Showing posts with label Phil Pratt. Show all posts
Showing posts with label Phil Pratt. Show all posts

Wednesday, October 22, 2014

John Holt, RIP

The great reggae singer John Holt, who first rose to fame with The Paragons, passed away in London on October 19, 2014 at age 67. The cause of death has not yet been released. Read Holt's obituary in The Guardian, Rolling Stone, and the BBC News.

We extend our deepest condolences to his family and friends.

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Like many people, I first heard Holt's music via Blondie's cover of "The Tide Is High" (which was featured on their Autoamerican album, released in 1980--and was a number one single on the Billboard Hot 100, selling over 1 million copies in the USA). After I discovered ska via 2 Tone in the early 80s and began to learn more about the Jamaican originators, I discovered The Paragons and came across some of Holt's solo work on various rocksteady and reggae compilations (I think the first solo Holt song I heard was his amazing cover of the somewhat cheesy "Mr. Bojangles" on the bizarrely sequenced The Trojan Story!). But my two favorite Holt songs--which are possibly some of the greatest rocksteady/reggae cuts ever written and recorded--are "Ali Baba" (from 1969 and produced by Duke Reid) and "Strange Things" (from 1971 and produced by Phil Pratt), both of which sound completely otherworldly--and are out of this world. The man and his wonderfully smooth, rich, and expressive tenor voice will be sorely missed.



Sunday, August 14, 2011

Duff Review: The Emotions "You Are the One" b/w Phil Pratt & the All Stars "Girls Like Dirt"

Trojan Records/Big Shot
2011
7" heavyweight vinyl

(Review by Steve Shafer)

While Dance Crasher is somewhat skeptical of its accuracy, Trojan states that both sides of this superb re-issue are Ken Lack/Caltone productions--though all quibbling about the veracity of these claims will melt away when you have a chance to hear these gems for yourself. Both were probably recorded during the transitional summer of 1968, which seems about right, as The Emotions' "You Are the One" (can you hear Max Romeo in there?) is still rooted in rocksteady, while Phil Pratt's boastful "Girls Like Dirt" is already evolving toward the next Jamaican musical idiom: early/skinhead reggae.

Thematically, these cuts dovetail together nicely as character sketches of the two types of guys in the world. On "You Are the One," The Emotions sweetly declare their undying love ("You are the one for me/Yes, my love/No one in the world/Can ever change me/From loving you/I was born/Born to love you/Yes, my love"), while Phil Pratt doesn't even bother to even look back when his girl says it's over ("She can go her way and see me no more/Cause I've got girls like dirt"--translation: I don't care if you leave me, I've got girls galore who want me). Of the two songs, Pratt's bad boy act is more compelling both musically and lyrically--and is a revelation that I'll keep coming back to revisit.

The Duff Guide to Ska Grade: A

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