Showing posts with label Margaret Christakos. Show all posts
Showing posts with label Margaret Christakos. Show all posts

Monday, November 2, 2020

Gary Barwin : Recommended Reading : Simina Banu + Margaret Christakos

Our pal (and above/ground press author) Gary Barwin was good enough to mention a couple of above/ground press titles--Simina Banu's Tomorrow, adagio (2019) and Margaret Christakos' Retreat Diary 2019 (2019)--as part of a list of "Recommended Reading" over at The Fiddlehead; thanks so much! You can see his original post and list here (including titles by Derek Beaulieu, Anthony Etherin, Gregory Betts, Mark Laba and Tanis MacDonald). As he writes:

Simina Banu: Tomorrow, adagio (above/ground press)


Mesmerizingly preternatural, strange and in the uncanny valley between senselessness music and touchingly lyric, Banu’s chapbook is a series of phonic, visual, and sometimes literal translations of Mihai Eminescu’s poetry. Set in the present and in an oblique literary past, these poems are resonant, surprising, and inventive.

Margaret Christakos: Retreat Diary 2019 (above/ground press)

This suite of poems pulsates with the vibrant intelligence, music, tactility and sense of being-in-the-world that is characteristic Christakos. The lines are energized and self-aware. We are always/already writing/reading/poeming, retreating and advancing through language. And we communicate and wrestle and dance with communication and the problem/possibility of communication through (social) media, language, received notions of self, our culture and the world.  


Monday, November 4, 2019

new from above/ground press: Retreat Diary 2019, by Margaret Christakos

Retreat  Diary  2019
Margaret Christakos
$5


as  if  repeating  the  same  song  is  a  decent
strategy  for  building  a  blue  nest  in  thin  air
Nest  that  has  found  its  mourning  in  me
Mourning  that  has  turned  on  a  lathe  like
a  long  pull-whistle  carved  in  a  small  shop
by  someone  who  had  no  grandchild  to
apprentice  &  lake  contains  the  recording
technology  to  archive  the  young  gull's  song
which  is  hysterical  by  now,  which  is  full-out
incessant,  turbulent,  frightened,  hastened,
breath-parched,  adhesive,  hopeful,  hopeless,
hope-filled,  hope-gutted,  bathed  in  hope,
drowned  in  itself  yet  delivered  to
acoustic  sky  with  muscular  chest-bobs
&  a  rotational  tour  of  the  bay's  gloss     /

published in Ottawa by above/ground press
November 2019
a/g subscribers receive a complimentary copy

Margaret Christakos
is the author of ten collections of poetry, a novel & an intergenre memoir. She performs digital photo circuits on social media to think about the poetics of direct and indirect address. Recent books include Multitudes (Coach House) and Her Paraphernalia: On Motherlines, Sex/Blood/Loss & Selfies (Book*Hug) as well as the chapbook Social Medea vs. Virtual Medusa (Gap Riot Press). Two collections are forthcoming: charger (Talon Books) and Dear Birch (Palimpsest Press). She hails from Sudbury ON & lives in Toronto.

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, February 13, 2014

The Factory Reading Series @ VERSeFest: Marilyn Irwin and Margaret Christakos, March 29, 2014!

The Factory Reading Series
as part of the fourth annual VERSeFest poetry festival presents:

The Factory Reading Series Lecture Series, two talks and readings by:

    Marilyn Irwin (Ottawa ON)
    and Margaret Christakos (Toronto ON)

lovingly hosted by rob mclennan,
Saturday, March 29, 2014
FREE ADMISSION!
4pm at The Mercury Lounge, 56 Byward Market Square, Ottawa
check the VERSeFest link for the full schedule of events!
March 25-30, 2013


The winner of Arc Poetry Magazine’s 2013 Diana Brebner Prize, Marilyn Irwin’s work has been published by above/ground press, Arc, Bywords, and New American Writing. A graduate of Algonquin College’s Creative Writing program, she has three chapbooks: for when you pick daisies (2010), flicker (2012), and little nothings (2012).

Margaret Christakos [pictured] is an accomplished Canadian poet and fiction writer who has published nine collections of poetry and a novel. Her most recent collections are Multitudes, from Coach House Books in Fall 2013, and Welling, Your Scrivener Press (2010, a Globe 100 Book). Previous books include What Stirs (2008) and Sooner (2005), from Coach House, both nominated for the Pat Lowther Memorial Award; Excessive Love Prostheses, winner of the ReLit Award (Coach House, 2002); and Charisma, a novel from Pedlar in 2000, shortlisted for the Ontario Trillium Book Award. She has also been the recipient of the Bliss Carman Award for Poetry. Christakos is anthologized in Prismatic Publics: Innovative Canadian Women’s Poetry and Poetics (Coach House, 2009), White Ink: Poems on Mothers and Motherhood (Demeter Press, 2007), Plural Desires: Writing Bisexual Women’s Realities (Sister Vision, 1995) and ditch: the anthology (online at www.ditchpoetry.com/anthology.htm). Her chapbooks include My Girlish Feast (Belladonna, 2007), Retreat Diary (Book Thug, 2007), Adult Video (Nomados, 2008) and Something Inside Me (in case of emergency press, 2008). She was CC Writer in Residence at the University of Windsor in 2004-05 and has delivered poetry seminars, workshops and readings across Canada and in the U.S. as a visiting poet and speaker since 1989. She has received significant arts grant support from provincial and federal arts councils, and, in 2012, she was the recipient of a major Chalmers Arts Fellowship. Born and raised in Sudbury, she lives in Toronto.