Nikki Sudden- Treasure Island (2004) MP3 & FLAC

Secretly Canadian ~ 2004

Tracklist/Info

Treasure Island  in FLAC:  Grab, Try, Then Buy!

MP3 (320kbps)

Epic Soundtracks- Good Things (2005) MP3 & FLAC

DBK ~ 2005

Tracklist/Info

Good Things  in FLAC:  Grab, Try, Then Buy!

MP3 (320kbps)

Nikki Sudden- Waiting for Egypt (1982) / The Bible Belt (1982) MP3 & FLAC

Secretly Canadian ~ 2001/1982

Tracklist/Info

Waiting for Egypt  (Remastered & Expanded) in FLAC:  Grab, Try, Then Buy!

MP3 (320kbps)

 Secretly Canadian ~ 2001/1982

The Bible Belt  (Remastered & Expanded) in FLAC:  Grab, Try, Then Buy!

MP3 (320kbps)

Epic Soundtracks- Change My Life (1996) MP3 & FLAC

"Right on time the words that rhyme came crashing through the door."

The story of Epic Soundtracks is one of those bizarre, twisted tales you can only find in the annals of rock music. He and brother Nikki Sudden had grown up idolizing Can and T-Rex and eventually found their own musical ambitions realized in the form of the short-lived but legendary Post-Punk band Swell Maps. Soundtracks had adopted his ironic stage name well-before his success in this band but for some reason went to the trouble of establishing a copyright on it. As a result, he was (quite hilariously) able to force Epic Records to rename its soundtrack division by threat of a lawsuit. Post-Swell Maps, Soundtracks issued a few singles before taking over the drumming duties in Nikki Sudden's brilliant band of Jangle-Pop wastrels, the Jacobites and later played drums in Rowland S. Howard's Crime and the City Solution and These Immortal Souls. While this is certainly an interesting bio by any standards, he saved the strangest chapter for last: the 1990s resurrection of his fledgling solo career, this time as a piano-based pop balladeer (well, sort of). Epic Soundtracks released three solo-albums before his untimely death in November of 1997, the last of which was Change My Life on which he had started to vary some of the song arrangements by branching out into Jangle-Pop, Motown, and Big Star-inspired Power-Pop. For example, "Steal Away" has a decidedly Specter-era Motown feel, and features one of Soundtrack's trademark sweet and shaggy vocal turns that really shouldn't work, but it does. Another standout is "Wishing Well," which sounds like a ragged John Lennon piano ballad and offers a beautiful example of Epic Soundtracks' gift for pure pop convention. As with his brother, many critics tend to focus on Soundtrack's limited vocal abilities, but also like his brother, his voice carries a raw, immediate expressiveness that more than makes up for what it lacks in range and polish.

Jacobites- S/T (1984) / Shame for the Angels EP (1984) MP3 & FLAC

"I moved out from the Bible Belt and down to Silver Street, Victorian oasis in the afternoon, the place we always used to meet."

Following the demise of the Swell Maps, Nikki Sudden took (what at the time) seemed like an unforeseen turn toward the kind of rock classicism that his previous band had been concerned with deconstructing. On the heels of two solo albums, Waiting on Egypt and The Bible Belt, Sudden's initially brief collaborative venture with ex-Subterranean Hawks guitarist Dave Kusworth took form during the various and sundry sessions that had originally been intended for a third Sudden solo record but that soon became the basis for the Jacobites' eponymous debut. Exhibiting an unmistakable penchant for late-sixties Brit-Rock and its tarted-up younger cousin Glam, the obvious touchstone for Sudden & Kusworth's flamboyantly wasted garage aesthetic is Sticky Fingers-era Rolling Stones mixed with a touch of T-Rex. However, what makes Jacobites such an intriguing listening experience 25 years after the fact is the undeniable quality of the music, which, at the time, ran entirely against the grain of every conceivable music trend in Post-Punk Britain. With a heavy emphasis on acoustic instruments and sonic immediacy, the Jacobites' debut is a beautiful, shambolic mix of raw emotion and authentic Rock 'n' Roll swagger. Opening with the much admired original version of "Big Store" (a highly truncated acoustic version turned up on the Jacobites' second LP, Robespierre's Velvet Basement), the Jacobites turn on the amps and offer up a mesmerizing slow-burner with some great melodic bass-work from Mark Lemon and Nikki Sudden's wasted, heartbroken Dylan-esque drawl. Another gorgeous song among many is "Silver Street," an off-kilter, slightly out-of-tune, ragged ballad that features some memorable acoustic guitar and vocal interplay between Sudden and Kusworth. Some critics point to Sudden's limited ability as a vocalist as an explanation for why his body of work was (and still is) often overlooked; however, Sudden's voice fits this music perfectly, as it manages, in subtle ways, to convey the excess at the core of heartache, something a more polished singer could never accomplish.

Jacobites- Robespierre's Velvet Basement: Update

Hello everyone,

I just wanted to let you know that I have updated my post for Robespierre's Velvet Basement by the Jacobites. Originally I posted links for the 1993 Regency Sound re-issue. These links have been replaced with the 2002 Secretly Canadian remastered edition, which has substantially improved sound and a few extra bonus tracks on each disc. To download, go to the original post page:

Remastered Edition

Jacobites- Robespierre's Velvet Basement (1985) Remastered Edition (Bonus Disc) MP3 & FLAC

"I'm looking for something I'll never find. I feel so alone, but I don't mind."

One glance at the beautifully wrecked pair on the cover of Robespierre's Velvet Basement and you know right away The Glimmer Twins are an inspiration. It seems that after disbanding the inimitable Swell Maps, brothers Nikki Sudden and Epic Soundtracks were looking to trade in the Kraut-Rock-Punk hybrid of  A Trip to Marineville  and Jane from Occupied Europe  for a sound best described as a mixture of acoustic folk & blues and glam, which, come to think of it, is also a pretty adequate description of Exile on Mainstreet. This time, Sudden teamed up with Rough Trade journeyman Dave Kusworth (formerly of The Subterranean Hawks) and hit on a sound that presages everything from Brian Jonestown Massacre to Dan Bejar's Destroyer. Most of the songs on Robespierre's Velvet Basement make generous use of shambolic acoustic strums backed with ramshackle percussion, all of which only add to the garage-like greatness of some of the songs. For example, on "Ambulance Station" and "She Never Believes," Sudden's joyfully downtrodden cigarette-soaked vocals exude the same kind of elegant, "who gives a fuck" decadence that made the UK glam scene of the early seventies so engaging. Robespierre's Velvet Basement is an uncompromising classic that couldn't have been more out of time & place when it was released back in 1985, which is why it hasn't aged a day. Listen to this.