"Take away everything that feels fine. Catch a shape in the circles of my mind."
Mazzy Star's final (?) album, Among My Swan, has long been saddled with the reputation of being inferior to the band's two earlier LPs, She Hangs Brightly and So Tonight That I Might See. The arguments for this have ranged from "sounds too similar to the previous stuff" to "sounds too dirge-like to retain listener interest." This negative critical response was partly due to the fact that three years had passed since the release of Mazzy Star's breakthrough second album, and the hushed confidence of Among My Swan, despite evidencing a number of subtle changes to the band's sound, was deemed an unworthy product for such a long hiatus. It is true that on Among My Swan, David Roback has turned the reverb (and thus the pysch-haze) dial down a notch or two, but in its place are many new textural nuances, such as glockenspiel and harmonica, that allow the songs to tread in a slightly less claustrophobic country-folk direction. The first single, "Flowers in December," is a perfect example of this. Here, Hope Sandoval's harmonica takes the melodic lead that would have been handled by Roback's guitar on one of the previous albums. This gives the song a distinctly desolate feel, and opens things up for one of Sandoval's best vocal turns. Conversely, on "Roseblood," the psych-rock gloom returns with Sandoval's vocal at its sleepy-sultry best, but what really pulls the song together is the backwards guitar effects that handle the main instrumental breaks. A masterstroke Mr. Roback. Rather than their "weakest" album, Among My Swan is their most "underrated" album, a distinction that, while wholeheartedly undeserved, makes this album ripe for rediscovery.