This weekend the lovely Cate and I will be in Derby for the 8th Edge-Lit convention.
Edge-Lit is one of the two cons I always attend every year (the other, of course, being Fantasycon, although this year we might have to give it a miss.) A one-day event organised by the most excellent Alex Davis, it's always well-attended and a great chance to catch up with old friends.
Among this year's luminaries are:
Confirmed Guests of Honour:
Aliette De Bodard, multi-award winning fantasy and science-fiction author
Anne Charnock, Arthur C Clarke Award winning author of Dreams Before the Start of Time
Christopher Golden, New York Times Bestselling Author of Ararat and The Pandora Room - joining us from the US!
Neil Spring, bestselling author of The Ghost Hunters, The Watchers, The Lost Village and The Burning House
Sarah Lotz, acclaimed horror and thriller author (The Three)
Tim Lebbon, popular dark fantasy and horror novelist (The Silence)
Special Guest:
Stephen Volk, author and scriptwriter (TV's Ghostwatch, Afterlife, Midwinter of the Spirit)
Speakers and Panellists:
Simon Bestwick, acclaimed horror novelist and short story writer (*waves*)
Jan Edwards, award-winning crime and horror author
Robin Triggs, author of Night Shift
David Mark, author of the DS Aector McAvoy crime series
Sarah Pinborough, Bestselling author of Behind Her Eyes and Cross Her Heart
Alex Reeve, writer of the Leo Stanhope series
Zen Cho, acclaimed fantasy author and editor
Adrian Tchaikovsky, Arthur C Clarke Award winning SF and fantasy novelist
Dominic Dulley, author of Morhelion and Shattermoon
Matt Hill, science-fiction author of Zero Bomb
Anna Stephens, fantasy author of the Godblind trilogy
Jen Williams, fantasy author of the Copper Cat and Winnowing Flame series
Genevieve Cogman, author of the Invisible Library series
Tim Major, SF and horror writer
KK Perez, YA author of the Sweet Black Waves series
Adam Christopher, acclaimed novelist, comics and tie-in fiction writer
Jodi Taylor, author of the Chronicles of St Mary series
Daniel Godfrey, author of The Synapse Sequence and New Pompeii
Ruth De Haas, fantasy author and blogger
Danie Ware, Warhammer 40k novelist and author of Children of Artifice
Dan Coxon, award-winning author and editor
AC Clarke, children's and YA fantasy author
It's also great for panels and workshops, both of which I'll be involved with this year. There'll also be readings of work, too, which I think is new.
Here's my itinerary, for those interested (or wanting to know which parts of Derby Quad to avoid!)
10.00 am. Panel:
Short Cuts: Does a Background in Short Fiction Help You Build a Career as a Novelist? (Sponsored by Fox Spirit Books)
Simon Bestwick, Zen Cho (Chair), Jan Edwards, Tim Lebbon, Tim Major.
2.00 pm. Workshop:
Simon Bestwick:Writing Your Novel
4.00 pm. Multi-Publisher Horror Book Launch:
Dark Minds Press launches A LOVE LIKE BLOOD by Simon Bestwick.
Hersham Horror Books launches THE WOODS: PENTANTH 6, with stories by Cate Gardner, James Everington, Mark West, Penny Jones and Phil Sloman.
Sinister Horror Company launches CANNIBAL NUNS FROM OUTER SPACE by Duncan P. Bradshaw.
Wine and nibbles available.
5.00 pm. Reading:
Simon Bestwick and Robin Triggs.
As you can see, I'm a glutton for punishment. :)
Looking forward to this weekend. And I hope I'll see you there.
Author and Scriptwriter
'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label Penny Jones. Show all posts
Showing posts with label Penny Jones. Show all posts
Monday, 8 July 2019
Monday, 20 May 2019
What's New? with Penny Jones
Penny Jones currently lives in Leicestershire with her long suffering husband and patron of the arts Simon (although they do spend any free moments they have plotting to leave the landlocked county and get closer to the sea).
Penny knew she was a writer when she started to talk about herself in the third person – Her family apparently knew when she was little and Santa bought her a typewriter for Christmas (honestly who buys a three year old a typewriter?)
Penny loves reading and will read pretty much anything you put in front of her, but her favourite authors are Stephen King, Shirley Jackson and John Wyndham. Her whole family are avid readers, meaning that they have had to move three times just to fit in their book collections. In fact Penny only got into writing to buy books, when she realised that there wasn’t that much money in writing she stayed for the cake.
As with all writers Penny has crippling impostor syndrome so if you would like to be her friend you can send her a request at Facebook.
Or you can follow her on Twitter, although she does still find it freaky that on-line stalking is now a thing.
1) So, what’s new from you?
This month I’ve finished a short story for an upcoming anthology from Hersham Horror called “The Woods” which is being released at EdgeLit. I’ve also finished work on my debut collection “Suffer Little Children” which is being released on 16th May as part of the Black Shuck Books “Shadows” series.
2) How did it come about?
The anthology story was an invite, which is always nice. The editor had read one of my stories in another anthology, liked it, and asked me if I’d like to do a piece for Hersham Horror. The theme was around woods and forests, and I’d had an idea about growth rings rattling round in my head for ages, and that developed into my story “Dendrochronology”.
The collection came in an entirely different manner, I was approached by the publisher when I was at a writing convention last year, I may have had one drink too many and completely forgot about it. It was only months later when I was looking through some of the stories that I had written, and was trying to work out how I was going to sell several short stories around the theme of children (they really scare me), that I remember that Steve Shaw the owner of Black Shuck Books had asked me for a themed collection.
3) Tell us about the process of how you created it.
It always starts with an image for me. I tend to be quite a visual person, I prefer to see or read something, rather than have it verbally explained to me. I just find that I process information better that way. Once I have that image in my head I will study it, I’ll look at the minute details of why that image is in my mind, of what makes it interesting or disturbing, what emotions does it evoke in me. I’ll then almost pan out until I can see what is around the image, how does it affect its environment, how does its environment affect it? Then the image will start to move, like a film in my mind. What has happened to get to this point? What will happen next? By the point I actually sit down to write I’ll usually know most of the story, then it’s just a matter of finding out its secrets and getting the right words down on the page.
4) What was your favourite part of the process?
The initial idea is always my favourite part. I tend to find writing quite difficult and I never feel that the words on the page at the end do justice to the story in my mind. I’m looking forward to the day when I can just do a direct cranial transfer of the story.
5) What was the toughest part of it?
Commas. My punctuation is horrendous.
6) Is there a theme running through it?
I’m a psychiatric nurse by profession, and mental health does tend to be a theme throughout all my work. I’m very much of the opinion that mental health needs impact on everybody to some extent or another, and it is just the severity of it which differs. My collection also has a running theme with children being either the antagonist, victim or both. I’ve always found children creepy, I always say I don’t really like them very much, and that even as a child I didn’t. Also when I was little I had a phobia of injections which my dad tried to cure me of, by telling me about all the injections and blood tests you had to have when you became pregnant. It didn’t help at all with my phobia of needles, but it did install an even deeper fear of pregnancy. One of my major concerns is that if there was ever an apocalypse I would be forced to help repopulate the planet (it happens in every apocalyptic novel I’ve ever read). But the family planning nurses tell me that isn’t reason enough to get my tubes tied.
7) If you had to sum this book up in three words, what would they be?
Creepy, freaky, children.
8) Where can/will we be able to get hold of it?
“The Woods” will be available at EdgeLit, once released it will also be available from Hersham Horror Books.
“Suffer Little Children” is available for pre-order from Black Shuck Books.
Penny knew she was a writer when she started to talk about herself in the third person – Her family apparently knew when she was little and Santa bought her a typewriter for Christmas (honestly who buys a three year old a typewriter?)
Penny loves reading and will read pretty much anything you put in front of her, but her favourite authors are Stephen King, Shirley Jackson and John Wyndham. Her whole family are avid readers, meaning that they have had to move three times just to fit in their book collections. In fact Penny only got into writing to buy books, when she realised that there wasn’t that much money in writing she stayed for the cake.
As with all writers Penny has crippling impostor syndrome so if you would like to be her friend you can send her a request at Facebook.
Or you can follow her on Twitter, although she does still find it freaky that on-line stalking is now a thing.
1) So, what’s new from you?
This month I’ve finished a short story for an upcoming anthology from Hersham Horror called “The Woods” which is being released at EdgeLit. I’ve also finished work on my debut collection “Suffer Little Children” which is being released on 16th May as part of the Black Shuck Books “Shadows” series.
2) How did it come about?
The anthology story was an invite, which is always nice. The editor had read one of my stories in another anthology, liked it, and asked me if I’d like to do a piece for Hersham Horror. The theme was around woods and forests, and I’d had an idea about growth rings rattling round in my head for ages, and that developed into my story “Dendrochronology”.
The collection came in an entirely different manner, I was approached by the publisher when I was at a writing convention last year, I may have had one drink too many and completely forgot about it. It was only months later when I was looking through some of the stories that I had written, and was trying to work out how I was going to sell several short stories around the theme of children (they really scare me), that I remember that Steve Shaw the owner of Black Shuck Books had asked me for a themed collection.
3) Tell us about the process of how you created it.
It always starts with an image for me. I tend to be quite a visual person, I prefer to see or read something, rather than have it verbally explained to me. I just find that I process information better that way. Once I have that image in my head I will study it, I’ll look at the minute details of why that image is in my mind, of what makes it interesting or disturbing, what emotions does it evoke in me. I’ll then almost pan out until I can see what is around the image, how does it affect its environment, how does its environment affect it? Then the image will start to move, like a film in my mind. What has happened to get to this point? What will happen next? By the point I actually sit down to write I’ll usually know most of the story, then it’s just a matter of finding out its secrets and getting the right words down on the page.
4) What was your favourite part of the process?
The initial idea is always my favourite part. I tend to find writing quite difficult and I never feel that the words on the page at the end do justice to the story in my mind. I’m looking forward to the day when I can just do a direct cranial transfer of the story.
5) What was the toughest part of it?
Commas. My punctuation is horrendous.
6) Is there a theme running through it?
I’m a psychiatric nurse by profession, and mental health does tend to be a theme throughout all my work. I’m very much of the opinion that mental health needs impact on everybody to some extent or another, and it is just the severity of it which differs. My collection also has a running theme with children being either the antagonist, victim or both. I’ve always found children creepy, I always say I don’t really like them very much, and that even as a child I didn’t. Also when I was little I had a phobia of injections which my dad tried to cure me of, by telling me about all the injections and blood tests you had to have when you became pregnant. It didn’t help at all with my phobia of needles, but it did install an even deeper fear of pregnancy. One of my major concerns is that if there was ever an apocalypse I would be forced to help repopulate the planet (it happens in every apocalyptic novel I’ve ever read). But the family planning nurses tell me that isn’t reason enough to get my tubes tied.
7) If you had to sum this book up in three words, what would they be?
Creepy, freaky, children.
8) Where can/will we be able to get hold of it?
“The Woods” will be available at EdgeLit, once released it will also be available from Hersham Horror Books.
“Suffer Little Children” is available for pre-order from Black Shuck Books.
Labels:
black shuck books,
Edge-Lit,
Hersham Horror,
Penny Jones
Monday, 17 December 2018
2018 In Review #2: Awards Eligibilty And All That
So now we come to the 'obligatory blowing of my own horn' bit, which doesn't come easily to a lot of Brits...
Anyway, here are the works that saw publication for the first time in 2018 and are eligible for nomination for any relevant awards...
Novel
Wolf's Hill, published by Snowbooks.
Story collection
Singing Back The Dark (mini-collection), published by Black Shuck Books.
Novelette
Breakwater, published by Tor.com. (16,000 words long, so some would consider it a novella and some a short story.)
Short fiction
'If I Should Fall From Grace With God' (Crimewave #13: Bad Light, TTA Press)
'Deadwater' (The Devil and the Deep, Night Shade Books)
'The Bells Of Rainey' (Great British Horror #3: For Those In Peril, Black Shuck Books)
'The Judgement Call' (Two Chilling Tales, Fox Spirit Books, Black Shuck Books)
'Hard Time Killing Floor Blues' (in Singing Back The Dark, Black Shuck Books)
'And All The Souls In Hell Shall Sing' (in Singing Back The Dark, Black Shuck Books)
'Moon Going Down' (in Singing Back The Dark, Black Shuck Books)
'Effigies Of Glass' (in Singing Back The Dark, Black Shuck Books)
'Dab and Sole' (Ko-fi)
'A Constant Sound Of Thunder' (Ko-fi)
Monday, 29 October 2018
The Judgement Call
My short story 'The Judgement Call' has had something of a chequered history. It was originally submitted for an anthology of Christmas horror stories, then was going to be a chapbook. When that didn't happen, it hovered in limbo, but finally found a new home with the lovely Aunty Fox, aka Adele Wearing at Fox Spirit.
It's Christmas Eve and businessman Miles is driving home through the rain, when his car goes off the road. Rescued from the crash, he finds himself in a cottage with three strange companions. A mysterious horn begins to blow, and one by one their guilty secrets are revealed. The Judgement Call has begun...
Fox Spirit will be publishing 'The Judgement Call' in chapbook form, together with another story: 'Along The Long Road' by Penny Jones. But I'll let Penny tell you about that:
"Come on, it’ll be fun."
Beth wasn't sure why she agreed. Sienna's idea of fun wasn't the same as hers. Beth knew that the double date was a bad idea.
If you want to know more about 'Along The Long Road', you'll have to read it.
The cover artwork is by the always stellar Neil Williams.
It's Christmas Eve and businessman Miles is driving home through the rain, when his car goes off the road. Rescued from the crash, he finds himself in a cottage with three strange companions. A mysterious horn begins to blow, and one by one their guilty secrets are revealed. The Judgement Call has begun...
Fox Spirit will be publishing 'The Judgement Call' in chapbook form, together with another story: 'Along The Long Road' by Penny Jones. But I'll let Penny tell you about that:
"Come on, it’ll be fun."
Beth wasn't sure why she agreed. Sienna's idea of fun wasn't the same as hers. Beth knew that the double date was a bad idea.
If you want to know more about 'Along The Long Road', you'll have to read it.
The cover artwork is by the always stellar Neil Williams.
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