Infusions Mini-Album–Completing the Title Pages

This afternoon I made the title pages for Books 2 and 3 of my Infusions Mini-Album. One or two of them had to be left to dry, and I will complete them after this.

Again, I used up some of the reject/spare pages. For the first one, I should have chosen a stencilled one that didn’t use Polyfilla because there was one of those to come, but once I realised, it was too late! I added text with the white Uniball Signo marker pen and a black archival pen, and added some white Rub’n Buff and Treasure Gold to the raised parts.

I did the text in the same way on the Stencil with Polyfilla title, and added some Treasure Gold to the raised parts.

Simple text on the next one. I think I had it in mind to add some hand-embossed leaves and flowers to this one so I hope I’ve left room for them!

For the Added Texture title page, I thought I’d use a mixture of textures. From left to right: bleached mulberry bark (I tore off a tiny fragment), coarse pumice gel, regular matte gel (for attaching the mulberry bark), glass bead gel medium, and finally crackle paste. These have to be left to dry overnight, especially the crackle paste which needs time in order for the cracks to develop.

Acrylics title page. In addition to the usual pens, I also added some shading to the text, with a soluble graphite pencil and a fine wet brush to blend it out.

For the Gesso title page, I decided not to add any card, but simply to spread gesso onto the squashed toilet roll, taking the gesso over the black painted edges. As I needed two pages for this title (to make the page numbers work), I added some texture by patting the surface gently with the flat of the palette knife, taking this effect over onto the right-hand page a little, but leaving a smooth central part for writing on. Once this was done, I sprinkled on some Black Knight Infusions from Set 1 and some In the Navy from Set 2, and spritzed it with water and left it to stand for a bit, before drying the surface with my heat gun. These pages will have to be left overnight for the gesso to dry completely.

Finally, the Cling Film title. I am not sure whether what I have done will work! I wanted to leave some cling film on the page, so I scrumpled some up and attached it with a thick layer of heavy body clear gel medium. Once it is dry, I shall trim off the excess cling film. This was attached to a spare stencilled piece with a very blurry image on it, from about the third impression of a wet stencil. We shall have to see how this turns out after it’s been left to dry.

Mixed Media–Wheelchair Spoke Guards

Warning: Picture-rich post!

My mixed media spoke guards are now finished and duly installed on the wheelchair, just in time for the craft show last Thursday. I lost count how many lovely comments I received about them, and was surprised how much interest was expressed – people were amazed when I pointed out the materials I’d used, and several people asked if the spoke guards were made of felt! They all had a good feel at the quite tactile surface, and were surprised how hard they were, despite the fabric-like appearance. A question I was frequently asked was if they were waterproof – I’m afraid I don’t know the answer to that one, except that I think they are probably shower proof, with all the gel medium etc., but I wouldn’t immerse them in water.

Since I became a wheelchair user, I have noticed some very interesting psychology when it comes to decorations. My first Christmas, I adorned the wheelchair with tinsel and baubles and everyone smiled, pointed, came and chatted, and were generally very positive. After Christmas I removed the decorations and I was invisible again. I then decided I would always decorate it, and again I got the positive response. It seems to break down barriers of embarrassment in the face of disability, and even though people’s eyes are drawn to the badge of disability (the wheelchair), what they do is to relate to the user as an individual, rather than “someone-in-a-wheelchair.” It’s fascinating. I wrote an article about this for the quarterly journal of Invest in M.E. a few years ago.

My previous post on my new spoke guards gave details of the beginning of the project. Although the result was successful, I learnt a lot of things along the way, and will make subsequent spoke guards more efficiently, and with a better end result. Enough to say at this stage that they were constructed from papier mache. This post is all about the mixed media treatment they received, in creating a background and surface embellishment.

This first picture shows a collection of materials to be used in the project. In the end I didn’t use all of them; instead of building up texture with the Polyfilla One Fill, I used acrylic gel medium exclusively for adhering the various background and texture elements, and some of the materials I’d thought of using to provide extra texture proved surplus to requirement – sometimes one needs to know when to stop, in order to produce a cohesive whole!

I am sure that Judy of Judy’s Fabrications blog will be thrilled that at long last, I have used the beautiful fabric flowers she sent me when we did our flower swap last year. I have been wondering how best to use them, and this way, lots of other people get to enjoy them too, as I take my art with me wherever I go!

You can watch the whole process in the videos at the end of this post.

This picture shows one of the spoke guards ready for decoration, with some of the flowers laid on – I marked their position in pencil, and built up the rest of the design around their placement.

You can see that I have pierced holes around the outside of the guard for attachment to the wheel with cable ties, and the centre has been cut to size to allow for the wheel hub. The three large notches cut from the rim would not normally be necessary for regular wheels, but I have a Yamaha power-assist system on my wheelchair with motors in the large wheel hubs, with three extensions to the push rims; when I push on these, the power is transferred to the motors in the hubs and augmented, greatly reducing the energy I need to move the wheelchair. The notches are to allow for a small amount of play in the mechanism; without them, the system will not operate properly.

The creation of the background began with the laying down of some flowers cut from an old piece of gift wrapping paper. They were stuck down with Golden Regular Matte Gel Medium.

When these were dry, I began laying down torn fragments of tissue paper, also with gel medium (I eventually used soft, rather than regular, as it didn’t lift the paper so much). You can see the two blank areas where the fabric flowers will eventually be applied.

The next picture shows the spoke guards with the tissue paper application completed and dried.

To soften and blend the effect, I added three applications of acrylic glaze, using my Pebeo fluid acrylic paints, mixing them with some acrylic polymer, first using a creamy-white colour. This before-and-after photo is the result; it has reduced the pinkness a little, and softened the hard edges somewhat.

It still needed something extra, and I used some yellow glaze, and then some beige, and blended with the use of further polymer, this is the result. I was careful to rub back the glaze over the paper flowers, so that they continued to show through, but in a nice soft, subtle way.

To add a bit more interest to the background, I did some reverse stencilling, using my honeycomb stencil which I cut using Sheba, my Black Cat Cougar cutting machine. (For details of this machine, see my sidebar.)

I began by painting a small area with a light brown acrylic paint, and laid the stencil over the top. I then wiped it carefully with a piece of damp kitchen paper to remove the paint from the areas not covered by the stencil. I cut some red sequin waste into basic leaf shapes, and using the fabric flowers as a guide to position them, I stuck them down with regular gel medium – they required a fairly heavy application to make sure they were secure.

Following this, I added some swirls cut from brown card using Sheba, again placing them correctly with the aid of the fabric flowers laid on temporarily.

The next step was to add some stems (these eventually turned into roots!) to connect the various elements into a continuous whole around the spoke guard. To do this, I took a small quantity of nice slubby yarn in my stash, cut into shorter lengths and stuck down with regular gel medium. I found it easiest to lay the yarn roughly where I wanted it, and to adhere the slubs first, and then the rest of the yarn, making sure it was well and truly soaked with the medium and pressed down onto the surface.

I used this technique, applying yarn with gel medium, on the small seaside-themed box I made for a friend last year – this project also utilised the tissue paper collage process as well.

As the gel medium began to dry, I went round the applied yarn and scraped back any excess, and finally rubbed away any residue with my finger. When dried, this is what it looked like. You can see the pale pink and green of the yarn through the clear gel medium.

Adding some texture around the yarn was super-fun! With generous amounts of regular gel medium, I stuck down several air-dry clay pebbles I made a while back, and also some poultry grit, which I bought at our local agricultural merchants when my hubby and I went a few months ago so that he could get something for the garden – I went on a little wander with “art” uppermost in my mind, and found all sorts of things to create texture! Poultry grit consists of small broken fragments of seashell, which chickens eat (unbelievable but true!) and somehow manage to absorb and utilise to form shells on their eggs. This poultry grit looks far from appetising to me… but then I’m not a chicken.

It’s fabulous for texture, though!

Another thing I found in that place was a packet of small orange rubber rings, that farmers use to dock the tails of lambs! I popped those in my basket too, and here they are, in a different incarnation, embellishing Shoshi’s wheelchair!!! I applied these with a generous amount of gel medium as before, and it squeezed up in the centre of the rings, which looked interesting.

After applying all the texture elements, I stippled soft gel medium over the whole thing with a hoof-oil brush (also obtained from the agricultural merchants) just to seal everything in, and prevent any potentially loose bits of poultry grit from falling off. The whole thing ended up feeling very firm and secure, and you can apply quite hard pressure to the various elements and there’s no movement at all. The flatter elements (leaves and swirls, and the original paper flowers) feel welded to the surface, and you cannot get a fingernail underneath any of it, so there is no danger of these lifting. The acrylic gel mediums are excellent for this sort of work and give superb results.

The next step was to add gesso to all the texture elements that would be painted – this was everything except the poultry grit, which looks gorgeous as is, with its natural shell colouring.

Once this was dry, the next step was one of the most fun parts of this whole technique – adding shading to the texture. I have seen various mixed media artists on Youtube using this technique, and it is most effective. Cheap black acrylic paint is applied roughly over all the textured areas, making sure it goes right down into all the crevices.

Working in small areas at a time so that the paint doesn’t dry, you then wipe it off the surface and clean up the surrounding area. Initially I used a piece of damp kitchen paper to clean off the textured areas but later discovered that a wet sponge was more effective (and also saved on kitchen paper!). A piece of damp kitchen paper is best for cleaning off the background areas. What happens is that the black paint is left in the crevices where you can’t wipe it off, and this gives tremendous depth to the work, with very little effort.

Here is a close-up of the shaded texture. You can also see how effective the poultry grit is as a texture.

The roots were painted with a selection of brown and cream fluid acrylics.

When I rubbed the black paint off, the gesso started to come off the rubber rings, which was a nuisance, but I decided to apply some Treasure Copper (like Rub’n’Buff) onto them and this, combined with the patchy gesso, gave a nice distressed effect. Someone at the show asked me if they were made from Cheerios!!

This more or less completed the decoration of the spoke guards. Before adding the fabric flowers, I gave the backs of the spoke guards two coats of cream emulsion paint, and then painted the whole spoke guard, front and back, with matte acrylic varnish to seal everything.

Here are the finished spoke guards, with the fabric flowers laid in place, ready to be stuck down with hot glue.

This is a detail shot, showing how all the elements work together. You can just see the original collaged paper flowers, and the soft effect of the overlaid tissue paper. I love how Judy’s flowers complement the darker, more neutral texture elements, and bring out the soft colour of the background. Thank you Judy! I am thrilled with how your flowers have worked on this project.

Mounted on the wheels, they look like this.

Finally, the wheelchair with the new spoke guards installed on the wheels.

After taking this picture, the final step was to replace the tired floral decorations down the front frame. I used new silk flowers and the remaining few fabric flowers not used on the spoke guards.

Though I say so myself, I am extremely pleased with the result of this project. At the outset, I wasn’t at all sure that it would work, as I had never made anything like this with papier mache – I wondered if they would be firm, yet flexible, enough to stand up to the task, and also to enable the power assist system to function properly. Overall, everything has come out better than I could have expected, and it’s given me the confidence to make some more, and try my hand at some other styles – Zentangle? Steampunk? Marbling? The possibilities are endless!

Here are the videos, covering first the background, and then the embellishments. Enjoy!

Edit: Some time after making these, I was given some old estate agents’ “for sale” boards as the company was changing its logo. These are made of a double layer of corrugated plastic, each layer having a flat skin top and bottom. They are just large enough to cut a 24” circle for a spoke guard out of each. I can then cut out a gusset and attach the edges together with duct tape in order to make the convex shape. Painted with gesso, these will then be ready for mixed media application. This should be a lot more straightforward than constructing them from papier mache, and it will make them more lightweight, and also more waterproof.

Mixed Media–Altered Box–Sea Theme

I have altered a small box for a birthday present for a friend. I bought these boxes at a craft show. They were originally brown in colour, and at the time I painted them all with cheap decorating primer in readiness for altering when the time came – I haven’t done very many of them yet.

While doing this, I decided to alter another two boxes while I was at it, covering them with scraps of tissue paper in blues and greens, attaching them with regular matt gel medium.

This is the first layer going on. First I painted the box with the gel medium, and then with the loaded brush, picked up each piece of tissue paper and laid it on the box, painting more gel medium on top and spreading out the wrinkles as much as possible. However careful I was, I still managed to get gel medium all over my fingers and the work surface – thank goodness for non-stick craft sheets!

Here are the next layers going on.

At this stage I thought it was looking a bit too stark and needed toning down, so I applied a final layer of tissue paper all over, in a pale blue shade which allowed the other colours to show through.

I gradually built up this layer until I got the effect I wanted. This next photo was taken while the gel medium was still wet, but when it dried, the underlying colours showed up a bit more.

Now time to add some embellishments.

Firstly I added some yarn on the box and lid sides and top, to resemble waves or ripples. Another very sticky and messy job!

Here is a mock-up of how the embellishments on the lid would appear.

The starfish and shell I made some time ago when I did a batch production of mould making and Friendly Plastic casting (mostly gear wheels and other steampunk parts). The small pebbles have been pinched from the supply I made for my Choc-a-Bloc mixed media project (still a work in progress).

I painted the small embellishments initially with a mixture of yellow ochre and white acrylic paint. When this was dry I added a bit more colour to give some dimension and make them look more realistic.

I lined the inside of the boxes with just the pale blue tissue paper, building it up until it was the right colour, using the regular matt gel medium as before, but not lining the sides of the lid because otherwise the lids won’t go on – I’d already added a bit of thickness to the outside of the boxes, but did try to keep it to a minimum. The lids are quite a tight fit as it is. When the lining was as I wanted it, I painted a final layer of gel medium over it, and then added some gold gilding flakes, picking them up individually with a brush loaded with gel medium, and laying them down where I wanted, and finally painting over them with gel medium so they were properly anchored. I think this gives an interesting effect, and I like the way the gold is slightly dulled by the matt finish of the gel medium. (If you didn’t want this effect, you could always apply them using a gloss medium instead.)

To finish the inside of the lid, I painted the sides with a mixture of green and white acrylic paint to co-ordinate with the green of the outside, and I also carefully painted this along the edges of the box and lid to cover up the white.

In the centre of the lid, using a small palette knife, I applied a small quantity of coarse pumice gel medium coloured with the same yellow ochre and white mixture I used to paint the embellishments, to represent sand. The final touches were to add some Glossy Accents to form a small rock pool in the sand, and I applied a very light touch of Treasure Gold metallic wax (like Rub ’n Buff) to the yarn to give a bit of sparkle.

With a colour-co-ordinated card, I think this makes a nice gift, especially for my friend who loves the sea!