Finishing up what I started yesterday, here are (most) of the rest of my current framing adventures...
First up is Glendon Place's Mixed Berry Cheesecake. I still flove it to death, and although the picture makes it look greenish, the frame is actually silver with plummy accents:
Next is my beloved Dracula. It's hanging in the bedroom (I had a perfect spot for it). It has the same 'double frame' style that Tapestry does, with the black frame with red scrollwork acting as a mat to the regular black frame around it.
And finally, Regal Peacocks by Teresa Wentzler. I started this in 2000 and finished in 2001. I really liked the same inner frame we used with Tapestry for this one; people who have seen it in person really like the piece overall, which also makes me feel good about it.
I remember, once upon a time, that a friend came to visit my place with her son. She was someone I met on the TWBB, and because I had nothing on the walls remotely resembling stitching, the son remarked "I thought she was a stitcher?" or something along those lines to her. I'm happy to say that if anyone came to visit my place now, they would definitely know that a stitcher lives there, and that makes me happy.
Showing posts with label Dracula. Show all posts
Showing posts with label Dracula. Show all posts
Friday, March 23
Saturday, November 4
Framing is coming! Framing is coming!
In the past, I've gotten a few things framed at Nick's in Mesa (? I think it's Mesa, I visited my friends in Phoenix and they took me there). Well! One of my friends was in town (sorta) for work, and we met and had dinner. She offered to take some of my stitching to Nick's since we're going to see each other again in a couple of months and I can fly home with my pieces (vs having them shipped like last time). We didn't go to Nick's the last time a bunch of us were in Phoenix because he was ending his business, but for reasons he hasn't actually closed up yet. Yay for us!
So we did some framing-by-text, but luckily Nick is pretty damn awesome and the options I got were pretty awesome from the beginning and I was happy.
First up is the Dracula book cover, which I finished earlier this year (and hey, this picture is really a color accurate photo of that Aries by Sparklies that I adore). He is actually using two frames to make this, one frame acting like a kind of mat, which is WAY awesome. This was so good that it was an immediate yes. And to be honest, it's my favorite framing thing from everything that's getting done.
Next up is Ferret Knot by White Willow Stitching. The other option had a frame that didn't have that gold edge, and I like the way it breaks things up. I also love that suede mat, which I think should work super well with the overdye chocolate that I used in the design. Much love for this (man these are going to be heavy ;) )
Next is Tapestry by Ink Circles.
And again, it's the double-frame thing. Annette (link to her flosstube) showed me her Tapestry (or, rather, a photo of it) while we were hanging out a few weeks ago, and I really did like it. This is the same thing she had done (and I think we've even stitched on the same fabric? hah!). We, and some other friends, all stitched on this together at the same time; starting at approx the same time. It was kind of fun to be bouncing off of each other's progress pictures, and not only is it a gorgeous design, but I will always think of my wonderful friends when I look at it. I can't imagine a frame I'd like better, honestly.
Next up is Immaculate Heart (again, by Ink Circles).
It's a pretty small design, and I love the old world/medieval feel of it and wanted a heavy, thick frame to go around it. And lo'! This is the option Nick pulled. So, yes? Seriously, this guy is a genius. And luckily this is fairly small so at least one of these will be easy to transport ;)
And finally, I bring you Celtic Christmas by Lavender and Lace/Told in a Garden
I stitched this back in 1998. At one time, I "finished" it into a cheap Michaels frame using stitch witchery to hold it to the backing board, so there's still residue of that stuff around the edges. Way back when I "didn't know any better" and what not. Luckily the sticky stuff isn't anywhere near the stitching, but around the very edges; it's not like that stuff comes off easily, either.
I don't have a blog post with her in it, but otherwise I stitched it as directed, same fabric, same materials, even that god awful DMC 284Z (I didn't even have to look it up, I remember that stuff!). I recently hit this piece with a lint roller to try to get any extra dog hair off of it, and that gold started flaking! So I thought I should get it framed tout-de-suite.
I didn't want it too look too Christmassy (hence the removal of the "NOEL" from above her head), but I stitched her because I love her red dress, so I knew I wanted red in the framing somewhere, but when it was the top mat, it just overwhelmed the framing. This is eventually what we settled on - this was definitely the piece that took us the longest to pick a frame option for. It's the costliest one we framed (I think the red is suede, and the tan is a really pretty silk mat, actually), but 1. she's worth it and 2. it was still a helluva lot cheaper than if I'd framed her at a regular place here.
I'm quite happy with this choice and now I have to decide if I want to hang her in a public area of my house or just put her above my dresser so I can look at her every day.
So that's the framing that's coming my way. I should get everything by January at the latest, and I couldn't be more excited/pleased. I hate to wish ill on Nick, but I hope the issues regarding his shop continue for just a few more months so I have one more crack at framing with him. Mostly for those desert pieces.
So we did some framing-by-text, but luckily Nick is pretty damn awesome and the options I got were pretty awesome from the beginning and I was happy.
First up is the Dracula book cover, which I finished earlier this year (and hey, this picture is really a color accurate photo of that Aries by Sparklies that I adore). He is actually using two frames to make this, one frame acting like a kind of mat, which is WAY awesome. This was so good that it was an immediate yes. And to be honest, it's my favorite framing thing from everything that's getting done.
Next up is Ferret Knot by White Willow Stitching. The other option had a frame that didn't have that gold edge, and I like the way it breaks things up. I also love that suede mat, which I think should work super well with the overdye chocolate that I used in the design. Much love for this (man these are going to be heavy ;) )
Next is Tapestry by Ink Circles.
And again, it's the double-frame thing. Annette (link to her flosstube) showed me her Tapestry (or, rather, a photo of it) while we were hanging out a few weeks ago, and I really did like it. This is the same thing she had done (and I think we've even stitched on the same fabric? hah!). We, and some other friends, all stitched on this together at the same time; starting at approx the same time. It was kind of fun to be bouncing off of each other's progress pictures, and not only is it a gorgeous design, but I will always think of my wonderful friends when I look at it. I can't imagine a frame I'd like better, honestly.
Next up is Immaculate Heart (again, by Ink Circles).
It's a pretty small design, and I love the old world/medieval feel of it and wanted a heavy, thick frame to go around it. And lo'! This is the option Nick pulled. So, yes? Seriously, this guy is a genius. And luckily this is fairly small so at least one of these will be easy to transport ;)
And finally, I bring you Celtic Christmas by Lavender and Lace/Told in a Garden
I stitched this back in 1998. At one time, I "finished" it into a cheap Michaels frame using stitch witchery to hold it to the backing board, so there's still residue of that stuff around the edges. Way back when I "didn't know any better" and what not. Luckily the sticky stuff isn't anywhere near the stitching, but around the very edges; it's not like that stuff comes off easily, either.
I don't have a blog post with her in it, but otherwise I stitched it as directed, same fabric, same materials, even that god awful DMC 284Z (I didn't even have to look it up, I remember that stuff!). I recently hit this piece with a lint roller to try to get any extra dog hair off of it, and that gold started flaking! So I thought I should get it framed tout-de-suite.
I didn't want it too look too Christmassy (hence the removal of the "NOEL" from above her head), but I stitched her because I love her red dress, so I knew I wanted red in the framing somewhere, but when it was the top mat, it just overwhelmed the framing. This is eventually what we settled on - this was definitely the piece that took us the longest to pick a frame option for. It's the costliest one we framed (I think the red is suede, and the tan is a really pretty silk mat, actually), but 1. she's worth it and 2. it was still a helluva lot cheaper than if I'd framed her at a regular place here.
I'm quite happy with this choice and now I have to decide if I want to hang her in a public area of my house or just put her above my dresser so I can look at her every day.
So that's the framing that's coming my way. I should get everything by January at the latest, and I couldn't be more excited/pleased. I hate to wish ill on Nick, but I hope the issues regarding his shop continue for just a few more months so I have one more crack at framing with him. Mostly for those desert pieces.
Wednesday, January 11
WIPWednesday
So I spent the snowy (Carolina SnowPocalypse 2017, y'all!) weekend stitching on Dracula and watching Westworld.
Shoulda been cleaning, I suppose, but I didn't. Hah
Stitched on Sparklies's Aries
It's darker in real life, I just didn't feel like futzing with the camera/picture/settings :)
And just for fun, I was trying to make a collage of last year's works, but I was never happy with it. I spent enough time on it that I felt like I should post it anyway!
Shoulda been cleaning, I suppose, but I didn't. Hah
Stitched on Sparklies's Aries
It's darker in real life, I just didn't feel like futzing with the camera/picture/settings :)
And just for fun, I was trying to make a collage of last year's works, but I was never happy with it. I spent enough time on it that I felt like I should post it anyway!
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