My stack o'squares is growing. I've been randomly making the blue or white squares to add interest but haven't yet looked into how to make the the two-colour ones or tried stitching the snowflake. 

Hello, old friend

 The title applies to both my spinning wheel and my Zoom Loom. It's been too long since I used either.

I finished spinning the white mystery fleece. It's not as consistent as I'd like and parts of it are a little thin but it's OK and I do have around 200yds which I think is what I need.

I did enjoy doing the longdraw. It's a fast way to spin and when it goes right it's very satisfying and produces a nice bouncy yarn. I began by pulling handfuls from my nests but I found it went better if I took the trouble to pull it out a bit and roll it around a 1" rod to make rolags, then pinch off sections as I spun. 

With the white finished and wound into balls, it was time to reacquaint myself with the Zoom Loom. The instructions are clear but the first square took a little longer than I remembered. However, I did remember to wind the first layers with no tension at all, because the weaving tightens them up and can get difficult when you reach the end. I'm sure I'll get faster at making them, but with 48 to produce, and learning how to use two colours, I won't be wearing my scarf until the Spring!

Back to spinning!

 If you've seen the January '25 issue of HSN then you'll know that I'm quite taken by the Snow Queen Snood.

I'm itching to do some spinning because I've been occupied for months now on a knitting project. It's quite relaxing to do late at night now that I've reached the body, which is long rows of stockinette with a short section of lace at each end. But all the same, it's going to take ages to finish. (Especially if I get distracted by other projects. Monogamous? Me? Never!)

The snood is a Zoom Loom project (or other square pin loom). I'm also keen to use that tool again. It's a quick and fun way to use handspun yarn. 

I had a rummage and found this yarn, left over from my Fulton Shrug. I bought the yarn (undyed) from my friend Jenn at fibreworkshop.co.uk. She studied the Norfolk Horn breed, found local flocks, bought the fleece and had it processed and spun.  It really is beautiful yarn. I asked Freyalyn to dye it for me in teal.  My phone's camera doesn't like the colour and tried to correct it to grey. I've done my best to correct it to something like how it looks in real life.

I also found these nests which are obviously fleece that I've processed myself. I've lost track of where it came from. It may be the last of this fleece but I'm not sure about that. It's not particularly fine and I think it will match the Norfolk Horn quite well if spun to the same thickness. 

I'm not sure whether the quantity I have here is enough. A quick calculation based on 8 yards per Zoom Loom square means that I'll need around 380 yards of yarn altogether (blue and white). I guess I have plenty of the blue, probably not the white. I'll make the yarn and see what I have. It may mean altering the pattern (more of the plain blue squares).

I'm trying to spin longdraw, since the Norfolk Horn yarn is very bouncy. I'm having to pick out some VM as I go. 

casting on Madragoa

A few months ago Mum was given a bag containing a half-finished project and the accompanying balls of yarn. 

It was of interest to me because the yarn felt really special. I've temporarily misplaced the other balls and can't check a label but it has a good percentage of real wool.

The natural first thought was to complete the project but there were some problems with that. Several patterns were present but we couldn't establish which was being used. There were some mistakes in the work, and it was obviously being made to a specific size which would be unlikely to fit either of us. 

So I decided to use the yarn to knit a similar cardy in a style and size to suit me. I'm not sure how far the unopened balls will go, whether I'll have to also unravel the unfinished work, or even whether there's enough yarn to finish what I've chosen, but I've started anyway! (I have chosen something very open and light, so I think the yarn should go a long way.)

The pattern I've chosen is Madragoa by Filipa Carneiro. By coincidence the pattern shows one in a very similar colour but the style is one that I'll want to wear. The construction isn't straightforward but this is a plus because it keeps it interesting.  You start with the lacework at the back of the collar with a provisional cast-on, work so far one way and hold the stitches, then work from the provisional cast-on the other way for the same distance before adding picked-up stitches along the side of what you've done. That's where I'm at, and you can see that I'm about to add the markers.

'jelly roll' placemats finished

 I fell in love with this project when I saw it:

Schact's pattern is here.

I'm not a sewer and wasn't familiar with the term 'jelly roll' but the idea of weaving scraps of fabric cut into strips with a thin cotton warp appealed to me.

Mum had been given some cotton which she had tried to crochet. I felt it was perfect for my project and the quantity seemed about right, so she was happy to pass that on. After a rummage in my rag bag and not finding the colourful fabric I thought I might find there, she also sent me some scraps including a skirt which was perfect.

I'm not one for following patterns to the letter. I used the heddle that seemed most suitable which I think is an 8-dent. My rigid-heddle loom is the smaller (12") width. These pictures show the warping and the cotton.

I had to learn to hemstitch and I'm glad I have that skill under my belt now.

I wasn't particular about cutting the strips of fabric. The pattern gives 5/8" as the width of the 'jelly roll' strips, so I tried to bear that in mind but in reality it varied a bit. Of course it was going to roll so I didn't think a rough edge would matter, and it didn't.

I enjoyed the weaving very much. My selvedges became neater and the pull-in became less as I got through the four placemats that I'd planned. When I lost track of whether the heddle should be up or down, it was soon obvious, as you can see in the picture above, and was easy to backtrack.

The palette and pattern in the skirt played out nicely in the weaving. Most of the time it was compliant and rolled nicely so you see the right side of the material whichever way up the mat is.

More by luck than judgement, both the warp and the weft lasted almost exactly for the four mats, which 13.5", a size I decided on when the first one looked about right.

Here they are finished and in use. 

Spellcaster socks - finished

When Pantone announced the colour of the year for 2024, I realised that I had to get a wiggle on and finish these socks before Viva Magenta stopped being the colour of the year.

I love the colour and the pattern. The problems have been distractions by other projects and a new craft and the fact that spinning a 3-ply yarn by spindle took a long time. (A habit such as #spin15aday could have really helped here.)

The fibre is 'Aries' from the Fibre Hut, a wool/silk mix (which I can no longer see on the Fibre Hut site but is available from World of Wool). It was the closest colour I could find at the time to Viva Magenta. Hopefully the silk will give the yarn some strength. It's 3-ply and I tried to spin the singles more tighly than usual.  

The pattern is Spellcaster Adventure Socks by Clair Wyvern. Many of the pattern choices are made with the roll of a die, so no two pairs will be alike. This is a great idea which I enjoyed very much and I'll look for more such patterns.

I did make a mistake on the second sock, the very last of the triangular patterns isn't the right one. That's not very obvious and I was so keen to get them finished in time for the holiday that I didn't want to rip back and repeat so many rounds. 

A tip for anyone making these socks is that if you roll the 'added chaos' option of knitting the charts upside-down as I did, then the cable crossings as charted don't work. It's kinda noted in the pattern and obvious with hindsight but I didn't spot that when I started. I *think* left crosses have to be right crosses and vice versa, but it makes my head hurt to try to visualise it.  Either way, I didn't reverse the direction of my cables and they didn't really work as intended. I didn't realise this until halfway down the first sock and continued with what I was doing. 

West of House, a cross stitch pattern by Clue of the Broken Needle

 I wasn't able to share my progress with this because I made it for my partner's birthday. He now has it, so I'm free to tell you all about it.

Here's the finished project in daylight (above) and in the dark (below)

If the location 'West of House' and the hidden warning about being eaten by a grue mean nothing to you, this is all from a text adventure game called Zork from 1977.  

The pattern is called West of House and is by The Clue of the Broken Needle. 

This is my first foray into cross stitch. Luckily I had a couple of cross-stitching friends who were willing to give me lots of advice and of course Youtube has all the help you need on any subject.

I did buy things that I didn't need though. After buying a hoop and then buying a q-snap frame I then heard someone use the phrase 'stitching in hand' and discovered that you don't need a hoop or frame at all and that holding the fabric in your hand is way quicker and easier.

The title and first few stitches seemed to go very quickly and so I entertained ideas about finishing it in good time and then making another for myself. 

However, there are 4083 stitches altogether and I only just managed to finish it in time for the birthday!

The hidden message is very clever. You can buy glow-in-the-dark embroidery floss, which looks white in daylight. 

Then as you fill in the space using regular white floss, the letters disappear! 

I loved doing it. I became better at the stitching as time went on and will definitely do more cross-stitching!