The 2017 Spectrum and Cutting Edge Award Winners

Mikola Kukharuk of Nomad’s with a pair of neon blue tourmalines (53.56 ctw.)

The AGTA Spectrum and Cutting Edge Awards is already the most important and prestigious colored gemstone competition in the world. According to Douglas K. Hucker, CEO of the American Gem Trade Association, which sponsors the annual event, this year’s group of approximately 500 entries shows that the competition just gets better.

“It is evident that the entrants take this competition very seriously,” Hucker said.

The Spectrum Awards, which honors the best in jewelry design using colored gemstones, usually gets the lion’s share of the publicity. However, this year it is the Cutting Edge Awards that stood out with it’s the rare gemstones, and the craft and artistry of the lapidaries. For example, the Best of Show was a pair of neon blue tourmalines and two pieces by gem artist, Naomi Sarna, which won overall awards. In the Objects of Art category there were three exceptional finalists with the winner creating a working kaleidoscope using gems to create the patterns inside.

Below are the best gems and jewels from a very competitive field.

Overall winners of Spectrum and Cutting Edge Awards

Best of Show (top photo)
Mikola Kukharuk of Nomad’s with a pair of neon blue tourmalines (53.56 ctw.).

Best Use of Color

Naomi Sarna of Naomi Sarna Designs with 18k and 24k yellow and 18k white gold maple leaf earrings featuring multicolored diamonds, sapphires and garnets.

Best Use of Pearls

Naomi Sarna of Naomi Sarna Designs with freshwater cultured pearls strung with sunstone beads with an 18k yellow gold and black rhodium clasp set with white, pink and green diamonds.

Best Use of Platinum and Color

Eddie Sakamoto of Somewhere in the Rainbow with platinum “Dancing Waves” neck collar featuring a 57-carat aquamarine accented with diamonds (8.0 ctw.).

Fashion Forward

Ardeshir Dabestani of Asha Gallery, Ltd. with 18k white and yellow gold “Solar Flare” back-drop necklace featuring a 436-carat citrine accented with aquamarines (44.50 ctw.), yellow beryls (87.30 ctw.) and diamonds (23.54ctw.).


AGTA Cutting Edge Award Winners

All Other Faceted

First Place: Brett Kosnar of Beija Flor Wholesale with a 24.26-carat round, Portuguese-cut rhodochrosite.

Second Place: Ruben Bindra of B & B Fine Gems with a 6.49-carat square East African natural tsavorite garnet.

Third Place: Hemant Phophaliya of A G Color, Inc. with a 22.15-carat fancy-shaped tanzanite, “Superman.”

Carving

First Place: Meg Berry of Pala International with a 625-carat chyrsocolla with druzy quartz carving, titled “Metamorphosis.”

Second Place: Dalan Hargrave of GemStarz Jewelry with a freestyle carved sunstone chameleon named “Henry.”

Third Place: John Dyer of John Dyer & Co. with a 115.71-carat morganite carving, titled “Joyful Morganite.”


Classic Gemstone

First Place: David Nassi of 100% Natural, Ltd. with a 15.30-carat unheated Ceylon pink sapphire.

Second Place: Allen Kleiman of A. Kleiman & Co. with a 38.48-carat unheated oval Madagascan blue sapphire.

Third Place: Joseph Ambalu of Amba Gem Corp. with a 5.80-carat untreated Colombian step-cut emerald.


Innovative Faceting

First Place: Christopher Wolfsbergwith a 32.75-carat specialty-cut quartz with chrysoprase and opal.

Second Place: John Dyer of John Dyer & Co. with a 21.58-carat red spinel hexagon.

Third Place: John Dyer of John Dyer & Co. with a 63.86-carat specialty-cut tourmaline.


Objects of Art

A view inside the “Colors of Maine” kaleidoscope by Derek Katzenbach of Katzenbach Designs with the images made of multicolored Maine tourmalines and Maine quartz lenses

First Place: Derek Katzenbach of Katzenbach Designs with “Colors of Maine” kaleidoscope featuring multicolored Maine tourmalines (71.74 ctw.) and Maine quartz lenses (24.92 ctw.) set in 18k yellow and white gold.

Second Place: Susan Helmich of “Somewhere in the Rainbow” with a “Straight on to Neverland” pendulum and brooch featuring a 14.01-carat rubellite tourmaline, an 8.94-carat rubellite tourmaline, a 4.08-carat indicolite tourmaline, a 13.8mm golden cultured pearl and diamonds (5.24 ctw.) on a carved frosted quartz base.

Third Place: Liam Powers of Liam Powers Jewelry, LLC with a sterling silver and multi-karat gold chalice featuring diamonds, alexandrites, sapphires, moldavites and phenakites.


Pairs & Suites

First Place and Best of Show (top photo): Mikola Kukharuk of Nomad’s with a pair of neon blue tourmalines (53.56 ctw.).

Second Place: Hemant Phophaliya, A G Color, Inc. with a pair of fancy pear-shaped tanzanites (49.38 ctw.).

Third Place:  Robyn Dufty, DuftyWeis Opals, Inc. with a pair of black opals (17.61 ctw.), titled “Tears of the Gods.”


Phenomenal (gemstones with special optical properties)

First Place: Joel Price with a 100.66-carat harlequin pattern black opal.

Second Place: Joseph Ambalu of Amba Gem Corp. with a 7.31-carat emerald-cut Brazilian alexandrite.

Third Place: Robert Shapiro with a 7.60-carat boulder opal.


AGTA Spectrum Award Winners

Bridal Wear

First Place: Ricardo Basta of E. Eichberg, Inc. with an 18k white gold and rhodium “Double the Love” ring featuring a 12.62-carat heart-shaped blue zircon accented with a 0.75-carat heart-shaped diamond and diamond pave.

Second Place: Lindsay Jane of Lindsay Jane Designs with platinum “Butterfly” earrings featuring detachable drops of boulder oopal (39.92 ctw.) accented with zoisites (2.10 ctw.), diamonds (1.02 ctw.) and Paraiba tourmalines (0.10 ctw.).

Third Place: Judy Evans of Oliver & Espig Gallery of Fine Arts with a platinum and 18k yellow gold ring featuring a 15.3mm South Sea golden cultured pearl accented with white diamonds (1.17 ctw.) and yellow diamonds (1.12 ctw.).


Business/Day Wear

First Place: Adam Neeley of Adam Neeley Fine Art Jewelry with an 18k rose and 14k rose and white gold “Cosmos” pendant featuring a 24.06-carat specialty-cut morganite accented with diamonds (3.14 ctw.).

Second Place: Llyn Strong, llyn strong fine art jewelry  with a lapis lazuli necklace (155.0 ctw.) featuring an 18k yellow gold clasp and a 30.90 ct. boulder opal accented with black diamonds, tsavorite garnets, rubies and sapphires.

Third Place: Mimi Favre of Mimi Favre Studio with platinum “Waterdrop” earrings featuring detachable Tanzanite drops (25.50ctw.) on Sapphire studs (1.75 ctw.) with white Sapphires (0.58 ctw.).


Classical

First Place: Allen Kleiman of A. Kleiman & Co. with platinum and 18k pink gold earrings featuring unheated oval pink sapphires (36.65 ctw.) accented with diamonds (5.09 ctw.).

Second Place: Niveet Nagpal of Omi Prive  with a platinum and black rhodium ring featuring a 20.03-carat cushion-cut blue sapphire accented with blue sapphires, baguette diamonds and round diamonds.

Third Place: Oscar Heyman platinum ring featuring a 32.30-carat Cat’s-Eye Chrysoberyl.


Evening Wear

First Place and Best Use of Platinum and Color (pictured above): Eddie Sakamoto of Somewhere in the Rainbow with the platinum “Dancing Waves” neck collar featuring a 57-carat aquamarine accented with diamonds (8.0 ctw.).

Second Place and Best Use of Color (pictured above): Naomi Sarna of Naomi Sarna Designs with 18k and 24k yellow and 18k white gold maple leaf earrings featuring multicolored diamonds, sapphires and garnets.

Third Place: Caroline Chartouni of Caroline C with a platinum ring featuring an 8.09-carat oval pink sapphire accented with round and pear pink sapphires (9.84 ctw.) and diamonds (8.67 ctw.).


Men's Wear

First Place: Ricardo Basta, E. Eichberg, Inc. an 18k yellow gold with black rhodium “Estrella” ring featuring a 7.50-carat starburst trapiche sapphire accented with black diamonds and yellow Sapphire melee.

Second Place: Peter Schmid, French Designer Jeweler with an 18k rose gold and platinum ring featuring a 15.74-carat garnet accented with a pink diamonds, green diamonds and white diamonds.

Third Place: Dawn Muscio of D. Muscio Designs with an 18k yellow gold and stainless steel ring featuring a 4.39-carat  emerald-cut green tourmaline accented with amethysts and diamonds. 

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New Jewelry Designers at Couture and JCK Luxury

A petrified wood bracelet by designer Susan Oster of Feral Jewelry. Photo by Gretchen Friedrich

By Gretchen Friedrich, JNN Social Media Manager

My purpose for JCK and Couture 2017 was to seek out new designers and procure their stories. Breaking into the jewelry industry is challenging, as most established businesses consist of multiple generations and family members. New artisans often don’t have the family support and vendor relationships to aid in their success. They also tend to have a great deal of passion for their craft. 

The two women featured in this post are both newcomers to the jewelry industry, but they also have a common thread, their design background. Marcia Budet and Susan Oster entered the world of jewelry through a creative transfer of sorts. Budet has a formal education in architecture and Oster was in interior design for 16 years prior to her shift to jewelry design. 

A pair of earrings by Marcia Budet. Photo by Gretchen Friedrich

Marcia Budet: Elegantly Bold

Marcia Budet is a former JCK Rising Star award winner, and this year she debuted at Couture. Her “Elegantly Bold” style is evolving, with more challenging stone shapes and designs that reflect her architectural training. 

In my interview with her, she explains the features of her new pieces, created specifically for Couture. 

Susan Oster: Feral Jewelry

Susan Oster revealed her Feral Jewelry collection in the design section of the JCK Luxury show. This was her first jewelry industry show. Oster said she was a successful interior designer but wanted to explore a different creative pursuit. 

Aptly named, Feral Jewelry uses primal elements and recycled raw materials in each piece, including a 10,000 year-old piece of petrified wood as the centerpiece of a custom bracelet. 

Oster discusses her transition into jewelry in my interview with her at the show.

What’s Next?

Both Budet and Oster answered the “what’s next?” question with a laugh. But, these designers are never lacking for inspiration, and a passion for the creation process. 

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Artist Jewels, Led By Andrew Grima, Featured At Bonhams London Auction

Gold, diamond and fire opal brooch/pendant, 1970, by Andrew Grima.  All photos courtesy of Bonhams except where noted

All of the big names, including Cartier, Bulgari and Van Cleef & Arpels, will be part of the Bonhams London Fine Jewelry sale on April 27. However, the auction house will also feature the works of several contemporary jewelry artists, led by Andrew Grima.

Jean Ghika, head of Jewellery for Bonhams UK & Europe, was particularly excited about the five pieces by Grima that will be included in the sale. She says the Anglo-Italian jewelry designer, known for his modern works in the 1960s and ’70s, is a “pioneer of his day” who placed a strong emphasis on textures and conceptual designs.

“It wasn’t about the stones but the concept,” she said during a recent meeting at Bonhams London headquarters. “He was very instep with the changing trends. He represented an interest in jewelry as an art form rather than a conglomerate of stones.”

The Grima pieces she highlighted are:

Jean Ghika, head of Jewellery for Bonhams UK & Europe
displays the Andrew Grima pendant. Photo by Anthony DeMarco

A gold, diamond and fire opal brooch/pendant, 1970, with the oval-cut opal set among an abstract arrangement of textured 18k gold cinnamon sticks, with a brilliant-cut diamond accent. Its estimate is £5,000 - £7,000 ($6,275 - $8,800).

A rutilated quartz, cultured pearl and diamond torque necklace, 1990, with the textured torque suspended at the front by a carved rutilated quartz “apple” with brilliant-cut diamond highlights, surmounted by a grey cultured pearl and brushed leaves. Its estimate is £7,000 - £10,000 ($8,800 - $12,500).

A color change sapphire and diamond ring, 1977, with a cushion-shaped, unheated Sri Lankan sapphire set within an abstract surround of brilliant-cut diamonds mounted on stalks. Its estimate is £5,000-7,000 ($6,275 - $8,800).

The auction of 141 lots will offer a breadth of jewels including signed pieces, antique items and colorful gems. 

The top lot is a Van Cleef & Arpels ring featuring a 10.28-carat E color marquise-cut diamond set between pear-shaped diamonds with an estimate of £150,000 - £200,000 ($188,200 - $251,000).

Signed jewels
The top three items in this group are:

A diamond 'Fuchsia' brooch and earring suite by Van Cleef & Arpels is among the top items in this group. The brooch is designed as a fuchsia flower head, its petals pavé-set with brilliant-cut diamonds and its stamen reveals an articulated cascade of pear-shaped diamonds. Its estimate is £70,000 - £100,000 ($87,800 - $125,500).

In addition, the auction will offer an Art deco diamond bracelet by Cartier, circa 1925. Signed “Cartier Londres,” the finely pierced articulated geometric strap is decorated with cushion-shaped old brilliant and single-cut diamonds. Its estimate is £20,000 - £30,000 ($25,100 - $27,600).

Another standout in this group is an enamel and diamond “Serpenti” bracelet-watch by Bulgari, circa 1965-1970. The articulated bracelet is composed of a series of overlapping scales applied with orangey-yellow and red enamel. The serpent’s head has a forked tongue and marquise-cut diamond eyes. Its mouth opens to reveal a circular watch dial. Its estimate is £50,000-60,000 ($62,700 - $75,300).

Antique jewels
Some of the standouts in this group are:

A 19th century diamond rivière necklace composed of 45 collet-set cushion-shaped diamonds weighing 43 carats. Its estimate is £60,000 - £80,000 ($75,300 - $100,380).

Photo by Anthony DeMarco

A Georgian diamond panel bracelet, circa 1780, composed of a series of individually sprung plaques, each pavé-set with old brilliant-cut diamonds, within a border of similarly-cut diamonds, mounted in silver closed back settings. Its estimate is £8,000 - £10,000 ($10,000 - $12,500).

An early 18th Century gold and diamond necklace of Portuguese origin in its original fitted case. It’s designed as a series of ribbon-bow motif links suspending a chandelier fringe. Its estimate is £10,000 - £15,000 ($12,500 - $18,800).

A special spinel
Bonhams is placing a special emphasis on spinels. These gems in red and blue (there are other colors) are sometimes mistaken for and are actually rarer than rubies and sapphires. However, their prices are lower. In September 2015, the 50.13-carat Hope Spinel fetched the world record price of $1.4 million at Bonhams London Fine Jewellery Sale, also setting a world record of $30,000 per carat, nearly double the previous record.

For this sale Bonhams is offering an early 20th century spinel and diamond ring. The 5.3-carat Burmese, unheated, step-cut spinel, circa 1915, is set within an octagonal surround of old single-cut diamonds. Its estimate is £15,000 - £20,000 ($18,800 - $25,100).

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TEFAF Maastricht's High Jewelry Preview

The Verdura and Belperron exhibition space at the 2016 TEFAF Maastricht 

Prior to my first trip to Maastricht last year to attend The European Fine Art Fair (more commonly known as TEFAF) I wrote this: “Everyone who’s been there (Maastricht) tells me it’s really nice.” 

None other than Camille Oostwegel Jr., director of Business Development of the Oostwegel Collection, a group of luxury hotels and restaurants in Maastricht area, read this. In fact, while giving the group of journalists I was with a tour of his properties, the impeccably dressed and polished hospitality professional made it a point to memorize our names ahead of time, read our work and present each of us with a personalized hand-written letter based on what he read. For my note he made a point to say that he hoped I would agree that Maastricht is really nice. 

Dinner at Chateau Neercanne during TEFAF Maastricht 2016

Yes Camille, the picturesque medieval town surrounded by waterways and rolling hills is very nice, much nicer than I expected and I had high expectations. It’s made for strolling, which I did every chance I had, and it has more cultural activities than a town of its size should be allowed to have. 

Your properties and restaurants we toured are exceptional as well. You don’t know this, Camille, but I was in Amsterdam when the crown jewel of your restaurants, Chateau Neercanne, celebrated 60 years of Michelin Star excellence. I saw you accept the special recognition from the Michelin Star organization. I still remember the wonderful meal we had within the colorfully lit interiors of the 17th Century castle and seeing the signatures of those who signed the Maastricht Treaty (the document that created the European Union) embedded into the old castle walls. 

The signatures of the Maastricht Treaty document inside Chateau Neercanne

But I digress. 

This is supposed to be a preview of the upcoming high jewels at TEFAF Masstrict. The world renowned art, antiques and design fair will be held March 10 – 19. Among the 275 dealers and designers from 20 countries there will be contemporary high jewelry artists, a couple of internationally known high jewelry and watch brands and dealers of antique and period jewels. Among the best are the following: 

Birth and Blossom Earrings by Wallace Chan

Wallace Chan is a favorite of JNN. Not just because he endorsed this publication but because he is among the most creative and technically sound jewelry artists in the world. And, he too is an extremely hospitable and open person. His pieces are reported to sell for upwards of tens of millions of dollars (he never talks price) and for good reason. One way he separates himself from his peers is that he does nearly everything himself. He’s a master gem carver and one of the early adapters to using titanium for jewels. He often develops his own techniques and builds his own tools to make his creations. 

Among his new pieces for the show are the “Birth and Blossom Earrings.” Chan hollowed out two pearls and set inside them diamonds and sapphires in a colorful spiral arrangement. Titanium stems reach out and sprawl downwards, depicting the growth of a magical blossom with pieces of conch shell turned into petals, echoing the pearls’ smooth texture. The pistils are surrounded by diamond sparkles. Dangling underneath the flowers are two pieces of green emeralds, totaling more than 30 carats. It is both an accurate depiction of nature and an imaginative artistic creation. Meaning it’s typically Wallace Chan.

Hemmerle bangle

Hemmerle, known for using traditional and unorthodox materials to create artistic bespoke pieces, has new set of wearable art for TEFAF including a bangle crafted out of sapphires, aquamarines and aluminum presents that are inspired by the ornamentation seen on the capitals of columns of the 2,000-year-old temple of Karnak in ancient Egypt.

Otto Jakob Xuanas

The self-taught German jewelry artist, Otto Jakob, creates art in miniature inspired by Etruscan, Celtic and Hellenic masterpieces. Among the items he will be displaying is his 2016 creation, Xuanas, which consists of yellow gold casts of St. John’s Wort petals, the ovaries made of white gold, set with micro pavé diamonds and surrounded by stamens and pollen grains covered with dark red enamel.

The Verdura Medusa ring

Ward and Nico Landrigan, the father and son team that owns the historic brands, Verdura and Belperron, will be exhibiting antique pieces and those recreated from the original drawings of the famed mid-20th Century jewelry artists, Duke Fulco di Verdura and Suzanne Belperron. 

The Belperron Congo Cuff

Among the pieces are the Verdura Medusa Ring made of gold and ruby, created during Verdura’s 1941 collaboration with Salvador Dali; and the Belperron Congo Cuff, made of ebony wood and 18k gold. 

Reza Délhéa necklace

The Place Vendôme high jewelry house, Reza, will return with its well designed and crafted gem-focused jewels. Among them is the Délhéa necklace featuring a 30.34-carat yellow cabochon Ceylon sapphire, a 5.76-carat Troidia Brazilian emerald, 11 yellow oval cabochon sapphires, 103 princess-cut diamonds weighing 16.17 carats and 28 brilliant-cut, diamonds, all set in white browned gold. The necklace converts into a bracelet.

Cleef & Arpels Édaillons necklace and Etoiles earrings

The Parisian luxury jewelry house, Van Cleef & Arpels, will present its delicate artistic creations that include “Édaillons necklace (1968) and Etoiles” earrings (1971) featuring round diamonds and sapphires with cabochon-cut turquoises. The motifs and the association of precious and hard stones reveal an Indian influence. The necklace is transformable and can be worn in a shorter version with a matching bracelet. 

Chopard L.U.C. Full Strike

Swiss luxury brand, Chopard, will be exhibiting jewelry and watches. Among them is the L.U.C. Full Strike, which strikes the hours, quarters and minutes on transparent sapphire crystal gongs. The 42.5 mm case is made of Fairmined rose gold and an open worked dial. 

Chopard emerald ring

One of Chopard’s premiere jewelry pieces for the fair is a ring in a flower motif set at the center with a 19-carat heart-shaped emerald within colorful overlapping gemstone.

The Spencer family tiara

There will be a number of antique jewelry dealers. Among them is Hancocks. Within the 100 or so items being exhibited by the London firm is an Edwardian diamond tiara that belonged to the Spencer family. It was given to Lady Delia Spencer, great aunt to Princess Diana, by her father the 6th Earl Spencer, on her wedding day on February 18, 1914. Set with more than 800 old cut diamonds, estimated to weigh a total of 48 carats, the tiara can be transformed into a choker necklace and bracelet.

Enamel fringe necklace

Another London mainstay, Wartski, known as specialists in the works by Carl Faberge, will include a gold and enamel fringe necklace by highly collectible jewelry artist, Giacinto Melillo of Naples, circa 1875.

Enamel archaeological style bracelet 

Dutch antique silver and jewelry firm, A. Aardewerk Antiquair Juwelier, is also featuring a work designed by Giacinto Melillo: A gold, pearls and enamel archaeological style bracelet is designed, circa 1870. Seven heavy, square panels are joined by gold hinges with semicircular end plaques. Each panel is decorated with motifs in the Etruscan style executed in fine granulation and wirework with applied florets. The reverse of the plaque is decorated with a four-petal motif in applied wirework. 

Gold and diamond earrings, circa 1870

Véronique Bamps of Monaco, who specializes in European and American jewels, will present a cross section of jewels from many periods, including these gold and diamonds earrings, circa 1870. 

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Independent Jewelry Designers Make Their Mark At VicenzaOro

For the first time in the long history of VicenzaOro, the January edition of the jewelry trade show provided a dedicated space for a dozen international designers. By all accounts it was a welcome and successful addition to the fair.

"Winged Beauty" earrings by Magerit

  
Branded as “The Design Room” and located in the main hall of the large fair, the area was defined by neutral colors and wood tones with each designer’s space being identical. Black chairs and couches lined the edges giving people a reason to linger. The finishing touch was a logo with “The Design Room” name partially enclosed on two sides by a white line to create an open-square shape. 

To fill the space the fair curated a diverse group of 12 designers from different parts of the world. Some already have an international reputation while others are either newer to the industry or have regional followings. All produce innovative designs, a well-defined aesthetic and have the potential to widespread market potential. 

18k rose gold earrings by Sutra with pink spinel, garnets and diamonds

The designers were Netali Nissim, Federica Rettore and Qayten from Italy, Rodney Rayner, Sarah Ho and Zara Simon from the United Kingdom, Nikos Koulis from Greece, Magerit from Spain, Daniela Villegas and Sutra from the USA, Fernando Jorge from Brazil who now lives in London and Elie Top from France. 

Colorful Laguna rings by Rodney Rayner

Rodney Rayner, a veteran award-winning jewelry designer, not only participated in the area but helped to curate the designers. He then worked with the trade fair to convince them to participate. 

“We have exhibited in the past at Vicenza in the main halls, but this new concept got us much more attention,” said Rayner, who specializes in colored gemstone jewelry. “Everyone walking around took the time to look in every showcase. As an example, we personally met a new customer who asked if it was our first time to exhibit at VicenzaOro. I explained that it wasn't but in previous years they had simply walked past my booth. All the designers had a very good reaction from both press and retailers.”

Lily Rose ring by Sarah Ho in 18k white gold with a 3.84 carat pear-shape rubellite center stone surrounded by brilliant and baguette diamonds and emeralds

Sarah Ho didn’t need much convincing and was happy she made the decision to exhibit.

“I love the way all the booths look the same,” said Ho, whose work tells her personal story. “We felt the buyers were generally intrigued by The Design Room and wanted to see what new and exciting products are available. They really spent time looking around.”

For Italian jeweler, Qayten, it was the first time exhibiting at Vicenza for the Bologna-based brand founded in 2012.

Qayten Happy Hours 18k rose gold and diamond earrings

“I liked the idea of sharing a space with different companies and designers from different countries and styles, said Maddalena Allegretti, Qayten marketing and sales manager. “We received the interest of many retailers and press. It definitely was a positive experience and we’d like to do it again.”

The designers were also feted by the fair organizers. They had the opportunity to participate in the Andrea Palladio International Jewellery Awards, which were presented in the auditorium inside Fiera di Vicenza, where VicenzaOro January was held and attended a dinner at a Michelin star restaurant hosted by Matteo Marzotto, executive VP of Italian Exhibition Group, the organizer of VicenzaOro.

Niki Lalioti, marketing and communications manager for jewelry designer Nikos Koulis, models one his earrings at their booth during VicenzaOro. Photo by Anthony DeMarco

One of the award winners was Greek designer Nikos Koulis.

“I believe that the creation of a dedicated space for contemporary designers to showcase their collections is more efficient for buyers, media representatives and visitors since there is a coherent approach while our styles are distinct and complementary,” he said. “The outcome for my brand was positive and we met our goals for this show.”

Parisian jewelry designer, Elie Top, demonstrates one of his spherical jewel creations in his booth during the VicenzaOro trade show

Elie Top is new to fine jewelry but his name is well known in the fashion world, particularly in Paris where he was a designer of costume jewelry for Lanvin for 15 years. He describes his first collection as Mécaniques Célestes, globe-shaped pieces that open, revealing a centerpiece set with pavé diamonds, which he compares to a sparkling sun.

“It was an honor to be chosen and invited to participate,” he said. “It was very interesting to be placed close to other talented designers. The Design Room gave a true overview of jewelry creation for today. All are very différent because they are personal and pretty radical in creative integrity. It gave us the chance for great exposure, meeting journalist from everywhere, and internationals buyers. It is an important and new step in my own story.” 

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