Black on Grey on White

It was time to reassess just what (art-wise) I could achieve in one-ish sitting. Seriously, each non commissioned drawing takes me between 80-120 hours (maybe more). Translated: weeks of work. The one question that I have not wanted  been to scared to answer  face but wich I have been asking for a while now, has been tackled and ... answered. Am I able to produce a wee bit quality in one day? Can I "perform" without all the time and detail and work and rework and endless thought? Can I get to the important nitty gritty and feel pleased with the result? Can I quieten the nagging "you -can-you-only-draw-slowly-and un-sponteneously" voice? Yes, yes, yes and YES! Here's the proof: Snaffles. Upping the anti (no comfort zone for me!), I used new paper (Fabriano), a new medium (Nitram Charcoal) and a new time frame (one day i.e: 6 hours drawing time). Drank two coffees, pumped up the volume and got cracking... Super chuffed with the result! Snaffles

Sometimes (well actually most of the time!) my mind will ponder and "sit-on" an image, a concept for years, waiting until the time is right. Nothing different with this drawing. I shot the references back in 2011... After 5 years of pondering, my pencils have been on active duty for the last 2 weeks, working hard to get this big-new-in-between-commissions-drawing of Cornado NRW (super good German Warmblood show-jumping stallion) out of my head, on and off the board and into the world. The hard work and the strange facial expressions have paid off! All of us here in the studio are relaxed and grinning with the sweet sense of a job well done. Think I'll go and start another one ;) Grey 40x34 cm graphite on paper