An Altering Project

There are a few things I need to make over the next few weeks, so it’s studio time again. I can’t reveal too much detail yet, but later I will be able to tell you more. In the meantime, I can safely share the early stages without giving away too much.

Recently my hubby bought four small frames and then realised they didn’t have any glass, which he didn’t like, so he gave them to me, and I thought they would be lovely to alter.

I took them apart and pulled off all the embellishments for use elsewhere. Each frame had a tiny clothes peg with a message attached, and the whole thing tied onto the frame with some gorgeous jute string which is definitely going in my stash! The shiny card can also be used for something else. Not much gets thrown out chez Shosh.

The next step, when I get time, will be to paint the frames with gesso in readiness for altering.

I am awaiting the arrival of some supplies for this project from Ebay, and can’t make real progress till they arrive. I also have several wallpaper sample sheets,  and I have decided to use one or more in the project.

The patterns are quite large, but there are some lovely bits I can cut out, and some nice texture for backgrounds, and the colours are gorgeous. I decided to make lots of paper flowers, mostly roses, and to try and match up the colour to co-ordinate with the wallpapers.

I spent a long time cutting several 12 x 12 sheets of flower pieces on Sheba, my Cougar cutting machine, using American Crafts Cardstock in white, which cuts beautifully with Sheba, and although less strong than watercolour paper, is strong enough not to disintegrate when wet, and thinner too, which is ideal for the flowers that I make. Here they are, all laid out ready for colouring. The pieces in the bowls are individual flowers, and the others on the desk, stacked up in piles, are the pieces necessary to make individual roses in two sizes and styles. All these flower patterns are svg files from Penny Duncan, and I use them regularly – easy to resize as necessary in Inkscape, and then cut out.

For this flower factory, I began with the roses. I selected a variety of different colours from my collection of Distress Stains. The idea was to produce a nice subtle mix of colours to co-ordinate with the wallpapers, and I knew it would take several layers.

I began with Worn Lipstick, smearing some on my non-stick craft sheet and spritzing it with a bit of water, and roughly painting both sides of the required number of flower pieces to make some roses.

The next colour I chose was Victorian Velvet.

After this was Seedless Preserves.

You can see how the colour is darkening, and with subtle variations. It was all looking a bit pink, so the next colour I chose was Weathered Wood, which is a lovely slate-blue colour verging on grey, which I thought would make them more purple and dull the colour down a bit.

It needed more of a brown look, so I chose Pumice Stone, which is a very useful colour in the Distress range – added to any colour, it has the effect of dulling it down.

It still needed to be duller, and more grey, so the final colour I chose was Hickory Smoke. I do not have this colour in my Distress Stains collection, so I smeared the Distress Ink pad on my craft sheet, spritzed it with water, and used that instead.

This was the effect I was looking for. At each stage, I dried the flower pieces with my heat gun, before proceeding to the next colour. When the pieces are wet, they are very fragile, especially the ones with the slit. The final step was to distress the edges with Hickory Smoke Distress Ink, using a home-made ink blender.

Once they were fully dry after the final colour, I hand-embossed each petal, some cups and some domes after deciding which side of the piece should be on top, according to their eventual position in the rose.

The first of the small dark roses completed. Each layer is stuck with hot glue.

Time to move on to the larger, shabby roses – what Penny Duncan calls her “Grungey Rose” pattern. These have more interesting tips to their petals, and the roses are more open and natural looking. Each flower requires the same number of pieces, and the method of construction is the same. Here are the pieces in the middle of being coloured, using the same succession of colours that I used before.

The pieces after embossing.

Here are the three dark-coloured shabby roses that I made.

Having documented the colours I used and how I coloured the pieces, I can refer back to this post and repeat the process, should I need some more.

Both sizes of rose together.

I really like this subtle, dark and dusky purple – actually not purple but a mixture of colours to give interest and depth. Laid on top of a couple of the the wallpaper samples, they are a pretty good match, I think.

I shan’t know how many of these roses I shall need until my supplies arrive from Ebay, but that shouldn’t take more than a few days.  At least I’ve been able to get ahead a bit. Watch this space!

Infusions Mini-Album–Beginning the Title Pages

I resumed work on the Infusions mini-album today, and made the title pages for the various sections of Book 1.

I used the backs of some reject pieces from when I was making the sample sheets, and also cut new pieces of card to size for these. I began by making a title for the colours, made of Infusions from both sets, before remembering that I was going to make a separate title for Set 1 and Set 2, so I put this aside to use elsewhere. I had some fun with this, as I wanted to created  rainbow striped effect, so used pieces of scrap paper to mask off areas where I didn’t want the Infusions to go.

I made two more pieces using colours from Set 1 and Set 2 respectively, and after drying them, distressed the edges with Black Soot Distress Ink – I followed this pattern for the remaining title pages, too.

Adding the text to the colours title pages, using a white Uniball Signo marker pen, and a black archival pen to fill the letters.

Here are the remaining title pages for Book 1.

The next one was done with a small flat brush and white acrylic paint, and outlined with black pen.

I also wrote the names of the colours on all the colours sample pages. I didn’t photograph these as they will be done when I photograph the finished project.

The next task will be to repeat the process for Books 2 and 3, and then I can start working on the tags.

Today I had an idea to deal with the problem of Book 2 being thinner than 1 and 3. It will be bound between the other two, and the addition of some 3-D paper flowers on its front cover will make quite a nice focal point, I think, and they won’t be squashed by the large cover which will bind the three mini-books.

A Brightly-Coloured Embroidered Piece

Having a bad day today with my ME, probably as a result of everything that went on last week – going to the hospital was a bit stressful, and being left in limbo regarding whether or not I have to have further surgery. I’ve also been pretty busy with things, and this week doesn’t look too different, with two separate visitors.

I spent most of the day resting on the recliner, trying to catch up with some of the TV recordings that have been mounting up, and being on the computer. I did manage to do another piece of embroidery for the bed half-tester, though.

I am very pleased with this brightly-coloured piece. I didn’t put any sparkly thread on this one.

Here’s a detail shot.

I really wanted to spend some time in the studio today but I was just too wiped out. Hopefully tomorrow I shall feel better again.

Narrow Boat Painting on Flower Boxes Part 1

Today I made some art! Yaayyy!! It’s been so long… This morning I spent some time in the studio trying to tidy up and made some inroads into the chaos, providing a bit of space to work again.

Over several years my hubby has been given a bottle of port for Christmas, in a wooden gift box. These boxes were so nice that he didn’t want to throw them away, but couldn’t immediately think of a use for them. He has been working very hard in the garden this year, and it’s so lovely for him that our garden is small enough for him to be a bit creative as well as just doing maintenance and keeping the weeds down. We have a shed/summerhouse at the top of the garden, and this year he had a brainwave to paint these boxes and hang them by their rope handles on the front of the summerhouse. They are not big enough to put real plants in, so he got some little pots with silk flowering plants in them which fit nicely inside the boxes, and they look very nice hanging there, visible from the house.

I suggested that it might be fun to do some narrow boat painting on the front of these boxes, and he agreed – they have been hanging around for ages waiting for me to get down to it, but we have been so busy, and then having the sitting room decorated, that my poor studio reverted to its usual dumping ground status when it’s not being used, and it is only this week that I can find no further excuse for not getting in there and getting stuck in with some art again.

So far this evening I have mapped out and planned what I am going to do. I took some ordinary copy paper and pressed it onto the front of the two different sized boxes and cut these shapes out.

Many years ago when we were on a canal holiday, I bought this gorgeous book on narrow boat painting, which is a traditional English folk art. The book has plenty of illustrations of this style in use on boats and the many traditional objects carried on the boats, and it has instructions on how to construct the basic flower shapes.

I have been interested in the history of this art style for a long time. Many years ago my mum and I went away on a short mid-week break to Budapest, where I bought a black felt waistcoat in the traditional style, embroidered with brightly-coloured flowers in the style of the “Matyo rose.” Google this and you will see how attractive it is. I was wearing this waistcoat at a lecture some years later, and the lecturer, an Indian gentleman, approached me at the coffee break and asked if the waistcoat was Indian. I was intrigued by this question, knowing the history of the style, and explained where it had come from. The original true Gypsies originated in India and migrated westwards across Europe, carrying their beautiful art work with them and influencing the local culture as they went. Their caravans were traditionally decorated in this brightly coloured naïve style, and when they started to migrate onto the canal boats, known as “narrow boats” because of their long, narrow shape designed to fit in the narrow English canals, carrying the cargo which fuelled the Industrial Revolution, they began to decorate their boats in the same way. Like the caravans, the boats were home to these travelling people, living on the job, carrying the coal and iron and manufactured goods across the country.

Living in a caravan or a narrow boat, space is at a premium and many of them dreamt of living in a castle – hence the traditional “roses and castles” designs so characteristic of the style. It is very romantic and decorative, and the style has been revived in recent times and is immensely popular, on the canals (now restored to their former glory, for tourist use rather than for industrial transport) and on many objects which find their way into people’s homes.

I have done some of this painting myself in the past. It is surprisingly easy to do, with simple strokes of the brush, using bold and bright colours.

Here are the templates with the roses and daisies mapped out roughly. They will serve as a guide to painting on the boxes.

Here is a sketch of the flowers with a plan for the colours – I may change my mind once I get started – we shall see.

Watch this space to see my progress. This is going to be fun.

The Redecoration of our Sitting Room

Warning: Long post, picture-rich!

Our sitting room faces north, and with the houses across the street blocking the light, the room is quite gloomy, and this was not helped by a cream colour scheme. The sitting room in our old house was considerably larger, so moving here, our furniture was dominating the room which felt cluttered and oppressive.

Now that Mum is no longer living in her flat (which occupies half the downstairs of the house) and is not able to return, we have moved some furniture into her rather sparsely-furnished sitting room, which we also used while ours was being redecorated – being at the back of the house, it gets lots of sun in the afternoon, as well as having direct access by a glass door into the garden – we have decided to use it more in the summer for this reason. With the removal of some of the furniture, our sitting room was already looking better.

I recently watched a house renovation programme in which the windows were replaced with new ones with powder-coated frames in bright orange, which brought a feeling of sunshine into the room. The presenter of the programme said that a cheaper option would be to paint the window reveals in orange.

Having decided to paint the walls and woodwork in white, I thought that some touches of orange, including the small portion of ceiling over the bay window, the picture rail and the ceiling coving, would bring this touch of sunshine into our gloomy room, and the addition of some orange stencilling under the coving would soften the look and bring the design together cohesively.

My original plan was to do all the decorating myself – part of my new post-cancer life, to take back a lot of things that I haven’t done for many years. It’s been all too easy to ignore my M.E. which has been part of my life for so long – I have adjusted to the way of life it has imposed on me, and the cancer and all that went with it last year overshadowed it so much, and I think this year I have been rather unrealistic in what I am capable of doing, and trying to run before I could walk! I certainly need to relearn the art of pacing because I’ve been in a boom-and-bust situation, overdoing things and then crashing, which is not too good.

My hubby made a tremendous fuss about my plans to do the decorating, and I was in denial about my capabilities, and then he spoke about it to our neighbour Gary and he agreed completely, that I’d be very foolish to attempt it! I caved, and agreed to let Gary do it, and I am so glad I did – I doubt if I’d have ever finished the project, and as a professional, he has all the right tools and equipment, and the skill and experience, and he completed the job, and several other bits and pieces (small repairs, some paint priming etc.) around the house which needed doing, in a week, and the result is professional, and stunning.

Here are some before, during, and after photos.

Before

Working around the room from the door. I have deliberately left it untidy to show the normal state of affairs! (I have determined that it will NOT be the normal state of affairs from now on!) These pictures were taken on Monday 14th March.

The two cardboard boxes are still there 2 1/2 years after we moved, still not unpacked!

One of them contained ornaments (no room for most of them) and the other my little camel stool and the tops of the Burmese screen which you can see in the alcove in the next photo. When I was packing this up to move house, one of the tops fell into two halves, and I could see that my grandfather had mended this some time in the past. Not knowing how to fix it, I just left them packed away, and had the screen without the tops. Gary said he did not feel up to repairing the broken screen top and suggested we got it done professionally, so my hubby has contacted a local furniture restorer we know, and is taking it over on Monday, together with another of the tops which has a couple of carved points broken off, which fortunately I have, and hopefully he can repair both tops. Once that is done, there will be photos of it in all its glory. The screen is solid Burma teak and weighs an absolute ton – it is intricately carved front and back, the bottom part of each of the three panels being solid and carved, and the top panels, and the detachable tops, are pierced through. It is a magnificent piece of work, and I was so pleased that nobody else in the family wanted it when we were clearing my grandfather’s house all those years ago. It has been my constant companion all my adult life, and a great treasure.

The black uplighter in the corner had a faulty switch and didn’t work (I have now repaired this) and we moved Mum’s standard lamp in to give a bit more light – 2 lamps in the corner was definitely too many! The white bookcase was an eyesore and was always a mess, filled with DVDs and clutter. The pictures just happened to be available and I stuck them on the hooks that were already there, but they did little for the room, not being carefully placed. The one on the right was a gift for a friend and this was never the right place for it.

The cushions were tired and lumpy and the covers are worn. Endless clutter was really getting me down! Too many projects on the go, and papers, computer, external HDDs and endless untidy cables everywhere.

During

The first few photos show the room with some of the furniture removed, and experimenting with the arrangement of certain items. These photos were taken on the evening of Thursday 17th March, after a shopping trip when we bought the new cushions.

A great improvement – the removal of the unsightly white bookcase!

I arranged the lava lamp and a few ornaments on one of the side tables, with a piece of Romanian embroidery.

The settee with the new cushions.

I designed a stencil for the tops of the walls, adapting an art deco design I found online. The house was built in 1925 and has several original art deco features, including the fine wooden fire surround with its plinth, obviously designed to take a clock, an my original art deco electric clock with its chrome accents and Westminster chimes now has pride of place and looks as one with the fireplace, topped off with a modern art deco-style mirror, and a reproduction art deco lamp.

This is the stencil I cut, together with some repositionable spray adhesive (eventually we used 3M repositionable photo mount which was better and had a finer spray), and some stencil brushes. The stencil is of one pattern repeat, and I cut it from an opened-out polywallet.

The decoration begins. This is the state of play at the end of the first day (Tuesday 29th March). You can see that the room is considerably opened up with the removal of the third armchair which was in front of the window, and the absence of the coffee table.

On Wednesday 30th March, Gary began applying masking tape and painting the ceiling coving with the orange paint, which had a lovely name – “Bengal Tiger”! A couple of days later, Gary went to the garage for his van’s MOT and apologised for the state of his hands, saying “I’ve been painting with Bengal Tiger.” The man at the garage said, “Wouldn’t it be easier with a paintbrush?” Hahaha!!

You can see how much brighter the room looks with the white walls.

The coving completed, Thursday 31st March.

We decided to retain the dark red walls around the window. They give some contrast and it’s a nice rich colour that goes well with our colour scheme – we had this colour in our old house too, so I was quite pleased to see it here when we moved. You can see that Gary has pinned up the curtains using clothes pegs. He managed the entire job without having to remove any of the curtains, and he didn’t get a single spot of paint on any of them..

The picture rail in Bengal Tiger. The next group of photos were all taken on Monday 4th April.

The coving and picture rail complete, in the alcove to the left of the chimney breast.

Now for the really exciting part! Gary doing the very first bit of stencilling. We agreed that he would place the fan shape in the centre of the chimney breast and work outwards from there – this is the focal point of the room, and whereas for the rest of the room it would be OK to continue the stencilling around the corners, this part, which would draw the eye, should have the stencilling carefully placed and centred.

The first pattern repeat stencilled.

The moment of truth – peeling off the stencil.

Yippee – a superb result!

The chimney breast stencilling complete.

What I hadn’t planned as how exactly the pattern fits the chimney breast! I knew it needed to be about 6 inches in depth, and I drew it to match that proportion. Elsewhere in the room, too, the pattern fits neatly into the corners in most cases. Quite fortuitous, I can assure you!

Gary found that the adhesive needed reapplying periodically, and the stencil cleaning – the adhesive was lifting tiny spots of white paint (not so that anything showed on the wall) which was interfering with the adhesion of the stencil to the wall. You can see on the fan shaped portion that there are some long narrow pieces of stencil which needed to be well adhered in order to prevent them moving and paint getting underneath. I used Crafter’s Companion Stick Away spray to clean off the back of the stencil, and at the end of the day he found that if we soaked the stencil in hot soapy water, the emulsion paint simply lifted off.

He had a terrible job with the inside corners, particularly the first one, in the right-hand alcove – because the corner of the wall wasn’t straight, if he pressed the stencil into the corner, the second half did not run along parallel to the coving. He called a halt at that point, it being the end of the day, and we cleaned off the stencil, and he said he would just stick it down on the next bit of wall, lining it up correctly, and not stick it on the previous bit (if that makes sense!). Fortunately, this turned out to be the most troublesome corner of all, as it is the least visible in the room if anything went wrong (you’d never know, though), and subsequent corners became increasingly easier as he worked around the room.

Over the curtain pole there was not enough depth of wall to do any stencilling, and he ended the pattern at this point, either side of the curtain. However, we agreed that it looked a bit odd with nothing.

Finishing the stencilling on Wednesday 6th April. Gary began in the centre of the chimney breast and worked to the right, ending up at the left-hand end of the curtain pole. He then returned to the centre of the chimney breast and worked around the left-hand alcove and right around the room to the right-hand end of the curtain pole. Here he is, doing the very last stencil.

To finish off over the curtain rail, he masked off a band which he then painted in solid orange, to match the band along the top of the stencil. He had to eyeball it as the ceiling is slightly bowed over the window.

The band completed. You can see the orange paint over the window. Originally this was going to be in matt emulsion but Gary suggested painting it with the eggshell which has a slight sheen, and this reflects more light into the room. I am pleased with the effect.

At this point, the decorating was completed, and he was able to move on to the various odd jobs that needed doing around the rest of the house.

On the evening of Thursday 7th April, my hubby and I unpacked the new flat-pack cabinet that had been stored in Mum’s sitting room till we were ready to assemble it. There was a huge quantity of panels and hardware, and I arranged them around the walls in order – each panel was fortunately numbered – checking them off the list of contents as we went.

I sorted all the hardware (screws, cams, drawer runners, etc. etc.) into separate containers with a label in each, listing the contents and the step number from the instruction sheets, so that we would have all the parts we needed for each step, and I could pass my hubby the relevant parts as he needed them. You can see the instruction sheets on the table on the right.

I was rather amused that my hubby brought in a sledge hammer to aid in the construction! They said to use a mallet, so I provided a small mallet, but in the end we didn’t really need it, apart from tapping in one or two slightly tighter dowels for the joints.

When he’d finished the painting, Gary had moved the settee into the centre of the room to give us room to construct the cabinet. I laid the carpet down in this area temporarily, to give us a soft surface to work on, to protect both the cabinet and the floor. You can see that I have already hung a picture on the wall on the right.

You can also see that the dark red curtains do not come anywhere near the floor – in our old house these were floor-length! The ceilings in this house are very high. However, it doesn’t matter, because with furniture in front of these curtains, you don’t notice that they are too short.

That was the end of Thursday 7th April.

A finishing touch was the addition of some LEDs that I found on Ebay. This is a long thin cable with tiny LED bulbs at intervals along its length.

Gary stuck some of my heavy duty double-sided tape along the top of the picture rail and pressed the cable onto this. When switched off, it is invisible, but when switched on, the effect is sparkling and decorative, and a nice finishing touch. The cable beyond the connector, leading to the plug, was not quite long enough, but I found another one, complete with the correct transformer, in my drawer full of cables, and it runs down behind the curtains to the left of the window and is plugged in discreetly onto the extension bar for the TV equipment. I turn the lights on and off by pulling the connector apart and hanging the further end over the screen so I don’t have to bend down to switch on the lights. It works very well. These lights were available in different lengths, and with a choice of power options – mains (which I chose), battery, and USB. You can see how tiny the bulbs are, and they are pretty bright.

Here they are lit up.

After

The remaining photos show the completed room – at least, as far as is possible. We are still awaiting the arrival of the new chandelier which is on order. Once this arrives, I can phone the electrician and ask him to come and fit it. I moved the final pieces back into the room yesterday afternoon and hung some pictures.

Starting in the same corner as for the “Before” photos and working around. These photos were taken on Friday 15th April in the afternoon, and on Thursday 14th in the evening, with the exception of the final one which was taken on the evening of 15th.

The corner with the long-case clock is now a lot less cluttered, with the Indian table having been removed. To complement the large blue and white china plant pot, I have added a couple more pieces of blue and white china on the bottom shelf of the table with the Tiffany lamp. I have also hung a picture in the alcove.

Moving on round to the fireplace. I think the new décor really enhances this original art deco feature of the room. I added the two black metal candlesticks and hung two small pictures which had been above the white bookcase in the old layout, and put some ornaments back in the hearth.

Here is another view of the fireplace, from the settee. You can see that the ceiling border of the opposite wall is reflected in the mirror.

Moving on round to the alcove on the right-hand side of the fireplace, you can see that I have hung another picture, and replaced the centre top piece on the screen. It looks a bit odd at the moment but will look great once we get the two repaired pieces back. You can see how the screen minimises the impact of the TV in the room. TVs are always a problem in interior design but we all have them, and they have to be in a fairly prominent position so that we can actually see them!

The view of the bay window was very hard to photograph because the brightness of the window under-exposed the rest, and when I manipulated the photo, the room came out pretty grainy, but you can get an idea of how it looks. The coffee table is now in the window with its cloth and ornaments. I think it needs something taller in the centre but I haven’t got anything suitable, so I will have to think about that for a while – maybe a nice place to have a vase of flowers. In front of the table is the camel stool, which had been packed away in one of the boxes. I bought this at Karachi Airport in 1971 on my way home from my first Far East trip to Malaysia. Along with the Burmese screen, it has accompanied me all through my adult life and I am very fond of it! It has been sat on by generations of kitties over the years – it’s a wee bit small for humans to sit on lol! – but I couldn’t carry a larger one with my airline hand luggage.

You can also see the teddies sitting in the window! Shortly after we moved here, my hubby decided to do this for some reason, and he’s done it ever since, bringing them in at night so they aren’t staring out into the darkness and getting cold! I can see people walking along the street and quite a few look at the teddies and smile! Now that we no longer have the extra chairs in the room, there is nowhere to put the teddies at night so my hubby has started packing them in  box and taking them through into the flat. Last night Beatrice thought she’d muscle in on the act, and Phoebe was definitely interested.

The corner of the room to the right of the window, where the old white bookcase used to be. The new black cabinet is a huge improvement, and there is just room for the uplighter and one of the surround-sound speakers beside it. In the foreground you can see the side table with lamps on it – more photos later. You can also see that I have replaced the two mismatched pictures with a single one better suited to the décor, and the new blue and orange cushions on the settee.

A view of the settee complete with its new cushions, as seen from the bay window, with the new picture above. It has already ended up with the computer back on it, and other bits and pieces, but to show off the room at its best, I’ve tidied these things away for now!

The original central light with its red lampshade which really doesn’t let out too much light – the new chandelier will be a great improvement on this, and have more presence in the room, as well.

Now for some evening photos, showing how the lighting affects the whole atmosphere of the room.

A view of the bay window with the table. I took these photos with the flash and unfortunately it makes the end wall look rather flat, and the curtains a lot more obvious than they are on real life!

The new black cabinet. There is plenty of room for all my DVDs, and I chose ornaments with an orange colour to complement the room, to put on the shelves. Under the lowest shelf there are four drawers in which I have tidied away a lot of the unsightly clutter. My dad’s black marble clock looks great on top, and it breaks up the square outline of the top. It’s very nice to have the uplighter working again. This corner is a vast improvement on what was there before, and adds style to the room. The black cabinet does not dominate the room but blends into the dark red of the wall behind.

On the side table I decided to make a display of all my decorative lamps – I had forgotten about the paperweight one which was packed in the box with the ornaments – there is a revolving disc in the base which changes colour and throws a rather attractive moving coloured circle above it on the ceiling. Likewise, the fibre-optic lamp (which was in the hall and never being used) changes colour in the same way. Together they make a nice grouping with a couple of glass paperweights.

Here’s a little video I made of the lamps:

https://www.youtube.com/watch?v=9Gpslbgbf44&feature=youtu.be

Finally, the LEDs around the picture rail. You can see them reflected in the mirror, too, and if you look closely there’s a rather intriguing reflection on the glass of the art deco clock on the mantelpiece – the convex glass creates a tiny reflection in a curve, and it looks like a diamond necklace!

The arrangement of the room isn’t set in stone as far as the details are concerned, but we are more or less satisfied with the arrangement of the larger pieces. To sum up: the Indian table which was beside the clock, the standard lamp, the second armchair and the white basket chair are remaining in the flat; the coffee table has been moved and can no longer serve as a dumping ground and makes a feature under the window; I have introduced mood lighting and hung some pictures.

More photos will follow once we get the screen repaired, and the chandelier fitted.

I think you will agree that there has been a major transformation of this room. We are very delighted with it, and extremely pleased with Gary’s hard work and attention to detail – a really professional job.