SPOTLIGHT ON MARJORIE REYNOLDS

Marjorie Reybolds starred in one of the most beloved movies of the 1940s Holiday Inn. However, she was not only overshadowed by co-star Bing Crosby's singing but she was in the background due to the introduction of the most popular song ever written "White Christmas". Bright, vivacious Marjorie Reynolds (née Marjorie Goodspeed) was born in Idaho on August 12, 1917 to a doctor and homemaker, and raised in Los Angeles.

Making her film debut at age 6, she "retired" after only a few years in favor of a normal education. She returned in the mid-30s, as a teenager this time, and began the typical assembly-line route of extra and bit roles for various mega studios, this time billed as Marjorie Moore. Her first speaking role was in Columbia Studio's programmer Murder in Greenwich Village (1937), this time billed as Marjorie Reynolds (her first husband's last name), a moniker she kept for the duration of her career.

The blonde (originally brunette) actress then went through a rather non-challenging prairie flower phase opposite Hollywood's top western stars such as Tex Ritter, Buck Jones, Roy Rogers and Tim Holt. It all paid off, however, when she won the top female role opposite Bing Crosby and Fred Astaire in the seasonal film classic Holiday Inn (1942), a role originally designed for Mary Martin. It remains Marjorie's most popular and cherished role on film, but it did not help her make a permanent transition into 'A' quality fare.I had the opportunity to interview Marjorie's daughter shortly after her mother's death, and she remembers her mother saying Bing was sometimes cold to herm because he had wanted Mary Martin for the role. However, she said Bing was professional. Despite what Bing might have thought of Marjorie in Holiday Inn, he thought there was enough chemistry to choose her as his leading lady again in 1943's Dixie, which was another hit for Bing.

Marjorie continued as a dependable "B" co-lead in such films as Up in Mabel's Room (1944), Meet Me on Broadway (1946), and Heaven Only Knows (1947), with an exciting movie offer such as Fritz Lang's Ministry of Fear (1944) coming her way on a rare occasion.

Along with maturity and a new entertainment medium (television) in the 50s came a return to her natural hair color. As William Bendix's patient, resourceful brunette wife on the comedy TV series The Life of Riley (1953), Marjorie became a semi-household name. Her career took a steep decline following its demise five years later and she was only sporadically seen in films, commercials and TV guest spots after that.

Married twice, her first husband was Jack Reynolds, who was an Assistant Casting Director for Samuel Goldwyn. They had one daughter, Linda, before divorcing in 1952 after 16 years. Linda was named after her mother's character from Holiday Inn. Second husband, film editor John Whitney, worked for a time in the 40s as an actor. They were married for 32 years until his death in 1985.

Long retired, Marjorie made her last movie appearance in 1962's The Silent Witness. However, she did continue to have sporadic television roles until 1978.  Marjorie died  on February 1, 1997 of congestive heart failure after collapsing while walking her dog. Though she didn't fully live up to her potential as a serious, formidable actress, her gentle charm and obvious beauty certainly spruced up the 60+ films in which she appeared...

SPOTLIGHT ON GARY CROSBY

I have taken a look at three of the sons Bing Crosby had with his first wife, Dixie Lee. However, I hesitated to profile Bing's oldest son Gary Crosby. As a lifelong fan of Der Bingle, I have been bitter against Gary for the scathing book he wrote about his father in 1983. However, now nearly 40 years later, it is what it is. Bing had a very difficult relationship with his four sons especially Gary. Despite that book, Gary's life was a life worth living, and I feel his life should not be forgotten.

Gary Crosby was born on June 27, 1933 in Los Angeles and graduated from Stanford University. He entered the entertainment business and performed in a harmony singing group, The Crosby Boys, with his three brothers, Philip, Lindsay, and Dennis, during the 1940s, 1950s, and 1960s. As a teenager, he sang with his father on numerous records songs, and two of them "Sam's Song" and "Play a Simple Melody",  became the first double-sided gold record in history.  He also recorded duets with Louis Armstrong and at least one 45-single with Sammy Davis Jr.. He also performed on several variety programs, including ABC's The Pat Boone Chevy Showroom and NBC's The Ford Show, Starring Tennessee Ernie Ford. In the mid-1950s, Gary also had his own radio program, the Gary Crosby Show on CBS. The musical variety program debuted June 6, 1954, as a summer replacement for Bing Crosby's show.

As an actor, Crosby appeared in many television programs. On March 20, 1955, he appeared on the Jack Benny Program Season 5, Episode 13. Later, he was briefly under contract to 20th Century-Fox in the late 1950s. He appeared in a number of supporting roles for the studio, normally comedies in which Crosby played a soldier: Mardi Gras (1958) with Pat Boone; Holiday for Lovers (1959), as Carol Lynley's love interest; A Private's Affair (1959), with Sal Mineo; The Right Approach (1961) with Frankie Vaughan. Gary spent a small stint in the military where he was stationed with Elvis Presley whom he would make Girl Crazy with in 1965.

He is perhaps best-remembered for his recurring roles as Eddie the scheming bellhop on The Bill Dana Show and Officer Edward "Ed" Wells on NBC's Adam-12 from 1968–75, as well as appearances on several other shows produced by Jack Webb's Mark VII Limited (including an episode of Dragnet 1969 and five episodes of Emergency!). In addition to the aforementioned, he also appeared in three episodes of The Rockford Files.

In the 1970s, he appeared occasionally on game shows such as Match Game and Tattletales as a guest panelist. He married and divorced three times; he had one stepchild as a result. A lifelong alcoholic, Gary jumped at the change to write about his famous father. The children of other famous stars such as Christina Crawford (daughter of Joan Crawfrod) had made millions off of the tell-all tales of growing up famous.

In 1983, six years after his father's death, Crosby published an autobiography, Going My Own Way, which revealed the effects of his alcoholism and his difficult childhood as a result of his mother's alcoholism and his father's emotional and physical abuse. Some, especially his brother Phillip, said the abuse was not as severe as Crosby described. Gary himself reportedly admitted the book was a big exaggeration to make money.

In the late 1980s, Gary gained peace in his life and became sober. At the time of his death, he was planning a duets album with his father like Natalie Cole had done with her father Nat King Cole. Gary Crosby died of lung cancer in Burbank, California on August 24,1995, and is interred at Forest Lawn-Hollywood Hills Cemetery. Just like Gary Crosby made peace with his father, I feel I need to make peace with Gary's book. Who know how anyone would have turned out if they had Gary's life. The important thing is that he finally had peace at the end...

SPOTLIGHT ON FLORENCE GEORGE

I originally published an article on Florence George to my blog back on December 5, 2010. I have since learned more about this beauty so I wanted to share to write a new article. She was a remarkable woman...

The opulent, vivacious blonde lyric soprano Florence George was given only two rather routine opportunities to stake her claim in films. As such, she was not given the chance to challenge the other glamorous film opera divas who were the rage of the day ('Jeanette Macdonald', Grace Moore, Susanna Foster, Lily Pons and Gladys Swarthout). Instead she remained focused on radio, concerts, recordings and the stage for the rest of her career.

The Ohio-born beauty came into this world as Catherine Guthrie on December 21, 1917, the daughter of Florence and George Guthrie (she took their first names as her professional stage moniker). Gifted musically and vocally, she attended Wittenber College and graduated with a degree in music at the Chicago Conservatory. She studied one-on-one with former Italian opera star Madame Amelia Galli-Curci (1882-1963) and earned a few radio singing spots before making her operatic debut in "Rioletto" at the Chicago Civic Opera House. A Paramount talent scout happened to catch one of her performances and set up a screen test.

Florence made a charming debut opposite John Payne singing with him "I Fall in Love with You Every Day" and "What Romeo Said to Juliet," her best moment came with her lovely solo on "Moments Like This". Instead of putting her in another showcase, the studio primarily had her do publicity sessions and radio spots. Her next movie would be the MGM loan out Tell No Tales (1939) in a supporting role. She also made some recordings for Decca Records from 1940 to 1949.

Florence married the much older Everett N. Crosby (1896-1966), Bing's business manager and older brother, in 1939. He proceeded to steer her career as well and would do so up until his death in 1966. Purposely guiding her away from films, he focused her on radio, recordings, concerts here and abroad, and the light operetta stage. In 1962, Everett bought Fair Acres, a farm estate in Connecticut where he and Florence raised Morgan and Arabian stallions. After his death from throat cancer, she married Andelmo Ortiz, a production manager for an advertising firm, in 1970, and retired to Maryland. Her second husband died in 1997. She died at age 80 on September 13, 1998...

SPOTLIGHT ON AL RINKER

A forgotten player in the early years of Bing was Al Rinker. Rinker was an American musician who began his career as a teen performing with Bing Crosby in the early 1920s in Spokane, Washington in various musical groups. In 1925 the pair moved on to Los Angeles, eventually forming the Rhythm Boys trio with singer/songwriter/pianist Harry Barris.

Barris wrote the songs "Mississippi Mud", "I Surrender, Dear", and "Wrap Your Troubles in Dreams" among others. The singing group worked with Paul Whiteman's Big Band for three years. They went out on their own for a year until Crosby effectively dissolved the group to go solo. The Rhythm Boys were filmed for the Paul Whiteman movie The King of Jazz (1930) singing "Mississippi Mud", "So the Bluebirds and the Blackbirds Got Together", "A Bench in the Park", and "Happy Feet".

According to a filmed interview of Rinker, Crosby performed the first two weeks on his first film while on daytime work release from jail after crashing his car into a telephone pole while driving drunk. After the Rhythm Boys broke up, they reunited only once, to appear together on the Paul Whiteman Presents radio broadcast on July 4, 1943.

In 1952, a song for which Rinker wrote the music with lyrics by Floyd Huddleston, "You Can't Do Wrong Doin' Right", appeared in the films Push-Button Kitty and The Affairs of Dobie Gillis. He also wrote the song "Everybody Wants to Be a Cat" also with Floyd Huddleston for the Disney animated children's movie The Aristocats (1970). Rinker had also written the songs for the MGM musicial The Duchess Of Idaho starring Van Johnson in 1950.

Rinker was born on December 20, 1907 in Tekoa, Washington; his mother, Josephine, was an enrolled member of the Coeur d'Alene Tribe and a devout Roman Catholic. He and his siblings grew up on the Coeur d'Alene Indian reservation near DeSmet, Idaho.

It was a musical family: their father, Charles, played fiddle and called square dances, and their mother played piano every evening after supper. His younger brother Charles Rinker became a lyricist who worked frequently with composer Gene de Paul. Rinker married Elizabeth Neuberger on October 25, 1938.

Their older sister Mildred, under her married name of Mildred Bailey, had embarked on a musical career in Los Angeles before Rinker and Crosby became known. She became a well-known jazz singer after the Rhythm Boys arranged for Paul Whiteman to "discover" her singing at a party; he hired her to sing with his band. For a time she was known as "Mrs. Swing."

Julie Rinker is Al Rinker's daughter. Julie Rinker was one of Dean Martin's original Dean's Girls on The Dean Martin Show. Julie Rinker is also the female voice of the Three's Company Theme Song. Al died suddenly at on June 11, 1982 at the age of 74. In later years, Al appeared to be bitter towards to Bing Crosby. He seemed to say that Bing forgot his Rhythm Boy roots and discarded his former partners. Bing did give numerous movie roles to Harry Barris, and he recorded a couple of Rinker's sons, so whether or not the bitterness was deserved is beyond me. Al Rinker was talented in his own right, and he was a part of an exciting time in popular music...

SPOTLIGHT ON BOB BURNS

According to my wife, I like anything that was made before 1950. I guess to a degree, that is true. I do gravitate to anything nostalgic or sentimental, but there are some older stars that I just never really get. It's not that I do not like them, I just do not understand their appeal. One of those forgotten so-called nostalgic stars was radio comedian Bob Burns. Burns played a novelty musical instrument of his own invention, which he called a "bazooka". During World War II, the US Army's handheld anti-tank rocket launcher was nickamed the "bazooka".

He was born Robin Burn on August 2, 1890 in Greenwood, Arkansas. When he was three years old, his family moved to Van Buren, Arkansas. As a boy, Burns played trombone and cornet in the town's "Queen City Silver Cornet Band". At 13, he formed his own string band.  Practicing in the back of Hayman's Plumbing Shop one night, he picked up a length of gas pipe and blew into it, creating an unusual sound. With modifications, this became a musical instrument he named a "bazooka" (after "bazoo", meaning a windy fellow, from the Dutch bazuin for "trumpet"). A photograph shows him playing his invention in the Silver Cornet Band. Functioning like a crude trombone, the musical bazooka had a narrow range, but this was intentional. Burns also studied civil engineering and worked as a peanut farmer, but by 1911 was primarily an entertainer.

During World War I Burns enlisted in the United States Marine Corps. He sailed to France with the Marine 11th Regiment. As a sergeant, he became the leader of the Marine Corps's jazz band in Europe. Burns made another "bazooka" from stove pipes and a whiskey funnel, which he sometimes played with the Corps band. After the war, Burns returned to the stage, often playing the bazooka as part of his act. He used it as a prop when telling hillbilly stories and jokes. Burns became known as The Arkansas Traveler and The Arkansas Philosopher. His stage persona was a self-effacing, rustic bumpkin with amusing stories about "the kinfolks" back home in Van Buren.

In 1930, Burns auditioned for a major Los Angeles radio station. He had prepared a 10 minute performance, but was asked to do 30 minutes, which he filled out with improvised stories and bazooka tunes. The managers did not care for his prepared material, but were impressed by his improvised material. Burns was hired. He appeared on an afternoon show, "The Fun Factory", as a character called "Soda Pop".

In 1935, on a visit to New York, Burns asked bandleader and radio star Paul Whiteman for an audition. Whiteman put Burns on his nightly show, the Kraft Music Hall, which was broadcast nationally; Burns was a big hit. Burns also became a regular on Rudy Vallee's show The Fleischmann Hour. Burns returned to Los Angeles in 1936, where Kraft Music Hall was now hosted by Bing Crosby. Burns was a regular, playing the bazooka and telling tall tales about his fictional hillbilly relatives, Uncle Fud and Aunt Doody.

Bob Burns was the host of The 10th Academy Awards held on March 10, 1938 at the Biltmore Hotel in Los Angeles, California. Originally scheduled to be held on March 3, 1938, the ceremony was postponed due to heavy flooding in Los Angeles. In 1941, Burns was given his own radio show, called The Arkansas Traveler (1941-43) and he followed that up with The Bob Burns Show (1943-47).

His last performance was on January 30, 1955, on The Ed Sullivan Show (then called Toast of the Town). Bob left show business in the earlt 1950s though. A wealthy man from his land investments, Burns spent his final years on his 200-acre model farm in Canoga Park, California. Married three times, Bob Burns also had three children. (At one time he was married to entertainer Judy Canova). Burns sadly died of kidney cancer in Encino, California on February 2, 1956, at the age of 65. He is not very well remembered today, but his homespun humor was part Will Rogers and part Jed Clampett. Even though I never thought he was overly funny, he was a popular fixture, especially in radio in the late 1930s and early 1940s...

SPOTLIGHT ON BEVERLY WASHBURN

Here is a great story on child actress Beverly Washburn. She played an orphan opposite Bing in 1951's Here Comes The Groom...

Beginning her career as a talented child actress, Beverly Washburn appeared in some classic 1950s films including “Hans Christian Andersen” (1952), “Shane” (1953) and “Old Yeller” (1957) as well as dozens of classic TV shows. She also worked alongside Hollywood’s most popular actors and her list of favorites is long (see www.beverlywashburn.com).

While she appeared in several “Wagon Train” episodes, her favorite was The Tobias Jones Story where Lou Costello plays a drunk accused of murder – not only a rare dramatic role for the comedian but one of his final acting appearances.

“I was a big Abbott & Costello fan, so it was a thrill to work with Lou,” said Washburn from Las Vegas where she has lived for over 20 years. “I just loved him, he was such as sweet man. But he was so used to ad-libbing in the comedy routines that he actually found it hard to stick to the script. When he forgot a line, he would look into the camera and say, ‘So how are ya?’ which always made me giggle.”


Washburn recalls rehearsing a scene where she had to push Costello’s intoxicated character into a wagon. “He leaned back and said ‘push my biscuits’ (buttocks) into the wagon as hard as I could. I’d never heard that expression before! While he was a joy to work with, I do remember there was a kind of sadness about him which I only later realized was because he never really got over his young son drowning." Costello died a few months after filming.

In Here Comes the Groom (1951), Washburn plays Bing Crosby’s adopted daughter. “People always ask me was he mean because of the bad wrap he got over the years from the stories told by his son from his first marriage,” she said. “But he was so kind to me. He gave me a beautiful doll one Christmas and I was on his Christmas card list for years. He signed a couple of photographs for me and wrote ‘For Beverly, hope to play in your next picture’ on one and ‘To my co-star Beverly’ on another. Those are mementos from my career that I still treasure.”

She also appeared in episodes of the Warner Bros. ABC detective series, 77 Sunset Strip and Hawaiian Eye. She appeared twice on the CBS western series, The Texan starring Rory Calhoun, as Henrietta Tovers in "No Tears for the Dead" (1958) and as Greta Banden in "Badman" (1960). She appeared in the debut episode of NBC's Wagon Train but not in the lead role. Her episodes included the episodes "The Willy Moran Story" (1957), "The Tobias Jones Story" (1958), and as Milly Sharp "The Cassie Vance Story" (1963).

In the 1970s, she appeared in three episodes of Quinn Martin's The Streets of San Francisco crime drama with Karl Malden': "Most Feared in the Jungle" (1973), "Letters from the Grave" (1975), and as Michelle Rhodes in "Let's Pretend We're Strangers" (1977). One of her later television appearances was in the 1984 episode "Remembrance of Things Past" of CBS's Scarecrow and Mrs. King. Her most recent role was that of the character Brenda in the 2007 film Hard Four, which also features Ed Asner, Paula Prentiss, Dabney Coleman, and Ed Begley, Jr. In 2015, she appeared as Reyna Belasco Rosenthal in R. Christian Anderson's feature film When the World Came to San Francisco.

In her book, “Reel Tears: The Beverly Washburn Story, Take Two” re-released in 2013 by BearManor Media, Beverly shares many more stories from her career. She says she has been “blessed to work with so many wonderful people in the entertainment business.”

“It hasn’t all be roses, as I talk about in my book,” she adds, “but I have a lot of fond memories for sure.”

SOURCE

SPOTLIGHT ON LYDIA REED

One of the last great old school MGM musical was 1956's High Society. The film had it all: Bing Crosby, Frank Sinatra, Louis Armstrong, and a Cole Porter score among others. Grace Kelly was the love interest, but one of the most charming stars of the film was Lydia Reed.

Lydia Reed was born on August 23, 1944, and is an American former child actress best known for her role as Tallahassee "Hassie" McCoy from 1957 to 1963 in 145 episodes of the ABC situation comedy The Real McCoys, starring Walter Brennan in the title role of Grandpa Amos McCoy. Irving Pincus was the creator, and Hy Averback the first principal director.

An episode of the series that featured Reed was "Sweet Fifteen," which aired on April 9, 1959. It centers on Grandpa's determination to keep Hassie's looming fifteenth birthday party a secret.

After its five-year run on ABC, The Real McCoys switched to CBS for its final season in 1962-1963 without the services of Kathleen Nolan as Kate McCoy. Reed appeared less frequently in the final year, as did Michael Winkelman (1946–1999) as Little Luke McCoy, who played Reed's younger brother on the series.

Reed's first performances were in 1952 episodes of two NBC anthology series, Hallmark Hall of Fame (the second episode of the series entitled "Dr. Serocold") and Robert Montgomery Presents. In 1955, she played Mary Foy in the Bob Hope film, The Seven Little Foys. That same year, she played another "Mary" in the episode "Ride with the Executioner" of the anthology Jane Wyman Presents the Fireside Theatre. In 1956, she appeared in the role of Caroline Lord in High Society, with Bing Crosby, Frank Sinatra, and Grace Kelly, and in the episode "Hit and Run" of the NBC series Big Town. Her last role other than that of Hassie McCoy was as Betsy Beecher in the horror film The Vampire (1957).

Reed left acting after her role on The Real McCoys ended and did not appear in a 2000 cable television reunion special (The Nashville Network) with Nolan, Tony Martinez, who portrayed farmhand Pepino Garcia, and Richard Crenna, who played the role of Luke McCoy, Hassie's older brother, for the entire duration of the series. After leaving "The Real McCoys" she left acting altogether. She has been married to Mario Rodolfo Travaglini since January 16, 1967. They have one child. She was previously married to Byron George Stiegemeyer. As of 2007, she was a wife and mother living in the San Fernando Valley area of Los Angeles, CA...

SPOTLIGHT ON: FRANK MCCUGH

Frank McHugh is another one of those characters, where you know his face but maybe not his name. I remember him most from his role as another priest alongside Bing Crosby and Barry Fitzgerald in Going My Way (1944).

Born in Homestead, Pennsylvania on May 23, 1898, McHugh came from a theatrical family. At age ten, Frank McHugh began performing in his parent's stock company, side by side with his siblings Matt and Kitty. Another brother, Ed, became a stage manager and agent in New York.

By age 17, McHugh was resident juvenile with the Marguerite Bryant stock company. Extensive vaudeville experience followed, and in 1925 McHugh made his first Broadway appearance in The Fall Guy; three years later, he made his movie debut in a Vitaphone short. Hired by Warner Bros. for the small role of a motorcycle driver in 1930's The Dawn Patrol, McHugh appeared in nearly 70 Warners films over the next decade. He was often cast as the hero's best pal or as drunken comedy relief; his peculiar trademark was a lightly braying laugh. Highlight performances during his Warners tenure included Jimmy Cagney's pessimistic choreographer in Footlight Parade (1933), "rude mechanical" Quince in A Midsummer Night's Dream (1935), an erstwhile poet and horserace handicapper in Three Men on a Horse (1936) and a friendly pickpocket in One Way Passage (1932) — a role he'd repeat word-for-word in Till We Meet Again, 1940 remake of Passage. One of the biggest movies he was in was Roaring Twenties (1939) with Jimmy Cagney.

He appeared in over 150 films and television productions and worked with almost every star at Warner Bros. By the 1950s, his film career had begun to decline, as evinced by his smaller role in Career (1959). From 1964 to 1965, he played the role of Willie Walters, a live-in handyman on ABC's sitcom, The Bing Crosby Show. Reportedly Bing insisted he be cast alongside him. His last television appearance was as Charlie Wingate in the episode "The Fix-It Man" on CBS's Lancer western series. McHugh played a handyman in that role too.

McHugh was married to Dorothy Spencer. He had three children and two grandchildren.

Frank McHugh's last film role was in the Elvis Presley film Easy Come, Easy Go(1967). He basically left Hollywood for the next decade. He died on September 11, 1981...largely forgotten for the great supporting roles he starred in...

SPOTLIGHT ON LEON ERROL

Anyone who knows me, knows that my love of classic movies basically started with watching Bing Crosby movies. Years ago I was watching the Bing Crosby-Carole Lombard film We're Not Dressing from 1934, and what I liked about the film, (next to Bing's singing) was the comedic appearance of character actor Leon Errol. His bits were sort of corny, but I found myself laughing at some of them! Errol was born Leonce Errol Sims in Sydney in 1891, Errol had toured Australia, New Zealand and the UK in a variety of theatrical settings, including circuses, operettas, and Shakespeare, by the time he arrived on the west coast of the U.S. in 1905. In Portland, Oregon he managed a touring vaudeville company troupe, giving an early boost to the career of a young comedian named Roscoe Arbuckle.

By 1911 Errol had graduated to the New York big time in the 1911 Ziegfeld Follies on Broadway, notably in two skits with the legendary Bert Williams. Errol's sister, Leda Errol (née Sims) was a personal friend of Ziegfeld Follies star Fanny Brice, and she appeared with him in the Ziegfeld Follies doing one and two act plays. He appeared every year in the Follies through 1915, when he is also credited as director of the show that included W.C. Fields, Ed Wynn, as well as Marion Davies as one of the Ziegfeld Girls.

Errol made his first film, a comic short subject called Nearly Spliced, in 1916 (it was not released before 1921), for pioneering east-coast producer George Kleine. By 1930 he'd left Broadway and turned his full attention to movies, third-billed for Samuel Goldwyn's One Heavenly Night in 1931. The box-office for that film was disappointing, but overall Errol made a smooth transition to films in a variety of comedy roles. His comic trademark was a wobbly, unsteady walk, moving as though on rubber legs; this bit served him well in drunk routines.

Errol starred in a long string of two-reel comedy shorts, which began at Columbia Pictures in 1933. He also starred in two early three-strip Technicolor shorts made at Warner Brothers, Service With a Smile (released 28 July 1934) and Good Morning, Eve! (released August 5), just beating the RKO Radio Pictures release La Cucaracha (31 August) as the first live action, wholly Technicolor release.

Moving to RKO Radio Pictures in 1934, he continued to make six shorts per year until his death in 1951. Most of these were marital farces in which Leon would get mixed up with a pretty girl or an involved business proposition, and face the wrath of his wife (usually Dorothy Granger); the theme tune to the series was the nursery rhyme, London Bridge Is Falling Down.

Leon Errol is well remembered for his energetic performances in the Mexican Spitfire movies opposite Lupe Vélez (1939–43), in which Errol had the recurring dual role of affable Uncle Matt and foggy British nobleman Lord Epping. Monogram signed Errol to appear as fight manager Knobby Walsh in the eight entries of their "Joe Palooka" sports comedies (1946–50). Leon Errol's most famous non-series appearance is in the nonsensical comedy feature Never Give a Sucker an Even Break (1941), starring fellow vaudeville and Ziegfeld alumnus W. C. Fields. Errol's next-to-last film, Lord Epping Returns in 1951, reprised his famous characterization (and some of the gags) from Mexican Spitfire.

Footage from Errol's short subjects was incorporated into RKO's compilation features Variety Time, Make Mine Laughs, Footlight Varieties, and Merry Mirthquakes. RKO kept Leon Errol in the public eye by reissuing his older comedies through the mid-1950s. His RKO shorts soon became a staple of syndicated television.

Errol married Stella Chatelaine in Denver, Colorado in 1906. She died on November 7, 1946 in Los Angeles. Five years later Errol suffered a fatal heart attack, on October 12, 1951, aged 70. They had no children. Leon Errol never received the fame of some character actors did, but his comedic timing highlighted many great films of the 1930s....

SPOTLIGHT ON DIXIE LEE CROSBY

Born Wilma Winifred Wyatt, she adopted the professional name "Dixie Carroll" as a singer and showgirl. Winfield Sheehan of the Fox film studio changed the name to Dixie Lee, to avoid confusion with actresses Nancy Carroll and Sue Carol. She married Bing Crosby at the age of 18, and had four sons with him, all of them battled alcoholism as Dixie did.

Crosby's biographer, Gary Giddins, describes Dixie Lee as a shy, private person with a sensible approach to life. Giddins recounts that Dixie and Bing, as young marrieds, were often invited to parties where liquor was plentiful, and Dixie drank socially to keep up with Bing. She succeeded in curbing Bing's alcohol consumption, but ironically her own alcoholism worsened. She had a brief film career, starring in a few features for Bing's home studio Paramount Pictures in the 1930s; her most notable film is probably Love in Bloom (1935).

The two first met in November 1928 and Bing was immediately smitten. Dixie was a bit more hesitant. They met again at a party in Hollywood in early 1929 and the Crosby charm was too much to resist. The two married September 29, 1930, at the Church of the Blessed Sacrament in Hollywood. 

As Bing's stardom rose to superstar status in the 1930s, four boys arrived in the Crosby household. Gary Crosby arrived first in October 1933, the twins, Phillip and Dennis came along in 1934, and Lindsay rounded out the bunch in 1938.

However, despite her husband's fame and the four boys, Dixie was very tortured with what modern doctors would diagnose as depression. In the 1940s, Bing Crosby was one of the most recognizable men in the world, and with this fame he spent more and more time away from his family. As a result, Dixie was turning more and more towards alcohol.

In 1947, a movie came out called Smash-Up, the Story of a Woman starring Susan Hayward. It was a thinly disguised story based on the life of Dixie. It was directed by Stuart Heisler, who had directed Bing in Blue Skies the year before. Bing and Dixie were outraged at the film, and it further brought tension to their lives together.

Bing attempted to divorce Dixie following World War II to marry actress Joan Caulfield. The Catholic hierarchy denied Bing's request, and Caulfield was sent packing. In 1952 Bing learned that Dixie was dying of ovarian cancer while he was in France filming Little Boy Lost. She died Nov. 1, 1952, a week after his return home and three days before her 41st birthday. Bing's children and friends noted that Bing was devastated by his wife's death, despite their close encounters with divorce. Despite eventually remarrying in 1957, others close to Bing say he never recovered from the death of Dixie, who was there with him since the beginning of his rise to super stardom. Dixie Lee was definitely the woman behind the man, depite her demons...

SPOTLIGHT ON SHIRLEY ROSS

To anyone in 2016, if they hear the name Shirley Ross, I almost guarantee that 90% of the time - the person will say "Shirley Who?". Ross has been gone for over 40 years now, but she was such a treat to see in many movies of the 1930s, namely the ones she made with Bing Crosby. She appeared in 25 feature films between 1933 and 1945, including singing earlier and wholly different lyrics for the Rodgers and Hart song in Manhattan Melodrama (1934) that later became "Blue Moon."

Shirley Ross was born Bernice Maude Gaunt in Omaha, Nebraska on January 7, 1913, the elder of two daughters of Charles Burr Gaunt and Maude C. (née Ellis) Gaunt. Growing up in California, she attended Hollywood High School and UCLA, training as a classical pianist. By age 14, she was giving radio recitals and made her first vocal recordings at 20 with Gus Arnheims’s band. Here she attracted the notice of the up-and-coming songwriting duo Rodgers and Hart, who selected her to sell their latest offerings to MGM. One song, which was later re-written as "Blue Moon," led to a successful screen test in 1933 and then to a number of small parts in films that included Manhattan Melodrama with Clark Gable and William Powell in which, made up to look black, she sang "The Bad in Every Man," the original version of "Blue Moon," in a Harlem nightclub.

In 1936, MGM loaned her to Paramount, and she was paired with Ray Milland in The Big Broadcast of 1937. Although this was officially a leading role, the Big Broadcast format included a busy programme of musical comedy sketches with big-name performers who somewhat overshadowed her. But one press review declared that she had ‘one of the sweetest voices of any actress on the screen and predicted a big future for her. Paramount signed her to a five-year contract; meanwhile her introduction to the songwriting team of Leo Robin and Ralph Rainger would prove significant.

Her duet with Bing Crosby in Waikiki Wedding was a Robin-Rainger number titled "Blue Hawaii." Thus began a three-year period during which Ross was cast opposite either Crosby or Bob Hope on five occasions.

After a career interruption in the making of This Way Please with Buddy Rogers, when she walked off the job, alleging that Jack Benny's wife, Mary Livingstone, was trying to sabotage her scenes, she was cast opposite Hope in The Big Broadcast of 1938. Their duet, "Thanks for the Memory", became a huge hit and a defining moment for two careers headed in opposite directions – for Hope, a springboard to bigger and better things; for Ross, the pinnacle. It would prove to be her sole enduring claim to fame.

The duet's great success sparked spin-off movies with Bob Hope, Thanks for the Memory (1938) and another called Some Like It Hot (1939; later renamed Rhythm Romance to avoid confusion with the unrelated 1959 feature). Although Thanks for the Memory did produce another hit song, "Two Sleepy People", the films themselves made little impact, apparently reflecting Paramount’s declining interest in musical comedy. Although Ross would have been willing to play straight drama and had performed well in Prison Wife, Paramount relegated her to supporting roles in two minor romantic comedies, which did nothing for her career, even though one of them (Paris Honeymoon) teamed her once more with Crosby. Her extremely promising career suffered a steep decline and never recovered.

Although Ross knew that her understated appeal was better suited to the screen than the stage, she played the lead in Rodgers and Hart’s Broadway musical Higher and Higher (1940), featuring the song "It Never Entered My Mind." The show was a critical failure. After a few forgettable movies and some radio work, Ross increasingly attended to her terminally ill husband Ken Dolan, which became an early retirement.

Ross died from cancer on March 9, 1975.in Menlo Park, California, aged 62. As her married name, Bernice Dolan Blum, was not well known, her death was not widely publicized. But Hope, with whom she had an enduring real-life friendship, did not fail to commemorate her death. He and Crosby sent a 5-foot tall cross with white carnations and a spray of red roses to her funeral...

SPOTLIGHT ON CAROL RICHARDS

For every Dinah Shore or Jo Stafford in Hollywood, there is a Carol Richards. You might not know the name Carol Richards, but I bet at one point or another you heard her voice. Carol was born on June 6, 1922 and her real name was Carol Swiedler. She was an American singer, radio and television performer, remembered for her duets with Bing Crosby on the hit single "Silver Bells" and on the song "Sunshine Cake".

She began performing at age 4, but within a couple of years her mother thought she was acting "like a diva", and wouldn't let her take the stage again until she was 11. Her first marriage occurred at age 16, and for a time she was known as Carol Lutzhoff. She changed her last name to Richards in honor of a favorite nephew. She was married five times, marrying fifth husband Edward Sweidler in 1966 after moving to the Chicago area in the 1960s. Her third husband died and her other marriages ended in divorce.

At the start of her career in her early 20s, Carol Richards won a Bob Hope talent contest, moved to Hollywood and appeared on numerous TV shows including I Love Lucy, Name That Tune, The Saturday Night Review, and variety shows hosted by Ralph Edwards, Dennis Day, Pinky Lee, Edgar Bergen, and Ezio Pinza. For four years (1953–1957), she was a regular cast member on the Bob Crosby Show. She was the movie singing voice for Joan Caulfield in the film The Petty Girl, Vera Ellen in Call Me Madam, for Cyd Charisse in Silk Stockings, Brigadoon, Deep in My Heart, and It's Always Fair Weather, and for Betta St. John in The Robe. She worked frequently with Danny Kaye, Jerry Lewis, and Bob Hope, and sang with the Russ Morgan and Desi Arnaz Bands.

In the 1960s after moving to Chicago, Richards performed at numerous club dates, and appeared frequently on Don McNeill's famous radio show, The Breakfast Club. She gave up her career after marrying Edward Sweidler.

Following her performing career, Richards continued her work as an artist, completing numerous sculptures, pastels, and oil paintings as well as publishing a book Letters from the Cosmos with her husband.

Richards had 15 children, 19 grandchildren, and eight great-grandchildren. She died largely forgotten in Vero Beach, Florida, on March 16, 2007 of heart disease and kidney failure. She was survived by her husband of 40 years, Edward Swiedler...

SPOTLIGHT ON VERA-ELLEN

Even to people that watch old movies, dancer Vera-Ellen is mostly known to the world as the younger sister of Rosemary Clooney in the movie WHITE CHRISTMAS(1954). However, she was a great dancer who had many demons that 1940s and 1950s audiences never knew.

She was born Vera Ellen Westmeier Rohe on February 16, 1921 in Norwood, Ohio , an enclave within Cincinnati, to Martin Rohe and Alma Catherine Westmeier, both descended from German immigrants. She began dancing at age 10 and quickly became very proficient. At 16 she was a winner on the Major Bowes Amateur Hour, and embarked upon a professional careerIn 1939, Vera-Ellen made her Broadway theatre debut in the Jerome Kern/Oscar Hammerstein musical Very Warm for May at the age of 18. She became one of the youngest Rockettes at Radio City Music Hall, although she was not tall. This led to roles on Broadway in Panama Hattie, By Jupiter, and A Connecticut Yankee, where she was spotted by Samuel Goldwyn, who cast her opposite Danny Kaye and Virginia Mayo in the film WONDER MAN(1945).

She danced with Gene Kelly in the Hollywood musicals WORDS AND MUSIC(1948) and ON THE TOWN(1949), while also appearing in the last Marx Brothers film, LOVE HAPPY(1950). She received top billing alongside Fred Astaire in Three Little Words and The Belle of New York (1952). Then came co-starring roles with Bing Crosby in the blockbuster hit WHITE CHRISTMAS(1954). The warm and fuzzy yuletide favorite WHITE CHRISTMAS (1954) is usuallly considered her best-remembered movie in which she played one-fourth of a glamorous quartet consisting of Bing Crosby, Danny Kaye and (sister) Rosemary Clooney.

Musicals went out of vogue by the late 50s and, as Vera-Ellen was practically synonymous with musicals, her career went into a sharp decline. During the 1950s, she was reputed to have the "smallest waist in Hollywood", and is believed to have suffered from anorexia nervosa. She retired from the screen in 1957. Guest appearances on the television variety shows of Dinah Shore and Perry Como in 1958 and 1959 were among the last of her entertainment career.

Vera-Ellen was married twice. Her first husband was fellow dancer Robert Hightower (from 1941 to 1946).Her second husband, from 1954 to 1966, was millionaire Victor Rothschild. Both marriages ended in divorce. While married to Rothschild, she gave birth to a daughter, Victoria Ellen Rothschild, who died at three months old of Sudden Infant Death Syndrome in 1963. Following the death of her child, Vera-Ellen withdrew from public life and never recovered from it. She died of cancer in Los Angeles, California in 1981...

For more on Vera-Ellen's later years go to this article:
VERA-ELLEN: THE LATER YEARS

SPOTLIGHT ON LEO ROBIN

One of the songwriters that shaped the career of Bing Crosby the most in the early years was Leo Robin. Together with Ralph Rainger, Robin wrote some of the most memorable songs of the late 1930s.  Leo Robin was born on April 6, 1900 in Pittsburgh, Pennsylvania. He studied at the University of Pittsburgh Law School and Carnegie Tech’s drama school. After graduation, he worked as a publicity agent, a newspaper reporter and even as a social worker. However, his first ambition was to be a playwright and in the early 1920’s he moved to New York City to achieve this goal.

In New York, Robin began writing lyrics for songs by various composers. His first success came with the song “Looking Around”, with composer Richard Myers. Robin soon turned his attention to the Broadway stage and with composers like Vincent Youmans, produced Just Fancy, Alley Oop and Hit the Deck.

In 1930, Robin had another hit song featured in the Broadway revue Tattle Tales, entitled “I'll Take an Option on You”, composed by Ralph Rainger. This was the beginning of a great Robin and Rainger team. Under contract with Paramount Studios, Robin and Rainger moved to Hollywood and produced some of the most memorable film scores from the era, including She Done Him Wrong, She Loves Me Not, Shoot the Works, Here is My Heart, The Big Broadcast of 1937, The Big Broadcast of 1938, Waikiki Wedding, Give Me A Sailor and Paris Honeymoon. In 1939, Robin and Rainger left Paramount and signed with 20th Century Fox, where they continued to contribute songs to films.

Robin and Rainger wrote some of the greatest standards from the era, including “Please”, “I Have to Have You”, “Beyond the Blue Horizon”, “June in January”, “I Don’t Want to Make History, I Just Want to Make Love”, “A Rhyme for Love”, “Here Lies Love”, “Give Me Liberty or Give Me Love”, “With Every Breath I Take”, “Here’s Love in Your Eye” and “Blue Hawaii.” In 1938, the pair received the Academy Award for Best Song for “Thanks For the Memory”.

After Rainger’s death in 1942, Robin worked with many other composers including Jerome Kern (“In Love In Vain,”), Arthur Schwartz (“A Gal in Calico,” “A Rainy Night in Rio,” “Oh But I Do”) Harry Warren (“The Lady in the Tutti Frutti Hat,” “Paducah,” “Zing A Little Zong,”), Harold Arlen (“Hooray for Love,” “For Every Man There’s a Woman”).

In 1949 Robin collaborated with July Styne writing the score for the Broadway Musical Gentlemen Prefer Blondes. The production starred Carol Channing and included the songs “Bye Bye, Baby,” “A Little Girl from Little Rock,” and, of course, “Diamonds are a Girl’s Best Friend.” A few years later, Marilyn Monroe would reprise the role in the 1953 movie version.

In the 1950’s, Robin collaborated with Sigmund Romberg on the Broadway musical The Girl in Pink Tights. While in production, Romberg died and the musical was not completed until 1954. Robin’s final collaboration came in 1955 for the film musical My Sister Eileen, another collaboration with Jule Styne. After the score was completed, Robin entered retirement.

Leo Robin died in Woodland Hills, CA on December 29, 1984. He has been gone for over thirty years now but the songs that he had a hand in writing will live on forever...