Showing posts with label Georgie Lee. Show all posts
Showing posts with label Georgie Lee. Show all posts

21 April 2013

Guest Blog: Georgie Lee

This week, we're welcoming author Georgie Lee, once again with her latest title, Mask of the Gladiator from Carina Press.   The author will offer a free copy of the book to a lucky blog visitor. Here's the blurb:

Livia Duronius is driven to seek out a gladiator after watching him triumph in the Colosseum. His touch arouses a sense of hope she hasn't felt since Rome fell under the tyrannical rule of Caligula—and her late husband betrayed her. Though in danger of losing more than her heart, she vows to see him again, even after she learns her uncle has arranged her marriage to a senator.

Senator Titus Marius cannot resist indulging in a passionate encounter with the veiled woman who waits for him after the games, though he faces execution if his true identity is discovered. Bound by honor to wed another, and embroiled in a plot to free Rome from madness, he never expects to see the mystery woman again. 

When the fates reunite them in the marriage bed, Titus vows to protect Livia at all costs—even from the lecherous eyes of the emperor...

**Q&A with Georgie Lee**

What gave you the idea to write a romance set in ancient Rome? 

The idea for Mask of the Gladiator first came to me while I was reading a book on the lives of the Roman emperors. Something about Caligula’s demise, the real PG version, not the XXX version that has also survived the ages, caught my attention. The story wouldn’t let go until I’d crafted it into a tale in which regular people get caught up in the life and death events of their era with a great romance and sex thrown in because hey, after all, this is Rome.


Was the story an easy one to write and how long did it take? 

It didn’t take me long to write Mask of the Gladiator but it took me a while to rewrite it. I had to do a lot of research on ancient Rome to get the setting and historical facts surrounding Caligula’s assassination, which is central to the plot, correct. Then, when I first submitted the manuscript, I received a revise and resend letter. I agreed with my editor’s suggestions but it took a while to process it all and rework the story. The suggestions made the story more powerful and I love the finished version.


Was it difficult doing research for Mask of the Gladiator? 

The Romans, thanks to the length of their empire, left a lot of material, both written and physical about their lives. This wealth of information on the ancient Romans made research both interesting and easier. Thanks to surviving statues of Caligula, I was able to base my descriptions of the emperor on his busts instead of having to extract details from ancient sources, most of which were not flattering. For details on Caligula’s assassination, I turned to Justinian and Suetonius. Their accounts, though not exactly first hand, are well fleshed out, if not blatantly exaggerated in a few spots. I incorporated details from their stories into my story while adding a few of my own in order to better weave the main characters, Livia and Titus, into the historical events. In regards to the daily life of the nobility, there were endless resources available from the excavation at Pompeii to modern research books detailing the archeological evidence. 


Is there any music you listened to while writing Mask of the Gladiator? 

I listened to soundtracks from different historical movies when I was brainstorming certain scenes. The theme song from 300 is a great one to listen to while reading Mask of the Gladiator, as well as Gladiator, and King Arthur.


Tell us a little about you. Are you a plotter or a pantser? 

I used to be a pantser, but now that I’ve sold to Harlequin Historicals, I sit down and write a summary and work on my characters before I get too far into a story. I usually start with a specific scene in mind and then build the story out from there. Having a summary really helps me make the best use of my writing time.


What is something unusual about you that readers would be surprised to know? 

I once took classes in how to read and speak ancient Egyptian. For a time, I could read some hieroglyphics, but I’ve since forgotten most of what I learned.


Thank you for joining me today and thanks to Unusual Historicals for inviting me.


BUY LINKS







A dedicated history and film buff, Georgie Lee loves combining her passion for Hollywood, history and storytelling through romantic fiction. She began writing professionally at a small TV station in San Diego before moving to Los Angeles to work in the interesting but strange world of the entertainment industry.


Her first novel, Lady’s Wager, and her contemporary novella, Rock ‘n’ Roll Reunion are both available from Ellora’s Cave Blush. Labor Relations, a contemporary romance of Hollywood, and Studio Relations, a love story set in 1935 Hollywood, are currently available from Montlake Romance. Look for her Regency novella, Hero’s Redemption from Carina Press in July 2013, and her Regency novel, Engagement of Convenience, from Harlequin Historical on October 2013.  


When not writing, Georgie enjoys reading non-fiction history and watching any movie with a costume and an accent. Please visit  www.georgie-lee.com for more information about Georgie and her novels.


Social Media Links




Twitter: @GeorgieLeeBooks






Website: www.georgie-lee.com
 

18 April 2013

Excerpt Thursday: Mask of the Gladiator by Georgie Lee

This week, we're welcoming author Georgie Lee, once again with her latest title, Mask of the Gladiator from Carina Press.   Join us on Sunday, when the author will offer a free copy of the book to a lucky blog visitor. Here's the blurb:

Livia Duronius is driven to seek out a gladiator after watching him triumph in the Colosseum. His touch arouses a sense of hope she hasn't felt since Rome fell under the tyrannical rule of Caligula—and her late husband betrayed her. Though in danger of losing more than her heart, she vows to see him again, even after she learns her uncle has arranged her marriage to a senator.

Senator Titus Marius cannot resist indulging in a passionate encounter with the veiled woman who waits for him after the games, though he faces execution if his true identity is discovered. Bound by honor to wed another, and embroiled in a plot to free Rome from madness, he never expects to see the mystery woman again. 

When the fates reunite them in the marriage bed, Titus vows to protect Livia at all costs—even from the lecherous eyes of the emperor...

**An Excerpt from Mask of the Gladiator**

Titus drove the sword deep into the man's flesh, twisting it slightly to render the fatal blow. He pulled out the blade and held it over his head, allowing the blood to drip into the sand. Thunderous applause echoed through the amphitheater, the plebeians and patricians of Rome hailing him as a hero. Titus breathed hard from the exertion of the fight and the thrill of this dangerous victory, his chest pushing against the heavy leather cuirass. A slight sneer curled the edges of his lips as he basked in the glory of having defeated the best gladiator in Rome and the feared leader of Caligula's German Guard.

Turning to face each section of the massive amphitheater, he raised his sword higher, eliciting more cheers. Through his metal helmet, he watched the flowers float down from the high seats to the blood-soaked sand of the arena. The city would fall at this gladiator's feet. The women would flock to him and gold would pour in too. Tomorrow, all the glory would be another man's but for the moment it belonged to Titus.

Livia rose to her feet with the crowd, swept up in their excitement and for a brief moment, shaking off the palla of fear constantly surrounding her. Slaves hurried out from the side of the arena to carry off the dead man but Livia barely noticed. Her attention was fixed on the triumphant gladiator. The sun glinted off the pectoral covering his wide chest, emphasizing his sweaty, muscular arms. Tight calves strained against the leather straps of his sandals, leading up to where his taut thighs disappeared under the dusty tunic. Something in the sheer strength of him called to her in a primitive way she could not ignore, and on a level deeper than pure lust. His victory spoke of hope and courage, and she longed to share in it, to let it surround her like a finely woven tunic and drive away the uncertainty plaguing the back of her mind.

Trumpets blared and the fighter sheathed his sword and left the arena. Livia sat down, barely aware of the excited chatter of the other matrons swirling around her. The image of the gladiator stayed with her, accompanied by another emotion humming just beneath the surface, one she barely dared to entertain. Touching her lips, she wondered what it would be like to lose herself in his power and strength, feel the force of life flowing through her and know again the joy of living as she had before Caligula, before the traitor trials.

No, it is a ridiculous daydream, she thought, pulling back her black veil and adjusting the gold stephane holding it in place over her hair. Unlike other matrons who eagerly sought the services of gladiators, she'd never indulged in such a forbidden dalliance. It was too dangerous to risk her reputation on so base a pleasure, especially with many already wondering why a widow of her status had not yet remarried.

"Caligula." The whisper of shock raced through the matrons and all thoughts of pleasure vanished. Across the arena, led by a parade of female slaves strewing flowers at his feet, Emperor Caligula entered his box, waving to the now-reserved crowd.

"What's he doing here?" a woman behind Livia hissed. "I thought he was at the Palatine Games."

"We all did or none of us would have dared come today," another matron answered, a noticeable quaver in her voice. "We should leave."

"No, you'll only draw his attention," her friend warned.

Anger cursed through Livia as she recalled the horror her friend Thuria had endured when the emperor's lecherous gaze fell on her. Her husband had done nothing to protect her, and she'd taken her life shortly afterward, unable to bear the shame.

BUY LINKS



Nook:  http://www.barnesandnoble.com/w/mask-of-the-gladiator-georgia-lee/1107412438


A dedicated history and film buff, Georgie Lee loves combining her passion for Hollywood, history and storytelling through romantic fiction. She began writing professionally at a small TV station in San Diego before moving to Los Angeles to work in the interesting but strange world of the entertainment industry.

Her first novel, Lady’s Wager, and her contemporary novella, Rock ‘n’ Roll Reunion are both available from Ellora’s Cave Blush. Labor Relations, a contemporary romance of Hollywood, and Studio Relations, a love story set in 1935 Hollywood, are currently available from Montlake Romance. Look for her Regency novella, Hero’s Redemption from Carina Press in July 2013, and her Regency novel, Engagement of Convenience, from Harlequin Historical on October 2013.  

When not writing, Georgie enjoys reading non-fiction history and watching any movie with a costume and an accent. Please visit  www.georgie-lee.com for more information about Georgie and her novels.

Social Media Links





Website: www.georgie-lee.com    

24 March 2013

Guest Blog: Georgie Lee



This week, we're welcoming author Georgie Lee, whose latest title is Studio Relations. The author is offering a free copy of the book to a lucky blog visitor. Here's the blurb:     

Vivien Howard hasn’t forgiven Weston Holmes for almost derailing her career five years ago. Female directors in 1930s Hollywood are few and far between, and a man who coasts by on his good looks and family connections can’t possibly appreciate what it took for her to get to where she is. But when the studio head puts Weston in charge of overseeing Vivien’s ambitious Civil War film, she realizes she has a choice: make nice with her charismatic new boss or watch a replacement director destroy her dream.

Weston Holmes doesn’t know much about making movies, but he knows plenty about money. And thanks to the Depression, ticket sales are dangerously low. The studio can’t afford a flop—or bad press, which is exactly what threatens to unfold when an innocent encounter between Weston and Vivien is misconstrued by the gossip rags. The only solution? A marriage of convenience that will force the bickering duo into an unlikely alliance—and guide them to their own happy Hollywood ending.

**Q&A with Georgie Lee**

When did you start writing?

I grew up writing many different things including poetry, short stories and screenplays. I’m a lifelong history buff, voracious reader, writer and a movie lover. I especially enjoy classic films because they have such witty dialogue. My professional writing career began at a small cable TV station in San Diego where I wrote marketing videos and public service announcements. I dreamed of being a screenwriter so I moved to Los Angeles and earned my MA in screenwriting. I never conquered Hollywood, but I’d always enjoyed reading romance novels, so one day I started writing one. It was a Regency romance and it went on to become Lady’s Wager, my first published novel. It took me about a year to write Lady’s Wager and the first draft wasn’t exactly perfect. I learned a lot by rewriting that story.

What inspired you to write your current release Studio Relations, a love story set in 1935 Hollywood?

My love of classic films and Gone with the Wind helped inspire this book. I knew from my film studies background that there were a few female directors working in Hollywood during the 1930s. While the major studios did employ women behind the scenes, women usually worked in publicity, writing or the costume shop. It was the rare female who stepped behind the camera, and she faced a number of obstacles, from demanding studio bosses to disapproving women’s groups. Also, the 1930s saw a great deal of change in Hollywood from the conversion to talkies to the introduction of the Hays Code, which dictated what could and could not appear on screen. Outside the studio gates, the Great Depression was raging and Europe was heading toward World War II. There was a lot of conflict both on the soundstage and off for me to play with. I touch on all these subjects in Studio Relations, but especially what it was like for a woman to work in a man’s world in 1935 Hollywood.

In Studio Relations, I also pay homage to my favorite film Gone with the Wind, by making the film Vivien directs a Civil War movie. I drew on my knowledge of Gone with the Wind’s production to help me make the scenes dealing with the production of Vivien’s film seem authentic to the time period. It was fun to pull from both my knowledge of classic Hollywood and Gone with the Wind to help make Studio Relations an engaging story.

What is your favorite scene from this story and why?

My favorite scene from Studio Relations is the shotgun wedding scene. After a PR debacle, Vivien and Weston are forced to get married. The studio boss is in charge of making the arrangements and I had a blast helping him put it all together.

Who is your favorite author, and how does this person inspire you?

I admire so many great authors, it’s hard to pick just one. I am going to go with a few classics, Oscar Wilde for sharp witty dialogue, W. Somerset Maugham for great insight into characters and D.H. Lawrence for well developed internal monologue.

If you could time travel back in time, where would you go and why?

I’m a major history buff so choosing just one time period is tough, but I have to pick ancient Egypt during the reign of Hatshepsut and Thutmose III. She was the most powerful female ruler in Egypt and they were co-rulers for some time. Once she died, Thutmose became one of Egypt’s greatest Pharaohs. It would be wonderful to see the dynamics that made her reign possible, to watch her rise to power and to know why, so many years after her death, Thutmose decided to remove her from the historical record. Also, I’d love to know more about the ancient Egyptian’s daily lives. Although we know a great deal about their funerary practices, very little is known about their daily lives. I would love to see the court of Pharaoh, to see how he and the noble women spent their days.

Tell us about your upcoming releases and what you’re working on now.

I’m currently working on a couple of Regency romances for Harlequin Historical. I also have a Regency-set novella, Hero’s Redemption, coming out from Carina Press in July.

Thank you Lisa for having me here today, and thank you to everyone for stopping by!

A dedicated history and film buff, Georgie Lee loves combining her passion for Hollywood, history and storytelling through romantic fiction. She began writing professionally at a small TV station in San Diego before moving to Los Angeles to work in the interesting but strange world of the entertainment industry.

Her traditional Regency, Lady’s Wager and her contemporary novella Rock ‘n’ Roll Reunion are both available from Ellora’s Cave Blush. Labor Relations, a contemporary romance of Hollywood is currently available from Montlake Romance. Mask of the Gladiator, a novella of ancient Rome is now available from Carina Press.

When not writing, Georgie enjoys reading non-fiction history and watching any movie with a costume and an accent. Please visit www.georgie-lee.com for more information about Georgie and her novels.

Find Georgie on:

Twitter: @GeorgieLeeBooks
Blog: http://georgielee.blogspot.com



21 March 2013

Excerpt Thursday: Studio Relations by Georgie Lee


This week, we're welcoming author Georgie Lee, whose latest title is Studio Relations.   Join us on Sunday, when the author will offer a free copy of the book to a lucky blog visitor. Here's the blurb:     

Vivien Howard hasn’t forgiven Weston Holmes for almost derailing her career five years ago. Female directors in 1930s Hollywood are few and far between, and a man who coasts by on his good looks and family connections can’t possibly appreciate what it took for her to get to where she is. But when the studio head puts Weston in charge of overseeing Vivien’s ambitious Civil War film, she realizes she has a choice: make nice with her charismatic new boss or watch a replacement director destroy her dream.

Weston Holmes doesn’t know much about making movies, but he knows plenty about money. And thanks to the Depression, ticket sales are dangerously low. The studio can’t afford a flop—or bad press, which is exactly what threatens to unfold when an innocent encounter between Weston and Vivien is misconstrued by the gossip rags. The only solution? A marriage of convenience that will force the bickering duo into an unlikely alliance—and guide them to their own happy Hollywood ending.

**An Excerpt from Studio Relations**

Hollywood 1935

Vivien Howard marched into Earl Holmes’s office and threw the script on his desk. “Storm of the South. This is it. This is the picture I want to direct next.”

Earl picked up the script and flipped through it, unfazed. “The Civil War? It’s been done, and badly.”

Not the way I’m going to do it.”

I read the script a couple of months back. It’s a war movie. A woman can’t direct a war movie.” He tossed the script onto his large mahogany desk and leaned back in his leather chair, his hands clasped over his round belly, his graying eyebrows knitted as his eyes bored into her. Earl’s imposing attitude would have cowed a lesser director, but Vivien had played this game too many times with the old studio head to be scared off now.

It’s a love story set during a war.”

The Civil War.”

I know exactly how I’m going to shoot it.” She sat down on Earl’s plush leather sofa, pushing back her shoulder- length curly brown hair. She crossed her legs, thankful Miss Hepburn’s popularity had made wearing trousers respectable. Even if the Women’s Decency League proclaimed pants
the ruin of womankind, Vivien preferred them to skirts and always made sure they were femininely tailored to complement her dark hair and eyes. Being one of only a few female directors in Hollywood, she played a man’s game, but she was always careful to remain a lady. Her career depended on this tightrope walk.

Earl leaned back in his chair and studied her. She knew he was intrigued, but she also knew he hated to let directors think they were getting their way, even if they were.

The boys in New York won’t like the idea of a woman directing a war movie,” he replied, selecting a cigar from the humidor on his desk.

If you pitch it right, they’ll love this project.”

But I’ve got to love it first.” He clipped off the end of the cigar and placed it between his lips. Vivien picked up the large silver lighter from his desk, popped open the cap, sparked the flame, and held it out to him across the desk.

You love the money my films make. You also love how good my successful films make you look to the boys in New York.”

Earl leaned forward and lit his cigar, then sat back in his chair, slowly drawing in the smoke. Vivien knew she had him. She smiled, waiting for him to make the next move.

Who’d you have in mind for the lead?” he asked.

Peter Davies. He’s perfect.”

He’s a supporting actor. You need a leading man with box office draw, someone like Gary Roth.”
Vivien perched on the edge of his desk. “Peter has leading man potential. All he needs is the right role, and this is it. ”

And the fact that you two are dating?”

Has nothing to do with it.” Vivien was on shaky ground, and she knew it.

The boys in New York are going to insist on a big star, especially when they get wind that I’m letting you direct a war movie,” Earl protested.

Vivien fixed him with a serious look. “It’s a love story, and you know it. It’s also the best script to come across my desk in years, and I’m the best director to do it.”

We still need a star to headline it.”

And we’ll have one when I cast the female lead.”

Earl chewed on the end of his cigar, eyeing her. “Fine. You can do it. Start tomorrow.”

I’ll start today.” Vivien jumped to her feet. She’d been planning the film on the sly for weeks and relished the chance to finally work on it out in the open.

Earl shook his head, snatching the black phone off the receiver. “I don’t let any of my stars push me around half as much as you do.”

Vivien smiled over her shoulder as she made her way to the door. “That’s because no one makes as much money for you as I do.”

Don’t make me regret this, Vivien,” Earl called out after her.

You won’t, I promise.” She winked, then slipped out the door.

A dedicated history and film buff, Georgie Lee loves combining her passion for Hollywood, history and storytelling through romantic fiction. She began writing professionally at a small TV station in San Diego before moving to Los Angeles to work in the interesting but strange world of the entertainment industry.

Her traditional Regency, Lady’s Wager and her contemporary novella Rock ‘n’ Roll Reunion are both available from Ellora’s Cave Blush. Labor Relations, a contemporary romance of Hollywood is currently available from Montlake Romance. Mask of the Gladiator, a novella of ancient Rome is now available from Carina Press.

When not writing, Georgie enjoys reading non-fiction history and watching any movie with a costume and an accent. Please visit www.georgie-lee.com for more information about Georgie and her novels.

Find Georgie on:

Twitter: @GeorgieLeeBooks
Blog: http://georgielee.blogspot.com