Showing posts with label Man On Fire. Show all posts
Showing posts with label Man On Fire. Show all posts

Friday, March 15, 2024

BING'S DISCOGRAPHY: MARCH 15, 1957

Here is a quick recording session that Bing had 67 years ago!


Date: 3/15/57

Location: Los Angeles
Label: CAPITOL (US)
"Man On Fire" film title


Bing Crosby (voc), Nelson Riddle and his Orchestra (orc)
a. 16694-1 Man On Fire(Sammy Fain, Paul Francis Webster) - 2:54
EMI (UK) (EMI) CD7243 5 2281527 — LEGENDS OF THE 20th CENTURY - BING CROSBY (1999)
b. 16693-1 Seven Nights A Week(Jimmy Van Heusen, Sammy Cahn) - 2:31

Both titles on:
HARRY LILLIS (UK) CDHLYCD-001 — HARRY LILLIS - STEP TO THE REAR (limited circulation) (1993)
JASMINE (UK) CDJASCD 495 — NELSON RIDDLE - LET'S FACE THE MUSIC AND DANCE (2008)

March 15, Friday. Records “Man on Fire” and “Seven Nights a Week” for Capitol Records with an orchestra conducted by Nelson Riddle. Bing’s record of “Man on Fire” is heard by the producers of the Man on Fire movie and is brought in to be used in the opening titles of the film.



Saturday, July 10, 2021

A QUICK LOOK AT BING's RUN AT CAPITOL


 Here is another great article from our guest blogger ModernBingFan0377...


An overlooked aspect of Bing’s career is his short lived run at Capitol in 1956 and ‘57. 1956 marked the end of Bing’s exclusivity to Decca and would set the ball rolling for some of the best and worst years of recordings Bing had. In the first year or so, it seemed like he might’ve been going to Capitol Records. With the release of the High Society soundtrack on Capitol, it marked one of the first times he had recorded for a company other than Decca since 1934.

The High Society soundtrack brought with it many good songs, and some staples as well. The Porter-penned soundtrack featured songs written for Bing like “I Love You Samantha,” “Little One,” “Now You Has Jazz,” and most importantly “True Love.” Bing’s duet with soon to be Princess of Monaco Grace Kelly would prove to be Bing’s last million seller, which it achieved in less than a year of its release. Another song recorded for High Society was “Well, Did You Evah” which featured the first commercially available duet between Bing and Frank Sinatra. “True Love” and “Well, Did You Evah” were invariably tied together by them being on the same single throughout most of its issuing, with “True Love” on the A-Side, effectively giving Francis Albert and the Princess of Monaco million sellers as well.

After recording these for the High Society soundtrack, Bing would make his first official recordings at Capitol Records, although for Verve. These consecutive sessions would end up producing the “Bing Sings Whilst Bregman Swings” as Bing’s response to the current popular records of the time, namely Sinatra’s “Songs For Swingin’ Lovers.” This album would become Bing’s most popular album of the ‘50s, with mostly positive reviews as well. Many people in the industry thought that songs from this album would produce Bing’s next hit, which sadly never happened. Despite never fully obtaining hit status, the album would continue to be issued over the years, and never was out of print for too long.


Then on March 15th, 1957, Bing would make his first commercial recordings with the matured Nelson Riddle on the songs “Man On Fire” and “Seven Nights A Week.” The single never became a hit, however Riddle’s arrangement style for Bing on Man On Fire would be carried on, only exoticized, to Bing and Nelson’s only album together, “Return to Paradise Islands.” “Seven Nights A Week” was a tongue and cheek parody of rock ‘n roll, while being somewhat of a rocker itself, being reminiscent of Nat King Cole’s “Mr. Cole Won’t Rock ‘n Roll.” The recordings on the single would fall into obscurity with “Man On Fire” living on somewhat by being used as the title theme of Bing’s 1957 film of the same name, and also being the only recording of the two to be officially released by Capitol on CD.

This would be the last time Bing would visit Capitol, and possibly even the last time Bing visited the Capitol Records studios for recording, until 1963 for the Great Country Hits album. Bing would go on to sell the stock of the Project Records label, and eventually some masters, to Capitol. His legacy at Capitol is not very big, but it does exist, and it started in the ‘50s, and we should remember that.



Friday, November 17, 2017

GUEST REVIEWER: MAN ON FIRE


Bing Crosby guru Bruce Kogan is back with another review. This time it's the overlooked 1957 drama Man On Fire...

The movie opens with Bing Crosby singing the Sammy Fain-Paul Francis Webster title song over the opening credits. But that's all you hear from Crosby the singer. For the first time Bing starred in a film without any singing at all.

The story involves a pair of divorced parents who have fallen out of love and are contesting the custody of their son. Crosby the father has the kid and wife Mary Fickett and her new husband Richard Eastham want him.

It's a well acted film and Crosby proves he doesn't need to sing to carry a film. His Earl Carleton is a troubled man, a loving father wounded terribly by the divorce. Mary Fickett is a loving mother who's been denied custody of her son by a hastily signed agreement at the time of her's and Bing's divorce. Her new husband Richard Eastham wants a share of custody for his wife's sake.


The point is that this is a film without villains. These are just good people caught in a bad situation trying to do the right thing as they conceive it. And in probably the best performance of her long career, Judge Anne Seymour has to decide it. The custody hearing scene in her chambers is the best acted scene in the film.

This situation may have inspired some of the situations portrayed in the current series Judging Amy. The film has an honored place in the films of Bing Crosby. A must see.

BRUCE RATING: 8 OUT OF 10
MY REVIEW: 9 OUT OF 10


Saturday, November 1, 2014

BING'S MOVIES THAT DESERVE A DVD RELEASE

With new mammoth Universal box release of some twenty Bing Crosby movies on DVD, you would think that the loyal allegiance of Bing Crosby fans would be clamoring to buy the expensive and yet seemingly extensive collection of Bing films. However, I do not think it will be the case, because all of these films have already been issued on DVD – sometimes for the fifth and sixth time. It got me thinking of the countless Bing Crosby movies that have never seen the light of day. Here are five films that in my opinion deserve to be released:



1. THE BIG BROADCAST (1932)
It is really shocking that this early musical is not on DVD yet. It was never even been issued on video. It not only was Bing’s first feature film for Paramount Studios, but it also had a huge cast of radio superstars in addition to Bing like: George Burns, Gracie Allen, Kate Smith, The Boswell Sisters, and The Mills Brothers just to name a few. Bing gets so sing some great standards as well like: “Please”, “Here Lies Love”, and “Dinah”. The old days of radio may seem outdated these days, but it is fun to see how the most important medium of 1932 worked.


2. THE STAR MAKER (1939)
This forgotten film was Bing’s first movie where he played a character based on a real person. Bing played entertainer Gus Edwards (1879-1945). Edwards did not want his life made into a movie, so they changed Bing’s name in the movie to Larry Earl. The movie did not really touch upon the songwriting ability of Gus Edwards but more about his work as a child show producer. Bing sings some great vintage numbers like “I Wonder Who’s Kissing Her Now” and “School Days” as well as singing some new songs like “An Apple For The Teacher” and “Still The Blue Birds Sing”. Again, it amazes me that such a cheerful and fun movie has not even been released on video, let alone DVD.



3. DIXIE (1943)
I do not think the film Dixie will ever see the light of day because of how racist blackface is viewed as. It is an outdated and sort of embarrassing genre of entertainment, but I believe it is a part of American history no matter how it is perceived now. Bing again played a real person, songwriter Dan Emmett (1815-1904) who wrote the popular song “Dixie”. This film was important because it was Bing’s first movie in color, and the story is actually pretty good. Aside from Bing trying to make it as a song writer and performer he had an interesting love triangle with Marjorie Reynolds and Dorothy Lamour. A nicely remastered version of this Technicolor film would be great to see.


4. MR. MUSIC (1950)
Of the five Bing films I put on this list, Mr. Music is the only film that was released on video. So it is a shame it is not on DVD. The movie is not great, and unfortunately the songs are not that memorable either, but Bing was in great voice. The film is the charming story of a lazy songwriter (another songwriting role) who is facing financial ruin if he does not start writing again. The cast included guest appearances by Groucho Marx, Peggy Lee, and Dorothy Kirsten to name a few. Bing and Kirsten duet on “Accidents Will Happen”, which is a sleeper favorite of mine, and Bing is great on the number “And You’ll Be Home”. The movie was no Holiday Inn, but it is a breezy fun movie in my opinion.



5. MAN ON FIRE (1957)
Man On Fire was one of the four films Bing made at MGM Studios. The other three were Going Hollywood (1933), High Society (1956), and That’s Entertainment (1974). This 1957 film is distinctive because it was one of the few movies Bing did not sing it. The film is a tense drama about a husband divorcing his wife and fighting for the custody of his only son. Many people do not like this dramatic side of Bing Crosby’s movie career, but I enjoy the film. TCM plays the movie from time to time, but it has yet to be released on DVD. Viewing this movie even makes me wish Bing would have done more dramas.


All five of these films are worthy to be released on DVD. Maybe in time they will be. Fortunately I have been able to get bootleg copies of all five movies, but again they deserve an official studio release…



Monday, September 12, 2011

RIP: BING'S CO-STAR IN MAN ON FIRE

You may not fully recognize the name Mary Fickett, but she appeared opposite Bing Crosby as his ex wife in Man On Fire in 1957. Mary Fickett, who also for decades played nurse Ruth Martin on "All My Children" and in 1973 won the first Emmy Award given to an actress in a daytime drama after her character made an impassioned anti-Vietnam War speech, has died. She was 83.

Fickett, who also acted in theater, film and prime-time television, died Thursday at her home in Callao, Va. ABC spokeswoman Jori Petersen confirmed Fickett's death, but the cause was not given.

"All My Children," created by Agnes Nixon, first aired Jan. 5, 1970, and soon became known for its socially relevant story lines. Nixon, who was also the show's head writer, was committed to dealing with serious subject matter, including child abuse, domestic violence, drug and alcohol addiction, the AIDS epidemic, abortion, homosexuality, racism and eating disorders.

When Ruth Martin's adopted son Phil Brent (played by Richard Hatch) was sent to Vietnam, she expressed her misgivings about the war and her concerns for his safety. Fickett's performance resulted in an Emmy in 1973, the first year the award was given to individual actors in daytime dramas.

Fickett was one of the ABC soap opera's original cast members, along with Susan Lucci as Erica Kane, Ruth Warrick as Phoebe Tyler and Ray MacDonnell as Dr. Joe Martin, who became Fickett's on-screen husband. Fickett appeared on the show from 1970 to 1995 and again from 1998 to 2000 (actress Lee Meriwether took over the role of Ruth Martin in her absence).

Although the serial's plot lines followed the ups and downs of its ever-evolving cast in fictional Pine Valley, Pa., some characters remained familiar touchstones for its loyal following.

"There has to be some core around which other people disintegrate and come together again," Fickett said in a 1995 Times story. "If the place were in chaos all the time, you wouldn't have some place to bounce off of. They've had problems — Ruth was raped, and she had an affair — but viewers want to believe that there is a core."

"All My Children," which ABC announced is going off the air Sept. 23, has dedicated its Sept. 21 episode to Fickett.

Born May 23, 1928, in Bronxville, N.Y., Fickett had an early introduction to show business. Her father, Homer, was a radio producer and director.

After attending Wheaton College and studying acting at the Neighborhood Playhouse, Fickett made her Broadway debut in 1949 in "I Know My Love." In subsequent Broadway shows in the 1950s, she replaced Deborah Kerr in "Tea and Sympathy" and received a Tony nomination for her role as Eleanor Roosevelt in "Sunrise at Campobello."

Fickett's first film role came in 1957, when she starred opposite Bing Crosby in the divorce drama "Man on Fire."

She found steady work in television in the 1950s and '60s, including the anthology programs "Kraft Theatre," "Armstrong Circle Theatre" and "The United States Steel Hour," as well as "The Edge of Night," "The Nurses" and other prime-time series. When "The Nurses" was turned into a daytime drama in 1965, she continued her role.

Fickett also co-hosted with newsman Harry Reasoner the early '60s CBS morning program "Calendar."

Her marriages to actor James Congdon and businessman Jay Leonard Scheer ended in divorce. Her third husband, soap-opera director Allen Fristoe, died in 2008.

Survivors include daughter Bronwyn "Anne" Congdon and son Kenyon Congdon, eight grandchildren and two great-grandchildren...

Tuesday, January 4, 2011

PHOTOS OF THE DAY: MAN ON FIRE

I have always had a soft spot in my heart for the forgotten Bing film MAN ON FIRE(1957). The film was Bing's second of two films he made at MGM (HIGH SOCIETY was the first in 1956). The dramatic film about how a divorce is pulling a child's life apart was not well received, but I still enjoy the movie. The cast also included great supporting work from Inger Stevens and E.G. Marshall...