Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label hell's ditch. Show all posts
Showing posts with label hell's ditch. Show all posts

Thursday, 26 July 2018

Wolf's Hill is coming...


What with the excitement, drama and heat of the last month, I managed to completely forget that my seventh (hopefully a lucky number) novel, Wolf's Hill, will be released on 31st July.

FAQ: (well, not really frequently asked questions, but who knows, maybe in future...)

Q: What is Wolf's Hill?
A: It's the third novel in the Black Road Quartet, following on from Hell's Ditch and Devil's Highway.

Q: What is the Black Road?
A: It's a series of novels set in Britain twenty years after a nuclear attack. The country's mostly still in ruins, and controlled by the tyrannical Commanders of the Reclamation and Protection Command and their soldiers: the Reapers.

Q: What's the story so far?
In the first book, Hell's Ditch, a Commander called Winterborn is looking for an ultimate weapon to consolidate his bid for supreme power. This takes the form of Project Tindalos, a paranormal weapons system developed at REAP Base Hobsdyke by Dr Mordake. Project Tindalos ran wildly out of control and was only stopped when Winterborn's old enemy Helen Damnation (no, I couldn't resist calling her that) and her rebels destroyed Hobsdyke.

Devil's Highway saw Helen's rebellion gaining strength, aided by an assorted band of allies - among them, Gevaudan Shoal, the last of the genetically-engineered warriors known as Grendelwolves. Winterborn attempted to crush the rebellion with an assault on their base at Ashwood Fort, spearheaded by the monstrous Catchmen, created from the remains of Project Tindalos. The rebels survived, but now the conflict is moving into a newer, deadlier phase...

Q: So what's in store in Wolf's Hill?
A: Dr Mordake, the creator of Project Tindalos, has resurfaced, and is advising Winterborn in his war against the rebels. The Reapers having failed to crush the rebels militarily, Mordake seeks to break their unity and divide them against one another - and against Helen in particular. And central to his plans is Helen's closest ally, Gevaudan Shoal.

A new enemy will emerge. The rebels will face a deadly threat from within their own ranks. And secrets will be revealed: Helen's past, Mordake's journey, and what really lies beneath the ruins of Hobsdyke.

(You'll also learn how Gevaudan got his name. No particular relevance to the plot there, but just in case you were interested...)

Q: Where can I get hold of it?
A: You can buy it on Amazon (US or UK.) It should be up on the Snowbooks website soon: Hell's Ditch and Devil's Highway are there already, or at least pages showing a huge range of links where you can order a physical or electronic copy.

Q: Will it be any good?
A: Well, only you can judge. But here's what the reviewers have said abouit the series so far:
Hell's Ditch:
"Grabs you and won't let go." - Pat Cadigan.

"I loved the time I spent on the world of Hell’s Ditch and I look forward with much anticipation to the follow ups. It’s a book I recommend highly." - Dark Musings.

"Hell’s Ditch is a magnificent achievement, the work of a writer who knows how to tell a story and make it hurt, but in a good way, and putting on my fortune-teller’s cap I suspect that the best is still to come." - Black Static.

"Hell’s Ditch is the epic you always knew Bestwick had inside him... There is loyalty, bravery, self-sacrifice, tenderness, and loss. And some of the best writing on the planet, but you were expecting that if you’ve ever read Bestwick’s work. Aaannnddd, there is also violence, gory imagery, that kind of language, sexuality, and reference to torture. The very thing you don’t want your teenagers reading and the very thing you should buy them…things aren’t looking good for us right now and they might be the ones to make some tough decisions." - Hikeeba.


Devil's Highway:
"There’s genuine poignancy in this novel... It actually made me tear up... But overall, what an incredible ride this is. With the Black Road Quartet now half complete, the bar is set impressively high, but Simon Bestwick gives us no reason to think that the rest of this tour-de-force in progress will be anything less than superb." - The Hellforge.

"Part post-apocalyptic horror, part military action, Bestwick has crafted a thrilling tour-de-force novel full of military grade action sequences and complex characters. But also moments of intense emotion and the lightest touches of romance which combine to deliver a compelling story that pulls you in and refuses to let go." - This Is Horror.

"In the hands of another writer, Helen might have become a dull caricature of a ‘strong female character’. Here, though, her flaws and failings are put under a narrative microscope and viewed alongside her strengths and triumphs: she is a brave warrior, a survivor, a leader of men. She is also weak and selfish and dangerously impulsive. She is imperfect, and all the more interesting a character for it... A potent mix of grim, dystopian sci-fi and visceral horror, combined with a vibrant imagination, lift a standard ‘Good vs Evil’ narrative and have turned it into something quite special indeed." - Ginger Nuts of Horror





Monday, 20 February 2017

Devil's Highway is unleashed!

Today, at last, the paperback edition of Devil's Highway is properly in stock! As you may remember, it was originally slated for release on 1st February, but Snowbooks had so many advance orders they ended up switching publishers for a bigger run! So, at last, it's loose now.

Also, Snowbooks are now doing a special offer on ebooks: all their ebooks are now available at a reduced rate. That includes Devil's Highway, and Hell's Ditch too! For the full list of Snowbooks e-titles, go here! (The Devil's Highway ebook doesn't seem to be on Amazon just now, so you'll have to get it from the site, here.

And just to round it all off, here's that third book trailer...

#thereapersarecoming






Tuesday, 14 February 2017

More Black Road News: The Second Trailer!

And so here's the second trailer! Number three will be along soon...



More Black Road News: The Second Trailer!

And so here's the second trailer! Number three will be along soon...



The Black Road Website, and the first Devil's Highway Trailer

Been meaning to do this for while - I've set up a separate website for the Black Road series. It won't replace this blog (and I'll be blethering on about the books here as well) but I liked the idea of giving this story - which has been a long time in the telling for me, and is very close to my heart - its own online home. And it was good practice for me with Wordpress...

Another thing I got round to (always fancied trying it and had a little spare time over the past week) was making a book trailer for Devil's Highway. Three of them, in fact - all short, and hopefully building up in effect. Anyway, for what it's worth, here's the first of them...



Saturday, 12 March 2016

Things of Last Night: The Hell's Ditch Launch

So the paperback launch of Hell's Ditch went off last night at Waterstones Liverpool One, with Ramsey Campbell and Conrad Williams also reading in an effort to make me look good!

I was glad to see a few friends in the audience, including a few I hadn't met in a while, but even better there were a whole bunch of people I hadn't seen before. Always nice when some complete strangers show up!

Conrad read a passage from his latest, Dust And Desire, the first of a series of crime novels featuring his PI Joel Sorrell. I read it when it was first published as Blonde On A Stick; Conrad did a signing for at that very Waterstones store back in 2010, which was where I met a certain Cate Gardner for the very first time...! Anyway, Dust And Desire is out now and well worth your time: it's a very bleak, blackly funny crime novel, strongly influenced by the 'Factory' novels of Derek Raymond.


Ramsey's reading was from his latest novel too, Thirteen Days By Sunset Beach, in which an elderly couple's holiday on a Greek island with their children and grandchildren acquires subtle shades of menace that may be related to ancient legends. It's a powerful and often poignant tale, and - as usual with Ramsey - necessary reading for anyone who appreciates great supernatural fiction.

We had a great turnout - a lively audience who provided a fun Q&A session following the readings - and as the photographic evidence shows, a good number of books were sold. Our friends Priya Sharma and her partner Mark also came along, and joined us for a massive Chinese meal following the event. I somehow managed to get out of the restaurant without having to be pushed in a wheelbarrow...

Big thanks are due to Conrad and Ramsey for their support, to Glyn Morgan and the rest of the Waterstones team for hosting us, and to everyone who came for showing up! And of course, to Cate, not least for the photographs.

Friday, 11 March 2016

Things of the Week 11th March 2016 feat. Hell's Ditch Event at Waterstones Liverpool One

Well, another week, another blogpost.
First and biggest thing of the week, of course, is tonight's event at Waterstones Liverpool One, for which tickets are still available (hard to believe, I know.) I'll by aided and abetted by Conrad Williams and the legendary Ramsey Campbell, who'll both be reading from their latest works.

I've had book launches before, but this is my first in a proper bookshop where I'm 'headlining' - especially with the likes of Ramsey and Conrad on hand. So, maybe just slightly nervous. I'll cope somehow, I'm sure.

We're continuing our Babylon-5 rewatch, and thankfully the quality's improving. I'm not sure if Cate will ever fall in love with it - space-based stuff tends to be a hard sell with her - but I think she's starting to like it a bit more. No two ways about it, sadly - with no disrespect to the late Michael O'Hare - things started getting markedly better once Bruce Boxleitner took over as station commander. There's a lot less padding in series two, and the Shadows are finally moving to centre stage. The CGI, dazzling in 1994, still looks dated and weak now, but special effects are always the first thing to date.

I'm making good headway with the first draft of The Devil's Highway, hitting the halfway point yesterday. Still a long way to go on typing the bloody thing up, though.

Tachyon Press have revealed the cover for Ellen Datlow's Nightmares anthology, due out in
November. As you can see, it features some great artwork by Nihil. Here's that TOC in full:

  • Shallaballah by Mark Samuels
  • Sob in the Silence by Gene Wolfe
  • Our Turn Too Will One Day Come by Brian Hodge
  • Dead Sea Fruit by Kaaron Warren
  • Closet Dreams by Lisa Tuttle
  • Spectral Evidence by Gemma Files
  • Hushabye by Simon Bestwick
  • Very Low-Flying Aircraft by Nicholas Royle
  • The Goosle by Margo Lanagan
  • The Clay Party by Steve Duffy
  • Strappado by Laird Barron
  • Lonegan’s Luck by Stephen Graham Jones
  • Mr Pigsny by Reggie Oliver
  • At Night, When the Demons Come by Ray Cluley
  • Was She Wicked? Was She Good? by M. Rickert
  • The Shallows by John Langan
  • Little Pig by Anna Taborska
  • Omphalos by Livia Llewellyn
  • How We Escaped Our Certain Fate by Dan Chaon
  • That Tiny Flutter of the Heart I Used to Call Love by Robert Shearman
  • Interstate Love Song (Murder Ballad No. 8) by Caitlín R. Kiernan
  • Shay Corsham Worsted by Garth Nix
  • The Atlas of Hell by Nathan Ballingrud
  • Ambitious Boys Like You by Richard Kadrey
That is a stonking lineup, and I'm blown away to be included.

Right. Off to practice tonight's reading...

Friday, 4 March 2016

Things Of The Week 4th March 2016

So, things this week...

This should go without saying, but - WRITERS, DO NOT PAY TO BE PUBLISHED. There was a name for publishers that charged you money to get your work in print. Actually, there were quite a few names for them, many heavily Anglo-Saxon and some quite creative, but the one most repeatable in polite company was 'vanity press.' And these were, and are, to be avoided like the plague by anyone who takes their work seriously.

Money, as the saying goes, flows towards the writer, not away. Of course, self-publishing blurs that line somewhat, as you have to make some outlay in order to get your work out there, but anyone setting themselves up as a publisher should be paying you - in royalties, if not advances.

A&M Publishers, fronted by NYT Bestselling Author Steve Alten, is a vanity press. For more details, see here. The short version? AVOID.

Unless of course, on top of everything else, you want to pay money for someone to make you a book trailer like this:



Don't all shout at once.

Thanks to everyone who 'attended' the online paperback launch of Hell's Ditch. I'm told that sales are pretty healthy. The 'off-line' version's still to come - next week. Holy shit. I've done the odd book launch at first, but not one like this: at Waterstones, for a novel, with the likes of Ramsey and Conrad there to make me look good. I'm starting to get a wee bit nervous, I admit. Anyway, if you're in the Merseyside area and you're free that evening, I hope you'll swing by (I need all the help I can get.)


Speaking of which, Gareth Hughes has reviewed Hell's Ditch over at Do They Have To Use Drums? He says:

'Bestwick’s writing is some of the most compelling I’ve ever encountered. It may well take you a chapter or two to really get invested, but once you are, you will sink into Hell’s Ditch and not come out the other end until you’ve finished it.'

In current writing developments, The Devil's Highway is now underway and rolling along. Currently on Chapter 8, of a grand total of thirty (plus epilogue.) This is one of the most intricate things I've done, narratively speaking, and one of the most relentless. Or it will be if it actually works as intended. If it does, of course, it should flow so naturally as to look a piece of piss, and everyone will assume I rattled it off in an afternoon...

The third round of edits on my crime novel should be with me next week, bringing us ever nearer to the point when it actually starts going out to publishers. I take a certain amount of pride at having been responsible for my agent sending tweets like these:







Simon Bestwick: lowering the tone of conversations since 1976.

I've been subjecting Cate to Babylon 5, which I got hold of on box set recently, having loved the series when it was first broadcast in the 1990s.
Cate isn't a huge fun of space-based stuff, but given that she became a huge fan of the rebooted Battlestar Galactica, she was up for giving it a try.

Sadly it's not aged well. Special effects are always the first thing to date - although the Shadow vessels still look eerie - but acting is... well, by the standards of US TV in those days, it's pretty good, but back then there was a much bigger gulf in terms of quality between TV work and the movies. It's basically soap-opera standard for the most part, and a lot of the dialogue comes across as portentous and stiff.

We're into the second season now, which does mean a general uptick in quality; Season One suffered from a lot of 'padding' episodes, not to mention Michael O'Hare. I feel bad slating the guy's performance as Commander Sinclair given that, as was revealed after his death, he was actually suffering from some serious mental health issues at the time - hence his departure from the show. So I wanted to like his performance more than I did. But now Bruce Boxleitner's in the saddle, and starting to settle in. There've been a few episodes that still hold up, that made me laugh or gave me the kind of thrill I remember from the show's first run, so I haven't given up hope, but it's not looking good for Cate ever becoming a huge fan.

Even so, B-5 was one of the first shows of its kind to tell an overarching story that ran throughout the series, where characters changed, developed and grew, where the familar set-up of the show altered, sometimes out of all recognition. It showed that it could be done successfully, and it opened the way for more. Without it, there'd have been no Buffy The Vampire Slayer, and maybe no Battlestar Galactica either (and that's just two examples.)

Last night, we also watched Tom Shankland's The Children; I'd only seen this once before and forgotten how genuinely unsettling it is. Shankland's only films to date are this and WΔZ - both of which I can highly recommend. Since then he seems to have mainly worked in TV - directing, among other things, the short-lived BBC series The Fades, plus Ripper Street and The Missing. Hopefully he'll do another film at some point.

Anyway, that's all for now. Have a good weekend!

Sunday, 28 February 2016

(Belated) Things Of The Week: 29th February 2016



Things of the Week, as I said a little while back, has started to become almost a regular feature here. Of course, that only works when you actually have stuff to talk about. I've had an incredible start to 2016, in that for the past few weeks there's been a succession of things to report. Naturally, though, that can't happen all the time.


This past week's been fairly quiet, with one exception: the days have been steadily counting down to the paperback release of Hell's Ditch.

My author copies should be here soon (tries not to slaver) and the paperback is officially released tomorrow. Can't wait!

There'll be an online launch party tomorrow (public event, for any who wish to show up) and, of course, the physical launch at Waterstones on March 11th with Ramsey Campbell and Conrad Williams.


In other news, I've finally completed the outline (all nearly 30,000 words of it) for The Devil's Highway and set to work on the novel proper. It's been a little scary, I have to admit. I thought writing the second part of the series would be easier, now that the characters and world of the book are well-established, but now the fears kick in: this won't work as well as the first book, that I won't be able to do as good a job, that it'll be slipshod, sloppy, lazy...

The same as usual, basically.

So the important part is to get the words down. Record it, type it up: once it's there on the page, it's just a matter of fixing it.

I hope so, anyway. There might be a few loose ends and rough edges in the outline, funnily enough, because I was still tinkering and fiddling right up to the last moment until I realised it had become a way of avoiding the real, scary task of writing the book. Or of preparing everything so thoroughly, so well, that there's no chance at all of anything going wrong - which is a guarantee, in writing, that no-one ever gets.

So now the work begins. I'm hoping to have the first draft finished by the end of March. We'll see how I do.

Finally, remember today's the last day for voting in the British Fantasy Awards. Good luck to all concerned, and once again - if you're eligible, please cast a vote. Let's make this is fair and open a contest as it can be.

Have a good week, all of you.


Monday, 15 February 2016

Things of the Week, 15th February 2016

Me, my (remaining) hair and a book.
A belated 'things of the week'...

Various things have taken place. One of them was that my contributor copy of THE MAMMOTH BOOK OF KAIJU arrived. My story 'Now I Am Nothing' shares space with tales by Gary McMahon, Lavie Tidhar, Neal Asher, Jeremiah Tolbert, Natania Barron, James A. Moore, Cody Goodfellow, Tessa Kum, Steve Rasnic Tem and many, many more. There's a lot of names in the TOC I don't recognise, so I look forward to discovering some new writers...

Some contracts were signed. One was for Ellen Datlow's upcoming anthology NIGHTMARES: A NEW DECADE OF MODERN HORROR, out on October 31st from Tachyon Press. It's a follow-up to Ellen's earlier anthology DARKNESS: TWO DECADES OF MODERN HORROR. Here's the full TOC (in order of year from 2005-2015):

Shallaballah by Mark Samuels
Sob in the Silence by Gene Wolfe
Our Turn Too Will One Day Come by Brian Hodge
Dead Sea Fruit by Kaaron Warren
Closet Dreams by Lisa Tuttle
Spectral Evidence by Gemma Files
Hushabye by Simon Bestwick
Very Low-Flying Aircraft by Nicholas Royle
The Goosle by Margo Lanagan
The Clay Party by Steve Duffy
Strappado by Laird Barron
Lonegan’s Luck by Stephen Graham Jones
Mr Pigsny by Reggie Oliver
At Night, When the Demons Come by Ray Cluley
Was She Wicked? Was She Good? by M. Rickert
The Shallows by John Langan
Little Pig by Anna Taborska
Omphalos by Livia Llewellyn
How We Escaped Our Certain Fate by Dan Chaon
That Tiny Flutter of the Heart I Used to Call Love byRobert Shearman
Interstate Love Song (Murder Ballad No. 8) by Caitlín R. Kiernan
Shay Corsham Worsted by Garth Nix
The Atlas of Hell by Nathan Ballingrud
Ambitious Boys Like You by Richard Kadrey

That is some seriously amazing company to find yourself in, some of the finest names in contemporary weird fiction. To say I'm delighted would be a huge understatement.

The other contract was with Pseudopod Magazine, who'll be releasing 'Dermot' and 'The Moraine' on podcast in the near future. More news on that as I have it.

Me, my hair and another book.
In other news, the paperback of HELL'S DITCH is out on March 1st from Snowbooks, which I'm
delighted about. Can't wait to lay hands on it.

As I may have mentioned, there'll be an event at Waterstones Liverpool One to promote it at 6.30 pm on 11th March. Further details now available: I'm going to be in the company of Ramsey Campbell and Conrad Williams, which should make for a fun evening. If you'd like to come, you can book your ticket here.

That aside, the last week or two has been spent gearing up to write THE DEVIL'S HIGHWAY, the follow-up to HELL'S DITCH. I say 'gearing up' because my outlines for novels tend to be ever-longer and more detailed, the better to get the first draft closest to the finished work. They're practically first drafts in themselves these days: the outline for THE DEVIL'S HIGHWAY is nearly 30,000 words.

But I'm having to step briefly back from it now because my agent's emailed me with the second round of edits on my crime novel. The first round arrived at Christmas and kept me out of mischief for a good couple of weeks. The second round isn't as big a deal - touch wood, most of the issues that needed fixing are now fixed - and I'm hoping to have finished up on them by the end of the week.

It's also worth noting that Tom's email contained what has to be my favourite editorial note ever: 'Malnutritioned singing children are better than crucified eviscerated ones.' 

Indeed.

So, I've got a lot to keep me occupied - along with another project I've been mulling over for a while. I'm planning on setting up a Patreon account; those who sponsor it will be supporting the creation of a new serial novel. I enjoyed writing BLACK MOUNTAIN and it would be fun to revisit the form - plus, it would help forestall having to get a day job. More news as it's made - assuming anyone's interested in the project, of course!

Have a grand week, folks. See you on the other side!

Monday, 18 January 2016

Things Of The Week

Bit of admin first: I've now updated the page for Angels Of The Silences to include the info for the new edition, and Hell's Ditch now has its own page too.

Anyway... I haven't called this blog 'Nice Things of the Week', because there've been some decidedly not-nice ones: the passing of both David Bowie and Alan Rickman, both absolutely stellar talents. I have to admit Rickman's death hit me harder - I've been a fan since I saw him in Die Hard when I was a teenager. Plus, he was, of course, the definitive Sheriff of Nottingham in Robin Hood: Prince Of Thieves, acting Kevin Costner and everyone else off the screen.

Plus, of course, there was this: Anthony Minghella's Truly, Madly, Deeply. A sort of quirkily British riff on the Swayze/Moore movie ghost, where he played alongside Juliet Stevenson as her deceased lover. Basically a rom-com, where one of them is a ghost - although a fairly solid one!


Get your own valid XHTML YouTube embed code

Another less than entirely pleasant thing of last week was the collapse of Spectral Press in the UK,

which I blogged about on Friday. Not something I especially wanted to do or enjoyed doing, but necessary. I am very grateful to those who helped by providing necessary information, and to the many who, publicly or privately, sent messages of support. There'll be some further discussion on Brian Keene's podcast The Horror Show this week.

Friday also saw the rerelease of Angels Of The Silences, a novella of which I'm very fond. Thanks to all who attended the online launch party and/or bought a copy! 

Another anthology including one of my stories came out last week, and I completely forgot! The Mammoth Book Of Kaiju, edited by Sean Wallace, was published by Robinson Constable, and reprints 'Now I Am Nothing', from the Cubicle 7 anthology World War Cthulhu.

Friday also brought some really excellent news that I can't talk about yet! I will just say it involves a new story collection - I'll reveal all once the contract's signed and sealed.

ETA: I nearly forgot! Bad me. David A. Sutton's 2008 anthology Houses On The Borderland, which includes my novella The School House, is being reissued in February by Shadow Publishing, under the title Haunts Of Horror. The School House is another tale with a special place in my heart - albeit a fairly cold, dark one as it's one of the grimmest things I've written - so it's good to see it get another airing. (Of course, you can also read it in The Condemned.) Also includes stories by Allen Ashley, Samantha Lee, Paul Finch, Gary Fry and David A. Riley.

Oh, and just to say again you can still read the latest Friday Freebie, 'The Lowland Hundred', here until this coming Friday, when it gets replaced by a new one.

Have good week!

Sunday, 10 January 2016

Nice Things of the Week(end)

A few other nice things have happened since I last posted on that subject, and so I thought I'd share them to bring out a bit of cheer following the last announcement.

First up, I learned from Kate Jonez at Omnium Gatherum that Lynda E. Rucker (a fantastically talented writer and a lovely person into the bargain) had contributed the following blurb for the re-release of Angels of the Silences:

"In this powerful and beautifully written novella, Simon Bestwick unerringly assumes the voice of seventeen-year-old Ems, a narrator whose voice ranges from fragile to furious. By turns stark and elegiac, Angels of the Silences is part devastating tale of an all-too-human evil and the secret lives of teenage girls, but it’s also a story of transcendence, the unassailable bonds of friendship, and the light that can sometimes survive even the darkest places."

*skips and dances round the house, making occasional squee-like noises*

Second, I found out that my short story 'The Churn' (first published in Black Static #27) has been recorded by Tales To Terrify and will be released soon!

*bounces up and down, causing minor earthquake*

Thirdly, the redoubtable Matt Fryer has reviewed Hell's Ditch over at the Hellforge:

"I applaud Simon’s vision. It’s a menacing and bleak world, made tangible by flourishes and attention to detail... It stands alone as a novel, so don’t worry that it’s just a chapter without any resolution: you don’t need to invest in the series. But I bloody well am, and I think you will too...  Like Adam Nevill’s apocalyptic “Lost Girl” released a few months ago, it can be read as a gruesome thriller but also enjoyed for its thoughtful layers and complex moral core, and I can’t wait for the next instalment."

 *sings along with CD player, shattering windows across the Wirral*

Thanks also to all who've sent messages of support in the wake of the Black Mountain announcement, bought copies of mine or Cate's stuff by way of support, or offered us a place to stay for the honeymoon! Thanks too to Neil Williams and Graeme Reynolds - they both know why. :)

Anyway, on with what's left of the weekend...


Tuesday, 5 January 2016

Awards Eligibility and Assorted Grumblings

A hard-earned and well-deserved prize. :)
I have to admit to being pretty ambivalent about awards. I wish I could be completely indifferent to them, as some claim to be; God knows I've tried. What matters is the work: I've said that many times and I believe it. That's what counts, not the money or the tick you get from teacher for doing it well, but show me a writer who's never suffered crippling doubt or a profound sense of 'why the hell do I even bother doing this?' and I'll show you a liar or a raving egomaniac (who's quite probably a shit writer into the bargain.)

Self-doubt is a bastard that gnaws at us all. Over the past few years, I've seen many other writers get multi-book deals while my own career stayed stalled. It wasn't their success that rankled; just my lack of it. It doesn't take much to bring out that persistent little inner troll that tells you you're a fraud, a fake, an imposter, a second-division hack who's worthless compared to the other talents out there. I've had a good year in professional terms, but that doesn't kill the troll; it's a persistent, nasty little beast, and you take whatever fire you can to drive it back into the dark.

In the absence of fame or riches, an awards nomination can mean a lot. And there are many, many good writers whose work, through no fault of theirs, just isn't commercial enough; if they're not going to get the big bucks, they at least deserve a damn good shout-out.


(Hell, when you're feeling low enough, a nice review on Amazon or Goodreads can do wonders for your spirits. By the same token, a one-star review can be an almighty kick in the tadpole factories, but we won't go into that.)

The flipside of that, of course, is how the run-up to awards sees so many people feverishly self-promoting, spamming and bigging themselves up. We've all seen awards of one kind or another cheapened by it, and by the prizes going - in some cases - to the loudest mouth, rather than the best writer. The best lack all conviction, while the worst are full of passionate self-promotion and passive-aggressive Facebook posts whenever they get a bad review.

If your work's good, it should get noticed, but that doesn't always happen. I've been in more than one anthology that's sunk without trace due to poor promotion or other fuck-ups, and stories (no, not just mine) that deserved a wide readership failed to make even a blip on most readers' radar.

A degree of self-promotion is necessary, but pinpointing how much is too much is never easy. Blowing your own horn often goes against the grain, but if you don't make at least some attempt to call attention to your work, there's a good chance you'll be completely overlooked.

So, anyway, here's what I had published for the first time in 2015.

Novel:
Hell's Ditch (Snowbooks, Dec 2015.)

Short Stories:
No Room For The Weak (Mark Allan Gunnells' blog, December 2015.)
The Climb (Black Static #49, ed. Andy Cox, TTA Press, November 2015.)
Horn Of The Hunter (Second Spectral Book of Horror Stories, ed. Mark Morris, Spectral Press, September 2015.)
The Face Of The Deep (Game Over, ed. Jonathan Green, Snowbooks, August 2015.)

Ah well: when all else fails, there's always these wise words of W.H. Auden's: "Some books are undeservedly forgotten; none are undeservedly remembered."

Saturday, 2 January 2016

Happy New Year, Folks

A picture from a slightly more wintry winter.
Coming up briefly for air here; I meant to do an end-of-year vlog for New Year's Eve, but I'm working on a novel redraft that needs doing by Monday, and by the evening I hadn't got round to it. Yesterday passed in much the same way.

So, a few quick words on 2015.

It was a tough start to the year. Cate's mum passed away just before last Christmas, which was a huge blow. Pauline was a kind, funny lady who had deserved better from life than she ever got, but never let it get her down. I'd liked her a great deal and wish there'd been time to know her much better, and she and Cate were very close. Seeing the person you love in that kind of pain and being helpless to make it go away is awful.

Plus, we were still living in the neighbourhood where Cate and her mum had lived for decades, in The House Of Damp And Mould (and perenially malfunctioning boiler.) I hadn't published a novel in three years, unless you counted the serial Black Mountain, and still didn't have an agent. (Although I was working on a new novel for Solaris, so it wasn't completely bleak.)

A lot has changed since then.

Cate's lovely and moving piece here says more than I could about coming to terms with loss. We moved in June from Tuebrook to the Wirral, to a little house we both love. There are plenty of green spaces close to hand, we're fifteen minutes from the beach by bus and our landlord's great. It's a new start, and it's done us both good. And we've set the date for our wedding next year - this year, I mean.

Hell's Ditch, which I'd started to fear would never see daylight, found a home with Snowbooks and came out last month. It's the first book in a story that's been steadily evolving since I was nineteen. I started writing it back in 2010, broke off for 2011 to write The Faceless and finished it in early 2012 before the long hard task of shopping it around began. Now it's out, and suddenly the rest of the Black Road needs to be travelled. In a few weeks I have to go back to the world of Helen and Gevaudan, Danny and Alannah, of Dr Mordake and Colonel Jarrett and Tereus Winterborn, and start writing about it and them after a three year absence (although I did pop back for a couple of brief visits without too much trouble.) It's exciting, and it's scary. All being well, The Devil's Highway will be out in October. (The paperback of Hell's Ditch will be released this March.)

I finished the novel for Solaris, The Feast Of All Souls (the original title, Redman's Hill, was felt to sound too like a Western for American readers!) and that'll be available in December 2016. Watch this space for a reveal of Ben Baldwin's brilliant cover art.

In between the first and second drafts of Feast, I wrote another book - a crime novel, belted out hard and fast, at white heat. It was great fun, and it got me an agent.

Four short stories came out, including 'The Face Of The Deep' in GAME OVER, which was singled out for praise by the Financial Times, and 'Horn Of The Hunter' in THE SECOND SPECTRAL BOOK OF HORROR STORIES - one of fourteen stories picked out of over 800 submissions! The others were 'The Climb' in Black Static #49 and 'No Room For The Weak', published on Mark Allan Gunnells' blog as part of the Hell's Ditch blog tour.

So 2015 ended a hell of a lot better than it started. It wasn't an unbroken uphill climb, of course: there were setbacks and downturns along the way. Especially in the wider world. There was the election result back in May: Britain, already a darker, meaner and more frightening place, is becoming more so. And then there were the horrible massacres in Paris, Baghdad and Beirut, and the vicious racism and hatred that's arisen in response to them. And the Christmas period has brought a succession of horrendous storms with torrential rain and flooding across many parts of the country. There will, very likely, be more to come. But there's still good in the world; there's compassion and kindness and love. Sometimes I think there's actually enough of it. But I always was an optimist.

However good things are going, something can always happen to pull the rug out from under. But just
because it can doesn't mean it will. So I'm starting 2016 with guarded optimism: there's a lot of hard work ahead, and not everything will be easy. But I have my health (touch wood), I'm with the woman I love and I've reached a couple of professional milestones.

2016 will see two novels published - The Devil's Highway and The Feast Of All Souls. And in a couple of weeks, my novella Angels Of The Silences will be reissued by Omnium Gatherum (and here's the new cover art - ain't it beautiful?) It's going to be a busy year in every way: hopefully it will be followed by more.

Happy New Year to all of you. I hope it brings you everything you want, need and hope for.

Friday, 11 December 2015

The End of the Blog Tour

So today mark's the end of the Hell's Ditch blog tour - the hardback and ebook are still available at discounted rates from the Snowbooks website, by the way. Thank you so much to all the lovely people who've helped spread the word.

I've done another vlog (I'm starting to enjoy them!) by way of a more personalised thank you to you all:


Tuesday, 8 December 2015

Discounts on Hell's Ditch hardback and ebook

Okay: I'm going to do a quick bit of plugging here, with a request for signal boosting to anyone who can.

Just a quick bit of info for anyone who isn't already aware - Snowbooks are doing a discount on both the hardback and ebook of Hell's Ditch. [My author copies arrived yesterday: that's one of them you can see in the picture there. And no, I didn't sleep with it under my pillow last night. Honest.]

The hardback is available at £20.00 - that's £5 off the normal retail price.

The ebook is 50% off, at £3.99.

These offers aren't available on Amazon, only buying from the Snowbooks website. It's an promotional offer to go with the launch of the book, so it'll only be available for a couple more days.

So if you'd like to read the book for less money, click here or here! And if anybody wants to signal boost by sharing this via Facebook, Twitter or other social media, I'd be hugely grateful to them.

Okay, that's all the spamming done. Sorry for the self-promotion; normal service resumes now.

Tuesday, 24 November 2015

The Blog Tour: Week One!

The Hell's Ditch Blog Tour is well and truly underway! The first two posts are now live.

Over at This Is Horror, there's Between the Cold War and the Third:

All life on earth seemed caught in the crossfire between two increasingly brutal and ruthless regimes, run by cruel, sickly old men. Is it any wonder so many writers depicted a world on the point of falling apart, where monsters lurked in every shadow?

At Ray Cluley's blog, Probably Monsters, there's an interview:

Reminders of what’s been lost – the people, the whole way of life – are everywhere, all around you. You literally cannot get away from it, there are a hundred things, every day, to trigger a flashback of some kind.  

At Keith Brooke's Infinity Plus, you can now read an exclusive extract from the novel:

And the worst thing, the worst, worst thing, is the absence of sound. When those faces lift and gape wider to howl their prayers and agony to the uncaring, dying sky, she sees chests and shoulders heave as they try to scream. But there’s nothing.

And at James Bennett's blog, you can read about how it came to be written - and published! - in The Long Black Road Out Of Hell. 

I had this image: a city, in the future, rundown and broken. In the middle of it was a tower, gleaming and futuristic; from it, a brutal dictator ruled, with an army of uniformed thugs.

I'll keep this updated as the week goes on.

The full itinerary is here.

Thursday, 19 November 2015

The Hell's Ditch Blog Tour

Tentatively resuming normal service on the blog... well, as you may remember, my new book Hell's Ditch is released on December 1st in hardback and ebook. To help promote it, I've arranged a blog tour with the following lovely people. It starts on Monday and it goes like this:

Week One!

Monday 23rd November: Between The Cold War and The Third, over at This Is Horror|.

Tuesday 24th November: Interview by Ray Cluley at Probably Monsters.

Wednesday 25th November: Excerpt from Hell's Ditch at Infinity Plus.
Thursday 26th November: The Long Black Road Out Of Hell, at James Bennett's blog.
Friday 27th November:
Week Two!
Monday 30th November: Can One Man Survive? at Strange Tales.

Tuesday 1st December (RELEASE DAY): A Fallen World, at Walking In The Dark, and Soldier, Gaunt Soldier: Peter Watkins' The War Game, with Cate Gardner.
(Also the online launch party - see below!)
Wednesday 2nd December: Masada In Yorkshire, at Rosanne Rabinowitz's Writings and Rantings.
Thursday 3rd December: The Casting Couch: Some Thoughts On Characterisation, at Andy Angel's page.
Friday 4th December: Broken Threads, at From Hell To Eternity.

Week Three!
Monday 7th December: Flash Fiction: No Room For The Weak, at Mark Gunnells' blog.
Tuesday 8th December: War Without End, at Dark Musings.
Wednesday 9th December: The Rats and the Ruins: Domain by James Herbert, at Graeme Reynolds' blog.
Thursday 10th December: Dead Frogs: Some Notes On Writing Dialogue, at Jay Faulkner's blog.
Friday 11th December: Zen and the Art of Rebellion: Kerr Avon and Blakes' 7, at Jenny Barber's blog.

I'll update this post with links as they go up. Next week should hopefully see some advance reviews; I'll link to them as well.

There may be some sort of belated event in meatspace in the New Year, or to boost the paperback coming out in March, but until then, there's an online launch party on Facebook on the release date. This will include discounts on the hardback and ebook, an ebook giveaway, and a reading from Hell's Ditch (via the wonders of YouTube) for anyone who fancies it. (If you're on my Facebook friends list and haven't been invited, sorry! I started inviting everyone I knew and then found out too late there's a limit to how many invites I can send. So if you want to take part, click the link and invite yourself!)

Wednesday, 21 October 2015

Hell's Ditch: Call for Reviewers

Things are getting exciting here. Snowbooks have finished typesetting the MS for Hell's Ditch, and there's now just over a month before the hardback and ebook hit the shelves. Well, the hardback will be on the shelves. The ebook will be... around, somewhere. You'll be able to buy it and download it. You know what I mean.

The other bit of good news is that there are now e-ARCS available for any reviewers who'd be interested in this weird hybrid of post-apocalyptic SF, fantasy and horror. It has tyrannical fascists, plucky rebels, sardonic genetically-engineered warriors and monsters - quite literally - from within. All that, and a main character called Helen Damnation, too...

Any bloggers or websites who are interested, please drop me a line at sbestwick2002 at yahoo dot co dot uk (proven reviewers only, and with the stipulation that the reviews come out in the week commencing 23rd November.)

Any signal boosting of this post would be greatly appreciated.

Thanks for reading!

Monday, 19 October 2015

My Fantasycon 2015 Schedule

So, Fantasycon 2015 is almost upon us, out in the wilds of Nottingham. And my schedule is as follows...

Friday 23rd October
5.00pm Chills, Shocks & Empty Bladders: Writing ‘The Fear’
Tapping into what frightens us is fundamental to the success of not only horror fiction but often crime, thrillers and SFF too. Our panel of scaredy-cats considers what scares them and how they create the effects of fear in their writing.
  • what reader-response are writers looking for?
  • using the ‘weird’ to unsettle vs using shock to terrify
  • inside the mind: the use of PoV
  • how to best to place your characters in jeopardy
  • the technicalities of creating fear: language, structure, pacing etc.
Moderator: Emma Audsley
Panellists: Simon Bestwick, Neil John Buchanan, Ramsey Campbell, Lynda Rucker, Sara Jayne
Townsend

11.00pm I'll be reading a portion of Hell's Ditch for anyone who's a) stayed awake that late and b) can stay awake through it.

Saturday 24th October
1.00pm: Spectral Press
Mark Morris (editor) launches The 2nd Spectral Book of Horror Stories.
Available to sign the books are: Tim Lebbon, Adrian Cole, Nicholas Royle, Paul Meloy, Simon Kurt Unsworth, Ray Cluley, Alison Moore, Stephen Volk, Rob Shearman, Simon Bestwick and Cliff McNish, as well as Mark, himself. 

The rest of the time... there'll be panels, there'll be readings, there'll be launches. But most likely, I'll be in the bar. :)

Maybe I'll see you there.