Showing posts with label Gusto Dave Jackson. Show all posts
Showing posts with label Gusto Dave Jackson. Show all posts

Sunday, March 26, 2017

Where's Annie?

Thank you, Bookworm for Kids!  "With edge-of-the-seat adventure, this gunslinger heroine takes on all sorts of dangerous villains and shows the world just what one girl can do."


"I strapped on some chaps and spurs and sat down with the authors. They graciously answered a few questions." ~ Greg Pattridge of Always in the Middle.


Monday, May 20, 2013

TATTOO RAMPAGE: Author and Movie Buzz

Interview conducted by Janet Fogg.

In the years I’ve known “Gusto” Dave Jackson, he has helped connect writers to resources and industry professionals, relentlessly praised Rocky Mountain Fiction Writers, and dreamt up countless unique ideas for stories. His recent success comes as no surprise and I am absolutely delighted for him!

CIR: First off, is it correct that your novel Tattoo Rampage is already represented for film rights by Hotchkiss and Associates and it hasn’t even been released yet?

DJ: That’s right. Yeah, it blows my mind. Right now, I am working on finishing touches and all the production stuff with the staff of Curiosity Quills Press.

CIR: Hotchkiss and Associates have an amazing track record, having guided The Kite Runner, On the Road, Secretariat, and many other books that became blockbusters to major studios. I know you’re modest. How do you feel about being in that kind of company?

DJ: I’m still astonished. To my understanding, Jody Hotchkiss, the owner of the agency, is also working with Joe Hill to get his novel Horns to the right production company. I mean…Joe Hill! Yeah, I wrote Tattoo Rampage kind of thinking that it would be a good idea for a movie, and I worked my butt off, but don’t most authors do that? All I can say is: I feel very blessed.

CIR: Word is that Hotchkiss and Associates acquired the rights to represent Tattoo Rampage within a couple of weeks of it being picked up for publication. Is that true? If so, that’s very fast for this industry.

DJ: Mr. Hotchkiss negotiated a deal with the publisher to represent it for film eight or nine business days after my literary agent, Sharon Belcastro, posted the news of the contract on Publisher’s Marketplace. She called me on a Friday, saying that he read the manuscript in one day, loved it, and really wanted to represent it. For what it’s worth, a professional that moves that fast, and sees what he wants and makes it happen, gives me the utmost confidence that he will find a good home on the screen for it. Again, I’m very thrilled and honored.

CIR: Besides you being a good writer, why do you think Hotchkiss was so determined to get Tattoo Rampage?

DJ: He may love tattoos. :-)  From that, I’ll go on to say that tattoos are so cool. Here's the skinny about the story:

Evangelina Marquez-James gets her first tattoo, a symbol of courage to carry on after her husband dies in the line of duty as a police officer. The skin art is of an elite yet obscure super heroine created by a forgotten 1940s artist.

A solar disturbance triggers a metamorphosis in her new ink, enabling Evangelina with the ability to transform into the embodiment of the character complete with powers. She sets out to wage war against the types of vermin who murdered her husband.

Acid, a sociopathic killer who can assume the form of his warlord tattoo, seeks the artist’s original sketchbook. When Evangelina comes into possession of the drawing pad, Acid not only tracks it down, but her family as well, forcing her into a standoff with his nightmarish army born of ink.

There are quite a few titles in circulation that integrate supernatural tattoos into their plots very well. With Tattoo Rampage, I wanted the ink to be at center stage. For instance, when their host dies, tattoos go to a place called Inkscape. Imagine every tattoo that was stitched throughout the ages living in a surreal world. From Inkscape, the heroes, called Sabron Quills, and the villain, Acid, draw their powers.

The heroine has dark tribal flames twisting down her arms that can extend out of her skin in the form of blades, with which she fights her enemies.

Although Tattoo Rampage is not any where near a horror novel, there is a tribute to many iconic monsters, like the aliens from the Ridley Scott and James Cameron films of the 80s. A tattoo of Jack the Ripper plays a critical role in the plot. Comic book heroes made of ink, some loyal to their original appearance—some distorted because the ink faded or the host wanted them drawn with a different style, make cameos. By the way, I’ll be a panelist at the Denver Comic Con the weekend of May 31st, too. Everyone please come by and say hi. http://www.denvercomiccon.com/

Anyway, Mr. Hotchkiss probably sees how this stuff can appeal to a huge demographic.

CIR: The heroine of the story is a young widowed mother. Her police officer husband was killed in the line of duty, leaving her with a seven year old son to grieve with. And in the housing market crash, she’s a realtor, struggling to get by. Did someone you know inspire the character?

DJ: Several people influenced the creation of Evangelina Marquez-James. The recession hurt so many people. Everywhere you look, there are heart breaking stories and I felt the protagonist should be one of these courageous souls.

CIR: What challenges did you encounter, if any, writing from Evangelina’s POV?

DJ: I wanted to make sure she had plenty of personality. There are a lot of colorful characters in Tattoo Rampage and Evangelina is a good girl, Catholic, honor roll student, never drank until she turned 21 and then it was just a modest glass of wine. I’ve never been like that so I wanted to make sure she still had some gritty feelings which I think my agents and editors feel I pulled off.

CIR: When is it coming out and where can we get a copy?

DJ: Tattoo Rampage is forecasted for release in July 2013. Mainly an E pub, it will be available through Amazon and also directly from the publisher's website http://curiosityquills.com/ And I would very much appreciate any word-of-mouth/social networking that friends would be willing to pass on about it. I’m working on an ‘Ink’ club of sorts in which endorsers can get swag.

CIR: Thank you, Dave! We look forward to reading Tattoo Rampage and hope to hear about a movie deal soon!

You can friend and/or follow Dave on Facebook at https://www.facebook.com/gustodave.jackson?ref=tn_tnmn  and here, on Chiseled in Rock!


Wednesday, November 28, 2012

Be a Star: The Willie Nelson Tribute

I’m continuing with my series that supports why writing is very much the entertainment industry, comparing the rough roads to success between novel writers and performers.


The many stories about Willie Nelson’s rise to stardom are pretty famous. Most of us know that it took him decades to ‘make it’ in show business. But one can hear this tidbit, shake his or her head in amazement, and really fail to comprehend all the kicks this songwriter had to endure just to get someone to listen to his songs. Incidentally, he always wanted to be a songwriter more than anything. The performing just came naturally.

Here’s the big thing you—or any other artist for that matter—share with the Red Headed Stranger before he made his mark with the Texas Outlaw sound: You never really know if you’re going to make it.

Sure, Willie knew lots of people…players in the industry. He made headway and impressed performers enough that Patsy Cline and other country music stars recorded his songs. But there is never job security in the entertainment business. This is true as well with the publishing industry. If authors’ sales decline, publishers will drop them. If songwriters can’t pump out any more hits, they’re marked also. The trick to ‘making it’ is loving the art so much that you’ll keep doing it no matter what.

And Willie loved playing music. When he pitched the Red Headed Stranger album to Columbia Records that would go on to launch his performance career, they said they liked it but thought it was a little bare and offered to front him some coin to produce it with a more contemporary sound. Having been ‘produced’ almost to death, and advised to portray a clean cut image - I might add, Willie told Columbia that they could take it or leave it. He was prepared to play bars the rest of his life. Columbia gave in and now we all know who Willie is.

I can’t write a piece about my idol without pointing out a couple of his most brilliant career moves. Hang with me for these, because whereas they don’t necessarily underscore any challenges to finally get his big break, an aspiring artist can learn from them. Willie is a master of publicity. No one really ever gives him credit for it either. In the early 70s, Willie invited his country music star buddies to play at an outdoor 4th of July concert every year. Banners flooded the Lone Star State calling out the event. Guess whose name was on each banner. Pretty damn smart. Then when he gained fame, he started singing duets with just about everybody. And by doing so, he doubled his exposure.

So if you get another rejection-or a slew of them for that matter-for your book, consider how long and how many extra miles Willie walked to finally make it in the entertainment business.

Tomorrow, we look at a superstar fashionista and a clever children's book author.

Friday, we drive it all home with a big tie in to probably the most famous writer on the planet.

G U st O

D A v O

Wednesday, August 15, 2012

Editor with Kensington Peter Senftleben


If you attend a conference and meet an editor, hopefully you’ll get to chat with someone as cool as Peter Senftleben. We of Rocky Mountain Fiction Writers and Chiseled in Rock have a special place in our hearts for him because he discovered our friend J.A. Kazimer. Her novel Curses, a hilarious and irreverent take on classic fairy tales—think Shrek for grownups—went on sale March 1st 2012.

Maybe his cheerful disposition has something to do with the fact that his background is in engineering and math and he dodged them to do something he loved for the next fifty years. He’s a bit of a Renaissance man.

Peter frequents writers conferences in the Colorado area and we look forward to seeing him again at our Rocky Mountain Fiction Writers Gold Conference.

CIR: Is there lots of pressure from publishing companies to their editors to choose titles that will sell?

PS: Of course, that’s how anyone makes money! Ideally, all the projects we acquire will sell well, but the truth of it is that many don’t. And they ultimately become labors of love for us. We acquire books that we feel passionate about and hope that translates to the general book-buying public, but with so many options out there, it’s not always that easy. The challenge for us is to find books we love that also stand out enough to make people pick them up and get them to read them above all the other choices. For whatever reason, people still may not connect with a book on a grand scale the way we do personally, but those are inevitable and risks pretty much any publisher will take for the right books.

CIR: I’ve heard countless times that writers have to be working publicity angles even if they don’t have a book sold yet to be considered for publication. Is this really a deal breaker if they aren’t?

PS: It depends on the book. That’s much truer for nonfiction than fiction. If a book is good, fits our list, and we think there’s a market for it, pre-sale publicity efforts don’t matter to me (also, what would you be publicizing if you don’t even have a publisher yet?). It’s great to have a website and maybe a blog, Facebook page, Twitter account—for yourself as an author rather than a specific book—as a jumping off point, but there’s enough time between the sale of a manuscript and the publication date that you can get things up and running in the meantime. We’re getting more pressure to include early endorsements, especially for debuts, so personal connections with bestselling authors in your genre are the best thing to develop.

CIR: How important is it for a writer to be flexible about changing their manuscript?

PS: Authors always need to be open to revisions of any size. It’s very rare that a manuscript comes in perfect, and almost never by a new writer. One of the first books I worked on, I basically had the author rewrite nearly three-quarters of the book to change the points of view. There was much resistance, but in the end, he and I both agreed that it was much stronger because of those changes. I’ve also asked authors to change character names because too many started with the same letter. Often, writers get too close to their work and can’t see the weaknesses in it, so they need to be receptive to constructive advice. No editor is out to make the book worse, trust me. If an author is so attached to every single word as they’ve written them, then they should probably look into self publishing instead. Also, inflexible authors are nightmares and nobody wants to work with them, so chances of a renewed contract are slim; sorry, but it’s true.

CIR: What is your dream as an editor? Finding the next J.K. Rowling?

PS: That would be nice, but I think it’s a little bit more personal for me than finding a blockbuster out of the gate (though I suppose Harry Potter took a bit to get going). I have so many books and authors that I truly love and can’t extol their brilliance enough—T. Greenwood, Ken Wheaton, and Lee Houck, to name a few among many—and it would be a dream if more people discovered them and became as fanatical as I am. Also, if they were mega-successful and made tons of money, because then it would just be validation of my tastes and I would be satisfied knowing that I helped make it happen. And maybe I’d get a bigger raise…

CIR: Kensington has open submissions, no agent necessary. Has Kensington found lots of good writers through this submission path?

PS: I know that we have acquired some projects that way—I personally have a couple—so it’s possible, but I can’t speak to the company as a whole or how successful they are. I just don’t know the path every author has taken to get here or their sales figures. But since we’re so commercial and publish a lot of genre books (romance, mystery, thrillers, etc.), we are able to get some quality projects directly from writers, be it because agents haven’t taken them on for whatever reason or authors simply haven’t even tried to find agents. On the flip side, it opens us up for a lot of terrible submissions, too. Like, can barely write a sentence bad.

CIR: Now, staying in accordance with my M.O., I must ask something off track. You had interest in doing stand up comedy. Did you ever try it?

PS: No way! I’m much too shy. That was just a pipe dream for another life.

The genres that Peter accepts are posted on the Kensington webpage.

Interview conducted by Gusto Dave Jackson, urban fantasy and YA western steampunk author represented by the Belcastro Agency.

Original interview posted 11/17/11.


Monday, April 23, 2012

True Grit: a Jaw-Dropping, Revealing Interview with Gusto Dave

Brace yourself for a shock. The real Dave Jackson will surprise you.

A multi-talented and disciplined workaholic, he came to Colorado on a tragic note. In the same week he was engaged to marry his long time fiancée, start a new job as a Sr. Manager in Engineering, and buy a house—at the top of the real estate boom no less, his father passed away of colon cancer. Before Dave signed up for these big life changing events, he and his father knew the prognosis. But the elder had told his son that life had to go on. So Dave marched forward as his father had wished.

The next year, he lost his mother to MS and his job to layoffs due to the tech crash.

Because he and his wife are resourceful and shrewd with a dime, they have weathered the recession unscathed. They also added to their family. Dave used his time wisely, volunteering with charities and working when possible. He raised/tutored their youngest son who continues to score off the charts on school assessments.

Although Dave had dabbled with writing before, it was in the wake of his losses that he decided to write, this time to seek publication.

CIR: You have quite a few real life stories you could tell. Are there any that most of your writer colleagues might not have heard?

GD: They make for better anecdotes over drinks than anything, but yeah, I have a few hair raisers.

I’ve been shot at. Good thing I ducked.

You know on TV where they show a guy pass out from getting clobbered in the head with a full liquor bottle? That’s not right. It happened to me and I didn’t black out. Don’t get me wrong, it hurt and there was plenty of blood, but it scared me more than anything.

Then there was a time that a biker gang head honcho wanted to kill me—so his buddies said. That resolved very happily. I doubt you want to read a drawn out account of it, but it’s worth saying that music does indeed calm the savage beast. That was a weird night.

In college, I had to kick a roommate out of our house because he stole like 12 marijuana plants from the surrounding county (another long story) and thought he was going to harvest them in his room. And these plants were over five feet tall. Moron.

Let’s see…wrecked a motorcycle on the highway. Wasn’t wearing a helmet. I walked away with only a broken collar bone.

In the Navy, I wound up stuck in a very bad part of town—that will go unnamed—in the middle of the night and somehow I got back to the ship.

Me and some buddies outran an attempted mugging up in Chicago.

That’s probably enough.

CIR: Music played a big role of your early life. You’re a guitarist and singer. What kind of success did you have? Do you think it helps you as an author?

GD: As far as success goes, I had a song picked up by a music publisher (same thing as a literary agent—they go around pitching your songs to recording artists). The record company reps thought the song was too sad though.

There were several periods in which music was the only way I paid my bills. After getting out of the Navy and returning to college, I played standards in restaurants for about a year, my only source of income. My Dad and his girlfriend came out to hear me one night and she said I looked like a zombie thanks to my fatigue. It was definitely wearing me out playing till midnight Tuesdays through Saturdays and being bright-eyed and bushy tailed for class Wednesday and Friday mornings.

My first year in Colorado, I played bass in a heavy metal band. It was good money, too. But when I’d come home, I’d drop in my tracks and fall asleep. Unfortunately, I always bite off more than I can chew.

And there was this survivalist dude back in '98—you remember the Y2K stuff?—that wanted me to record all of his lyrics…which had to do with starting the world over. No kidding. I won’t tell you what he did for a living, but he paid me a whopping chunk to set up the deal with the studio, put music to his words, sing and play the instruments (except for drums – that was a track). Haven’t heard from him since.

Yes, fiddling with the music business has certainly helped with my writing. I’m thankful to be able to stay home and write as opposed to galloping all over the place to play gigs. I guess it also helped to know up front in my pursuit to get published that it wouldn’t be easy.

CIR: How do you describe yourself (the top three things that come to mind)?

GD: Passionate, ugly, but the coolest geek you’d ever want to know. Unfortunately, passion comes with baggage like extreme impatience, a hair trigger temper, and a tendency to control everything. At least it does for me. For the past two decades, I’ve done things like exercise, joke, or just flat out walk away to manage my temperament. And for the most part, I think it works, because most people don’t seem to notice how intense I am. Life has taught me to loosen up on my controlling grip. I mean…hell, there are just some devastating turns out there that you can’t do a damn thing about. I always remember those when I get that fidgety urge to wastefully commandeer something. Other than that, passion is quite useful.

CIR: How did stand-up comedy enter the picture?

GD: I never would have dreamed that I’d try comedy. I used to think that somebody would have to be crazy to get up in front of a bunch of people, out there on a limb by themselves, trying to get a bunch of drunks to guffaw.

This all changed when I was playing a gig, getting nice compliments about my musical renditions, but it was all just so sedate. I knew the people in the restaurant liked the songs composed by other artist and that I’d done them justice, but there was no me in the music.

So, I realized I needed to add a personal touch to my repertoire. Some humor sounded like the right fit. Armed with a couple of whimsical stories, I returned to the microphone and between songs, I shared with the audience. Overall, the pseudo jokes did well even though I had a tendency to diddle with my guitar while telling them. So that meant I was nervous. That’s when it hit me that I needed to go to the mike all by myself, no instrument to hide behind, and do it up right. It also occurred to me that if I could pull off real stand-up comedy, I might be able to pen one or two funny lines in a novel which would hopefully help to sell it. Plus, if I ever got the book deal, wouldn’t some humor at signings/ appearances help sales?

My focus became stand-up. I went to some very seedy open mike nights and bombed. Undeterred, I finally wrote some pretty good material, got the delivery down, and rocked it at the Comedy Works in LODO Denver. Now, I only do comedy gigs if one of my comic buddies calls me to fill in. Don’t have a lot of time right now. For that same reason, I haven’t picked up a guitar in over a year.

CIR: What are your current writing goals and challenges? (What are you working on?)

GD: Doing whatever my agent tells me. It’s hard to write because my fingers are crossed 24 X 7, trying to squeeze any luck to my agent as she pitches my novel.

CIR: Do you prefer igneous, metamorphic, or sedimentary?

GD: Geology swept me away in college. It was so cool because I had just learned about the classifications of soil depths (I.E., Cambrian, Pre-Cambrian, Permian, Jurassic) and then Jurassic Park hit the theaters. In another life, I am a geologist. So I love them all.

CIR: How has RMFW helped you advance your career?

GD: Through the conferences and critique groups, I met authors. They told me what to do. I obeyed.

CIR: What writers inspire you?

GD: If I tried to list them all, I’d miss someone important and that wouldn’t be fair. Also, just listing them wouldn’t do them justice. If I ever make it to the bestseller list, I’ll come up with a complete tribute to inspirations.

CIR: Do you ever get writer’s rock, er… block? If so how do you break through?

GD: Not at all. When lack of rest catches up with me, I might not be able to come up with snappy things to say. Creativity is not a problem if my battery is fully charged though.

CIR: What one piece of advice would you offer to new writers?

GD. Don’t. It’s way harder than you think. And that’s just the novel. The query, the synopsis, the pitching, the marketing, they are all schools unto themselves. But if you’re crazy like the rest of us, insisting that you just have to write, then welcome aboard. I say this to you: go after it with every thing you’ve got. Don’t just float around with writers. Be one with the intent to get published and do it right.

For instance, I think that my confidence is off-putting to many of the staid personalities that find their way to this discipline. Just my two cents. They probably see me as smug. To anyone who may perceive me as such—and of course you’re entitled to your opinion—you may rest assured that I am very much human. I get weepy…sensitive. There were times in my life when I had zero self esteem and didn’t see the point in living. But somewhere in my squandered youth, it hit me that I had to believe in myself even if it came across as overboard to others. If you don’t know in your heart that you got what it takes, who else is going to? That’s what I mean by going after it. Get in this game to win, or do yourself a favor and stay out of it.

CIR: What’s your favorite rock and roll song?

GD: My Mom and Dad who grew up during the birth of bebop said that rock and roll should have a beat that makes you want to dance. I couldn’t agree more. It should also be loud, pushy, and full of guitars. And since I was a teen of the eighties, three songs tied for the lead in my book. Hurt So Good by John Cougar Mellencamp, What You Need by INXS, and What I Like About You by the Romantics.

CIR: When did you first consider yourself a writer?

GD: Artist is a more fitting title for me. I love all forms of expression and writing just so happens to be one of them. Just like all the other arts, writing demands a lot of hard work. In my earliest memories I acted, made up stories, sang, and even danced. In high school when I was supposed to be paying attention in English class, I would pen a few lines of my own Indiana Jones episodes.

CIR: Do you also have a “day” job? Other interests or hobbies?

GD: The cool thing is that the job in a dairy that I’ve had for the past few years has been very flexible in scheduling thus allowing me to write tons of titles. Cool ideas also come to me during the mindless work. It also keeps me in shape. But speaking of other interests and hobbies, I exercise beyond my occupational workout by running, boxing, bicycling, or swimming. I throw the weights around a bit too.
I don’t really have many hobbies. I either make it a passionate part of my life, or it’s not on my radar. In fact, this year I have resolved to relax more.

A well written movie, especially horror, or one that’s just got the right mix of camp in it, draws my attention on occasion. Drinking is fun, but I keep that in check anymore. I like to experiment with cooking, but eventually it starts becoming a quest to come up with a new dish. I used to tinker with cars, but that was an educational thing as well. See what I mean? Nothing is ever about just chilling. Even if I soak in a hot tub, I always wind up thinking, trying to solve problems.

CIR: Do you like rocking chairs?

GD: I love when they move by themselves. A creepy creaky squeak. It stops suddenly, but you swear you spotted it rolling full tilt out of the corner of your eye.

CIR: And lastly, what did you dream of doing when you were twelve years old?

GD: Everything.

CIR: Thank you, Gusto Dave! If you’d like to visit with Dave or learn more about his writing or comedy routines, please friend him on Facebook!

by Janet Fogg

Wednesday, August 17, 2011

Be a Star : What Willie Nelson and You Have in Common


I’m continuing with my series that supports why writing is very much the entertainment industry, comparing the rough roads to success between novel writers and performers.

The many stories about Willie Nelson’s rise to stardom are pretty famous. Most of us know that it took him decades to ‘make it’ in show business. But one can hear this tidbit, shake his or her head in amazement, and really fail to comprehend all the kicks this songwriter had to endure just to get someone to listen to his songs. Incidentally, he always wanted to be a songwriter more than anything. The performing just came naturally.

Here’s the big thing you—or any other artist for that matter—share with the Red Headed Stranger before he made his mark with the Texas Outlaw sound: You never really know if you’re going to make it.

Sure, Willie knew lots of people…players in the industry. He made headway and impressed performers enough that Patsy Cline and other country music stars recorded his songs. But there is never job security in the entertainment business. This is true as well with the publishing industry. If authors’ sales decline, publishers will drop them. If songwriters can’t pump out any more hits, they’re marked also. The trick to ‘making it’ is loving the art so much that you’ll keep doing it no matter what.

And Willie loved playing music. When he pitched the Red Headed Stranger album to Columbia Records that would go on to launch his performance career, they said they liked it but thought it was a little bare and offered to front him some coin to produce it with a more contemporary sound. Having been ‘produced’ almost to death, and advised to portray a clean cut image - I might add, Willie told Columbia that they could take it or leave it. He was prepared to play bars the rest of his life. Columbia gave in and now we all know who Willie is.

I can’t write a piece about my idol without pointing out a couple of his most brilliant career moves. Hang with me for these, because whereas they don’t necessarily underscore any challenges to finally get his big break, an aspiring artist can learn from them. Willie is a master of publicity. No one really ever gives him credit for it either. In the early 70s, Willie invited his country music star buddies to play at an outdoor 4th of July concert every year. Banners flooded the Lone Star State calling out the event. Guess whose name was on each banner. Pretty damn smart. Then when he gained fame, he started singing duets with just about everybody. And by doing so, he doubled his exposure.

So if you get another rejection-or a slew of them for that matter-for your book, consider how long and how many extra miles Willie walked to finally make it in the entertainment business.

G U st O
D A v O

Thursday, August 4, 2011

The Flanders Reads the Rock!



It seems that the polite puritan paisan indeed exists. And with the Rock's quality entertainment suitable for the entire family, it comes as no surprise that he's one of our biggest fans!

Saturday, February 12, 2011

A Music Legend Visits the Rock

One of our favorite entertainers drops in to serenade us. Look for more video shorts each month on the blog for readers, writers, and admirers of unique entertainment.

Thursday, February 3, 2011

Pterodactyls, Donuts, and Talking Dogs



Gusto Dave Jackson’s stand-up comedy fits with the intellectual crowd like hot chocolate on a snow buried Colorado day. Join our RMFW Publicity Chair as he untangles the warped ideas in his mind resulting in a good laugh for all of us.

Janet Fogg