Showing posts with label Declan Burke. Show all posts
Showing posts with label Declan Burke. Show all posts

Tuesday, 10 July 2018

Irish Times review of DISORDER



This review, written by Declan Burke, appeared in The Irish Times on Saturday 21st April 2018.

Potential for violence

Set in Belfast, Gerard Brennan’s Disorder (No Alibis Press, €9.99) opens with stoned student Jimmy McAuley wandering into some “recreational rioting” and sounding off to TV journalist Grace Doran about “the subhuman imbeciles throwing their toys out of the pram over flags and marches”. When the clip of his rant goes viral, Jimmy finds himself at the heart of a maelstrom, caught up in corrupt DI Tommy Bridge’s long-running investigation into Loyalist hard man Clark Wallace.

Disorder reads like Adrian McKinty adapting one of Carl Hiaasen’s shaggy dog tales for a Northern Ireland setting, a coal-black comedy caper in which everyone seems to be feeding off the manic energy generated by the potential for violence that seems stitched into every page.

McAuley is an endearingly shambolic creation, his innocence in sharp contrast to Belfast’s brutal cynicism and the overall tone of world-weary acceptance, a tone leavened and accentuated by Brennan’s dust-dry humour: “the sound . . . swelled and faded in the form of a passing siren. There was an emergency somewhere in Belfast. There always would be.”

Declan Burke is an author and journalist. He is currently Dublin City Council / UNESCO writer-in-residence.

Original link.

Get your copy of Disorder from No Alibis Press,

Thursday, 26 December 2013

T'is the season to read ebooks...


As if 2013 hasn't been kind enough to me (I'll write about that in a few days), at the very end I find out that WEE ROCKETS has made it into the Amazon '12 Days of Kindle 2013' sale. Until the 5th of January, you can snag my novel for 99p. This is due to the awesome strategy skills of the folks at Blasted Heath. They rock.

I've spotted some other great Blasted Heath books in the sale. Look for Douglas Lindsay and Anonymous-9 as well.

And, I see Declan Burke has two top quality offerings on there too. Happy, happy days. Get some reading done, people.

Monday, 27 August 2012

A Gift Horse With No Name


Dan Starkey fans will get my ever-so-clever Dec Burke-esque title pun. Well, I say Dec Burke-esque, but his puns usually work...

Anyway, if you are a fan of Dan Starkey or the Mystery Man or anything else penned by Colin Bateman (and you have movies, TV series and stage plays to choose from as well as his novels) then this might well be your lucky (wet) bank holiday Monday.

The best-selling and award-winning scribe is launching a creative writing course aimed at writers about to embark on or in the process of writing their first novel. Folks, this is the kind of thing emerging writers would step over their granny for.

If you have a Facebook account, you can find the dedicated page here -- https://www.facebook.com/ColinBatemansBestSeller

Click the link and 'like' the page to keep up to date with the course happenings.

Saturday, 4 August 2012

Book Events to Die For


I've got my tickets. Have you?



BOOKS TO DIE FOR is a unique, must-have anthology for any fan of the mystery genre, featuring personal essays from 120 of the world’s most beloved and renowned crime writers on the mysteries and thrillers that they most admire, edited by two of their own—John Connolly and Declan Burke.

Tana French on The Secret History by Donna Tartt; Jo Nesbø on Jim Thompson’s Pop. 1280; Kathy Reichs on The Silence of the Lambs by Thomas Harris; Michael Connelly on Raymond Chandler’s The Little Sister, and Charlaine Harris on Geoffrey Household’s Rogue Male: these are just a few of the 120 internationally bestselling mystery writers showcased in this collection—a book every reader of crime fiction should own.

In the most ambitious anthology of its kind ever compiled, each author pays a deeply personal tribute to one mystery that means the most to them, explaining why that book affects them and how it has influenced their own work.  This collection presents a treasure trove of works in the mystery genre by the people who know it best, and is an essential guide for all readers and writers.

Thursday, August 30 at 6:30 p.m.
BelfastNorthern Ireland
Belfast launch of THE WRATH OF ANGELS, BOOKS TO DIE FOR, and SLAUGHTER’S HOUND by Declan Burke
The Ulster Museum
Botanic Gardens, Belfast

Tickets Available from No Alibis Bookstore—free event!
44 (0) 28 9031 9601
Email: david@noalibis.com

Thursday, September 6 at 6:30 p.m.
DublinIreland
Dublin launch of BOOKS TO DIE FOR
Dubray Books Grafton Street

36 Grafton Street

Dublin 2
(01) 677 5568
dublinbookshop@dubraybooks.ie

Wednesday, 2 November 2011

Press Your Point


Today I bought copies of three local papers that had three different but equally flattering pieces on the release of The Point. If you can, pick up copies of The Newry Democrat, The Mourne Observer and The Newry Reporter. You'll get enough change for a decent jar of coffee if you pay with a fiver, or the Kindle edition of The Point. Fair warning. The £1.14 price for the Kindle edition is only going to be available for another week, possibly two, so don't put off buying a copy if you want to get it cheaper than chips. It'll still be cheap as a curry chip when the price goes up to £2.29, but why pay double when the novella is just a click or two away?

While I'm on the topic of publicity, I may as well throw out a question about self-promotion. How much is too much? The topic of this blog has narrowed somewhat in the past few months. It's been mostly about me. And sure, most blogs are completely about their authors, but this particular one was originally set up as a means to draw attention to the growing community of Irish crime writers; and lend a little more focus to those writers from the North. That's still something I'm keen to do, but in reality, I'm just not as good at it as Declan Burke over at Crime Always Pays.

Every so often, Declan will post an 'advertisement' for one of his books. That's great. It's only his blog, like, but he's subtly excusing his own intrusion onto it. But take today as a snapshot. I scroll down his blog and he's got a post about Stuart Neville, then Lee Child, then his own Irish Book Award nominated novel Absolute Zero Cool, an interview with some tube and a post about Colin Bateman's excellent Starkey series. Five posts in five days and only one of them about his own novel. Me? Bar a great interview with Nigel Bird (who isn't one wee bit Irish, BTW), my last five posts have been all about The Point and I haven't even posted those daily.

Now, don't get me wrong, Dec's cool and all, but I'm more than happy to be me and for him to be him. It's just that his is the most obvious blog to compare mine to. I'm sure if I looked at Rob Kitchin's very cool blog, The View from the Blue House, as a further example I'd be equally outclassed. But I'm too lazy to do that. And hey, I'm not beating myself up here. My mood is pretty damn chipper right now. I'm just wondering if this blog has really got anything to offer its remaining reader(s) these days... It's something I'll think about when I'm driving, I guess.

But hey! I won't end this on a bum note but instead (big surprise) I'll make this post all about me and my writing -- here's a link to the super swanky Blasted Heath website. Have a wee look around and you might find a little bit of it with me reading from Wee Rockets. Or just go here and you will find it.

Friday, 19 August 2011

Writers' Writers (a short report)

Adrian McKinty and Declan Burke made for an awesome double act at last night's No Alibis event. Both writers opted not to read from the books they were there to launch (McKinty's Falling Glass and Burke's Absolute Zero Cool). Instead they entertained the audience with a frank and oft times scathing dialogue about the state of the modern publishing model. A lot of what was said I wouldn't dare write about here for fear that I might be sued for libel. What I can tell you is that it was a fascinating insight into the minds of a pair of excellent writers who are masters of their trade.

Incidentally, Stuart Neville, David Park and Andrew Pepper were among the crowd. I wish I had the presence of mind to snap a few pics but I haven't been at the top of my game this week. I'm sure they'll pop up on the No Alibis website and/or Facebook page at some point. I'll post a link when they do.

If you didn't get to the event you should make it up to yourself by buying Falling Glass and Absolute Zero Cool as soon as humanly possible. Both books are a master class in crime fiction that doesn't conform to the old and tired model.

Thursday, 18 August 2011

No Alibis Event - Burke and McKinty



Declan Burke and Adrian McKinty
Thursday 18th August at 6:00PM
Tickets: FREE

No Alibis are very pleased to invite you to celebrate the launch of Declan Burke's latest novel, ABSOLUTE ZERO COOL, and FALLING GLASS, the latest novel from Adrian McKinty, in the shop on Thursday 18th August at 6:00 PM.

Declan Burke was born in Sligo in 1969. He is the author of EIGHTBALL BOOGIE (2003) and THE BIG O (2007). He is also the editor of DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY. His new novel, ABSOLUTE ZERO COOL, is published by Liberties Press in 2011. He lives in Wicklow with his wife Aileen and baby daughter Lily, and hosts a website dedicated to Irish crime fiction called Crime Always Pays.


Absolute Zero Cool is a post-modern take on the crime thriller genre. Adrift in the half-life limbo of an unpublished novel, hospital porter Billy needs to up the stakes. Euthanasia simply isn’t shocking anymore; would blowing up his hospital be enough to see Billy published, or be damned? What follows is a gripping tale that subverts the crime genre’s grand tradition of liberal sadism, a novel that both excites and disturbs in equal measure. Absolute Zero Cool is not only an example of Irish crime writing at its best; it is an innovative, self-reflexive piece that turns every convention of crime fiction on its head. Declan Burke’s latest book is an imaginative story that explores the human mind’s ability to both create and destroy, with equally devastating effects.

Adrian McKinty was born and grew up in Carrickfergus. After studying philosophy at Oxford University he emigrated to New York City where he lived in Harlem for seven years working in bars, bookstores, building sites and finally the basement stacks of the Columbia University Medical School Library in Washington Heights. In 2000 he moved to Denver, Colorado where he taught high school English and started writing fiction in earnest. His first full length novel, Dead I Well May Be, was shortlisted for the 2004 Ian Fleming Steel Dagger Award and was picked by Booklist as one of the 10 best crime novels of the year. In mid 2008 he moved to Australia. He is currently working on a new crime novel for Serpents Tail called The Cold Cold Ground. His website can be found here.


An old associate of regular McKinty hero Michael Forsythe, Killian makes a living enforcing other people's laws, collecting debts, dealing out threats. Now Forsythe sets Killian up with the best paid job of his life. A prominent, politically connected, Irish businessman, Richard Coulter, needs someone to find his ex-wife and children - for half a million. Reluctant to take it, but persuaded by the money, Killian travels across the world for his briefing from Coulter himself. Once on the trail, Killian discovers the real reason Coulter's ex is running, and helps her take refuge amongst his people - a community of Irish Travellers, who close ranks to look after them. McKinty is at his continent-hopping, pacy, evocative best in this new thriller, moving between his native Ireland and distant cities within a skin-of-his-teeth timeframe.

We, expect this event to be very popular, so avoid disappointment and book your spot early. You can email David, or call the shop on 9031 9607.

Wednesday, 10 August 2011

Monday, 1 August 2011

Fancy a Cool One?


Over at Crime Always Pays you can throw your hat into the ring in the hopes of winning a copy of Declan Burke's Absolute Zero Cool. Just answer one question and put your faith in the gods of good fortune. It's a great prize, by the way. In an early incarnation I got to read Absolute Zero Cool and said something like:

Absolute Zero Cool is a slightly psychedelic trip into the workings of Declan Burke’s rather odd mind. The characters leap off the page and the ending twists again and again with more enthusiasm than Chubby Checker and the Fat Boys ever mustered.


Dec's also done a guest spot at Tony Black's Pulp Pusher blog. It's a week in the life of a writer and if you don't crack a smile at it... you're probably not a writer.

And, in my usual blog-neglecting manner, I forgot to point out that I have a story over at Pulp Pusher. Nothing But Time first appeared on the original version of Pulp Pusher and Mister Black was kind enough to resurrect it in case there's somebody out there who might be interested in taking a look. So, click here, kind soul.



(Left to right: Declan Burke, Tony Black and Gerard Brennan)

Wednesday, 22 June 2011

On The Verge

It's been a remarkable couple of weeks so I guess I should, you know, remark on them.

Thanks to Declan Burke's willingness to drop his standards a little I was included in his excellent offering, DOWN THESE GREEN STREETS. The book is basically a collection of essays, interviews and stories on the subject of Irish crime fiction. The list of contributors is a who's who of the Irish crime fiction scene with me taking up the rear by quite a distance. Check out these names:

Adrian McKinty
Alan Glynn
Alex Barclay
Andrew Nugent
Arlene Hunt
Brian McGilloway
Colin Bateman
Cora Harrison
Cormac Millar
Declan Hughes
Eoin McNamee
Gene Kerrigan
Gerard Brennan
Gerry O’Carroll
Ingrid Black
Jane Casey
John Banville
John Connolly
Ken Bruen
Kevin McCarthy
Neville Thompson
Niamh O’Connor
Paul Charles
Ruth Dudley Edwards
Sara Keating
Stuart Neville
Tana French
Tara Brady
Foreword by Michael Connelly
Introduction by Professor Ian Ross of Trinity College
Afterword by Fintan O’Toole

What a line-up, right?

And so, it was with a great big goofy grin plastered to my face that I attended both the Belfast and Dublin launches of this fine tome. And what a treat these wee outings were for a small fish like me.

In Dublin I got to meet Ken Bruen for the first time. And he was with Eoin Colfer. So I got them both to sign my copy of Eoin Colfer's PLUGGED which is dedicated to Ken. AND Tony Black bought me a pint. Who says the Scottish are stingy? I also got to chat briefly to Arlene Hunt (though let's face it, any chat with Arlene is too brief. Charm? This lady has it in spades) and got to shake hands with and nod dumbly to the likes of John Connolly and Declan Hughes. And of course, I got to say hiya to Declan Burke again. I wish I'd introduced myself to Alan Glynn but it's too late to do anything about that now.

And then Belfast. Not only did I get to attend the event with my missus, Michelle, and watch some real pros in action in the form of a panel made up of Colin Bateman, Brian McGilloway and Stuart Neville (with Declan Burke introducing the event and David Torrans asking questions of the panel between book sales), but I got to say hello to Eoin McNamee again and be in the same room (unknowingly, dammit) with David Peace. But even better than this, me and my lovely missus got to have dinner with a bunch of the contributors at a pretty decent Chinese Restaurant on Botanic Avenue. And so my lovely wife and I got to chat to Niamh O'Connor and Kevin McCarthy for the first time and listen to a less formal panel on Irish crime fiction, life the universe and parenting.

And what did I learn from these two events?

Well, I still have quite a distance to go before I can consider myself anywhere near the bottom of their league. These writers represent the cream of the crop of the genre I'm trying to crack into. But with the release of my novella, THE POINT, in October (God bless Pulp Press) and a few other exciting things on the horizon that I can't talk about until some details have been hammered out (not a book deal), at least I can say I'm heading in the right direction. Let's hope I don't get lost or run out of juice along the way.

Monday, 6 June 2011

Monday Night Tipple


I have a few good reasons for enjoying this glass of plonk (it's got ice in it 'cause I'm dead classy that way) on a Monday night. First off, I'm taking leave from the day-job tomorrow. Secondly, I've a pretty exciting trip to Dublin planned. I managed to blag my way into Declan Burke's excellent Down These Green Streets and it's getting the launch treatment down at the Gutter Bookshop, Temple Bar, at 6PM -- and they've not barred me yet (full details can be found at CAP). And thirdly, I got word today that my short story, Aul Yellah Belly, will be included in Maxim Jakubowski's Mammoth Book of Best British Crime Volume 9 (due to be published in Spring 2012).

Yes.

YES.

YES!

Not too shabby for a Monday.

I'll need to get my finger out from Wednesday, though. Danny from Pulp Press sent me a wee email today to let me know there's an edit coming my way. And as of last week I've got a shit-tonne of work to do on the novel-in-progress. You see, uber-agent, Allan Guthrie (happy birthday, Al!), has had a read and pointed out the bits that need a spit-shine as well as the chunks that need the chainsaw treatment.

But for right now... glug, glug, glug.

Friday, 22 April 2011

Friday, and I'm feeling good...

Cracking day, isn't it? But if, like me, you're stuck in the office for the next few hours, you could do worse than to check out a few of the notable reviews I've enjoyed this week.

Wayne Simmons on Somebody Owes Me Money by Donald E Westlake

Bookwitch on Falling Glass by Adrian McKinty

Culture NI on the experimental short film Unsound

And then there's this feature on e-publishing by Declan Burke.

But if you're outside, enjoying the sun, maybe sipping on a cool drink (alcohol optional), then more power to you. Come the fourth hour, I'm out of here. I'm only an hour away from home. Reckon there'll be time to lounge in the back garden with a Carlsberg for an hour or two before putting the kids to bed... Bliss.




Tuesday, 12 April 2011

It Takes Two to Eightball Boogie



This review was first posted on CSNI in November 2008, but since the book has recently been published in e-format for the first time, I figured it wouldn't hurt to fire it up again. Please excuse any dated references. gb


Mike Stone: Hiya, mate. I finished Declan Burke’s Eightball Boogie yesterday. Give it a day or two and the dust will have settled enough for me to do a write-up. Assuming you want one of course?


Gerard Brennan: Hey, man. Yeah, I could well use a review of Eightball Boogie. Thing is, I’ve only just read it myself. And I’m kind of in the mood to review it too. Not sure what to do. I like to get other opinions on CSNI when I can, but... hmmm, what say you?


MS: Well, I daresay you’re better qualified. I was going to prattle on about the banter – that for me was this novel’s signature. The story and characters were very good, but what raised the bar were the rapid one-liners and putdowns.


GB: Don’t know about my qualifications. I’m not much smarter than Burke’s protagonist, Harry Rigby. Wish I had his knack for one-liners though. As you say, they’re a defining feature of the novel. I didn’t do a formal count, but there has to be at least a couple of wisecracks on every page. I think Declan Burke mentioned in a recent blog that Rigby was one of the most autobiographical characters he’d ever written. Probably explains why he comes across as such a complete character. Wise mouth, cocky attitude, low self-esteem. If I ever meet Dec in person, I must give him a hug.


MS: Ah, you beat me to it. I was going to ask you if Dec’s anything like Harry Rigby. The dialogue – spoken and internal – just felt so natural. And there were sentences to die for. I’d give my eye-teeth to have written this one:


The shoes were Italian and suede because women look at your eyes first, shoes second, and I had eyes that made women take a long lingering look at my shoes.


You know when you asked visitors to CSNI to give you a page number and you’d recite a cracking piece of prose from Ken’s American Skin? I reckon you could do that with ­Eight Ball Boogie.


GB: And I reckon you’re right. Except as popular as that git Burke is on the blogosphere, I’d be inundated with comments if I did. I loved the book, but I’ve got a life, you know? It wasn’t just the cool dialogue that got me. The twisty-turny plot kept me guessing right up to the final pages. Okay, so that’s supposed to happen in crime fiction, and should be a given rather than a point of praise, but I think Burke is especially adept at this. It was equally apparent in The Big O and A Gonzo Noir.


MS: You anticipate me again. PI Harry Rigby’s poking into the goings on of crooked auctioneers, bent cops and politicians on the make was bound to be complex -- and for the most part Declan handled it well -- but were you able to keep with it? Because I got a bit lost towards the end. I got the gist of it . . . I think. The problem for me, in part, was that rapid-fire narrative we talked about earlier. When it came to Rigby unpicking the double dealings and backstabbings, I could have done with more elaboration.


GB: Hmmm. Good point. Personally, I didn’t feel short-changed when it came to figuring out who did what. I went away with a clear enough idea of all that went on. I do think that he resolved an awful lot in a very short space of time, which might have made the book a little ending-heavy. Is that what you mean?


MS: Yeah, it became too dense for me, or I’m too dense for the ending, one or the other. I was determined to give it a five star review up until then. As it stands, I’d probably chip a point off for making me feel thick. Any idea if there’s a sequel. I want to see more of Harry Rigby. And how does Eight Ball Boogie stack up against The Big O?


GB: Ah, man. Great question, thanks. As you know, I’m a regular reader of Dec’s blog, Crime Always Pays. Not so long ago he mentioned Eightball Boogie and how the publisher (a now defunct imprint of Lilyput Press) passed on the opportunity to buy a second Harry Rigby novel from him. Publishers, eh? What do they know? So I know there is more to come from Harry Rigby, but when we’ll get to enjoy it is anybody’s guess. I’m hoping the recent success that The Big O has enjoyed will bring with it an opportunity for Dec to launch a whole series of Rigby novels, starting with a shiny new hardcover of Eight Ball Boogie, because (and this brings me on to the second part of your question) I think The Big O rocks, but Eight Ball Boogie has a bit of an edge on it. Right, listen. Which one of us is going to write this review, then?


MS: Well, you could always stick the heading “A Wee Review” above this exchange. I daresay that McKinty fellah will have a dig and call us the Chuckle Brothers, but I can live with that. To me!


GB: Sounds like a plan, you savvy devil. To you!




Thursday, 23 September 2010

Culture Night Buzz


I'm very much looking forward to tomorrow's Derry Library event in which I'll interview Stuart Neville and Eoin McNamee. I just wanted to post a quick thank you to Dec Burke for blogging about it and to Jenni Doherty of Guildhall Press for the many Facebook shout-outs as well as the rest of you good folk from my Facebook friends page who shared the love. I also wanted to share this link to Radio Foyle's Sarah Brett show in which Michael Bradley asked me a bunch of interesting crime fiction-related questions and I attempted to supply him with worthy answers. Did I succeed? Click the link and decide for yourself. My bit starts about 47 mins into the show.

Tuesday, 17 August 2010

The Mammoth Book of Best British Crime 8



Thanks to Paul D. Brazill for the heads up on this. From the Constable and Robinson website:

Over 35 new short stories from the UK's leading crime writers. The must-have annual anthology for every crime fiction fan – the year’s top new British short stories selected by leading crime critic Maxim Jakubowski.

This great annual covers the full range of mystery fiction, from noir and hardboiled crime to ingenious puzzles and amateur sleuthing. Packed with top names such as: Ian Rankin (including a new Rebus), Alexander McCall Smith, David Hewson, Christopher Brookmyre, Simon Kernick, A.L. Kennedy, Louise Walsh, Kate Atkinson, Colin Bateman, Stuart McBride and Andrew Taylor.

The full list of contributors is as follows: Sheila Quigley, Nigel Bird, Jay Stringer, Paul D. Brazill, Adrian Magson, Colin Bateman, Gerard Brennan, Matthew J. Elliott, Andrew Taylor, Lin Anderson, Christopher Brookmyre, Ray Banks, Declan Burke, Liza Cody, Simon Kernick, Stuart MacBride, Allan Guthrie, Ian Rankin (two stories, including a new Rebus), Nick Quantrill, Edward Marston, Nicholas Royle, Zoe Sharp, Robert Barnard, Simon Brett, Peter Lovesey, A.L. Kennedy, Roz Southey, Phil Lovesey, David Hewson, Amy Myers, Marilyn Todd, Peter Turnbull, Keith McCarthy, Alexander McCall Smith, Stephen Booth, Denise Mina, Mick Herron, Kate Atkinson and Louise Welsh.


Flippin' heck, would you look at that list of talent? I have books on my shelf by Colin Bateman, Christopher Brookmyre, Ray Banks, Declan Burke, Allan Guthrie (who is also my agent) and Denise Mina. Why I haven't invested in an Ian Rankin or Stuart MacBride novel yet is as much a mystery to me as anybody else, but hey, I'm still a whipper-snapper. There's time to rectify this.

I've also read short stories by Paul D. Brazill, Nick Quantrill and most recently, Nigel Bird. Needless to say, I'm humbled by the company my tale now keeps.

According to the website, the collection will be released in April 2011 so I've plenty of time to get acquainted with some of the writers that I've yet to read. Must get on to that ASAP.

Tuesday, 9 March 2010

Take a Filmtrip into the Future


Declan Burke (pictured right) raised some interesting points in a Crime Always Pays blog post last Thursday. He considered the state of the book (or fate of the writer) in ten years time. Not being in the possession of a crystal ball, his ruminations left me with a number of unanswered questions. Scary, considering that I’m as likely to be published for the first time in ten years as I am this year. It’s just the way the industry is.

In fact, I was complaining about a general lack of enthusiasm, encouragement and output to a screenwriting friend the other day and the conversation turned to a Belfast-based production company that seemed to be doing some pretty innovative stuff.

Filmtrip’s website states, “We are a boutique production company specialising in film & TV cross platform productions, mobile app development and online.”

One of their cross platform projects involves Ian McDonald (pictured above left), a highly celebrated and award-laden science fiction writer from Belfast. His recent books include River of Gods and Brasyl and they deal with growing technology in a society not ready for it. Incidentally, he’s also written one of my favourite Northern Irish crime fiction novels, Sacrifice of Fools which blends police procedural, dirty politics, the crime underworld, social commentary and aliens.

It’s fitting that a writer who spends so much time looking to the future be involved in this project. Judging by the article on the Filmtrip website, E8 will sprawl many forms by exploiting every bit of entertainment technology it can get its grubby mitts on.

I look forward to the results.

Friday, 21 August 2009

Moving Along...

Hopefully everybody is getting over the cruel blow Declan Burke dealt his readers (including me) the other day. He announced a closure of sorts of his top class blog, Crime Always Pays. This is a big loss to the online crime fiction community but, as life is a big set of swings and roundabouts, it's also a good thing for th online crime fiction community. Declan's a terrific novelist and I respect his decision to reorganise his time to bring us all new work.

Dec, fair play to you, squire!

This isn't exactly speedy reporting, but I have a valid excuse. I attended my brother-in-law's wedding yesterday. Congratulations Peter and Ciara Earley! Here's a pic of the happy wee Brennan family that might put a few smiles on people's faces (so long as you ignore the goatee'd boyo bringing down the standard of loveliness). I'm a lucky man.


(Mya, me, Jack and Michelle August '09)

Wednesday, 12 August 2009

An Interview - Captain Joseph Barbelo


Captain Joseph Barbelo is the nom de plume of author Joseph Ferri, AKA Joe, AKA J.J. San MartĂ­n.

Born of Basque parentage, and a visual artist by profession, he travelled extensively throughout Europe and the Far East where he studied Eastern philosophies and martial arts with leading masters.

Since living in the West of Ireland, Joe blended his knowledge of the wider world with Irish mythology and finally found time to write. Barbelo’s Blood is the first in a series of novels that weave innovative, thought-provoking concepts with exciting stories and hard-hitting action.

Given his maverick nature, however, this might yet be another of the author’s covers and is by no means indicative of true identity.

Q1. What are you writing at the minute?

I’m working on my second novel in the Barbelo’s Blood series; set in the Middle East, 1947, with nefarious Nazis hunting Solomon’s lost treasure, ancient Sumerian free-energy devices, and the obligatory flashbacks to Jesus and revolutionary Zealots in 1st century Jerusalem. A crazy yarn, no doubt, but abundant in fit-birds and skulduggery galore.


Q2. Can you give us an idea of Capt. Joseph W. Barbelo’s typical up-to-the-armpits-in-ideas-and-time writing day?

Typically, 24/7 driven fucking bananas with theory and research. I barely have time for my second favourite passion anymore, reading good fiction. In terms of actual writing, that can often go on for days and nights, when it takes me, where it needs me – hopefully into realms I’ve never dared go before, and the darkest beyond…

Q3. What do you do when you’re not writing?

Oh you know, bit of this and that...

Drink beer, bounce off walls around Galway, and try to get home before sun-up without hitting anybody or losing my keys. And I swing swords in my spare room, that too. Second best hangover cure I know. I have a house full of weapons; particularly fond of those two katanas I got from a videogame’s shop here, €28 a piece. Stainless steel, but sharp and classy.

Love the paranoid dichotomy of toyshops selling classy weapons.

Q4. Any advice for a greenhorn trying to break into the crime fiction scene?

In all seriousness, I’m not altogether sure I’ve broken into any scene, not yet. I’m maybe stalking around in the shadows, tooled up, waiting to bludgeon my way in (thanks to Ken Bruen and Declan Burke giving me the thumbs up) but the penny only dropped recently that Barbelo’s Blood fits under crime fiction. Or that it would come under any genre at all, I might add, so it’s a great encouragement (and an honour) to feel I belong somewhere.

In regards giving writing advice, I suppose just continue to learn the craft, be honest with yourself, know your limitations and then lie, scam, and cheat the reader into submission. Let the blood flow. Follow through and before you know it, job done.

The thing to remember is your book is already written, in its future, waiting for you to catch up with it. Do the legwork and you will.

In many ways I don’t have a monkey’s clue what I’m writing half the time, where it will go or even agree with half the things my characters say and do. That’s the best part, that’s when you know you’re onto something: when it all comes to life in a world of its own.

Any time I get stuck, I treat them like living people, ask questions, cast them Tarot Card readings (seriously), that kind of thing. Works, I shit you not.

Q5. Which crime writers have impressed you this year?

I’m particularly impressed with anything the government writes. They never fail to dazzle me with their skulduggerous twists and sub-plots. This year’s dodging of the State’s role in institutionalised child abuse, along with the Church itself, was another outstanding contribution to crime fiction as a whole, in my opinion. Sorry, alleged role, of course.

Another thing to remember, what works on the big end, works on the small end. A governmental psyops is identical in essence to any common con-trick, but on a massive scale. Same intent, only the 'mark' is the whole population of a country.

Growing up in Brixton, I suppose I had the fortune of seeing firsthand how things really work: from the bottom up, the entire world functions under the principles of organised crime, with ever-increasing levels of higher organisation. That’s one of the themes I explore in Barbelo’s Blood.

Q6. What are you reading right now?

Half-way through re-reading the Name of the Rose by Umberto Eco, but truth be told I’m totally sidetracked with Codex Alimentarius: the proposed WTO foods guidelines which class all nutrients as toxins, effectively making a criminal out of anybody possessing high dose vitamin pills or growing their own organic veg. It’s gonna be implemented in Ireland next year, allegedly.

Auld Mary down the road here (the mad one) won’t be happy when they come for her; she loves her garden – but that’s okay, I’ll point her to a great little toyshop I know 

Q7. Plans for the future?

Presuming half the planet isn’t wiped out from vitamin deficiency and man-bird-pig, or some likewise bio-engineered terror virus, I plan to procure land. High ground. Defensible position. Or a boat. A gunboat. Failing that, a well-armed fit-bird with a boat – head for the Philippines.

Trust me, the way things are going, good future plan by anybody’s standards.

Q8. With regards to your writing career to date, would you do anything differently?

Do anything differently? Blimey… nothing, meaning if I’d known what all this entailed I wouldn’t have started! Sitting on a chair hour, after hour, sucked into a screen ten inches by six, the ashtray piling up, the lungs caving in, being misunderstood by all other life forms except the neighbour’s cat – and only because she likes gone-off milk.

Don’t do it guys, I’m serious, if you’ve not got a screw loose already, don’t go near this writing lark. Do anything else, go out there, frolic in the sun, dance in the rain – buy a gun and rob a bank – stop while you can, if you can.

I can’t.

Q9. Do you fancy sharing your worst writing experience?

Hmmm, not really… I’ve had many, truly awful experiences involving writing… Alright, here’s two, on a par but for different reasons.

One, the classic. Was living in a truck at the time, down in Dingle, running an ancient Toshiba Satellite off some solar panels. Lost over a month’s work when it crashed, fucking thing said it was ‘saving’ but wasn’t. Was the best stuff I’d ever written, or could ever write, ever. It was so fucking good I can’t even remember how good it was. It was THAT good… and gone, all gone.

First rule in this game, if you believe your laptop’s not demonically possessed by lower astral entities, let me guarantee ya it is – always back up your work 300 times.

Two, another classic. If you ever write your girlfriend a sexy love letter and her mother gets it by mistake (and they’re both called ‘Raunchy Rachel’) don’t let it take ten years before you realise that yes, that smile did mean exactly what it meant.

Damn it.

Q10. Anything you want to say that I haven’t asked you about?

Good question, how long have ya got? LOL! Nah, I don’t wanna risk boring you tit-less with any more of my personal life, have me on again if anybody’s interested. Will just say, I’m delighted you’ve picked up on what I’m doing; Barbelo’s Blood can be read in many different lights, but it takes the subtle mind of a fun-loving criminal to see it for what it is.

As they say, takes one to know one.

All the best, and keep yer heads down,

Joe

Thank you, Captain Joseph Barbelo/Joseph Ferri/Joe/J.J. San MartĂ­n!

Friday, 17 July 2009

Kat Sanders Guest Blog

Kat Sanders (isn't that a brilliant name?) is a Forensic Science Technician, and as such, you'd be pretty damn interested in finding out what kind of crime fiction she enjoys. So I was delighted to hear from her. She offered to take a break from the site she regularly writes for (The Forensic Scientist Blog) to pen me a short article on her favourite Irish crime writers.


Take it away, Kat!

5 Must-Read Irish Crime Fiction Writers

If there is one genre that makes for easy reading, it is crime fiction, particularly the books without too much gore and brutality. If you’re a fan of crime fiction, and if you like the way the Irish write, here are five authors you could try out:

· Declan Burke: One of the more popular and well-known faces of Irish crime fiction, Burke has been hailed as “the future of Irish crime fiction” because of his novels Eight Ball Boogie and The Big O. His blog Crime Always Pays is extremely popular on the Internet.

· Patrick McCabe: Mostly known for his psychotic thrillers, this author is a Booker Prize nominee for his book Breakfast on Pluto. Both this novel and The Butcher Boy are dark thrillers set in small Irish towns.

· Joseph O’Connor: This man’s initial claim to fame was being the brother of Sinead O’Connor, the bald crooner. But with his historical thriller Star of the Sea, he came into his own as a novelist who could engross the reader with his way with words. Star of the Sea was listed by The Economist as one of the best books of 2003.

· John Banville: Banville has been nominated for the Booker Prize for The Book of Evidence and has won the Man Booker Prize for his novel The Sea. He also writes under the pseudonym Benjamin Black, with books like Christine Falls and The Silver Swan.

· Liz Allen: This former newspaper correspondent turned her hand to writing crime and struck it rich with the bestseller Last to Know. She has put to use all her knowledge and experience about being a crime correspondent in order to come up with a really engrossing tale. Now a full-time author, she is involved in churning out other best-selling novels.

By-line:

This article is written by Kat Sanders, who regularly blogs on the topic of forensic science technician schools at her blog Forensic Scientist Blog. She welcomes your comments and questions at her email address: katsanders25@gmail.com.

Wednesday, 15 July 2009

How to tell honey from horseshit?


GARBHAN DOWNEY pays tribute to the industry’s last remaining quality controllers

There are three websites I check out every time I switch on the computer – Declan Burke’s ‘Crime Always Pays’, Peter Rozovsky’s ‘Detectives Beyond Borders’, and this one.

And it’s not just because these sites have highlighted my books in an era when papers just aren’t interested. Though if I’m to be strictly honest, that’s how I came across these guys in the first place.

But now, it’s a lot more than that. In the year and a half or so since I discovered crime-writing blogs, I’ve learned more about good writers and good writing from Dec, Peter, and Ger than I did from a lifetime of reading literary supplements.

Dec, for example, put me onto Ken Bruen; Peter opened my eyes to Stieg Larsson (a Swede ffs, who’d a thunk?) and now, Mr Brennan, bless his kung fu-loving heart, has switched me onto the greatest Irish crime-writer of my generation, Adrian McKinty.

Now there’s a bold statement – the greatest? But dammit, there are times you just have to stand up and say it. I have read some very good Irish thriller-writers (and some truly awful ones). But McKinty, I was just stunned by.

And I wasn’t expecting it at all. When I picked up my first McKinty, ‘Hidden River’, about two months ago, I did so with dread. There have been so many complimentary reach-arounds (*copyright Aaron Sorkin) handed out in review circles recently that it has become impossible to gauge true quality anymore, unless you read the books for yourself. And as a consequence, I currently have a stack of bad crime novels in my study, about 20 high, which I started over the past few months and never finished.

But in spite of all this, I thought I’d give McKinty a go because Ger clearly rated him – and Ger, along with Peter and Dec, is one of the few reviewers I still respect. If they have an angle, I don’t see it. And I say that as someone who has spent his life in journalism looking out for angles.

And ‘Hidden River’, thank the stars, was duly brilliant. Pace, dialogue, plot – it had the lot. Couple of caustically insightful Northern Irish touches too, for trainspotters like me.

But was it a one-off? Any chance, Ger, you could send me up a free copy of ‘Fifty Grand’, McKinty’s latest? I’ll pay you back, I lied.

‘Fifty Grand’ arrived, and I devoured it. Finished it in two sittings and let the youngsters take themselves to bed. It was outstanding – international class. All the finest attributes of his first book, with added atmospherics and prose so colourful it bordered on poetry. How the hell could something this good not be in airport bookshops throughout the world?

What a story too – and that for me is always the thing. I didn’t want it to end. I wanted to stay in Cuba with Mercado, just as I wanted to stay in the White House with Bartlet.

All of which brings me back to my main point. As a former reviewer, I understand entirely the reluctance to tell the reader when a book stinks.

Writers in particular tend to be sympathetic to other writers. You know the hellish amount of work that goes into a) scripting and re-scripting a 70,000 novel, and then b) getting the shagging thing published. And you don’t want to disrespect anyone who’s got that far.

Plus of course, if you do have a slap, you’re worried about being seen as jealous (big one for published writers this); or you’re worried that you’re actually being jealous and are being unfair (big one for conscientious published writers); or, most importantly of all, you don’t want to get sued. (Stop for a minute and think, when was the last time you saw the line “This book is pure shite” in any review?)

Yes, the central problem with being a reviewer, as I discovered in a past life, is that for all these reasons, you wake up one morning and find you’re praising bad books; books you don’t like and books your readers aren’t going to like either.

But as an author you know exactly how much bad reviews sting, discourage and disillusion. So you can’t do that either.

That’s why sites like this one, Peter’s and Dec’s are vital for the industry. They serve, for me at least, as the last remaining quality control on crime books. They assess, fairly, new work and old. They report, encourage, inform and, where necessary, judge. They have teeth – but they also have the authority of their impartiality.

Ger Brennan and Crime Scene NI have made my summer. I now have seven more McKinty’s to find and read, along with one of Stieg Larsson’s. Most years you’re lucky to find one great author, this year I got two.

I haven’t been this excited since I discovered George V Higgins.



Garbhan Downey’s new comedy-thriller War of the Blue Roses, published by Guildhall Press, is Hughes & Hughes ‘Irish Book of the Month’ for August.