Showing posts with label Zombies. Show all posts
Showing posts with label Zombies. Show all posts

Thursday, July 03, 2014

Mini-Review: “Impact” by Adam Baker (Hodder)

Baker-ImpactUKSuperb fourth novel in Baker’s horror survival series

The world is overrun by an unimaginable horror. The few surviving humans are scattered in tiny outposts across the world, hoping for reprieve – or death. Waiting on the runway of the abandoned Las Vegas airport sits the B-52 bomber Liberty Bell, revving up for its last, desperate mission. On board – five crew members and one 10-kiloton nuclear payload. The target is a secret compound in the middle of the world's most inhospitable desert.

All the crew have to do is drop the bomb and head to safety.

But when the Liberty Bell crashes, the surviving crew are stranded in the most remote corner of Death Valley. They’re alone in an alien environment, their only shelter the wreckage of their giant aircraft, with no hope of rescue. And death is creeping towards them from the place they sought to destroy – and may already reside beneath their feet in the burning desert sands.

Impact is the gripping, suspenseful fourth novel set in Baker’s post-apocalyptic reality. Everything I liked about Terminus, the previous novel in the series, is evident here: the tightly-plotted story, the stripped-down prose, realistic characters, sinister atmosphere, and addictive, chilling suspense. From the first page until the last, I was hooked.

Thursday, June 12, 2014

Upcoming: IMPACT by Adam Baker (Hodder)

Baker-ImpactUKI came rather late to Adam Baker’s novels. As I’m sure I’ve mentioned elsewhere on the blog, for some reason I never got around to reading Outpost or Juggernaut. That changed with Terminus, which I read and loved last year. This morning, I was greeted with a lovely surprise when Impact arrived in the mail from Hodder. I hadn’t been aware it was on the way (it’s not listed on Goodreads, yet), and I am very eager to get it. I’ll probably read it next week. It sounds great…

The world is overrun by an unimaginable horror. The few surviving humans are scattered in tiny outposts across the world, hoping for reprieve – or death.

Waiting on the runway of the abandoned Las Vegas airport sits the B-52 bomber Liberty Bell, revving up for its last, desperate mission. On board – six crew members and one 10-kiloton nuclear payload. The target is a secret compound in the middle of the world’s most inhospitable desert.

All the crew have to do is drop the bomb and head to safety.

But when the Liberty Bell crashes, the surviving crew are stranded in the most remote corner of Death Valley. They’re alone in an alien environment, their only shelter the wreckage of their giant aircraft, with no hope of rescue. And death is creeping towards them from the place they sought to destroy – and may already reside beneath their feet in the burning desert sands.

Impact is published in the UK by Hodder on July 3rd, 2014.

Also on CR: Interview with Adam Baker, Guest Post

Friday, March 28, 2014

“The Girl With All the Gifts” by M.R. Carey (Orbit)

CareyMR-GirlWithAllTheGiftsA superb novel, one of my favourite so far this year

Melanie is a very special girl. Dr. Caldwell calls her “our little genius”. Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don’t like her. She jokes that she won’t bite, but they don’t laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children’s cells. She tells her favourite teacher all the things she’ll do when she grows up. Melanie doesn’t know why this makes Miss Justineau look sad.

I have long been familiar with Carey’s comics work – mainly the amazing Lucifer and The Unwritten, both of which I am addicted to. It took me a long time to get around to reading this novel, though, for reasons I cannot quite figure out. Long-time readers of the blog will know I’m a fan of certain types of post-apocalyptic-zombie novels. The Girl With All the Gifts is absolutely brilliant, and one of this year’s Must Reads. I loved it.

Tuesday, March 25, 2014

“Deadlands” by Lily Herne (Much-In-Little/Constable & Robinson)

Herne-MR1-DeadlandsAn interesting new Post-Zomebie-Apocalypse Series

Welcome to the Deadlands, where life is a lottery.

Since the apocalypse, Cape Town’s suburbs have become zombie-infested Deadlands. Human survivors are protected from the living dead by sinister, shrouded figures – the Guardians. In return, five teenagers are “chosen” and handed over to them for a mysterious purpose: this year, Lele de la Fontein’s name is picked.

But Lele will not stick around and face whatever shady fate the Guardians have in store for her. She escapes, willing to take her chances in the Deadlands.

Alone, exiled and unable to return home, she runs into a misfit gang of renegade teens: Saint, a tough Batswana girl; Ginger, a wise-cracking Brit; and handsome Ash, a former child soldier. Under their tutelage, Lele learns how to seriously destroy zombies and together they uncover the corruption endemic in Cape Town, and come to learn the sickening truth about the Guardians …

I first heard about the mother-daughter writing team Lily Herne at World Fantasy Con 2013 in Brighton. I was walking along the signing corridor and Jared of Pornokitsch pulled me aside and introduced me to them. Since then, I have read The Three by Sarah Lotz (the mother of the duo), which I think will most likely be one of my Top 5 reads of 2014. Then, despite having a signed copy of Deadlands, I spotted the first two books in the series on sale for Kindle. I snapped them both up, and started reading Deadlands right away. And, I must say, I really enjoyed it.

Monday, November 11, 2013

Upcoming: THE REMAINING series, by D.J. Molles (Orbit)

Molles-R1-TheRemainingI caught the announcement of D.J. Molles’s The Remaining series via a Twitter conversation between Justin and Rob (both are among the best SFF bloggers, in my opinion, so be sure to check out their sites and reviews). Naturally, I invited myself to join in the discussion, and decided to put together this post (I was on a role – it’s the third tonight).

Seeing as I’ve just blitzed through the first four The Walking Dead collected volumes, I must admit to being rather intrigued by this – certainly enough to read the first book at least. I have a weakness for the Zombie Apocalypse sub-genre. I’ve been pretty good at resisting reading everything, though, as I know I could quickly get sick of it. Thus-far, alongside The Walking Dead, I think my favourite has been V.M. Zito’s The Return Man (also published by Orbit, but only in the US – and it’s excellent, so you should all go out and buy it). The four books follow “Captain Lee Harden and a group of survivors as they fight to rebuild a devastated America.” Hm. Barrington’s After America but with added zombies? Here’s the synopsis for the first novel:

In a steel-and-lead-encased bunker 20 feet below the basement level of his house, a Special Forces soldier waits for his final orders. On the surface, a plague ravages the planet, infecting over 90% of the populace.

The bacterium burrows through the brain, destroying all signs of humanity and leaving behind little more than base, prehistoric instincts. The infected turn into hyper-aggressive predators, with an insatiable desire to kill and feed.

Soon the soldier will have to open the hatch to his bunker, and step out into this new wasteland, to complete his duty: SURVIVE, RESCUE, REBUILD.

The eBooks of all four books will be made available in January 2014, with print editions coming out in successive months from May (not sure why there will be such a gap, though). It would appear, though, that the series was self-published before Orbit snapped up rights (I remain skeptical of the hunger for re-publishing self-published work, but it does seem to be something a handful of publishers are embracing…). Here are the publishing & purchasing details, followed by the covers for books 2-4:

THE REMAINING  (US | UK) – Paperback – May 2014, eBook January 2014

AFTERMATH (US | UK) – Paperback – June 2014, eBook January 2014

REFUGEES  (US | UK) – Paperback – July 2014, eBook January 2014

FRACTURED (US | UK)– Paperback – August 2014, eBook January 2014

Molles-Remaining-2to4.jpeg

Monday, October 28, 2013

Books on Film: “Warm Bodies” by Isaac Marion (Vintage)

MarionI-WarmBodiesMovieA brilliant zombie love-story…

Movie Synopsis: Life for Julie (Teresa Palmer) and R (Nicholas Hoult) couldn’t be more different. R is a zombie; with a great record collection; limited vocab and an overpowering love of brain food. Julie is a human; beautiful; strong; open minded and all heart. When R makes an unexpected decision and rescues Julie from a zombie attack, his lifeless existence begins to have a purpose. As the unlikely relationship develops, R’s choice to protect her sets in motion a sequence of events that might just change both of their worlds forever. Directed by Jonathan Levine (50/50) and based on the debut novel by Isaac Marion, the heart-warming Warm Bodies is 2013’s zom-rom-com with a twist.

Director: Jonathan Levine | Starring: Nicholas Hoult, Teresa Palmer, Rob Corddry, John Malkovitch

I stumbled across Isaac Marion’s novel when I was in New York. I read the synopsis in the Union Square Barnes & Noble (one of my favourite places in the world…). Despite being intrigued, I wasn’t in a zombie-mood at the time, so I passed over it – rather unfairly, as it turned out. After the movie was released on DVD, though, I decided to watch the movie first – not something I usually do, but given the vast array of books I have to read, I wanted to squeeze this in. And I’m very glad I did.

All of the actors do a great job, and Nicholas Hoult does a wonderful job of making “R” an engaging and even sympathetic character. He’s funny, he’s awkward, and his internal monologue is wonderfully relatable to anyone who has ever felt stuck, awkward, or like their lives need a change. It’s brilliantly done, all-round, and as we see R’s evolution (“re-evolution”?) we realise just how brilliant Hoult is as an actor. It’s a peculiarly sweet love story, and I loved how it was both true to zombie lore and also unexpected and original, as well as paying tribute to some of the greatest love-stories (Romeo & Juliet, for example). It also has a superb soundtrack…

Very highly recommended. I will have to move the novel up the tottering TBR mountain.

Book Synopsis: “R” is a zombie. He has no name, no memories, and no pulse, but he has dreams. He is a little different from his fellow Dead.

Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows – warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons he can’t understand, R chooses to save Julie instead of eating her, and a tense yet strangely tender relationship begins.

This has never happened before. It breaks the rules and defies logic, but R is no longer content with life in the grave. He wants to breathe again, he wants to live, and Julie wants to help him. But their grim, rotting world won't be changed without a fight...

MarionI-WarmBodies

Wednesday, August 21, 2013

An Interview with DAVID TOWSEY

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David Towsey’s debut novel, Your Brother’s Blood caught my attention a few months ago, and ever since I have been eagerly awaiting my chance to read it. Thankfully, I recently got my mitts on a copy, so I hope to start it sometime next week. In the meantime, his publisher has set up this interview, in which I quiz David on his writing, how he got into genre fiction, and more. If you wanted to check out the novel for yourself, be sure to read this excerpt.

Let’s start with an introduction: Who is David Towsey?

I’m twenty-eight. I’m finishing a PhD in Creative Writing at Aberystwyth University – where I’ll start lecturing full-time in September. I guess you could say I’m a geek or nerd – if such labels are helpful. I play computer games, specifically MMOs, which I’ve been a regular player of since I was fourteen and first got hold of Ultima Online. I also enjoy playing Magic: the Gathering at a fairly competitive level. But between all that gaming and writing I try and keep active by playing squash and swimming at least twice a week.

Your latest novel, Your Brother’s Blood, was recently published by Jo Fletcher Books. How would you introduce the novel to a potential reader? Is it intended as part of a series?

When people ask me about the book I tend to see if they’ve read or seen The Road. If they have, I say it’s a lot like that. Except Your Brother’s Blood follows a father and daughter. And the the father is a “zombie”. If they haven’t, it becomes more difficult. It’s a novel that sits somewhere between a road-movie and a zombie-western. For me, it focuses on family relationships that come under strain – sometimes through normal situations and sometimes because of more extreme circumstances. Your Brother’s Blood is the first part of a trilogy that follows a central family, the McDermotts.

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What inspired you to write the novel? And where do you draw your inspiration from in general?

It’s always a bit difficult to pinpoint where a novel starts for me. That said, a few years ago my girlfriend joined a group in our town called “Transition Town”. It’s an organisation that, as I understand it, wants to prepare communities for a major change in our lifestyles, such as oil running out. This got me thinking about how the modern era might end, not in a fiery apocalypse like many novels suggest, but a slow winding down. Not sure why that had to involve the undead, but still.

More generally, and this is a totally corny answer, but my girlfriend is a constant source of inspiration. We’ve been together for ten years. She’s a novelist and poet. We read each other’s work and bounce ideas off each other. When I think writing is awful and I hate it and it’s too hard, she’s there to help. Bleurgh, right?

How did you set your novel apart from other zombie apocalypse novels available? And, why zombies?

Firstly, I never set out to write a zombie novel. Once I figured the western element I just wondered what it would be like to live forever. That makes for slightly less exciting characters – no tension if no one can die. So I decided on the Walkin’ – a kind of suspended animation where a character is in exactly the state they died in but are able to think and talk, and finally die. This is what makes Your Brother’s Blood different. The reader really gets inside the head of the Walkin’ characters to see what they want, what they’re scared of, and how they form and maintain relationships. This lets me play with different themes and ideas in a way that a traditional zombie narrative might find difficult.

One thing I’ve noticed about zombie texts such as The Walking Dead is that the zombies are arguably plot devices that increase tension. Need characters to move to a different setting? Zombie horde. Need a punchy way to end an argument? Zombie attack. Need a powerful emotional moment? A character has to kill a now-zombie-relative. I’m not knocking it, it’s gripping stuff. I just wanted to do something different. I wanted to bring the zombies into the emotional content. To do that without generating humour (like Warm Bodies), I felt I had to change the rules of the zombie.

How were you introduced to genre fiction?

Tolkien-HobbitMy introduction to genre isn’t a very original story. I was on a family holiday where I was the only child and extremely bored by lots of driving and visits to cathedrals, etc. My mum gave me The Hobbit and I devoured it. I was annoyed whenever my family forced me to go on walks or eat meals that meant I had to stop reading.

How do you enjoy being a writer? Do you have any specific working, writing, researching practices?

Being a writer is okay. I find it difficult to agree with people who say it’s the most amazing thing ever, or a painful and traumatic experience. I get to decide when I wake up. I can wear whatever I like “to work”. I try and keep myself fairly disciplined to a 9-5 working day, but I’m flexible. I don’t beat myself up if I miss a morning due to a dentist appointment.

As for practices, I always write to music. I blogged about why recently on my website. I find cups of tea too distracting – I have to do one or the other, or one suffers. I have a seventeen button mouse, but that doesn’t really help me write. Research in a creative sense is mostly reading a lot. Reading is key – plenty of better writers than me have said that.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Dave Towsey
author
Jan 15 2013

photo ©keith morris
keith@artx.co.uk
www.artswebwales.com
07710 285968I first thought about seriously trying to become an author at the end of my undergraduate degree. My friends were all talking about what they wanted to do, jobs they were applying for, etc. I was kind of at a loss. I’d enjoyed the writing part of my degree and wanted to avoid a real job at any cost. I worked some dead-end jobs, like everyone does, and then went back into academia to do a Masters degree. Being an author was always the goal, but I didn’t really believe it would happen. These days there’s no shortage of people telling you have difficult it is to become a published author. And then you have more people telling you how difficult it is to live off your writing. They’re right. I kept going back to university, hoping that the combination of more qualifications and more time to learn about writing might help. It did, a little. But like every published author I needed my share of luck.

The start of my undergraduate degree was my first foray into writing. I didn’t write as a kid – which makes my “story” less Disney-appropriate. I started out writing horrendous fantasy short stories. Thankfully, a lecturer pointed out that many fantasy texts were a thousand pages, not a thousand words. With this revelation in mind I tried realism, got bored, and ended up in SF. SF seemed more appropriate for the short form. I still have many of the stories I wrote during these years, some of which I managed to place in small magazines. I do think of them fondly – they were an important part of getting where I am now.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think SF/F is in a great place at the moment. The high profile successes of recent times have made more publishers keen to expand their lists into genre. It’s easy to be cynical about moves like that, and it is probably healthy to maintain some level of cynicism, but it’s hard to argue that the genre is suffering due to more interested publishers. Your Brother’s Blood was taken on by a relatively recent imprint, Jo Fletcher Books, and I was fortunate enough to find such enthusiastic and professional people to handle my début. New imprints such as JFB have a real drive to find new and diverse voices – which to me sounds like a basis for a healthy genre.

I like to think my work fits into a tradition of considered experimentation within SF/F. The genre and its readers seem to be more tolerant of less successful experiments than work that plays it safe and sticks to a formula. With Your Brother's Blood, I’ve tried to blend two distinct genres in the Western and the Zombie novel, and I’ve tried to do it with care and respect. A lot of “mash-ups” lean towards the comical – generating humour from unusual juxtapositions and playing with expectations. I wanted to avoid that comedy; not because there’s anything wrong with that kind of work, but I relished the challenge of tackling ideas in a way that might surprise a reader. It seemed to me that SF/F was the perfect genre for this kind of work.

What other projects are you working on, and what do you have currently in the pipeline?

I’m currently working on the third book of the Walkin’ Trilogy. The second is in the editing stage, which is really when the hard work begins. I’m also organising my PhD novel for publishers, which is a bit different from the Walkin’ books. There’s certainly plenty to keep me busy.

What are you reading at the moment (fiction, non-fiction)?

My reading time is all tied up by my PhD at the moment. Fiction-wise I’m reading books by the authors who will be my external examiners. I just finished George Green’s Hawk, and I’m about to start Gerard Woodward’s Nourishment. I’ve also recently finished Before the Legend: The Rise of Bob Marley by Christopher John Farley – also PhD related. There’s been a lot more reggae played in our house of late...

TowseyDavid-Reading

What’s something readers might be surprised to learn about you?

I’m pretty much addicted to ice-cream. It’s a bad day when I don’t have any. But it’s been a good year with Ben & Jerry’s introducing new flavours to the UK market. I’ve been to the States and the pictures of me in front of a freezer stocked floor-to-ceiling with different flavours are... surprising.

What are you most looking forward to in the next twelve months?

It’s a close call between my girlfriend and I buying our first house and season four of Game of Thrones. I’m pretty sure she’s looking forward to GoT more…

***

Your Brother’s Blood is published by Jo Fletcher Books on August 29th 2013. For more updates, news and whatnot, be sure to follow David on Twitter.

Friday, August 09, 2013

“Ex-Heroes” by Peter Clines (Del Rey UK/Broadway)

ClinesP-1-ExHeroesUKSuperheroes-vs.-Zombies Novel Fails to Impress

Stealth. Gorgon. Regenerator. Cerberus. Zzzap. The Mighty Dragon. They were heroes, using their superhuman abilities to make Los Angeles a better place.

Then the plague of living death spread around the globe. Billions died, civilization fell, and the city of angels was left a desolate zombie wasteland.

Now, a year later, the Mighty Dragon and his companions protect a last few thousand survivors in their film-studio-turned-fortress, the Mount. Scarred and traumatized by the horrors they’ve endured, the heroes fight the armies of ravenous ex-humans at their citadel’s gates, lead teams out to scavenge for supplies—and struggle to be the symbols of strength and hope the survivors so desperately need.

But the hungry ex-humans aren’t the only threats the heroes face. Former allies, their powers and psyches hideously twisted, lurk in the city’s ruins. And just a few miles away, another group is slowly amassing power... led by an enemy with the most terrifying ability of all.

I had high hopes for this novel – mixing superheroes and zombies seems like such an awesome, perhaps even common-sense mélange, yet it had not been done before. So, when the three books arrived on my doorstep, I was eager to get stuck in. While Ex-Heroes had some good bits – the action-scenes, in particular, are well-written – ultimately, I do not think this book was ready for publication. This was a big disappointment.

Friday, August 02, 2013

Friday Read: YOUR BROTHER’S BLOOD by David Towsey (Jo Fletcher Books)

TowseyD-YourBrothersBlood

I have a real soft-spot for zombie apocalypse and dystopian future fiction. While on one of my frequent Let’s Trawl The Internet for upcoming books information, I stumbled across David Towsey’s debut, Your Brother’s Blood, which seems to offer something a little different to your typical zombie-horror novel. Perhaps this will be a nice contemporary of Daryl Gregory’s Raising Stony Mayhall? Regardless, here is an excerpt from the novel, one of my Most Anticipated of 2013…

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‘Patterns are most pleasing to the senses. Man is a creature of pattern; he understands them, seeks them everywhere, longs for them even when he dreams. They occur naturally and are thought to be beautiful. In literature, a narrative pattern gives a reader a sense of self-importance – he or she is sharp-witted and astute for finding and understanding it. In music, the repetition of notes speaks inherently to the primitive nature of the tribal self.

‘I argue that every action – be it day by day or century by century – follows this preoccupation with patterns.

‘At one time, humanity lost a great deal of its intellectual power and dominance over the world. Some historians place this event eight hundred years ago, others only seven hundred, more suggest closer to a thousand. I mean no offence to any historian present when I say: that argument is irrelevant.

‘At one time, there were tools, devices, and mechaniks everywhere. They influenced every element of life, and even death. Science was the shining spear humanity thrust into the dark. But this light would only last so long. This period of history, of the pattern, we refer to as the Automated Age.

‘Debate continues over the cause of Automated Man’s fall from scientific grace. War would be an obvious cause. Regardless of man’s level of sophistication, time has proved him to be an aggressive creature. We can only imagine what kind of weapons would have been at his disposal.

‘Perhaps man outgrew this world and journeyed to the stars? Leaving nothing but scraps – both human and otherwise – behind. Abandoned by science, those remaining lived as best they could, resulting in the societies of today. A neat and possibly even correct theory.

‘Yet, despite finding no obvious flaw in this hypothesis, my personal preference leans towards another explanation:

‘The resources that fuelled man’s domination ran out.

‘For all his subtleties, he was finite. It is the pattern of humanity: like the moon, their influence waxes and wanes. Mechaniks, magic, the power to fly, are all hollow trinkets; nothing can escape the pattern.

‘Before I take my seat, and allow a mind no doubt superior to my own to take the floor, I will venture one more point. Throughout my argument, I have deliberately used the words “man” and “humanity”. Brothers and sisters, this is because patterns are the realm of man. We Walkin’, whose origin is just as inexplicable as the disappearance of Automated Man, are infinite; and thus beyond this concept.’

– transcribed from Time to Walk, an open forum in the Black Mountain Common Consensus of Winters 2917 – Councilman Cirr speaking

BOOK 1

1:1

Pastor Gray scorched the church and the congregation. He was the noonday sun burning down on pale and ready skin. Behind him was the altar, covered in plain cloth, and the whitewashed walls. His hair was a tangle of red knots; as a married man, he was allowed to let it grow. The Pastor’s marital beard was just as striking. It covered the sides of his face, his chin, and his upper lip in fiery curls.

Mary McDermott played with her two fat braids. She’d gotten up early before church and her mother had cut her hair. It was so long it had almost reached her waist. She didn’t mind, but Sarah said she’d soon be sitting on it and that would be strange. She watched the bent, old scissors in the mirror. Sarah had brought water from the well and filled a clay bowl. Mary washed her face first and then watched as long, shiny black hairs covered the top, wriggling like croaker spawn.

‘We will begin today with a reading from Proverbs – Wisdom and the Foolish,’ Pastor Gray said, his voice shaking the eaves.

Mary’s family were sitting all along the bench, her mother next to her. She could see the two thick braids of Auntie Hannah, then Peter, Samuel, and finally Grandma and Grandpa.

‘Tuck your shirt in, Samuel,’ Grandma hissed.

Her big uncle fumbled at his shirt. His fat fingers struggled to get the white cotton into his trousers. His shirt looked itchy.

‘“Forsake the foolish, and live; and go in the way of understanding. Give instruction to the wise man, and he will be yet wiser.”’ The Pastor paused, adjusting his black cassock. Mary imagined it would be a very hot and uncomfortable thing to wear.

‘“Teach just a man, and he will increase in learning. The fear of the Lord is the beginning of wisdom, and the know - ledge of the Holy is understanding.

‘“But he knoweth not that the dead are there; and are in the depths of hell:

‘“Murderers. Deceivers. Those who act in defiance of the Good Lord. Hell is their home; a fiery and torturous embrace.”’

Something tickled Mary’s nose. It was dusty in the church; she could smell it. She squeezed her nostrils together with her fingers. Now would be a bad time to sneeze.

‘Damnation awaits the bearer of any arm. So we ask forgiveness. Forgiveness for those we sent to war.’

Grandma had her eyes closed and was mouthing a prayer. Everyone else stared down at their laps.

‘For those we sacrificed for our own safety: Jared Peekman,’ the Pastor said. ‘For those we lost from our own flock: Daniel Harris. For those we shall remember for ever: Thomas McDermott.’

Her mother raised a hand to her mouth.

‘“For by me thy days shall be multiplied, and the years of your life increased.” Amen.’

The congregation called ‘Amen’. The Good Book closed like a peal of thunder.

*

The soldier woke coughing. His throat was on fire. Dry and spluttering, his body lurched. There was no air, only ash.

The coughing stopped. His eyes felt gritty. Blinking was an effort; he could feel sand scratching his eyelids.

He tried to move, but nothing happened. He was lying down. Darkness surrounded him. He couldn’t hear anything, not even the sound of his own breathing. His mouth was dusty and tasteless.

Pain raced across his forehead and he cried out. A thousand fingers pressed behind his eyes. A pool of white washed across the darkness, like oil thrown onto water. He began to panic. The white was blinding. He screamed, not a word, but a childhood fear.

*

‘Learning. What is it we mean by learning?’ The Pastor threw his arms wide.

Mary knew the answer, but didn’t want to speak up. She didn’t like the idea of the whole church looking at her.

‘Is it numbers and letters?’ the Pastor asked.

Mary wished it was. She liked letters.

‘And what is wisdom? Or knowledge? Is it how to plough a field, or knit a hat? The Good Book says the fear of the Lord, the fear I say, is the beginning of wisdom. Open yourselves to the fear, and what follows is his love.’

Mary listened to the words. They did make a kind of sense. She was always afraid of the Lord; of someone watching her.

‘We meddled. We poked and searched and then we ate from the tree. Fearless. The Good Lord saw our lack of fear and punished us as only He could.’

Mary had questions, many questions. But, like the other people in the church, she ignored them. She couldn’t help but watch and listen only to the Pastor.

‘He took it away. He took away the only thing mankind had. He took away paradise.’

The congregation was silent. Nobody fidgeted on the hard wooden benches. Nobody coughed or cleared their throat.

‘This, our Barkley taught, was the First Fall. Exiled from paradise. Lost to walk a harsh world. But, we did not learn.

‘Again we forgot our fear, children, we forgot our fear. Once more we meddled.’ The Pastor stepped in front of the altar, the Good Book thrust at the roof. Mary licked her lips. They felt so dry.

‘A thousand years ago we poked and searched. And once more He took away paradise,’ the Pastor cried. His words crashed around the eaves of the church and back down onto the congregation.

Women gasped, the men grumbled. The Pastor grimaced as he waited for quiet.

‘So clever. So much learning; the people of the past. Mechaniks. Magical items of all kinds and shapes. Our ancestors ate again from that forbidden tree of knowledge.

‘The punishment was the same and we live with it today; here in Barkley, in Pierre County and all over the world. The gates of heaven are closed to the kin of those damned souls. They are left to walk the earth; abominations; foul creatures of the night. Twisted husks: they fester instead of finding eternal joy.’

*

The white faded, lurking at the edge of his eyes as unshed tears. He adjusted to the dark. The pain became a numb ache. He couldn’t remember where he was, or who he was. His head felt woollen.

Something tickled against his hand. A carri-clicky crawled onto his chest, its feelers frantically swaying. He looked at it, and it looked at him. Carri-clickys were never alone. There would be hundreds. He tried to move his hand, swat it away. Nothing. The clicky circled, a mocking dance, and then found a gap in his uniform. The bulge in his shirt moved down his chest. Its feelers stroked his skin.

Why can’t I move my hand? he thought. This is my hand. This is my hand.

He screamed silently.

The bulge disappeared.

It’d been near his bellybutton. Then, gone. He couldn’t feel it anywhere. He couldn’t see it.

Click. Click-click-click.

The sound echoed and crashed. His ears were going to burst. The insect was still there.

There was a twinge. Not painful, more like a stitch in his side, where he’d lost sight of the clicky.

Click. Another twinge, this time harder.

The insect was inside him.

His body suddenly tensed. Cramps rippled across his back, along his arms and down his legs. His toes curled. He bit down, his jaw locked. Then, like an overstretched rope, the tension broke and he felt the weight of his limbs again.

He clawed away his shirt. A hole three inches wide, edged by dull red skin, gaped up at him. Layers of his insides: purple and yellow and red – colours drained but still vivid. The carriclicky emerged and didn’t move as he slowly picked it up. He thought about squashing it, but put it down instead. He didn’t see the insect go.

With a tentative finger he explored the wound. It didn’t hurt or sting. It felt spongy, like overripe fruit. He pulled his shirt back down.

He tried his legs. They moved, but something was in the way. There was ground beneath him; he rubbed the warm dirt between his fingers. Whatever was above him, it was soft. He pulled and pushed. He wriggled and squirmed.

Something shifted.

A face fell from the dark.

Its nose stopped just before his. Its mouth hung slack. From the eyes up it had no skin, just dirty bone.

Flailing, he pushed as hard as he could. He felt scraps of cloth and bone. The face dropped away and he sat up. More bodies tumbled above. Layer upon layer sought to drown him, to drag him under. Panic shook him. He climbed, tearing through the corpses.

A mist of rain touched his parched skin and he sucked hard at life. It was too sweet – he almost choked. The sky was a brilliant grey.

For a moment he lived, there in a pit of the dead.

*

‘Will you walk with the dead?’ The Pastor pointed at Mrs Turner in the second row. Her face lost all colour; she shook her head.

‘And you!’ Pastor Gray turned to the bench in front of Mary and glared at Mr Gregory. ‘A father in this community. Will your family feel the taint of your blood? Does Satan spill from your loins?’

‘The Good Lord, no!’ Mr Gregory shouted, standing up.

The Pastor rushed forward.

‘Do you carry the evil of the past?’

Mary was warm in the rays of the Pastor’s fury.

‘The Good Lord, no!’ Mr Gregory cried again.

‘Will you burn on a pyre to save your soul?’

‘The Good Lord, yes!’

‘And well you would,’ the Pastor said. His voice cooled, like a smithy’s iron put into water. Mary felt as if she’d been dropped into the same bucket.

Pastor Gray looked across the congregation.

‘In His infinite wisdom – as the Good Book says – He found forgiveness for our sins. We found our fear again, and we found the Lord’s love there. We burn on a pyre, as His son taught us after the resurrection; we burn for our sins and the sins of our ancestors. We will find paradise in His forgiveness.’

‘Hallelujah,’ the congregation cried.

***

Your Brother’s Blood is published by Jo Fletcher Books in September 2013. Be sure to follow David on Twitter, and check out his website for more.

Thursday, July 04, 2013

Guest Post: A Letter to Readers, by Peter Stenson

This guest post is adapted from a letter author Peter Stenson wrote connected to his new novel, FIEND, which is published today by William Heinemann in the UK. The novel is published by Crown Publishing in the US (both are imprints of Random House). It is the story of the journey he had to travel before he got to a place in which he could write the novel.

FIEND has been described as “Breaking Bad Meets The Walking Dead”, and is currently sitting very near the top of my To-Be-Read mountain. Expect more on the blog very soon.

Stenson-Fiend

*

Dear Readers,

I’d been kicked out of high school and had run away to San Francisco with a hundred dollars to my name. I had a pretty healthy addiction to opiates going and was still a year away from being able to vote. Needless to say, I wasn’t exactly setting the world on fire.

It was New Year’s Eve and I don’t remember exactly how I made my way to a hotel downtown, but I did. It was full of Phish-type kids who were there for some concerts. There were lots of dreadlocks and cocked hats and sagged pants and patchouli. There were even more faces made concave from malnutrition and narcotics. I stumbled around looking for somebody I knew or at least a place to sit down. Everything was red and gold and seemed to slither. Hundreds of other kids did the same thing. I was struck by the idea that some fundamental aspect of our being—whatever the hell it was that made us human and alive—was missing.

Fast-forward six months. I’d relocated to Washington and was living in a halfway house for adolescents. Life was beginning not to suck. I was sober, my parents spoke to me, I was holding down a job, and I was learning that I could find joy outside of chemicals. The main newfound joy was spending my afternoons in a small used bookstore. I’d go there after work and sit in the literature section poring over the cracked spines of books. I spent what little money I had purchasing said books, oftentimes devouring them that same day. I had my quintessential love affair with literature (albeit a little later than most) sitting on that red carpet, huffing the musty pages of those novels. And it was there that I realized I wanted to be a writer.

Both of these memories have stuck with me ever since. I’ve been sober now for a decade and can’t so much as imagine traveling to a city without a hotel reservation, never mind running away two thousand miles. But I’ve never forgotten that moment when I conflated addict and walking-dead as one, nor the accompanying realization that these kids, like myself then, would do anything and everything to keep the high going.

Fiend is born out of that memory and those realizations. I wanted to tell a story of addiction, and strangely, the most honest way I could portray the kind of addiction I knew was to set the story against the background of zombies. I also made methamphetamines a “cure” of sorts so that quitting would not be an option—and so I could see what depths my characters were willing to sink to in order to stay alive.

PeterStensonAnd as for my other memory, the one about spending every afternoon for six months sitting in a shoebox of a used bookstore, I can’t begin to tell you how excited I am about the thought of my book stacked on your shelves. To be amongst the novels that helped give me a purpose—well, I know I’m supposed to be a writer, but the words are failing me here. Because I can’t express how much that means to me.

Sincerely,

Peter Stenson

***

Here’s the synopsis for the novel…

When Chase sees the little girl in umbrella socks savaging the Rottweiler, he’s not too concerned. As someone who‘s been smoking meth every day for as long as he can remember, he’s no stranger to such horrifying, drug-fueled hallucinations. But as he and his fellow junkies discover, the little girl is no illusion. The end of the world really has arrived. And with Chase’s life already destroyed beyond all hope of redemption, Armageddon might actually be an opportunity — a last chance to hit restart and become the person he once dreamed of being. Soon Chase is fighting to reconnect with his lost love and dreaming of becoming her hero among the ruins. But is salvation just another pipe dream?

Tuesday, June 25, 2013

“Terminus” by Adam Baker (Hodder)

Baker-TerminusAn intense tale, that proves there’s (un)life in the zombie genre yet!

The world has been overrun by a lethal infection, ravaged by a pathogen that leaves its victims locked half-way between life and death. New York, bombed to prevent the spread of the disease, has been reduced to radioactive rubble. A rescue squad enters the subway tunnels beneath Manhattan, searching for the one man who can create an antidote. The squad battle floodwaters, lethal radiation and infected, irradiated survivors as they race against the disease that threatens to extinguish the human race.

Adam Baker is an author who has been on my radar for a long time, but for some reason I keep missing his novels. With his third novel, though, I was more proactive. As soon as I got my mitts on Terminus, I dove right in. This is an atmospheric, gripping and suspenseful novel. I loved it.

Tuesday, March 12, 2013

Upcoming: Zenescope’s UNLEASHED Event

I posted some teaser images for this upcoming comics event a little while back, but Zenescope recently unveiled some new artwork. This time, it’s the complete, interlinked cover art for the first five comics in the event: Werewolves – The Hunger #1, Vampires – The Eternal #1, Hunters – The Shadowlands #1, Demons – The Unseen #1, and Zombies – The Cursed #1:

Unleashed-CoverSpread

It should en-biggen when clicked on…

Saturday, March 02, 2013

Upcoming: “Ex-Heroes” by Peter Clines (Broadway)

ClinesP-ExHeroesOk, technically, this isn’t actually an “Upcoming” novel (it was published at the very end of February). It was self-published by Clines a while ago, but has recently been picked up by a traditional publisher. It sounds pretty interesting, and I really must get around to reading it (I’ve had a copy on my Kindle for quite a while…).

Stealth. Gorgon. Regenerator. Cerberus. Zzzap. The Mighty Dragon. They were heroes, using their superhuman abilities to make Los Angeles a better place.

Then the plague of living death spread around the globe. Billions died, civilization fell, and the city of angels was left a desolate zombie wasteland.

Now, a year later, the Mighty Dragon and his companions protect a last few thousand survivors in their film-studio-turned-fortress, the Mount. Scarred and traumatized by the horrors they’ve endured, the heroes fight the armies of ravenous ex-humans at their citadel’s gates, lead teams out to scavenge for supplies — and struggle to be the symbols of strength and hope the survivors so desperately need.

But the hungry ex-humans aren’t the only threats the heroes face. Former allies, their powers and psyches hideously twisted, lurk in the city’s ruins. And just a few miles away, another group is slowly amassing power... led by an enemy with the most terrifying ability of all.

Tuesday, February 05, 2013

iZombie, Vol.1 – “Dead to the World” (Vertigo)

iZombie-Vol.1Writer: Chris Roberson | Artist: Michael Allred

Told from a female zombie’s perspective, this smart, witty detective series mixes urban fantasy and romantic dramedy.

Gwendolyn “Gwen” Dylan is a 20-something gravedigger in an eco-friendly cemetery. Once a month she must eat a human brain to keep from losing her memories, but in the process she becomes consumed with the thoughts and personality of the dead person – until she eats her next brain. She sets out to fulfill the dead person’s last request, solve a crime or right a wrong. Our zombie girl detective is joined by a radical supporting cast: her best friend Eleanor, who happens to be a swinging ’60s ghost, a posse of paintball blasting vampires, a smitten were-dog and a hot but demented mummy.

Collects: iZombie #1-5

I’d heard a lot of good things about iZombie before I read it, and when I was in my local library, I saw they had this first volume. Not one to pass up a chance to read something new, I borrowed it, and actually really enjoyed it. It wasn’t quite what I was expecting, either. This is quite fun.

Saturday, January 05, 2013

Upcoming: “Terminus” by Adam Baker (Hodder)

Baker-TerminusI heard about Adam Baker’s third novel, Terminus back in August, when I met Anne and Francine from Hodder UK at a Pandemonium event in London. Ever since, I’ve been eagerly keeping my eye out for more information. Baker is one of those authors who, despite writing the type of novel I should be interested in, I have never actually read.

His two previous novels, Outpost and Juggernaut, are inching up my TBR pile, but I have a feeling if I get my hands on this novel soon, it may shoot right to the top. I have a weakness for fiction set in New York City, so I imagine I’ll be unable to wait, when I get my hands on this:

The world has been overrun by a lethal infection, ravaged by a pathogen that leaves its victims locked half-way between life and death. New York, bombed to prevent the spread of the disease, has been reduced to radioactive rubble. A rescue squad enters the subway tunnels beneath Manhattan, searching for the one man who can create an antidote. The squad battle floodwaters, lethal radiation and infected, irradiated survivors as they race against the disease that threatens to extinguish the human race.

Terminus will be published by Hodder in March 2013. (I was unable to dig up any details about a US or worldwide release, but I’ll keep you posted as and when more information becomes available.)

Also on CR: Interview with Adam Baker (video), Guest Post

Monday, December 24, 2012

“Border Crossing” by V.M. Zito (Hodder)

Zito-BorderCrossingA short story intro to the world of The Return Man

Corporal Noah Brodeur’s job is a lonely one. In the aftermath of the outbreak, from his remote Canadian border station, Brodeur must guard the Slinky: a formidable wall protecting his countrymen from the Evacuated States and the ravenous creatures that roam there.

All is quiet until the day a stranger emerges from the safe side of the forest. He says he is on a classified mission for the CIA. He says his name is Special Agent Kenneth Wu. He demands that Brodeur break rank and allow him across the border into danger.

But when everything is at stake, can appearances be trusted? And on the edge of civilisation, who is more dangerous, the living… or the dead?

Border Crossing is set before the events of The Return Man. Instead of focusing on Henry Marco, the star of the novel, this short story is about a Canadian border guard, Brodeur, and tells us the story of Kheng Wu’s infiltration into the Evacuated States. The story’s pretty short, so there’s not a great deal of time to offer a ton of world-building or character development. But, as an introduction to the world, this works rather well.

Monday, November 19, 2012

“Kill The Dead” by Richard Kadrey (Voyager)

Kadrey-2-KillTheDeadUKSandman Slim rides again. Kills some zombies.

James Stark, a.k.a. Sandman Slim, crawled out of Hell, took bloody revenge for his girlfriend’s murder, and saved the world along the way. After that, what do you do for an encore? You take a lousy job tracking down monsters for money. It’s a depressing gig, but it pays for your beer and cigarettes. But in L.A., things can always get worse.

Like when Lucifer comes to town to supervise his movie biography and drafts Stark as his bodyguard. Sandman Slim has to swim with the human and inhuman sharks of L.A.’s underground power elite. That’s before the murders start. And before he runs into the Czech porn star who isn’t quite what she seems. Even before all those murdered people start coming back from the dead and join a zombie army that will change our world and Stark’s forever.

Death bites. Life is worse. All things considered, Hell’s not looking so bad.

It’s a little tricky to review this book, for two reasons. First, to go into too much detail will throw out a ton of spoilers for the first book. Second, I’d basically just be repeating all the praise I wrote in my review of Sandman Slim… Nevertheless, allow me to repeat myself…

Thursday, October 25, 2012

An Interview with TIM LEBBON

Lebbon-EchoCityPoster

Tim Lebbon is a busy author, and one who dabbles in the darker corners of fantasy. Lebbon’s work has always been on my to-watch list, but I have sadly never had the chance to really devote much time to his fiction. This is going to change, however, as London Eye is my next read (see below). This year, in particular, he seems extra busy, with a number of fantasy, sci-fi and YA titles either already available or on their way. What better time to get in touch and give him a grilling about all his novels?

Wednesday, September 19, 2012

Boom Studios Catch-Up (September)

20120919-BoomCatchUp

This is just a nice, short catch-up. Boom Studios are still one of my favourite of the smaller comics publishers, and here are two of their best on-going series – they’re very different from each other, but both are also quite fun.

Reviewed: Extermination #4 & Fanboys vs. Zombies #6

Tuesday, July 03, 2012

“The Walking Dead: Rise of the Governor” by Robert Kirkman & Jay Bonansinga (Tor)

KirkmanBonansinga-WalkingDead-RiseOfTheGovernorReviewed by Bane of Kings

Set in the world created by Robert Kirkman, this is the start of a standalone trilogy with new characters and new storylines.In the Walking Dead universe, there is no greater villain than The Governor. The despot who runs the walled-off town of Woodbury, he has his own sick sense of justice: whether it’s forcing prisoners to battle zombies in an arena for the townspeople’s amusement, or chopping off the appendages of those who cross him. The Governor was voted “Villain of the Year” by Wizard magazine the year he debuted, and his story arc was the most controversial in the history of the Walking Dead comic book series. Now, for the first time, fans of The Walking Dead will discover how The Governor became the man he is, and what drove him to such extremes.

I should probably start this review off by clarifying that I haven’t seen The Walking Dead on TV, nor have I read the graphic novels. However, if The Rise of the Governor is anything to go by, I will be checking them out for sure, even if I have had my eye on them for a while now.