Catch Me Daddy.

This debut feature film from Daniel Wolfe, who co-wrote it with his bother Matthew, is certainly not for the squeamish in fact its not just what you witness on the screen that is violent and very disturbing but the whole scenario.   The story is played out in a bleak ex industrialised North of England in and around West Yorkshire, the obvious results of ‘Thatcher’s Britain’ that have been made worse by consecutive governments following in her footsteps giving nothing to poverty stricken inhabitants other than easy access to drugs and cheap alcohol.  

 

Laila.

The Wolfe’s never explain to the viewer what’s going on and give no background to the events or the characters. But laid out before us is a situation involving two lovers on the run. Laila (Sameena Jabeen Ahmed one of the many non-professional actors in the movie) is a British girl in her late teens from the Pakistani community who has dishonoured her family by running off with her white waster boyfriend Aaron (Conor McCarron) and setting up home in a caravan. Her father wants her back and to this end not only sends her brother and three of his Asian friends but also employs two white bounty hunters, the thuggish Barry (Barry Nunny) and an older man the coke addicted Tony (the great Gary Lewis) to track her down and return her to the family fold.

 

Tony.

The hunt is on...

The slow build up towards what you guess will be a devastating climax keeps you on the edge of your seat, greatly helped by the acting from a cast of non-actors who give a grim but realistic portrayal of characters who reside on the very edge of what the right wing media would call normal society. Also adding weight to the cast are Kate Dickie (Couple in a Hole 2015) and Nichola Burley (For Those in Peril 2013). DOP Robbie Ryan has a wealth of experience including working with Andrea Arnold on three of her movies and with Ken Loach on The Angels Share (2012) and proves his ability yet again - the camera work on this movie is exceptional. What I will guarantee viewers will be shaken and stirred after seeing Catch Me Daddy (2014).  

Orphans (1998)

The original film poster.

Park Circus is a film distribution company based in Glasgow Scotland. The company specializes in the distribution of classic and back catalogue films. At the end of October they released a new digital transfer of Peter Mullan’s directorial debut, his first full length feature film Orphans (1998) a movie that had not been available for some time.

The Four Siblings.

The winner of four awards at the Venice Film Festival in 1998 Orphans tell the story of personal loss and grief involving four siblings, three brothers, Thomas Flynn the eldest, Michael and John, and their wheelchair bound sister Sheila who has cerebral palsy who gather together on the eve of their mothers funeral. All four go on to face individual torments before the actual burial takes place the following day. This unflinching and at times touching and slightly surreal film stars some familiar Scottish actors including Douglas Henshall as Michael, Gary Lewis as Thomas, Stephen McCole plays John with Rosemarie Stevenson as their sister.

She ain't heavy, she's my mother.

When it was originally made there were problems getting it distributed because Film 4 (whom it was discovered at a later date had burnt all the unused film footage without consulting any one) weren’t happy about releasing it, the success at the Venice helped, particularly in Europe, although it run in Glasgow for a period of fourteen weeks in 1999. Made with a budget of 1.9 million, the film was shot entirely on location in Glasgow, sadly depicting the city as an extremely violent place. The movie stands the test of time, Mullan put no real timeline references into the film; the only thing that dates it is the lack of mobile phones. The following quote from Peter Mullan sums up the film in my opinion. “It’s dark. It’s about grief. It’s weird, I’d always wanted it to be, and I still think it is, a democratic comedy. The audience can decide what bits to laugh at and what bits they're not going to laugh at.”

Michael and John finally make it to the funeral! 

Who can forget the night at the Robert Burns Cinema in Dumfries when Peter joined us for a question and answer session for his third feature film as director Neds (2011). I said in that ramble that his best-known film was probably The Magdalene Sisters (2002) but Orphans, a dark comedy drama, is a good early indicator of the Scotsman’s directorial skills.

 Included on the DVD re-issue are three early short films by Mullan, Close (1993), Good Day for The Bad Guys (1995) and Fridge (1995).  Made for £500 Close tells the tale of Vincent (Mullan) who lives in a Glasgow tenement block, his wife has just given birth and she will be bringing the baby back to their home shortly. After a derogatory remark about his new born daughter by a drunken neighbour Vincent decides its about time he set about “cleaning” up the his close! An unpretentious enjoyable black comedy.

The second short Good Day for Bad Guys is about a group of four unbalanced entertainers involved in a traditional, but down at heel, Scottish pantomime and how they interact with one another. Starring, along with its director, are Gary Lewis and the Scottish actress Laura Fraser.  This short borders the horror genre.

The bleakness of the Glasgow tenement.

By far the best of the three shorts is Fridge. Rudy (Gary Lewis) and Alice (Vicki Masson) who have problems with alcohol, live rough in the grounds of a run down Glaswegian tenement block. Following a nasty incident involving another rough sleeper a young boy is locked in an abandoned chest freezer, the fridge of the title. Struggling with their own demons Rudy and Alice set out to free the boy before his air runs out. A very bleak film about this county’s forgotten under class that could easily be set in 2011 Britain. This is one of the best short films I have ever had the privilege of viewing, one that I will not forget. The DVD is essential viewing for anyone interested in the Scottish actor and director’s early works.