Thoughts on Grant Morrison at the ICA:
He was charming. He pretty much restored my hero worship, actually - he's said some dubious things in print interviews in the last year and it was refreshing to hear him talk in a very relaxed way about stuff which he's covered before but still manages to make sound exciting. Particular highlights included his insight into why comics artist Frank Quitely is so good - that he 'sees' this little 3-D world in his head and then draws it perfectly, rotating it so he can get it right from any angle - ties in with what someone here said about Quitely's characters being like little puppets he can move around... Also the story about how the scorpion gods of the Loa asked him to get a scorpion tattooed on the base of his spine:
Interviewer: "And did you?"
GM: "No! Get to fuck..."
The interviewer was pretty hopeless though, had no idea how to keep the conversation flowing and kept trying to drag Morrison back to fairly prosaic questions after he'd gone off on a fascinating mad rant. He also clearly didn't quite *get* what are some fairly basic ideas that occur constantly in Morrison's work - best example being GM saying that his next big project was an 'interactive' comic - one that would actually have a dialogue with the reader... It was fairly clear that he was referring to using narrative/linguistic/magical techniques for this - the interviewer asked "So, how are you doing that - will it be on the internet?"
But overall, a very good evening. It's coincided with and inevitably boosted my feeling that I should get (back) into magic (for want of a better term). Grant and Kristan's DJ-ing choices afterwards under the name of the Beastocracy included 'Mogadishu' by Baader Meinhof, which has earned them the highest possible place in my estimation, as well as more expected but still classic stuff like Peaches ('Fuck The Pain Away'), Missy ('Work It'), and the Sex Pistols ('Bodies').
And it's always a good Barbelith gathering when I'm not even the second most drunk person there...
He was charming. He pretty much restored my hero worship, actually - he's said some dubious things in print interviews in the last year and it was refreshing to hear him talk in a very relaxed way about stuff which he's covered before but still manages to make sound exciting. Particular highlights included his insight into why comics artist Frank Quitely is so good - that he 'sees' this little 3-D world in his head and then draws it perfectly, rotating it so he can get it right from any angle - ties in with what someone here said about Quitely's characters being like little puppets he can move around... Also the story about how the scorpion gods of the Loa asked him to get a scorpion tattooed on the base of his spine:
Interviewer: "And did you?"
GM: "No! Get to fuck..."
The interviewer was pretty hopeless though, had no idea how to keep the conversation flowing and kept trying to drag Morrison back to fairly prosaic questions after he'd gone off on a fascinating mad rant. He also clearly didn't quite *get* what are some fairly basic ideas that occur constantly in Morrison's work - best example being GM saying that his next big project was an 'interactive' comic - one that would actually have a dialogue with the reader... It was fairly clear that he was referring to using narrative/linguistic/magical techniques for this - the interviewer asked "So, how are you doing that - will it be on the internet?"
But overall, a very good evening. It's coincided with and inevitably boosted my feeling that I should get (back) into magic (for want of a better term). Grant and Kristan's DJ-ing choices afterwards under the name of the Beastocracy included 'Mogadishu' by Baader Meinhof, which has earned them the highest possible place in my estimation, as well as more expected but still classic stuff like Peaches ('Fuck The Pain Away'), Missy ('Work It'), and the Sex Pistols ('Bodies').
And it's always a good Barbelith gathering when I'm not even the second most drunk person there...