's good for authors to attend other cultural activities such as movies, concerts, art exhibitions. Have as diverse a background as you can cultivate, that really helps.
Would you tell us what is your next project?
My next novel is an inter-racial Buddhist love story about a young Chinese woman who wants to be a nun but falls in love with an American doctor against the wish of her nun mentor. This will come out in April of 2010 from Kensington Books.
My third novel, scheduled for 2011, is also a love story, this one set along the Silk Road. A Chinese woman is sent on a quest by her supposed aunt where she meets a younger American man. The reward is three million dollars. To attain it, amidst the distractions of her love affair she must carry out the ordeals decreed by her aunt along the treacherous Taklamakan desert, whose name means, "Go In, Never Come Out."
I'm sure all our readers are anxiously looking forward to reading both of your forthcoming novels!
Thank you, Carrie, for inviting me to guest blog. I've really enjoyed it.
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Mingmei is giving away a copy of this beautiful book! For your chance to win, leave a comment or question. I'll draw the winner next Sunday. Good luck!
This week on Unusual Historicals we're featuring an excerpt from Kensington author Mingmei Yip. Her exotic debut, PEACH BLOSSOM PAVILION, the story of China's last concubine, is already in its fourth printing. We're looking forward to speaking with Mingmei when she stops by on Sunday to answer questions and give away a copy. Tune in then! Here's the blurb:
In a sunny California apartment, a young woman and her finance arrive to record her great-grandmother's reminiscences. The story that unfolds of Precious Orchid's life in China, where she rises from a childhood of shame to become one of the most successful courtesans in the land, is unlike any they've heard before...
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To be a prostitute was my fate.
After all, no murderer's daughter would be accepted into a decent household to be a wife whose children would be smeared with crime even before they were born. The only other choice was my mother's--to take refuge as a nun, for the only other society which would accept a criminal's relatives lay within the empty gate.
I had just turned thirteen when I exchanged the quiet life of a family for the tumult of a prostitution house. But not like the others, whose parents had been too poor to feed them, or who had been kidnapped and sold by bandits.
It all happened because my father was convicted of a crime--one he'd never committed.
"That was the mistake your father should never have made," my mother told me over and over, "trying to be righteous, and," she added bitterly, "meddling in rich men's business."
True. For that "business" cost him his own life, and fatefully changed the life of his wife and daughter.
Baba had been a Peking opera performer and a musician. Trained as a martial arts actor, he played acrobats and warriors. During one performance, while fighting with four pennants strapped to his thirty-pound suit of armor, he jumped down from four stacked chairs in his high-soled boots and broke his leg. Unable to perform on stage anymore, he played the two-stringed fiddle in the troupe's orchestra. After several years, he became even more famous for his fiddle playing, and an amateur Peking opera group led by the wife of a Shanghai warlord hired him as its accompanist. Every month the wife would hold a big party in the house's lavish garden. It was an incident in that garden that completely changed our family's destiny.
One moonlit evening amidst the cheerful tunes of the fiddle and the falsetto voices of the silk-clad and heavily jeweled tai tai--society ladies--the drunken warlord raped his teenage daughter.
The girl grabbed her father's gun and fled to the garden where the guests were gathered. The warlord ran behind her, puffing and pants falling. Suddenly his daughter stopped and turned to him. Tears streaming down her cheeks, she slowly pointed the gun to her head. "Beast! If you dare come an inch closer, I'll shoot myself!"
Baba threw down his precious fiddle and ran to the source of the tumult. He pushed away the gaping guests, leaped forward, and tried to seize the gun. But it went off. The hapless girl fell dead to the ground in a pool of blood surrounded by the stunned guests and servants.
The warlord turned to grab Baba's throat till his tongue protruded. Eyes blurred and face as red as her daughter's splattered blood, he spat on Baba. "Animal! You raped my daughter and killed her!"
Although all the members in the household knew it was a false accusation, nobody was willing to right the wrong. The servants were scared and powerless. The rich guests couldn't have cared less.
One general meditatively stroked his beard, sneering, "Big deal, it's just a fiddle player." And that ended the whole event.
Indeed, it was a big deal for us. For Baba was executed. Mother took refuge as a Buddhist nun in a temple in Peking . I was taken away to a prostitution house.
This all happened in 1918.
Thereafter, during the tender years of my youth, while my mother was strenuously cultivating desirelessness in the Pure Lotus Nunnery in Peking, I was busy stirring up desire within the Peach Blossom Pavilion.
That was the mistake he should never have made--trying to be righteous and meddling in rich men's business.
Mother's saying kept knocking around in my head until one day I swore, kneeling before Guan Yin--the Goddess of Mercy--that I would never be merciful in this life. But not meddle in rich men's business? It was precisely the rich and powerful at whom I aimed my arts of pleasing. Like Guan Yin with a thousand arms holding a thousand amulets to charm, I was determined to cultivate myself to be a woman with a thousand scheming hearts to lure a thousand men into my arms.
But of course this kind of cultivation started later, when I had become aware of the realm of the wind and moon. When I'd first entered the prostitution house, I was but a little girl with a heart split into two: one half light with innocence, the other heavy with sorrow....
Carrie Lofty received the printed ARCs for her January release, SCOUNDREL'S KISS. You know there has to be a contest forthcoming, right? And she also wrote a post for 1st Turning Point about how to make a group blog successful...a blog like this one!
It seems that you have lots of ideas--how do you get them? 