Powerful Lines

L'azienda del campo, 1924, via Chaudron

For my second post dedicated to the Italian artist Duilio Cambellotti, I wanted to focus on his draughtsman's skill

and the beauty of his expressive line work, as shown in his illustrations, sketches, woodcuts, prints and ceramics.

In the near future I am planning to share some of his beautiful illustrations for the Arabian Nights 

and other striking colorful artworks.

illustration for Canzoncine, 1918

illustrations for La siepe di smeraldo, 1920

illustrations for the school textbook Allegretto e Serenella, 1921

Albero e Aquile, 1929

Il Serpente, 1930

Corvi, 1931

Leggende romane, 1935

1935

Leopard Jug

I scanned these two pages from one of my books, but now I can't locate it ...

will update the info as soon as I find it!

Carezzando il gatto, 1946

Childhood Dragons

Maurice Sendak, As I Went Over the Water, 1965, thanks to a wonderful series of posts 

on my vintage book collection (in blog form)

N.C. Wyeth, Legends of Charlemagne, 1924, via Animation Resources

Wanda Gag, The Funny Thing, 1928, thanks to Vintage Kids' Books My Kid Loves

Ruth Gannett, My Father's Dragon, 1948

Pauline Baynes, 1951, thanks to Tania Covo

Miroslav Váša, The Bugaboos Or Little Natural History Of The Spooks, 

Ghosts And Phantoms, 1961, thanks to josefskrhola

Judy Varga, The dragon who liked to spit fire, 1962,

thanks to The Art of Children's Picture Books

J.P. Miller, 1963, thanks to my vintage book collection

John Martin Gilbert, A Dragon in a Wagon, 1966, thanks to Bonito Club

 Gerald Rose, Jabberwocky, 1968, thanks to bookvart

Rolf Lagerson, 1970, thanks to Martin Klasch

 Kenneth Mahood, The Laughing Dragon, 1970, 

 thanks again to Vintage Kids' Books My Kid Loves

Bill Peet, How Droofus the Dragon Lost His Head, 1971 thanks to Michael Sporn Animation

Mikhail Belomlinsky, The Hobbit, 1976 

 Peter Pavey, 1978

Rosamar Corcuera, El Amaru, 1998, via the International Children's Digital Library

Gwen Keraval

Millions of Cats

Millions of Cats is a beloved classic of American children's literature, but it is not as well known 

here in Europe. I first discovered it through the British volume Children's book covers, 

and decided to introduce it together with its author to Animalarium's international readership. 

Hopefully some of you who are not yet familiar with them will fall in love as I have!

Wanda (top right) with five of her siblings in 1905, 

thanks to the Minnesota Historical Society's Visual Resources Database

Wanda Gag, the eldest daughter of Bohemian immigrants, was born in New Ulm, Minnesota, in 1893 

(the same year as another favorite pioneering woman artist and children's book author, Vera Ermolayeva). 

The mother was a skilled storyteller who enjoyed telling folktales in her native German to her children. 

When Wanda was fourteen her father Anton, a well-known painter, decorator and photographer, 

died of tubercolosis. On his deathbed, he told her "What Papa has left undone, Wanda will have to finish," 

a plea that she honored with extraordinary determination. Wanda vowed to become an artist, 

and even after her mother's health failed, she managed to continue her studies and raise six siblings, 

while working odd jobs and selling illustrations and greeting cards to support the family. 

She attended art schools in Saint Paul, Minneapolis and New York on scholarships. 

Wanda, who referred to herself as a gypsy, was lively, curious and way ahead of her time. 

In New York she found work as a commercial artist, wrote political articles, started making prints 

and became an influential member of the Greenwchich Village art community. She made friends 

with Georgia O'Keefe, was inspired by Whitman and Thoreau, and was an early proponent of 

feminism, socialism, sexual freedom and the return to nature. In the late 1910s she began 

creating books for children, but couldn't find a publisher. In 1923 Wanda had the first of many 

successful print exhibitions, and in 1928 a chance meeting with an editor of children's books 

led to the publication of her first and most famous book, Millions of Cats. 

Endpapers and frontispiece

Millions of Cats was the first children's book to introduce illustrations stretched across a double spread. 

The book, inspired by an European folk tale, was also written by Wanda, who hand-lettered the text to better

 integrate it with the pictures. The simple story tells of a lonely elderly couple who decide to get a cat. 

The old man travels in search of one, until he finds a hill "quite covered with cats". 

Unable to choose between "hundreds, thousands, millions and billions and trillions" of cats, he brings them 

all back home. When the wife points out their inability to support the legion of felines, it is left to the cats 

to decide who among them is the prettiest, which leads to an enormous catfight. In the end only a raggedy

 skinny cat is left standing. The couple take it, feed it and care for it, and in time it becomes the beautiful 

cat of their dreams. The book became an instant classic and won Newbery Honor award in 1929. 

It has sold over a million copies, never going out of print and being through 36 different impressions, 

the last (to my knowledge) by Puffin Books in 2006.

Snoopy in Lewis Gannett's Garden, 1932-33 and Siesta, 1937

In 1931 Wanda bought a rural farmstead in New Jersey, where she crafted an earthy lifestyle while 

continuing to create pen and ink drawings and prints until her death in 1946. The majority of her prints 

were litographs, but she also produced etchings, wood engravings and linocuts. 

Wanda Gag wrote and illustrated seven more original children's books, 

and illustrated and translated from the German two books of Grimm's Fairy Tales.

The covers above come from Faber Books' beautiful flickr stream.