Review: CITY OF STAIRS by Robert Jackson Bennett (Jo Fletcher Books/Crown Publishing)

Another superb novel from RJB

The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions — until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world’s new geopolitical power, but the surreal landscape of the city itself — first shaped, now shattered, by the thousands of miracles its guardians once worked upon it — stands as a constant, haunting reminder of its former supremacy.

Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov’s oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem — and that Bulikov’s cruel reign may not yet be over.

City of Stairs is a superb novel, offering imaginative new takes on classic fantasy ideas and themes, populated by diverse and well-realised characters, and presented in excellent prose. This was one of my most-anticipated novels of 2014, and it exceeded by expectations.

Guest Post: “City of Stairs and the Super Tropey Fantasy Checklist” by Robert Jackson Bennett

City of Stairs is definitely a fantasy novel. It’s got dead gods, magic, monsters, political skullduggery, and a healthy serving of mayhem. (I actually think all my novels are fantasy, but that’s beside the point.)

However, despite the popular aphorism, the clothes don’t make the man: if I put on a policeman’s uniform, for example, that doesn’t make me a cop.

So despite City of Stairs having a huge amount of fantasy elements, I sometimes find myself wondering – does it act like a fantasy? Content does not dictate behavior, in other words.

This made me compile what I felt was the Super Tropey Fantasy Checklist, the sort of story components that are immediately familiar, whether you’re opening a book or sitting down to play an RPG. Such fantasy stories often feature:

CITY OF STAIRS Competition from Jo Fletcher Books!

Robert Jackson Bennett’s CITY OF STAIRS is absolutely one of my Most Anticipated novels of 2014. I have a copy of the book, now, so it will mostly likely be my next or next-but-one read. To celebrate the upcoming release in the UK, Jo Fletcher Books have five copies of the book to give away, plus one lucky winner will receive a £100 Red Letter Day experience. Here are the instructions:

All people have to do for a chance to win is let us know on our blog, Facebook page or Twitter – with #CityOfStairs – what tangible miraculous object they would create if you were a god of Bulikov.  A door which takes you to the past and a knotted cord that brings rain when untied are just some of the miracles the gods brought to Bulikov, but we want to know what other people would add to them. The competition is open until October 30th for your chance to win.

CITY OF STAIRS is published in the UK on Thursday (October 2nd). It is published in the US by Crown Publishing. Here’s the synopsis:

You’ve got to be careful when you’re chasing a murderer through Bulikov, for the world is not as it should be in that city. When the gods were destroyed and all worship of them banned by the Polis, reality folded; now stairs lead to nowhere, alleyways have become portals to the past, and criminals disappear into thin air.

The murder of Dr. Efrem Pangyui, the Polis diplomat researching the Continent’s past, has begun something and now whispers of an uprising flutter out from invisible corners. Only one woman may be willing to pursue the truth - but it is likely to cost her everything.

Guest Post: “Where Writers Get Their Groove” by Sebastien de Castell

By far the most common question you get asked as an author is, “Where do your ideas come from?” Of course, my ideas come from the same places as yours do: the crazy parts of your brain intersecting with the crazy parts of the world around you. Human brains are hard-wired to find patterns even when there are none and those little synaptic misfires are part of what makes us creative beings.

Now, the question I never get asked is, “Where do you get your groove from?” Maybe this sounds like a silly question. After all, books don’t have a groove, do they?

Think about those big moments in a story when your eyes are racing across the page to find out what comes next. If the author is doing their job every line should be moving the story along at the perfect speed for the action taking place. Remember back to one of those heart-rending passages where your eyes suddenly freeze on the last three words of a sentence as the implications of an emotional turnaround hits you. That strange, almost magical timing is pacing. It’s rhythm. It’s groove. My first experiences with storytelling were as a touring musician, so I often go back to music for the inspiration in finding the right pacing for key scenes in the books I write. Here’s a few that helped put Traitor’s Blade onto the page.

Guest Post: “On Trying a Trilogy” by Tom Fletcher

Gleam is the first book of The Factory Trilogy, which is my first trilogy. My first three novels – The Leaping, The Thing on the Shore, and The Ravenglass Eye, are horror novels that shared a universe, but are essentially standalone. And so writing the first book of a trilogy was an entirely new experience for me – one that I was apprehensive of, but have found thoroughly enjoyable.

I wanted to experiment with developing a particular protagonist – or, as it turned out, group of protagonists – across a series. I wanted to have a go at presenting the readers with a character who would grow and change from book to book, and whose whole past could be explored. Obviously, this required a series built around a character. So I knew from the beginning that characterisation would be central to this trilogy, and that the protagonist would need a motivation compelling enough to propel them forwards through three whole books, and a personality that would carry the readers.

Sebastian de Castell’s THE TRAITOR’S BLADE out in Paperback tomorrow! (Jo Fletcher Books)

Earlier this year (January), an advanced review copy of The Traitor’s Blade dropped through my mailbox. The debut fantasy novel by Sebastian de Castell, I was intrigued by the premise, which promised a mixture of swashbuckling action and adventure, sword-fights aplenty, and some intrigue and good storytelling. I was not at all disappointed. I blitzed through the novel. Here’s the main take-away from my review…

“An all-round brilliant fantasy debut, and one of the best I’ve read in a decade… Every so often, a debut novel comes along that knocks your expectations out of the park. Scott Lynch’s The Lies of Locke Lamorra is one of those novels. Peter V. Brett’s The Painted Man is another. Sebastien de Castell’s Traitor’s Blade needs to be added to that list. I loved this.”

Tomorrow, The Traitor’s Blade is published in paperback in the UK, and I highly recommend you pick it up, if you haven’t already. Here’s the synopsis…

Falcio is the first Cantor of the Greatcoats. Trained in the fighting arts and the laws of Tristia, the Greatcoats are travelling Magisters upholding King’s Law. They are heroes. Or at least they were, until they stood aside while the Dukes took the kingdom, and impaled their King’s head on a spike.

Now Tristia is on the verge of collapse and the barbarians are sniffing at the borders. The Dukes bring chaos to the land, while the Greatcoats are scattered far and wide, reviled as traitors, their legendary coats in tatters. All they have left are the promises they made to King Paelis, to carry out one final mission.

But if they have any hope of fulfilling the King’s dream, the divided Greatcoats must reunite, or they will also have to stand aside as they watch their world burn…

And, finally, you can read an interview with Sebastian de Castell, here. I really can’t wait to read the next book in the series. Long may Falcio et al find their adventures in print!

Upcoming: THE MYSTERIES by Lisa Tuttle (Jo Fletcher Books)

I’ve never read anything by Lisa Tuttle, but I receive a press release a few days ago for The Mysteries, and I was quite taken by the cover. It’s really quite excellent:

The novel is due to be published in the UK by Jo Fletcher Books, on September 4th, 2014. Here’s the synopsis:

Laura Lensky’s daughter, Peri, has been missing for two years. For the police it’s a closed case – she wanted to run away – but for her mother and boyfriend, Hugh, it’s a different story.

When Laura hires private investigator Ian Kennedy, it is a last-ditch attempt to find her daughter before she leaves for America.

Drawn in by strange parallels to an obscure Celtic myth and his first, almost unexplainable case, Ian takes the job. But his beliefs are about to be stretched to their limit – there are darker and more devious forces at work here than any of them imagined.

JFB have done a great job with the design for the novel (something the publisher is invariably good at, actually). And, while it’s got a larger palette than her previous books, it fits rather nicely with her other works, many of which will be released as eBooks in the coming weeks/months.

New Books (August #1)

Featuring: David Annandale, Anne Blankman, Christopher Fowler, Felix Gilman, Emmi Itäranta, Philip Kerr, M.A. Lawson, Peter Liney, Caitlin Moran, Haruki Murakami, Lauren Owen, Greg Rucka, Brian Ruckley, Adelle Waldman, Will Wiles, Tad Williams

Guest Post: “Saying Goodbye” by Tom Pollock

So that’s it then, it’s done.

It’s a strange thing, finishing a trilogy. It comes with a sense of dislocation. I’ve spent the last five years – a sixth of my life – in a dream world: a London where the streets are lit by glass-skinned dancers with phosphorescent blood, and where the statues conceal a priesthood entombed by their Goddess in stone and bronze as a punishment, a London where the scaffolding can slide from the face of a building, rearticulate itself into a snapping, snarling steel wolf, and pounce.

It’s not letting go of the world that’s the strangest thing, though it’s letting go of the people. Because I’ve also spent the last five years in the heads of two teenaged girls. I’ve done my best to feel what they felt as they fell in love, and fought with their friends and were kidnapped by sentient barbed-wire parasites and took on the powers of urban gods. I’ve pretzel-twisted my thoughts into the shapes of theirs. To put it simply, within the bone enclosure of my skull, I’ve been them. And it’s been a trip.

Excerpt: OUR LADY OF THE STREETS by Tom Pollock (Jo Fletcher Books)

I. THE FEVER STREETS

Chapter One

A girl hurried barefoot through the streets of what had once been East London.

She stumbled, clumsy in her haste, and caught herself with the iron railing she carried in her right hand. Her skin was covered in scales of tiny terracotta rooftops. A fringe of rubberised cable fell across her forehead from under the hood of her sweatshirt. The hair-fi ne streets that crisscrossed her back were flooded with oily sweat. As she ran, her shadow loomed and shambled in front of her, stretched by the dawn.

Upcoming: GLEAM by Tom Fletcher (Jo Fletcher Books)

Now this sounds pretty interesting. Don’t know much about the novel or the author, but it caught my eye earlier today (when I received a press release about it…). I do know it’s the first in a new trilogy. Here’s the synopsis:

The gargantuan Factory of Gleam is an ancient, hulking edifice of stone, metal and glass ruled over by chaste alchemists and astronomer priests.

As millennia have passed, the population has decreased, and now only the central district is fully inhabited and operational; the outskirts have been left for the wilderness to reclaim. This decaying, lawless zone is the Discard; the home of Wild Alan.

Clever, arrogant, and perpetually angry, Wild Alan is both loved and loathed by the Discard’s misfits. He’s convinced that the Gleam authorities were behind the disaster that killed his parents and his ambition is to prove it. But he’s about to uncover more than he bargained for.

Tom Fletcher’s Gleam is due to be published by Jo Fletcher Books in the UK, on September 4th, 2014. Fletcher is also the author of The Thing on the Shore, The Leaping, and The Ravenglass Eye. The author is also on Twitter.

Guest Post: “Whosoever touches the Tarot of Eternity…” by Rachel Pollack

THE USE OF TAROT CARDS IN THE CHILD EATER

Tarot cards appear in my novel, The Child Eater, in a number of ways, in particular a mysterious pack called the Tarot Of Eternity. In the story, the original has been lost for many centuries, so that the pack is known only through “a copy of a copy,” or even “a copy of a copy of a copy.” At the same time, the pack is seen as so significant that even these copies several times removed, but hand-created by magicians, have great power.

The book moves back and forth between two worlds, the first a medieval-style land ruled by wizards, the second a contemporary small city America. In the medieval world, an abused boy named Matyas runs away from his violent father to study magic. In the second, a lonely boy named Simon Wisdom desperately tries to suppress his deep psychic abilities, partly because he knows that no one likes him “reading” their minds, and more, because they bring him terrifying visions—dead children begging him for help, severed heads that live on in pain, and a gray man with an ancient stone knife. Matyas has similar visions, and he too does his best to forget them.

What bridges the two worlds, or rather crosses between them, is the Tarot of Eternity.

An Interview with RACHEL POLLACK

Let’s start with an introduction: Who is Rachel Pollack?

I’m a 68 year old writer living in the Hudson Valley of New York, after 19 years living in Europe primarily Amsterdam. THE CHILD EATER is my 36th book, coming right on the heels of 35, a non-fiction guide to a new oracle card deck, called The Burning Serpent, conceived and developed with artist Robert M. Place. This is fitting, since my first novel, Golden Vanity, was published at the same time, summer of 1980 as my first Tarot book, 78 Degrees of Wisdom. Golden Vanity is available now from Gollancz as an e-book (along with all my previous SF books), but otherwise long out of print. 78 Degrees has never been out of print, and is sold all around the world. My novel Unquenchable Fire won the Arthur C. Clarke Award, while Godmother Night won the World Fantasy Award. Temporary Agency was short-listed for the Nebula. I’ve published seven novels, plus two collections of short stories, one of reprints and one of all-new stories. I’ve also had a chapbook of poetry published, and created a Tarot deck, The Shining Tribe, drawing all the cards myself. A few years ago I co-translated the ancient Greek play Oedipus Rex, working with a scholar of ancient languages named David Vine. Our version is called Tyrant Oidipous.

Books Received…

Featuring: Rachel Aaron, Tanya Huff, Charlie Human, John Hornor Jacobs, Matthew K. Manning, Rachel Pollack, Robert Rotstein, Kieran Shea, Taylor Stevens, Daniel Wallace

Guest Post: “‘Don’t Worry, It’s not My Blood’ – On Tough Guys” by Snorri Kristjansson

At this moment in time, human interaction is very heavily coded. We learn from a tender age what’s good, bad, not allowed and WHY ARE YOU POOPING UNDER THE DINNER TABLE?! (Which is, in retrospect, also ‘bad’.) We can talk for a while about where our behaviour comes from – some say ‘nature’, some say ‘nurture’, some say ‘a very small shed in Hatfield’ – but there can be no doubt that at the moment we are animals with highly complex behavioural patterns that start with ideals at an early age.

Now, I am a ‘man’. My generously padded 6-foot frame gives it away, as does the beard and the deep voice. And as a ‘man’, I’ve lived with the ideal of the Tough Guy all my life. He is tall (usually), mysterious (sometimes) and handy in a scrap (always). The Tough Guy might not be best suited to navigating the treacherous waters of, say, office politics or teenage girl drama, but with every roll-back of learned behaviour, with every step backwards to the rule of might, the Tough Guy’s role increases. Basically, when the going gets tough I will happily take my big ol’ manly frame and hide in a very manly fashion behind a proper Tough Guy.

Books Received…

Featuring: Kristen Britain, Brian Freeman, Christopher Galt, Nick Harkaway, Snorri Kristjansson, Ursula le Guin, Peter May, Karen Miller, Paul Sussman, Chris Willrich, & graphic novels

Excerpt: BLOOD WILL FOLLOW by Snorri Kristjansson (Jo Fletcher Books)

Prologue

EAST OF STENVIK, WEST NORWAY

October, AD 996

Ulfar walked, and the world changed around him. With every step the colours shifted from green to yellow, from yellow to red, from red to brown. Around him, nature was dying. Every morning he watched the same pale sun rise over greying trees. He was cold when he woke and wet when he slept. He jumped when he heard a twig snap or a bird take flight. Every shadow threatened to conceal a group of King Olav’s men about to burst out of the forest with drawn swords. His ribs still hurt after the fall, but there had been no other way out of Stenvik. They’d hidden themselves among the corpses at the foot of the wall until dark, then made their way in silence to the east, past the bloody remains of Sigmar on the cross and into Stenvik Forest, over the bodies of scores of slaughtered outlaws, after King Olav’s army had charged through the ranks of the forest men, killing everything in its path.

Books Received (Easter Week & a Bit)

Featuring: Mark Alder, Charles Cumming, Stella Gemmell, Terry Hayes, Sarah Pinborough, Justin Richards, Marcus Sakey, Tom Rob Smith

Recently Received Titles…

Featuring: Anne Bishop, Carole K. Carr, Joël Dicker, Charlaine Harris, Tanya Huff, Mark Millar, Gary Meehan, Isla Morley, Terry Pratchett & Stephen Baxter, Tom Rachman, Samantha Shannon, Joel Shepherd, F.R. Tallis, David Wingrove

Interview with ALISON LITTLEWOOD

Let’s start with an introduction: Who is Alison Littlewood?

Ah, the hardest question of all... I’m a probably slightly odd person who writes probably slightly odd books! I’ve been writing dark fantasy and horror for several years now, and was lucky enough a while back to get a three-book deal from Jo Fletcher Books at Quercus. A Cold Season was picked for the Richard and Judy book club, and it went from there.

Your next novel, The Unquiet House, is due to be published by Jo Fletcher Books in April 2014. How would you introduce the novel to a new reader?

It’s a ghost story set in a rather dour Yorkshire house, following the fates of different generations of the same family. There are sections set in the present day as well as the seventies and the thirties, which each shed light on each other. It’s probably the oddest of my odd books, and in a way it’s perhaps best to read it knowing nothing at all, so I will leave it at that…!