Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Call for Submissions to a Charity Anthology

>> Tuesday, August 14, 2018

Call for Submissions for an anthology highlighting the capabilities and contributions of disabled people in science fiction. This will be a charity anthology with the proceeds and any royalties donated to the Special Olympics. We welcome involvement from disabled authors or those that would be interested in beta reading the final anthology.

Genre: is geared toward science fiction, however, science fantasy, urban fantasy, space opera, other types of fantasy and speculative fiction are  also acceptable as long as we're focused on now or the future instead of ancient history. Other planets and non-human characters are acceptable. Dark fantasy/SF and horror are also acceptable as long as disabled heroes are not turned into victims.

Theme: The main characters must be disabled and succeed through their own efforts and without normalizing (i.e. undoing their disabilities with technology). This book is about celebrating the people who exist today and making them represented in the future.

Age level: should be no racier than PG 13 and YA is not precluded but we will not be targeting a YA or underage audience.

Length: 1500-7500 words

Deadline: All submissions should be received no later than November 30, 2018 with expectation of a February 2019 publication date.

Send submissions to stephanieebarr at Dragonfaeriecreative dot org with the subject "Disabled Heroes"

Format: Word .doc/.docx file, 1" margins, 12-14pt Times (or other serif font), double-spaced, contact info and word count on first page, running header w/name, title, page #, etc. The usual stuff. And please include your name and the story title in the filename. I will accept reprints if you (a) have the rights and (b) it fits our criteria.

Please edit your story carefully. We're all busy indie authors and will not take the time to help you rewrite your work into something that works for us. Please make an effort to send something in finished form that meets the criteria we've set.

Title and cover are not yet finalized.

You can find out more on facebook by joining: https://www.facebook.com/groups/disabledheroes/

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Saving Tessa: Now it's Science Fiction!

>> Thursday, February 9, 2017

I have reworked Saving Tessa to be a science fiction YA adventure (though it was close to that already).


In the year 2045, smart tech is everywhere, much of it devised by the teenage prodigy Dylan Chroz. But being at the top of the technical world means being in demand. Sometimes, by people who should be looking out for you. Sometimes, by people who won't take no for an answer.

Tessa alone makes Dylan's life more than schematics and computers, a spot of vibrant color and irrepressible life in a dreary world of users and frauds. 

So what do you do when someone steals your girl to make you perform your technical wizardry on their sketchy hardware? Do you curl up and cry? Do what they want? Defy them? Or do you outsmart them and do your damnedest to smoke out every one of them so they never can do this again?


That is, if Tessa doesn't beat you to it.
Also, as with Curse of the Jenri, I'm going to make it available in book form. Proof is on it's way to me now and I'll announce it when it's available. Eventually, I'll do this with all my books, but I'm excited about this one because I have a character frighteningly like me there.

Thanks for the gorgeous cover by Ryn Katryn.

Amazon

Smashwords

One of the things I did with this story when I moved it to 2045 is work on a post-Trumpian recovery. I found it therapeutic.

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New Release: Saving Tessa

>> Saturday, November 22, 2014

I just released my personal favorite of my novels (so far) today. You'll be able to find it at the compelling price of $4.99 at your favorite retailer.

Dylan Chroz, high school senior, had a reputation as the unchallenged king of the technical world, a genius with dozens of patents to his name. He also had a reputation for being as cold and calculating as the supercomputers he could design in his sleep.

So he was unprepared when Maxcomm discovered what really mattered to him: the spunky girl at the center of his existence. Or when they stole her away so they could use her against him.

It was a mistake, of course, to make an enemy of Dylan, even if he was hampered by his fear for Tessa. After all, people who threaten Tessa were definitely not going to come out unscathed.

And Maxcom didn't appreciate what those around Dylan will do to help him save Tessa.

But the real mistake they made was thinking Tessa was going to sit quietly by and get used. As if Tessa would stand for that!

That last mistake was really going to cost them

Contains some language and violence. You can find Saving Tessa on Smashwords

In the iTunes store

On Amazon.com

Barnes and Noble

Kobo

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RS Classic: Why Star Wars Doesn't Impress Me

>> Monday, August 16, 2010

Not ready for anything serious and I've been busy with work and rewriting the novel I'm writing right now, so keeping it light and reusing. I'd noted before that I'm a character person, but also a pick-a-parter. Here's an example of my pick-a-parting talent.

I was surprised at my reaction when I saw a discussion where Star Wars was described as “pure science fiction.” Hard science fiction is fiction that is firmly grounded in science, where the science is as much a part of the story as the characters. Despite my science background, I don’t write hard science fiction because I’m much more into characters than science.

However, Star Wars does not count as pure or hard science fiction. Why do you say that? Haven’t you seen the “Science of Star Wars” type shows? Yep. Not impressed. In reality, what did they do in Star Wars that made scientific sense?

They shot out of open portholes and landed crafts in bays open to space. They wander about on asteroids wearing only gas masks as opposed to full pressure suits. The ships are cool-looking, but impractical. Center of gravity on most are so out of whack as to make them challenging to fly realistically with or without atmosphere.

Actually, I guess I’m not a huge Star Wars fan. The story, of course, is old and proven, the kind of feel good story that’s been used over and over because it’s successful. Some of the characters are appealing (more so after the “first” one when someone besides Lucas did the dialog). Above, all, though, it had tons of glitz in a movie industry that had never seen anything like it.

But, even without the science, did the stories and details make sense? The weapons are highly impractical (explain, for instance, the advantage to being able to destroy a planet into dust - what have you really accomplished? Space dust is somewhat less than useful.). Hand to hand skills under such circumstances are, uh, superfluous. Why the stress on that? Exactly how many droids wander the deserts of Tatooine for the Jawas to be able to make a living off stealing them? And how come it took 13 minutes to fly at “full throttle” down the trench on the Death Star, but the whole Death Star is kilometers in the background seconds later.

What does the Empire achieve by “taking over” that they didn’t have working behind the Republic? Given the success of the robot fighters, what was the benefit of the clones? It’s not like they were encouraged to think independently since disobedience was punished by death. Why clone a bounty hunter for a flood of soldiers? Why would a space port, like that on Tatooine, not take off-world money or have a way of converting it? Why have a port then? Why in the world would anyone of conscience buy the freedom of a boy and leave the mother he adored?

Star Wars is an excellent example what happens when I’m not in love with the characters enough: everything that doesn’t make much sense leaps out and grabs me by the throat (including why Luke could be all but unaffected by the brutal and probably torturous death of the people that raised him, but devastated for three movies about the death of a man he’d known three days or so). I like Hans Solo and Leia else I might have a list for The Empire Strikes Back and Return of the Jedi, but I guess you get the idea.

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RS Classic: Science faux pas (and my movie pet peeves)

>> Wednesday, June 16, 2010


Given that I had my trash-Armageddon earlier, it seemed reasonable to replay this one from the same theme.

I can be irritating to watch movies with. I admit it. Unless I’m blown away by characters and/or dialog, little errors will bother me. And I’m vocal about it. I’m a history buff so trashing history will irk me, ditto with characters that make no damn sense. But many people are irritated by that. One thing that really gets me are “science fiction” movies where science was clearly not well thought out. Yesterday’s Armageddon blog demonstrated that a single movie can pretty much throw science in the toilet. But even the better movies can do things that defy science.

Here are some pet peeves.

Momentum - Few things take a pounding in science films like Newtonian physics. Star Trek (movies and television shows) - we’re zipping along at Warp 8 and the engines go down. And we stop. Now, when it comes to warp speed, we really don’t know much about how it would work (if it even would), so I don’t have a problem with popping out of warp into normal space. However, in normal space, shutting off the propulsion will just mean you’ll keep going. In fact, you’re likely to be in more trouble than standing still. Standing still, you know, means you aren’t going to run into something.

Side note - There’s a very good short story called “Cold Equations” by Tom Godwin which is touted, and rightly, as an excellent example how physics (and science) doesn’t care about whether someone lives or dies. Unfortunately, the science is off. In the story, the transports are fueled with no contingency fuel, just enough for the planned cargo and crew. They’re on their way, when the pilot discovers a stowaway going to see her brother. Because there’s no contingency (which is, in my opinion, a dumb way to do business), she has to be spaced, despite her tears and her brother’s anguish. Tragic. (He gives her an extra hour by changing the trajectory, but that’s silly, too - her weight only matters while speeding up or slowing down or changing direction) Except, since they’d launched with her weight on board, they were already short on fuel. Physics, whew, a tough taskmaster.

Angular momentum - Star Wars - Hey remember those cool shots of the Millenium Falcon zipping through the cloud of Empiric ships, flipping U-turns and dodging like mad? Uh, I kept waiting for people’s bodies to punch right through the hull. Anyone with experience in a fighter plane will tell you angular acceleration will eat your lunch, and your plane, if you pull too many g’s. As fast as they were going, the poor folks inside (not wearing seat belts, of course) would be pounded to mush against any hard surface. Don’t go talkin’ about gravity generators or dampers, ’cause I’m not going to buy it. If they really had those, why are they always being jarred out of seats and stuff? Speaking of the latter, why do shows like Star Trek and Star Wars forgo seat belts? The old (and much loved by me) original Star Trek had people tumbling around engineering and the bridge like dice. Why would any ship that moved at sublight and light speeds have standing engineering positions? Or seats without restraints? You can get tickets for that in cars that never bust 70 mph (113 kph).

Ignoring vacuum - Star Wars - Ah, shooting laser canons through open portholes, shuttles landing in bays open to space, Death Star under construction - just like you could do that open to space, with folks walking about without masks. In vacuum. Red Planet - Our refugee has made a habitat on the surface of Mars out of cloth with open bottoms that allowed air in and out. Mars, at its atmospheres densest point, is 0.011 atm (that’s 0.165 psia). I don’t think so. Not even if you breath really shallow.

Orbital Mechanics - Red Planet - There’s an impressive leap from the disabled rescue ship to an unmanned satellite ~1 km away in spacesuits. Ignoring, for the moment, the likelihood that the satellite would have life support or could facilitate their arrival on the surface, going across a km of open space between two vessels in almost undoubtedly different orbits going several km/second? Not bloody likely. This also applies to any movie where an orbiting but suddenly disabled ship will decay “within hours”. Space junk, even released in low orbit, usually takes weeks or months; any ship that decays within hours was flying stupidly low.

Holodecks - Star Trek (and others) - Building whole sets, with tactile interaction, using holograms? I can buy visual, smell and audio, but we don’t have light we can see or “eat” or “drink” or “sleep on” or “sit on”. It’s not a matter of speculation; photons don’t make solids. Nice try, though. (Note, that in a sophisticated VR suit with tactile sensor and or something that could interact with brains to simulate the experiences as “dreams” or “visions”, I would not have the same problem).

Are there are others? Sure. And, before I get blasted for being too hard on speculative fiction, let me tell you some things that don’t bother me: transporters (Star Trek), faster than speed of light travel, point to point travel/tesseract/wormholes (Stargate/Star Trek/others), replicators (Star Trek), simulated gravity, almost any biological anomaly or weirdness, hovercraft, cyborgs, artificial intelligence, complex robotics . . . the list goes on.

I also am pretty damn forgiving with such things as superheroes and other fantastic stories, including shapeshifting, amazing strength and imperviousness (yes, I like Wolverine), vampires, magic etc. There are plenty of things out there I can’t begin to explain. Except flying and that dumb thing where someone like Wonder Woman hold back a jet by digging in her heels.

But, hey, sometimes you gotta let go.

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RS Classic: Sometimes I Don't Understand Stuff

>> Saturday, June 12, 2010

Another recycle and one I really liked writing. I wrote more on this topic at a later date.

I have never understood why some of the best stuff gets overlooked and other things, that make no sense or are clearly horse manure, are embraced (no, I will not be talking politics - ever, I hope).

My sister, shakespeare, reminded me of this by mentioning two movies that came out at nearly the same time and based on the same concept: Deep Impact and Armageddon. My sister thought the reason Deep Impact was overlooked was in the title, or at least in part. Me, I think the title Deep Impact is just fine. I think the real problem was that it was actually realistic.

The biggest thing that irked me was that NASA (which really should have known better) let the Armageddon crew film in NASA facilities and slap the NASA meatball on every visible surface. Normally, they are reluctant to do so (and I don’t think it was used in Deep Impact, or, at least, it was less prevalent.) So, here is this apparently NASA endorsed movie released at the same time of another movie. You’d think it was more “true” and believable. Well, you would be wrong.

Let’s figure out why (from my memory, so don’t expect perfection - especially since I’ve been trying to scrub Armageddon from my mind for some time).

Deep Impact - Detected impactor years ahead of time and focused on a single plan (from scratch) to get it done. Even with the best will in the world, this would have been a challenge. The fact that we have, in the past done the incredible (Apollo/Gemini/Mercury) in the short term with focus and the right minds, says it is not implausible.

Armageddon - We find out weeks/months ahead of time. Believe me, we’re completely boned. No way, not even the Russians or using military resources - even if we had rockets handy that could send something that big that far, we couldn’t do it. We have nothing to put people in that could take that.

Deep Impact - Select astronauts have been training for this difficult and challenging task for years. Duh! The unknowns alone mean that we need talented and capable people who have extensive experience and can adapt to ugly new challenges.

Armageddon - Ignore your talented astronaut corps and drag in some oil drillers from an off-shore oil platform, letting them call the shots and saying you can train them effectively in low/no gravity in suits in a matter of weeks to use a hand operated drill on a new surface. Brilliant! After all, we all know the offshore drilling is done via hand operated drill and I know, if I was going to drill on a far distant asteroid with only one chance, I’d be much more comfortable stressing the drilling experience. Because, after all, drilling expertise is almost unknown whereas familiarity and training with space gear and suits is a common skill. (I’ve worked with many astronauts, know how dedicated these people are. They are capable and confident people who also know how to keep their egos in check for the good of the mission. This movie offended me on their behalf.)
Armageddon - they launched a handily available titanium Shuttle and “refuel” it at the Mir Space Station (which they accidentally blow up) that has apparently grown large cryogenic fuel tanks somehow. Then, they store up enough “hydrogen/oxygen fuel” in their shuttle and zip off through meteoroid laden space, dodging meteoroids, then land on the asteroid. After landing, they are “trapped” in the payload bay and “shoot their way out” of the titanium Shuttle bay with a convenient machine gun on the “rover.” Alright, folks, do I have to explain how idiotic this is? The Mir didn’t have tanks or any way of “filling up” a Shuttle (and space born cryogenic tanks are not an easy thing to whip together, even for the innovative Russians). Shuttle engines can’t be started in space (which is why they aren’t being used for Ares). The Shuttle has no tanks (none) and no place to put them since the payload bay is filled with drilling equipment. Since meteoroids come screaming through here at 20-70 km/s (that’s 40x-140X the speed of a bullet), even Han Solo couldn’t dodge ‘em. As for the machine gun? Oy! Even my ex, redneck that he was and complaining about my complaints, looked up at that and said, “Alright, that’s stupid.”

Deep Impact - None of that kind of stupidity, so I couldn’t compare it, but they did show people planet side making some hard decisions that you would not like to see free people having to make. I personally think that the fact they did this is what made this movie less than successful - people didn’t want to believe that necessity might mean hard choices. I also think it’s what made this movie realistic. People think nature is gentle. Think of Hurricane Katrina. Think of the recent earthquake in China and all only children lost. Think of Hurricane Mitch. Think back to the tsunami that devastated the rim of the Indian ocean two years ago. Nature is not forgiving and physics has no pity.

Deep Impact - for all their planning, things went amiss and the crew had to sacrifice themselves to make a second opportunity that was partially successful. This is exactly the sort of thing I could expect an astronaut crew to do. No muss, no fuss, just do what they could to save humanity. And, to me, perfectly plausible. Although complete destruction was avoided, a pretty horrible prospect remained that will kill millions.
Armageddon - Our drilling crew (after screwing up repeatedly in the Neutral Buoyancy Lab), *gasp* screws up and our oil drilling hero decides to stick around to save humanity although people try to talk him into leaving. At the last minute, it blows up but the rest of our heroes can go home to an untouched planet. Uh, yeah. I’m so buying that.

It occurs to me that it’s dreck like Armageddon that makes it so hard to accomplish things for NASA. NASA knows life is like Deep Impact, full of tough choices and real physics. Politicians and the populace think that it can all be taken care of with bailing wire and guts (which are relatively cheaper). Problem is, it can’t and they can’t forgive NASA for not living up to expectations that are unrealistic, while NASA gets sent down one blind stupid alley after another to suit the vagaries of the people they answer to and end up - nowhere. What a waste!

I think this is pertinent on many levels today. People want things "cleaned up", someone to wave a magic wand and have it all go away. Reality bites.

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Carrying on the List From Yesterday

>> Tuesday, March 16, 2010

See, you all probably thought I'd give you all the answers today. Haha, not so fast. I'll be the first to say that I would have struggled to determine some of these books from the first line, but I do know my characters. And, besides, I got the idea from Relax Max. Again. So, for all the ones not guessed, I'm going to provide character names and let you try again. If there was a character mentioned in the first line, I'll assume it wasn't enough and add a second character.

  1. Stile
  2. Aahz
  3. Do Androids Dream of Electric Sheep by Philip K. Dick
  4. Jim Eckert and Gorbash
  5. The Hitchhiker's Guide to the Galaxy by Douglas Adams
  6. Lessa and F'lar
  7. Dune by Frank Herbert
  8. Myrrdin Emrys
  9. Shan Yos'galan
  10. Manual Garcia O'Kelly Davis
And yes, though I should be addressing a space elevator, I'll be doing this on Ask Me Anything and Rockets and Dragons, too.

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Ten Science Fiction/fantasy Books

>> Monday, March 15, 2010


Relax Max did this on his blog and I enjoyed it, even though I did poorly guessing the classics. A large part of that is that I have very eclectic tastes in books (not necessarily the "classics").

These are among my favorites science fiction and/or fantasy books. I wonder how many of these will be recognized among my readers? (Note that Fahrenheit 451 is not one of them; I don't actually own it. The rest of these books I own).

  1. He walked with the assurance of stature, and most others deferred to him subtly.
  2. One of the few redeeming facets of instructors, I thought, is that occasionally they can be fooled.
  3. A merry little surge of electricity piped by automatic alarm from the mood organ beside his bed awakened Rick Dreckard.
  4. At 10:30 am, sharp, James Eckert pulled up in front of Stoddard Hall on the Riveroak College campus, where Grottwold Weinar Hansen had his lab.
  5. Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun.
  6. Lessa woke, cold.
  7. In the week before their departure to Arrakis, when all the final scurrying about had reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul.
  8. I'm an old man now, but I was already past my prime when Arthur was crowned King.
  9. Eight chants past midsong: twilight.
  10. I see in the Lunaya Pravda that Luna City Council has passed on first reading a bill to examine, license, inspect--and tax--public food vendors operating inside the municipal pressure.
I'm doing the same thing with "classics" on Rockets and Dragons and my favorite non-classic/non SF/Fantasy works on Ask Me Anything.

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A Request

>> Tuesday, September 1, 2009


OK, I know I was going through educational necessities and I'm still going to do that, but I'm going to digress for the next two days. Today, it's because I've got a request. I'm also doing something new - putting this on both blogs.

See, here's the thing. I have a fairly large backlog of short stories I've written, almost all in the fantasy, science fiction or, in one case, I don't know what to call it. I'd like to market some of these, get some visibility, some interest going, perhaps even some money. And the short stories are already written.

So, what's the problem? Well, I wrote most of these years ago and, though I like them, I'm not objective about them. Many are overtly feminist and violent - I was young. Most are exercises in swift character building, effective description, surprise endings. Many are old ideas I wanted to play with. And I have too many of them to effectively try to market them all at one time. I'm just not that organized.

What I need are objective eyes to look at some of these short stories (or all of them) and tell me (a) which ones are just too immature to be publishable (or that there's not enough there for publishing), (b) which ones seem publishable and, (c) of the publishable ones, which ones do you like best or think are the best bet for getting a publisher's attention.

So, I'm asking you all, would any of you be interested in reading all or some of the short stories? You don't have to read them all, but I do want to know what you think about whatever you read.

I know most of you are quite busy. I know you all have lives. It isn't a short turnaround situation, because I'll be going back over these (given that many of them haven't been touched in years or longer). But I could use some help if any of you could spare it. Do note that all of the sword and sorcery include violence.

List:

  • Charley - Story about a teddy bear
  • Time of Change - Science fiction exploring the notion of parallel universes (going at different time scales or directions).
  • Captain of the Guard - Sword and Sorcery playing off the Phoenix legend Graphic violence
  • Backseat Driver - Science Fiction - AI
  • Dark of Night - Dark Fantasy - Graphic violence
  • Seeds of Tomorrow - Fantasy
  • Windmaster - followup to my favorite Windrider - Fantasy
  • Tryst on the Balcony - my only foray into vampires
  • King of Swords - first of the Tarot Queen stories - Fantasy
  • Intemperate Sword - Sword and Sorcery - crude humor
  • Stormmistress - Fantasy
  • Precipice - Fantasy (mermaid)
  • Castles of Sand - Fantasy
  • Masks - Fantasy
  • Echo - Fantasy
Just let me know if you're interested in reading some or all. I would really appreciate it.Please leave a comment and I'll figure out how to get back with anyone interested.

Update: Check here to read stories. Let me know, though, so I know how long to keep the webpage up.

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