Showing posts with label Stephen Collis. Show all posts
Showing posts with label Stephen Collis. Show all posts

Friday, November 10, 2023

new from above/ground press: Gardens in Motion, by Stephen Collis

Gardens in Motion
Stephen Collis
$5


went out to walk at plant pace

long arcing stride of rubus stepping canes

coastal rainforest zone Pacific mists

to berry and behold

if we ever come this way again the seeds were saying

sown on the wind and trampled on the trail

gut carried and shat forward

mycelium inching beneath the forest’s shifting fringe

some forgotten corner of the holy forest

bees’ jet-black bodies and blue iridescent wings  

time lapse and our lapse in timing

no future as sure as less abundant being
published in Ottawa by above/ground press
November 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy

Stephen Collis'
many books include Almost Islands and A History of the Theories of Rain. Most recently he edited A Dream in the Eye: the Complete Paintings and Collages of Phyllis Webb. He lives near Vancouver and teaches at Simon Fraser University.

This is Collis’s third title with above/ground press, after NEW LIFE (2016) and FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN (2017).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Saturday, January 22, 2022

new from above/ground press: Calling to the Sun: Poems for Isabella Wang

Calling to the Sun: Poems for Isabella Wang
edited by Stephen Collis
$5

with contributions by:
Manahil Bandukwala
Otoniya J. Okot Bitek
Yvonne Blomer
Stephen Collis
Zoe Dagneault
Diana Hayes
Erica Hiroko Isomura
Fiona Tinwei Lam
Jen Sookfong Lee
Natalie Lim
Tanis MacDonald
rob mclennan
Hasan Namir
Chimedum Ohaegbu
Tolu Oloruntoba
Arleen Paré
Rob Taylor

Towards the end of 2021 many of us in the Canadian poetry community learned of Isabella Wang’s illness. In a short period of time, this young poet’s generosity and enthusiasm has touched and moved so many—I joke sometimes, that I’ve yet to find a poet who doesn’t already know Isabella. What can we do for our sick friend? This little collection is one thing—poets singing out to encourage, to let her know we are here, that we love her, that we need her remarkable poetic voice, and that we will keep her in our thoughts and hearts until she is well again. Dear Isabella, we hope you find something here to pick you up and fortify you for the journey you are on. At the very least, remember: this is where you belong, amongst the poets, in the long conversation poetry entails. From your beautiful Pebble Swing to all the books you still have to write, we are waiting to continue this conversation.
—Stephen Collis

published in Ottawa by above/ground press
January 2022
a/g subscribers receive a complimentary copy

Contributors:

Manahil Bandukwala
is a writer and artist. She loves love poems.

Otoniya J. Okot Bitek is a poet. She lives on the traditional and ancestral lands of the Anishnabe and Haudensaunee people in Kingston.

Yvonne Blomer (she/her) lives in Victoria, BC on Lək̓ʷəŋən territory. The Last Show on Earth, her fifth book of poetry, is forthcoming with Caitlin Press in 2022. She was Victoria’s poet laureate from 2015-2018. www.yvonneblomer.com

Stephen Collis is the author, most recently, of A History of the Theories of Rain (Talonbooks 2021).

Zoe Dagneault is a poet completing her Masters of Fine Arts at the University of British Columbia. She Lives with her family on the territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səl̓ilwətaɁɬ.

Diana Hayes was born in Toronto and has lived on both coasts of Canada. She received her BA (UVIC and MFA (UBC) in creative writing and has six published books of poetry, most recently Gold in the Shadow: Twenty-Two Ghazals and a Cento for Phyllis Webb. www.dianahayes.com

Erica Hiroko Isomura is an essayist, poet, cultural producer, and a Scorpio.

Fiona Tinwei Lam has published three poetry collections and a children’s book, co-edited two nonfiction anthologies and edited The Bright Well: Contemporary Canadian Poems on Facing Cancer. Isabella was the youngest student to attend a poetry course at SFU Continuing Studies co-taught by Fiona and Evelyn Lau. Isabella’s enthusiasm and devotion to poetry made an indelible impression on everyone.

Jen Sookfong Lee is the author of The Conjoined, nominated for the International Dublin Literary Award and a finalist for the Ethel Wilson Fiction Prize, and The Better Mother, a finalist for the City of Vancouver Book Award. She is an acquiring editor for ECW Press and co-hosts the literary podcast Can’t Lit.

Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musquem, Squamish and Tsleil-Waututh peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and her debut chapbook, arrhythmia, is forthcoming from Rahila's Ghost Press in early 2022.

Tanis MacDonald is the author of seven books and a free-range literary animal. She lives in Waterloo, Ontario, and first met Isabella at a reading for The New Quarterly.

rob mclennan lives in Ottawa, despite being born there. His latest collection is the book of smaller (University of Calgary Press 2022). He has not actually met Isabella Wang in person yet, but a chapbook of hers is forthcoming through his above/ground press.

Hasan Namir is an Iraqi-Canadian author and poet.

Chimedum Ohaegbu
is an editor with Uncanny Magazine, a poet, and a writer of speculative fiction. As far as she can recall—though her memory’s fuzzy—she met Isabella at her (Chimedum’s) very first reading, and felt encouraged immediately.

Tolu Oloruntoba is a writer from Nigeria that now lives and works in the metro area of Coast Salish lands known as Vancouver. His new poetry collection, Each One a Furnace, is forthcoming from McClelland & Stewart in Spring 2022.

Arleen Paré is a Victoria writer with eight collections of poetry, including a recent chapbook.  She has been short-listed for the BC Dorothy Livesay BC Award for Poetry and has won the American Golden Crown Award for Poetry, the Victoria Butler Book Prize, a CBC Bookie Award, and a Governor Generals’ Award for Poetry.

Rob Taylor taught Isabella Wang in her first creative writing class. He thought, “That person is very talented and possesses a frightening level of enthusiasm. They will go far,” and he’s very pleased to see that’s proven true.

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Thursday, June 13, 2019

the Vancouver launch of Rob Manery's SOME magazine, June 23, 2019 w Stephen Collis, Nicole Markotić etc

above/ground press authors Stephen Collis and Nicole Markotić read along with Michael Barnholden, Ted Byrne, Louis Cabri, Clint Burnham and Catriona Strang in Vancouver on Sunday, June 23, 2019 as part of the launch of the debut issue of Rob Manery's new poetry journal, SOME magazine. Further details on where and how to pick up an issue once that becomes available.

Tuesday, April 23, 2019

The Café Review "Canadian issue" launch: Anstee, Clayton, Hall, Weaver, Hogg + Turnbull

above/ground press authors Cameron Anstee, Conyer Clayton, Phil Hall, Andy Weaver and Chris Turnbull read alongside poets Sandra Ridley and Bruce Whiteman in Ottawa as part of the launch of the "Canadian issue" of Maine's The Café Review.

Guest-edited by poet and above/ground press author Robert Hogg, the issue features new poetry by multiple above/ground press authors (highlighted) and non-authors alike, including Cameron Anstee, Nelson Ball, bill bissett, Conyer Clayton, Stephen Collis, Neil Flowers, Phil Hall, Daphne Marlatt, Don McKay, Barry McKinnon, Sandra Ridley, Armand Garnet Ruffo, Carolyn Smart, Sharon Thesen, Aaron Tucker, Chris Turnbull, Andy Weaver and Bruce Whiteman. This issue also features work by artists Jim Andrews and Judith Copithorne with a review by Dana Wilde.

Saturday, May 11, 2019
2-4:30pm
Bar Robo: 692 Somerset St W, Ottawa


Friday, December 7, 2018

Esther Chen reviews Kyle Flemmer's ASTRAL PROJECTION (2017) and Stephen Collis' FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN (2017) online at PRISM International

Thanks to Kyle Flemmer catching such online yesterday through a random Google search, I've found out that Esther Chen reviewed two above/ground press titles this past summer over at PRISM International: Kyle Flemmer's ASTRAL PROJECTION (2017) and Stephen Collis' FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN (2017). Thanks so much! You can see the original review here. This is actually the third review of Flemmer's ASTRAL PROJECTION (after Scott Bryson reviewed such over at Broken Pencil, and Greg Bem reviewed such via Yellow Rabbits) and the second review of Collis' chapbook (after Cary Fagan's generous review on his blog). And of course, copies of both titles (as well as their other above/ground press chapbooks) are still very much available.
ASTRAL PROJECTION by Kyle Flemmer
above/ground press


Defined, “astral projection” refers to the term used to describe a willful out-of-body experience during which the astral body leaves the physical body and travels to the astral plane. The poems in Flemmer’s newest chapbook follow suit. ASTRAL PROJECTION reads curiously, pushing the limits of form, leaving the traditional body of what we think of when we think “poetry” in favour of white space, splatters of text, and hanging brackets. Reading through each piece is an exercise in letting go of the concrete, of certainty. The lines break unexpectedly, jumping from left to right and back again, at times reading both left to right and top to bottom. Mentions of Greek mythology add to the sense of otherworldliness. It is tempting to try to find visual patterns in the spaces of text and blankness, to try to find some familiar form or stanza in which to ground yourself. Instead, Flemmer creates in this book a unique space for the reader to float through the pieces, light.

FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN by Stephen Collis
above/ground press


Stephen Collis’s chapbook FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN is comprised of a single, long, twisting poem that oscillates between passionate and resigned, rambling yet brimming with a sure intention. The poem opens by cutting right to the chase, setting the scene of “a universe we / No longer have to search the limits of / the revolutionary subject lies elsewhere” and asks “can we revive?” The tone is restless, that of a racing, intelligent mind: “Late now. Sound of the furnace. Cathy out. Girls asleep. / Take apart all ideas plans and structures again and again.” There is a throughline of righteous anger: at contemporary culture, at the recursive loop pattern of living, at the corruption of art. Open brackets following open brackets and repeating loops of text add to the sense that the speaker is ruminating over these musings, spiralling deeper and deeper, opening box after box. Throughout the piece, Collis maintains a stream of consciousness that is the opposite of messy, the lines hold a straight-edged coherence, clean yet urgent. While a shorter book than other chapbooks out there, Collis’s is an important piece that drives one to question their own artistry (“what is poetry if money is information?”), to pick apart and think, to write and write and write. “Writing as problem solving…” Collis pens at one point, “…in the age of insoluble problems.”

Monday, February 19, 2018

Greg Bem reviews Stephen Collis’ NEW LIFE (2016)

Our pal Greg Bem was good enough to provide the first review for Stephen Collis’ NEW LIFE (2016) at Goodreads. Thanks so much! You can see the original review here.
Stephen Collis, known for an activation of activism among and beyond the Canadian paradigm, brings forth a handful of new ideas and frames for approaching and appreciating the process of social life in the contemporary discourse/discord. Collis's poems here meet the standard and expectations of the majority of his work, but fall slightly flat in their compactness. The poems are certainly enjoyable and provocative, but fail to resonate with the louder bang+crunch of works that find appropriate space and context within a larger work. Still, as a brief glimpse, a shortened assortment, the book does stand on its own and deserves a read despite the want for it to be supplemental to a definite, greater significance (proven elsewhere and beyond by Collis himself).

Wednesday, September 20, 2017

above/ground press at Word on the Street, Toronto + Vancouver; September 24,

above/ground press will be represented at both the Toronto and Vancouver editions of this year's Word on the Street! Thanks much to WOTS, as well as The League of Canadian Poets, for their continued support:

Toronto: Head on over to The League of Canadian Poets booth, Writers Block Table 12, and pick up a copy of an above/ground press broadside! I really dug through the archives for this one, pulling out poems published throughout the past fifteen years, and there will be a whole mound of poems and authors to choose from, including poems old and new by derek beaulieu, Sandra Ridley, rob mclennan, Eric Schmaltz, Fred Wah, Gwendolyn Guth and a slew of others. Get them while supplies last!

Vancouver: Stephen Collis will be reading as part of the Vancouver launch of his chapbook FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN! He, of course, will have copies of the chapbook on-hand for anyone interested.

Tuesday, March 28, 2017

Cary Fagan reviews Stephen Collis, FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN (2017)



Toronto writer Cary Fagan was good enough to provide the first review for Stephen Collis’ FIRST SKETCH OF A POEM IWILL NOT HAVE WRITTEN (2017) over at his Bodies and Words. Thanks much! You can see Fagan’s post here. As he writes:

Stephen Collis, First Sketch of a Poem I Will Not Have Written.  Ottawa, above/ground press, 2017.
abovegroundpress.blogsplot.com

An emotion not felt so often in poetry is anger.  But I certainly feel it in Stephen Collis’ long poem (something above 150 lines) – anger at contemporary culture, at the stubbornness of capitalism, and perhaps at the corruption of poetry itself.  It’s full of interesting contradictions, the main one for me being that it is no flag-waving manifesto or populist call to the masses but instead intricate, fragmented, and often as not difficult.

At borders, frontiers, reaching
into the historical moment of listening
to insurrection and speech /
spur and limit
in place of the street / we have Facebook
Google is a universe we
No longer have to search the limits of
the revolutionary subject lies elsewhere
can we revive?

Sometimes he sounds like a tired and aging, but still raging lefty, hating the opium of the internet and pop songs that “tell us / nothing” (surely an unfair generalization these days).  He might be in an old-fashioned working man’s tavern, talking to a half-listening friend (“and sometimes David when I say politics / I mean poetics”), feeling defeated but with still some of the old energy in him.  His thoughts jump around, as if he might be half drunk or falling asleep-

swing low
Campanera. Missing. Cellphone. Rift. Blank. Space. Rosebud.
What body is general? Autonomous?
Gras. Roots. Bit. Torrent. Detainees. No one.  Illegal.

There’s another moment when a name is mentioned, likely a wife or partner: “Late now. Sound of the furnace. Cathy out. Girls asleep.”  This also gives the impression of a restless and unhappy soul wrestling with defeats and losses in the dark hours. But the lines always have a clean, sharp edge, expressing an intelligent consciousness that feels to me trapped inside a spiral of argument, trying to find a way out:

I ponder Empedocles and volcanos
the history of the oppressed
“If you go out and look for the economy
it is hard to find”
desire to become cosmos
to live in the limitless
connection of all things

As I read I began to expect some kind of uplift or release, some hope in the end, if faint or bleary.  Instead the poem ends in cynicism or perhaps just resignation: “god didn’t die / he was translated into money”.  But I took this as a momentary feeling, as if another moment chosen (five minutes before, one minute after) might have given us a different ending, a sense that the fight – in the street and on the page – must go on.

Tuesday, March 21, 2017

new from above/ground press: The Peter F Yacht Club #25; VERSeFest special!

The Peter F Yacht Club #25
VERSeFest 2017 special

edited by rob mclennan
$6


With new writing by a host of Peter F Yacht Club regulars, irregulars and VERSeFest 2017 participants, including Cameron Anstee, Frances Boyle, Jason Christie, Stephen Collis, Anita Dolman, Amanda Earl, Patrick Friesen, Lea Graham, Marilyn Irwin, Gil McElroy, rob mclennan, Uxío Novoneyra, trans. Erín Moure, Pearl Pirie, Roland Prevost, D.S. Stymiest and Janice Tokar.

published in Ottawa by above/ground press
March 2017
a/g subscribers receive a complimentary copy
[a small stack of copies will be distributed free as part of the fifth annual VERSeFest, March 21-26, 2017]


To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com

Friday, March 10, 2017

new from above/ground press: Stephen Collis, FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN

FIRST SKETCH OF A POEM I WILL NOT HAVE WRITTEN
Stephen Collis
$4


At borders, frontiers, reaching
into the historical moment of listening
to insurrection and speech /
spur and limit
in place of the street / we have Facebook
Google is a universe we
No longer have to search the limits of
the revolutionary subject lies elsewhere
can we revive?
Make a small table set
in verse
a vocal reaching out to,
(and much else
allowed to sinew strength in solidarity as
in digital life we are dead as bodies already
and almost unthinkable technological waste accrues
the pop songs tell us
nothing but the nothing
we have always needed to know
so why not
nuestra arma / nuestra palabra
and what is poetry if money is information?
Cold last night, brain in its envelope, sealed
the struggle for the end of roles rolling on
(the black cap chickadees taking it up at dawn
and sometimes David when I say politics
I mean poetics
swing low
Campanera. Missing. Cellphone. Rift. Blank. Space. Rosebud.
What body is general? Autonomous?
Grass. Roots. Bit. Torrent. Detainees. No one. Illegal.
identity and difference / singular plural
to be small leavings, trace, humble solidarity with all struggles
writing as problem solving /
in the age of insoluble problems

published in Ottawa by above/ground press
March 2017
a/g subscribers receive a complimentary copy

Stephen Collis’s
many books of poetry include The Commons (Talon Books 2008; 2014), On the Material (Talon Books 2010—awarded the BC Book Prize for Poetry), DECOMP (with Jordan Scott—Coach House 2013), and Once in Blockadia (Talon Books 2016). He has also written two books of literary criticism, a book of essays on the Occupy Movement, and a novel. In 2014 he was sued for $5.6 million by US energy giant Kinder Morgan, whose lawyers read his writing in court as “evidence.” He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.

[Produced for Collis’s participation in Ottawa's 7th annual VERSeFest, March 21-26]

This is Collis’s second title with above/ground press, after NEW LIFE (2016).

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9 or paypal at www.robmclennan.blogspot.com