New language I learned in class from the teacher:
raw griege: unfinished cloth
sleazy: cloth lacking structural integrity
voluntold: Offering someone else as a
resource; and then informing them of their impending
generosity. Usually refers to spouse or offspring.
p.i.t.a.: Polite Canadian acronym for a pain
in the a**.
ADOPT WHAT I CAN ADAPT
I planned on taking the felting class at EGLFC
2013. The incentive behind my primary plan was to be
able to do the conference without having to drag a
loom along. For all the right reasons, I changed my
mind at the last minute and signed on for The Efficient
Weaver with Laura Fry. I took comfort in the thought
that we only needed to bring a warp and loom; not a
warped loom. I did briefly agonize over the vague
parameters of the instructions: scarf warp, 16 to 20
epi, about 10” wide. Too many possible choices!
Luckily we had just acquired Ann Dixon's book of 4
harness patterns. I picked out a simple Bird's Eye
twill, fed it wrong into my Fiberworks PCW and got
something I liked much better. I made my warp with 161
threads of aqua marine 5/2 pearl, printed out my
pattern and packed my bags.
Our teacher described herself as “stern looking at
rest”. Her towering height demands she look down on
most everyone. The corners of her mouth fall into a
natural frown unless engaged. Laura Fry makes her
living at the loom. A true production weaver, she
can't waste time or resources. She weaves rectangles
all day, every day; and she weaves to sell. An
impressive number of years at the loom have given her
the wisdom of self awareness as to what works for her
and what became an alterable “p.i.t.a.” The Efficient
Weaver was all about developing efficiency through our
own self awareness. Most of the time we were all
laughing.
Written neatly on the board when we came in was “If
you are happy with your results, there is no need to
change anything.” I know I am barely past
my “if it's cloth, it counts” stage of study, but I
had not thought myself unhappy. I know parts of the
process hurt more than others, but in my ignorance, I
didn't know enough to know I could do more about it
than ache. Happily for me the dawning awareness of my
discontent coincided with it's cure; the little tweaks
and changes that could lead to the bliss of conscious
control.
The first day she showed us how she wound and
warped, and she explained the why behind the way she
did everything. All had been thought out to eliminate
wasted time or unnecessary discomfort. Laura explained
that every rule ever made, fit somebody, at sometime,
in a specific instance, but it's not always true or
necessary for everybody all the time. The key is to
knowing what works best in the current time, place and
situation. She distilled what she found worked for her
and wrote it on the board.
Laura's Studio Rules
Never tie a knot where a bow will do.
It isn't finished till it's wet finished.
If you can't be perfect, be consistent.
A thread under tension is a thread under
control.
All else depends.
She advised that we would still need to answer to
our own personal perfection police, but then she
granted permission to throw most of the rule book out
the window stressing that we were to “Choose
your expert; then learn enough to become your own
expert.” It was like having a big sister
wrap her arm around my shoulder and share the wisdom
of her experience; telling me what to watch out for,
but letting me know that some rules could be broken
without the likelihood of incarceration.
The second day those of us who had not cheated and
done so in advance, got warped. She showed us a nifty
way of securing lease sticks for use in warping to
eliminate any possibility of dropping the cross. I
initially failed to grasp this lesson; along with the
sticks as they fell to the floor and pulled out the
pourey as they went. It turned out my personal
disaster simply produced another teaching moment for
Laura. With a pick-up stick and 5 minutes time I was
back in business. It took longer to confess my
disaster than to fix it. I learned to keep tension. I
learned a better way to thread heddles and lash on.
Most of the warping process went much faster and was
under much better control. I won't embrace all of it
for my Brown, but I will cheerfully adopt what I can
adapt to my best use. I saw my threading error early
and choose to accept it's annoyance in trade for the
time it would take to repair. It was a workshop warp,
and I wanted to weave. I spent most of the the rest of
my time practicing my thumbs-up shuttle throwing. The
combination of my easily memorized pattern repeats and
the new techniques made the yards I wove on the last
day almost meditative. I was working at least three
times my normal speed. I'll have to improve my bobbin
winding if I'm gonna weave this fast.
I won't share the long list of hints, cheats and
suggestions offered during class time as there is too
much for a single report. Luckily for all, Laura Fry is
all over the internet. Find her website at
LauraFry.com, or her blog at
http.//laurasloom.blogspot.com. She has made
over 20 video clips available on YouTube and is active
on Ravelry and Weaveolution. We have her book Magic
in the Water in our library. It's all worth the
look.
(Victoria wrote this up for her local guild newsletter and shared it with me.)
Victoria's blue sample
my b*tchy resting face
I'm not the only one who talks with her hands ;)
lots of inter-student consultation