Lexx is a series that lies slightly outside the usual time frame covered by this blog but if you’re talking about cult TV then Lexx is about as cult as you can get. Compared to most US and British sci-fi series Lexx is wildly different. This ain’t Star Trek.
The first season of Lexx is a series of four TV movies. It then became a regular series for three further series.
Lexx polarised sci-fi fans at the time and it still polarises people.
It’s the story of four oddly assorted people (only one of whom is entirely human) who roam the galaxy in the most powerful and destructive spacecraft ever built, the Lexx. The Lexx is a living spaceship.
At this point, if you’ve never seen Lexx, you might be thinking that it sounds like a rip-off of Farscape. In fact Lexx preceded Farscape by a couple of years so if there was any borrowing of ideas going on it was Farscape that copied Lexx. And Lexx is as different from Farscape as any two series could possibly be. Lexx is very very unconventional.
Lexx was a Canadian-German co-production, and that’s significant. It has a very European feel. It rejects conventional Anglo-American approaches altogether. It’s interesting to compare it to Star Maidens, a much earlier example of a distinctively European approach to sci-fi (Star Maidens was an Anglo-German production). Lexx, like Star Maidens, is sci-fi with sexual themes and they’re very sexual and they’re kinda kinky.
Stanley Tweedle (Brian Downey), a very unimportant very low-level functionary in the service of His Divine Shadow, gets caught in the middle of a revolution in the Cluster (the capital city of the League of 20,000 Planets). Also caught up in this revolution are 790, Zev Bellringer (Eva Habermann) and Kai and these four will end up forming the crew of the Lexx.
790 used to be a robot but all that’s left of him is a head, but he still has his robot brain. Unfortunately when Zev’s transformation into a love slave went slightly wrong he became part love slave and since the only female around is Zev he develops a sexual obsession with her.
Kai (Michael McManus) is the last of the Brunnen-G, warriors who once won great victories for humanity. He’s been dead for 2,000 years but he can be reactivated. Kai is used by His Divine Shadow as a merciless assassin. Kai can be reanimated with proto-blood but the supply is limited.
Zev is a woman who failed in her wifely duties. As punishment she was reprogrammed into a living sex slave. But something went wrong. She’s now almost entirely a human woman and almost entirely a love slave but she has just a touch of Cluster Lizard in her. Since Cluster Lizards are awesome killing machines that touch of Cluster Lizard can come in handy. What makes this particularly useful is that people look at her and just see a pretty young girl and they tend to underestimate her. If they upset her she can turn them into minced dog food in a trice. And she’s quite happy to do this.
As for His Divine Shadow, he rules the League of 20,000 Planets in the name of order (and a kind of religion) but his regime is both totalitarian and arbitrarily brutal. There are heretics who seek to destroy his regime.
So why did (and do) so many people hate Lexx? That’s easy enough to answer. Lexx rides roughshod over the conventions of both its genre and series television as well. Many science fiction fans could not accept the way it combines apparently incompatible elements - it veers from goofy comedy to incredible darkness and nihilism, it combines extreme violence with overt sexuality. And it does not have conventional sci-fi heroes. Many viewers could accept the idea of a cast that included a few amusing misfits but they could not accept a series without at least one conventional Square-Jawed Hero and at least one conventional Strong Capable Woman.
The four regulars are all misfits, but they’re not even conventional anti-heroes or flawed heroes. Stanley is cowardly and untrustworthy, and obsessed with getting into Zev’s pants. Kai is a merciless killer. 790 is a disembodied robot head who wants to be Zev’s sex slave. Zev is a sweet girl but she’s totally amoral and she’s a nymphomaniac. All four take great delight in slaughtering their enemies, or even just anyone who gets in their way. They do what it takes to survive. And they’re the Good Guys.
Lexx is also cheerfully politically incorrect and cheerfully sleazy.
If your idea of TV sci-fi is Star Trek: The Next Generation it’s all a bit bewildering. It has dialogue that you just don’t get in Star Trek: TNG. At one point Zev asks 790, “What sort of robot are you?” To which he replies, “I’m a robot that wants to live in your underpants.”
Of course the very things that some sci-fi fans hated about Lexx are the very things that made other fans love it with a passion. Lexx is sci-fi for grown-ups. This is not a kids’ show. While its critics saw it as appallingly disreputable its fans saw it as delightfully disreputable and loved its wild unconventionality.
Lexx is also extraordinarily impressive visually. It was the first sci-fi series to use CGI effectively and imaginatively. There is so much sexual symbolism in the visuals that one’s head begins to spin. This is not a kids’ show. But given the sexlessness of most TV science fiction Lexx’s approach is refreshing.
It also covers all bases when it comes to eye candy. Female viewers could swoon over the handsome psychologically tortured bad boy Kai. Male viewers could drool over the luscious Zev.
Episode Guide
The first movie, I Worship His Shadow, explains how four misfits gained control of the most powerful destructive force in the galaxy. It gives us our first glimpse into the Lexx universe. Or rather, the two Lexx universes. There’s the Light Universe and the Dark Universe. The Light Universe represents order, the Dark Universe represents evilness. But this is Lexx, so things are not that simple. The Light Universe is ruled by His Divine Shadow and there is certainly order there, but in fact it’s a bureaucratic dystopian nightmare. There’s chaos in the Dark Universe, but also the possibility of freedom and dignity. If you can survive.
Super Nova takes us to the home planet of the Brunnen-G, where Zev hopes to find a way to restore Kai to life. At the moment he has a kind of precarious half-life. He can be revived for brief periods but that’s not enough to give Zev what she needs. As she admits to Stanley, her sexual needs are beyond measurement. The Brunnen-G home world is an abandoned dying planet with a sun that is only prevented from going supernova by artificial means. Giggerota the Wicked, who featured in the first episode, makes a reappearance. She’s not a very nice lady. For one thing she’s a cannibal, and that’s one of her lesser character flaws. Both Giggerota and the Divine Predecessors (the disembodied brains of previous incarnations of His Divine Shadow) are trying to get control of the Lexx.
Visually this episode is perhaps even more bizarrely imaginative than the first episode. It also significantly ramps up the kinkiness factor and the erotic subtexts. Eva Habermann even has a brief but memorable nude scene.
We get to know some of the characters a bit better. Stanley is a coward who displays occasional brief flashes of courage, and he’s treacherous and untrustworthy but capable of occasional moments of self-sacrificing loyalty. He’s more than a mere comic character. Zev is single-minded, ruthless and driven by lust.
Things take a decided turn for the grungy and the gruesome in Eating Pattern. Lexx is hungry. Less is of course a living spaceship and he has to eat. And if Lexx is starving his crew starves - they depend on him for their food supply. So although the planet Klaagia on which they have chosen to land looks very uninviting (it’s literally a garbage dump) they don’t have much choice. The planet’s inhabitants are very excited to see Zev. What they see is fresh meat. They depend on a substance called Pattern, and you can’t make Pattern without meat. The only meat on the planet is human. But fresh human meat makes excellent Pattern.
It’s a nightmare planet ruled by the clearly insane Bog (Rutger Hauer giving a deliciously off-the-wall performance). There’s also a pretty young woman named Wist (Doreen Jacobi). She’s cute and sexy and very very dangerous. Everyone on the planet is insane but it takes a while before we figure out the horrifying explanation.
It’s Rutger Hauer and Doreen Jacobi who make this episode worth watching.
Giga Shadow gets into seriously epic territory. Things have been happening in the Light Universe. Scary things, like the Cleansing and the Rebirth. And the emergence of the Giga Shadow. Heretical clerics, including Yottskry (Malcom McDowell) have tried to stop the Giga Shadow and have failed. The crew of the Lexx know nothing of this when they decide to return to the Light Universe to replenish Kai’s proto-blood supply.
We get more character development. Zev had a horrific and very artificial upbringing. She doesn’t really know what it’s like to be human, and she doesn’t really know what it’s like to be a woman. But she is a woman and she’s having to learn to grow up and deal with a woman’s emotions. She shows unexpected tenderness and unexpected emotional depth in this episode. Eva Habermann gives a startlingly good performance.
And Kai changes as well. He’s dead but he lives and he’s having to come to terms with that. And he gets a pet - a cute little baby cluster lizard. He actually manages to bond emotionally with his pet. Perhaps Zev will be able to teach him to bond emotionally with her? Stanley displays surprising intelligence and we start to see that while he’s still a coward there are smidgeons of decency and even bravery buried deeply within him.
Final Thoughts
Lexx is dark, richly imaginative, intelligent, crazy, sexy, sleazy, violent, outrageous, inspired, visually lush, funny and goofy and if you just go with the flow it’s an amazing ride. Very highly recommended.
Showing posts with label european tv. Show all posts
Showing posts with label european tv. Show all posts
Saturday, 13 November 2021
Tuesday, 8 July 2014
Star Maidens (1976)
Star Maidens was an Anglo-German science fiction TV show that first aired in 1976. It was filmed in Britain.
The planet Medusa is ruled by women, with men kept for doing hard physical work, and providing sexual services to the women. The planet has been thrown out of its orbit around Proxima Centauri and is now on the outer fringes of our own solar system. The rulers of Medusa want to avoid contact with Earth but two men from the outlawed Men’s Liberation Movement steal a space yacht and head for Earth, attracted by the stories they’ve heard about submissive Earth women. Supreme Councillor Fulvia (Judy Geeson), the owner of one of the renegade men, and security chief Octavia (Christiane Krüger) set off for Earth to capture the runaways and return them to Medusa.
Contact is established between the two planets. The contact is friendly if slightly uneasy.
The action switches back and forth between Earth and Medusa, with a couple of human characters on Medusa and several Medusans on Earth. The Medusans find Earth just as bewildering as the humans find Medusa. The contact between the two worlds will eventually shake Medusan society to its foundations.
This is not shoot ’em up science fiction. Don’t expect any space battles. The producers didn’t have the budget and it’s not that type of series anyway.
It’s an attempt at sexy humorous sci-fi with a satirical edge. Whether intentional or not, seeing the show today it comes across as amazingly and delightfully camp. The model shots of the Medusan cities are crude compared to the brilliant model work seen in British series of the same vintage such as UFO and Space: 1999, but they’re imaginative and fun. The sets and costumes are as outrageously 1970s as anything you’re ever going to see. They’re silly but they’re wonderful.
Production designer Keith Wilson also worked on Space: 1999 which accounts for a certain resemblance between the two series. Star Maidens was made on a much smaller budget but the production design is fairly impressive. The sets and costumes are fun in an outlandish 1970s way.
The program’s sexual politics are a little muddled but although it’s been accused of being anti-feminist I don’t think it is, although it may well be antipathetic to a certain strain of intolerant feminism. Both the Medusan women and the Earth men trade snide remarks about the opposite sex and behave with outrageous arrogance, which is pretty much what people do when confronted by other people who hold opposing views. In the two episodes I’ve seen so far the nastiest put-down is Octavia’s response when asked by an Earth scientist if the Medusans have done much space exploration. She replies that most of the universe isn’t very interesting and that “space travel is for little boys.” It’s rather typical of the show in being amusingly double-edged.
So far it doesn’t seem to portray Medusa as either a feminist utopia or a nightmarish dystopia. It’s more like a kind of reversed view of human society before the second wave of feminism. The Medusan women don’t hate men. They adore them. They treat them as much-loved, highly pampered and rather adorable pets. They just don’t think it’s wise to become too attached emotionally to their pets, and the idea that men might be capable of thinking for themselves or taking responsibility for their own lives seems to them to be a silly sentimental fantasy, pure science fiction. It doesn’t seem inclined either to idealise or demonise the Medusan women and their female-ruled society, or to either idealise or demonise men.
Medusa is a somewhat totalitarian society, although it’s totalitarianism with a warm fuzzy cuddly edge to it. Rules are enforced by social pressure rather than with jackboots although the Medusans are prepared to use force when they deem it necessary.
There are no actual villains in this series. Everyone is doing what he or she thinks is right. Sometimes they’re wrong, but they still believe that they’re right. Sometimes they’re inflexible and sometimes they are simply unable to comprehend a contrary point of view. Most of the characters are idealists, and of course it’s true that idealists can do a great deal of harm.
In our present age of political correctness this series possibly has more bite to it, and certainly more irony, than it would have had in the 70s.
There’s lots of eye candy for everyone whether your tastes run to men or women. Judy Geeson as Fulvia and German actress Christiane Krüger as Octavia both get to wear bizarre makeup and outlandish clothes and to look rather glamorous in a very very 1970s sort of way. The acting is the biggest surprise in such an obviously low budget program. It’s pretty decent, and Geeson (in full-on sex kitten mode) and Krüger are very good. Plus you get a pre-Blake’s 7 Gareth Thomas. A bit of trivia - Christiane Krüger is the daughter of famed German actor Hardy Krüger.
The writing is variable in quality but it has its moments. Some episodes, notably The End of Time and Creatures of the Mind, include some genuine science fictional ideas.
The series was released on DVD in Region 2. The transfers are of reasonable quality, perhaps a little grainy at times but generally very acceptable.
Star Maidens is delightfully excessive visually and it’s silly, outrageous, amusing and generally a great deal of fun.
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